Ceramics Monthly Ceramics Monthly Volume 30, Number 5 May 1982
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Bachelor of Science in Art History and Theory Thesis Reframing Tradition
Bachelor of Science in Art History and Theory Thesis Reframing Tradition in Modern Japanese Ceramics of the Postwar Period Comparison of a Vase by Hamada Shōji and a Jar by Kitaōji Rosanjin Grant Akiyama Submitted in partial satisfaction of the requirement for the degree of Bachelor of Science in Art History and Theory, School of Art and Design Division of Art History New York State College of Ceramics at Alfred University Alfred, New York 2017 Grant Akiyama, BS Dr. Hope Marie Childers, Thesis Advisor Acknowledgements I could not have completed this work without the patience and wisdom of my advisor, Dr. Hope Marie Childers. I thank Dr. Meghen Jones for her insights and expertise; her class on East Asian crafts rekindled my interest in studying Japanese ceramics. Additionally, I am grateful to the entire Division of Art History. I thank Dr. Mary McInnes for the rigorous and unique classroom experience. I thank Dr. Kate Dimitrova for her precision and introduction to art historical methods and theories. I thank Dr. Gerar Edizel for our thought-provoking conversations. I extend gratitude to the libraries at Alfred University and the collections at the Alfred Ceramic Art Museum. They were invaluable resources in this research. I thank the Curator of Collections and Director of Research, Susan Kowalczyk, for access to the museum’s collections and records. I thank family and friends for the support and encouragement they provided these past five years at Alfred University. I could not have made it without them. Following the 1950s, Hamada and Rosanjin were pivotal figures in the discourse of American and Japanese ceramics. -
Auction Results SA240421 Saturday, 24 April 2021
Auction Results SA240421 Saturday, 24 April 2021 Lot No Description 2 A Victorian blue and white transfer meat plate liner printed with dog rose border to/w various other ceramics, including Royal £25.00 Worcester Astley coffee service, jasper ware, Japanese eggshell coffee service etc (box) 4 Two cut-glass ring-neck decanters and stoppers to/w three claret jugs with ep tops and give various other decanters (box) £70.00 5 Studio glass lustrous vase, signed Siddy Langley 1997 to/w an Imari cache-pot, Victorian china fruit dishes with matching £85.00 sauce tureens, Denby fruit bowl etc (box) 6 Two boxed Bilston enamel Easter eggs to/w two patch-boxes and two Halcyon Days boxes, lot also includes Victorian £65.00 rosewood tea caddy, coach lamp and eight various pewter mugs (box) 8 A Victorian Shelley blue and white cylindrical vase printed with dragons to/w various collectables including silver oddments, £40.00 Pathescope Ace projector, three Decca Toytown gramophone records, candles etc (box) 9 AnA Clarice 18th century Cliff honey-glazed style enamel dinner box with service hinged with cover, green painted banded with decoration, courting couples37 pieces in includingArcadian tureenssettings, and 9.5 cover cm wide to/w a £40.00 10 (possibly) Capodimonte box with painted interior to lid depicting 18th century family scene, Royal Doulton terrier cleaning £110.00 plate HN1158, Karl Ens owl, Dresden floral-painted heart-shaped pin-dish and an advertising jug for Worthingtons beer 11 A PottschapelMeakin pottery (Dresden) 'Nordic' Carlpattern -
Michael Cardew – (1901-1983)
MICHAEL CARDEW – (1901-1983) The names of Michael Cardew and Bernard Leach are almost invariably linked. Cardew was Leach‟s “first and best student”1 and Cardew stated that his three years at St. Ives were “the most important part of my education as a potter.”2 Yet the two men were very different, both personally and artistically, and Cardew‟s legacy to the world of ceramic art stands firmly on its own. Among the highlights of his long career are his establishment of potteries in England which revitalized the English slipware tradition, and the parallel establishment of potteries in Africa where he introduced the methods of Leach and in return brought to the western world the traditions of African pottery. He is also noted as a gifted teacher, one who led by example rather than formal instruction, and whose total and passionate involvement with pottery left a lasting impression on his students and apprentices. Cardew authored a number of articles, and his Pioneer Pottery, a classic in the field, is still being reprinted. 1. Bernard Leach. “Introduction.” Michael Cardew: A Collection of Essays. London: Crafts Advisory Committee, 1976. 2. Michael Cardew. A Pioneer Potter: an Autobiography. London: Collins, 1988 ARTIST’S STATEMENT - MICHAEL CARDEW “If you are lucky, and if you live long enough, and if you trust your materials and you trust your instincts, you will see things of beauty growing up in front of you, without you having anything to do with it.”1 “ You see, nobody can teach anybody anything, you must teach yourself. You just keep trying and repeating a shape and then you begin to feel confident…yes, yes, I can do this. -
Gb 0085 00/255,00/261,00/336,00/340,00/379,00/448
GB 0085 00/255,00/261,00/336,00/340,00/379,00/448 Hammersmith and Fulham Archives and Local History Centre This catalogue was digitised by The National Archives as part of the National Register of Archives digitisation project NRA 16821 The National Archives ACCESSION NUMBER: 255 SHORT TITLE: Eecords relating to the Fulhara Pottery, I865-I968 /255/1-67 - REFERENCE: DD su s&)zMi v-W pajilfc PROVENANCE: Court, Ref. 52:l£ Description DD/255/ 1 Jan.1906 - Jan.1921 Private ledger; indexed 2 Apr.1933 - Jan.1942 Ledger No.7; indexed 3 Sep.1925 - Mar.1945 Bought ledger No.2; indexed 4 July 1928 - Mar.I942 Country ledger No.l; indexed 5 Apr.1933 - Mar.1942 Town ledger; indexed 6 Jan.1926 - Sep.1928 Day book No.8 7 June 1934 - Tune 1938 Country day book No.11 8 Apr.3.948 - Feb. 1951 Pottery sales day book 9 Feb.1947 - Nov.1953 Day book [exports] j?* ( k v I 10 Oct,1942 - Apr.1946 Cash book 11 Dec.1950 - July 1953 Subsidiary cash book 12 July 1953 - Nov.1955 Subsidiary cash book 13 Feb.1891 - Sep.I89I Letter book; indexed 14 Oct.I898 - Jan.1900 Letter book; indexed X 15 4 Oct.1928 Articles of association: The Fulham Pottery and Cheavin Filter Co.Ltd. Ref. Date Description DD/255/ I6/1-10 16/1 22 July 1870 Envelope addressed to C. Bailey containing: 16/2 22 July 1870 Letter Debenham, Tewson and Farmer, 80 Cheapside to C. Bailey, Fulharo Pottery Enclose duplicate copy of report 16/3 ND [July 1870] Duplicate report and valuation, Dec.I865 Debenham, Tewson and Farmer, 80 Cheapside DO Messrs. -
New Zealand Potter Volume 29 Number 2 1987
New Zealand Potter ‘ Volume 29, Number 2, 1987 coon NEWS / New Zealand Potter FOR Volume 29, Number 2, 1987 iiz ISSN POTI'ERS 0028—8608 Price $5.50 includes GST Cover: Royce McGlashen “Just Teasing” porcelain. Photo by Haru Sameshima Kevin Griffin is pleased to announce that CONTENTS he has taken Editor: Howard Williams over the business of Design: Warren Matthews General Manager: 2 Through the Filter Press t5‘le)f/‘L McSkimming’s Clay Des Thompson 3 Letters to the Editor 4 NZSP Insurance Scheme — Stephen Western and as owner/ operator, that it will A Communication Associates Ltd 5 Exhibition Calendar rot“ publication, also publishers of the 6 Penny Evans and Julie COHiS New Zealand Journal onriculture 8 Up the Creek with Barry 7 Peter Lange operate under the new name . and the New Zealand Gardener. 11 Neil Gardiner MM” 12 Fletcher Challenge Pottery Award 1987 NM 14 Another Viewpoint — Howard S. Williams 15 Gisborne Summer Craft School / 16 Nelson Potters Summer Exhibition 18 The Rim 7 Michael Hieber Distribution: Direct 2] Firing while you sleep from the PllbliSher 3} 22 Don’t Lift by the Handles 7 Joanna Paul P-O- BOX 2505’ Christchurch 23 NZSP 29th National Exhibition SOUTHERN CLAYS After AUZUS‘ 1937, from: 26 Wellington Potters 29th Annual Exhibition P-O- Box 381’ 29 Overseazure PROCESSCRS & SUPPLIERS OF POTTERY CLAY II — Barry Brickell Auckland. 36 Art Awards 37 Vic Evans — Peter Gibbs Typeset and produced by Communication Associates Ltd, 39 Jerry Rothman School 40 Colin Pearson 210 Antigua St., Christchurch. — Leo King 42 Collectors Gallery — Peter Gibbs Printed by Potters Market Wyatt & Wilson Limited AVAILABLE FROM: Christchurch South Street Gallery C.C.G. -
Antiques, Fine Art & Collectables Auction
1 ANTIQUES, FINE ART & COLLECTABLES AUCTION Saturday 11th February 2017 2 Front Cover Image: Lot 205 A large Martin Brothers spoon warmer Inside Front Cover Image: Lot 546 Andrea Carlo Lucchesi Back Page Image: Lot 301 A pair of Royal Worcester vases with covers JOIN US FOR OUR NEXT SALE ANTIQUES, FINE ART & COLLECTABLES AUCTION SATURDAY 17TH JUNE 2017 ENTRIES NOW INVITED 3 ANTIQUES, FINE ART & COLLECTABLES AUCTION To be held at: LIFFORD HALL LOWER GREEN BROADWAY WORCESTERSHIRE WR12 7BU SATURDAY 11TH FEBRUARY 2017 10.30am Viewing Thursday 9th February 2017– 6.00pm – 8.00pm Friday 10th February 2017 – 10.00am – 7.00pm Day of Sale - From 8.30am or by appointment Day of the Sale The auction is scheduled to start at 10.30am. Bids will only be accepted from registered bidders. Please ensure you obtain a paddle number on arrival. You will need to be registered before the sale. Live internet bidding is available on www.the-saleroom.com together with the fully illustrated online catalogue. Catalogue £10.00 (£12.00 by post) Kingham & Orme Auctioneers Ltd (Office address) 10 The Green, Broadway, Worcestershire WR12 7AA Kingham & Orme Auctioneers Ltd (Collection address) Avondale Storage, Hinton Road, Childswickham, Broadway, Worcestershire WR12 7HZ (NB: Please telephone to arrange collection). Telephone: 01386 244224 Mobile: 07973 207096 / 07976 919836 Email: [email protected] Website: www.kinghamandorme.com 4 MAP AND DIRECTIONS Our valuation office and Auction site are in the pretty village of Broadway in the Cotswolds. By Car We are centrally located in reach of motorways the M5, M4, M40, M42, a short way from the A44 By Rail The local train stations are Evesham, Moreton-in-the- Marsh and Honeybourne, all within a few miles. -
2012 Gallery Catalogue
POTTERY AND PRIMITIVISM A selling show of early slipware by Michael Cardew and Ray Finch Long Room Gallery High Street Winchcombe 24th November to 1st December 2012 1 TEL: 01242 602 319 E MAIL: [email protected] JOHN EDGELER & ROGER LITTLE PRESENT A SELLING EXHIBITION POTTERY AND PRIMITIVISM THE MODERN MOVEMENT SLIPWARES OF MICHAEL CARDEW AND FOLLOWERS 24th November to 1st December 2012 inclusive 9.30am to 5.00pm (from midday on first day) Long Room Gallery, Queen Anne House, High Street, Winchcombe, Gloucestershire, GL54 5LJ Telephone: 01242 602319 Website: www.cotswoldsliving.co.uk 2 Show terms and conditions Condition: Due to their low fired nature, slipwares are prone to chipping and flaking, and all the pots for sale were originally wood fired in traditional bottle or round kilns, with all the faults and delightful imperfections entailed. We have endeavoured to be as accurate as possible in our descriptions, and comment is made on condition where this is materially more than the normal wear and tear of 80 to 100 years. For the avoidance of any doubt, purchasers are recommended to inspect pots in person. Payment: Payment must be made in full on purchase, and pots will normally be available for collection at the close of the show, in this case on Saturday 1st December 2012. Settlement may be made in cash or by cheque, although a clearance period of five working days is required in the latter case. Overseas buyers are recommended to use PayPal as a medium, for the avoidance of credit card charges. Postal delivery: we are unable to provide insured delivery for overseas purchasers, although there are a number of shipping firms that buyers may choose to commission. -
The Ceramic Presence in Modern Art: Selections from the Linda Leonard Schlenger Collection and the Yale University Art Gallery September 4, 2015–January 3, 2016
YA L E U N I V E R S I T Y A R T PRESS For Immediate Release GALLERY RELEASE August 12, 2015 EXHIBITION RE-EXAMINES THE ROLE THAT CLAY HAS PLAYED IN ART MAKING DURING THE SECOND HALF OF THE 20TH CENTURY The Ceramic Presence in Modern Art: Selections from the Linda Leonard Schlenger Collection and the Yale University Art Gallery September 4, 2015–January 3, 2016 August 12, 2015, New Haven, Conn.—Over the last 25 years, Linda Leonard Schlenger has amassed one of the most important collec- tions of contemporary ceramics in the country. The Ceramic Presence in Modern Art features more than 80 carefully selected objects from the Schlenger collection by leading 20th-century artists who have engaged clay as an expressive medium—including Robert Arneson, Hans Coper, Ruth Duckworth, John Mason, Kenneth Price, Lucie Rie, and Peter Voulkos—alongside a broad array of artworks created in clay and other media from the Yale University Art Gallery’s perma- nent collection. Although critically lauded within the studio-craft movement, many ceramic pieces by artists who have continuously or periodically worked in clay are only now coming to be recognized as important John Mason, X-Pot, 1958. Glazed stoneware. Linda Leonard Schlenger Collection. © John Mason and integral contributions to the broader history of modern and contemporary art. By juxtaposing exceptional examples of ceramics with great paintings, sculptures, and works on paper and highlighting the formal, historical, and theoreti- cal affinities among the works on view, this exhibition aims to re-examine the contributions of ceramic artists to 20th- and 21st-century art. -
Archaeological and Historic Pottery Production Sites Guidelines for Best Practice Summary
Archaeological and Historic Pottery Production Sites Guidelines for Best Practice Summary This document provides practical guidance on how to investigate sites where pottery production has taken place. It describes how to anticipate and locate pottery production sites and the types of evidence that may be found. This document also provides advice on the available methods and strategies for examining, recording and sampling features and finds of various types at each stage of the work. The different techniques for establishing the date of pottery production, and for characterising the products of a site, are given particular emphasis. This document was compiled by Harriet White, Sarah Paynter and Duncan Brown with contributions by Joanne Best, Chris Cumberpatch, David Dawson, Peter Ellis, Jane Evans, Laurence Jones, Oliver Kent, Gareth Perry, The Prince’s Regeneration Trust, Ian Roberts, Kerry Tyler and Ann Woodward. It is one of four Historic England publications concerning industrial processes in the past, the other three being: ■ Science for Historic Industries: Guidelines for the Investigation of 17th- to 19th- Century Industries ■ Archaeological Evidence for Glassworking: Guidelines for Best Practice ■ Archaeometallurgy: Guidelines for Best Practice. First published by Historic England October 2015. All images © Historic England unless otherwise stated. www.historicengland.org.uk/advice/technical-advice/archaeological-science/ Front cover images: clockwise from top left Reconstruction of a 17th-century kiln from Potters A 14th-century -
Ceramics Monthly Volume 30, Number 4 April 1982 Features Louise and Satoshi Doucet-Saito by D
2 C eramics Monthly Ceramics Monthly Volume 30, Number 4 April 1982 Features Louise and Satoshi Doucet-Saito by D. G. Jones....................................................... 28 Dolores Hidalgo: City of Tiles by Maggie Creshkoff............................................. 32 Ronna Neuenschwander by Cheryl R. McLean............................................ 36 A Wood-Fired Raku Kiln by Harriet Brisson ................................................ 38 Steve Reynolds Exhibition....................................... 41 American Clay by Tom Haulk................................ 42 Softbricks and Salt Glazing by Anne Shattuck................................................. 43 Ohio Fairs .................................................................. 48 New Works in Clay at Syracuse by Margie Hughto................................................ 50 Summer Workshops 1982 ........................................ 57 Cone 5-6 Reduction Glazes by Paul Woolery................................................... 64 Departments Letters to the Editor ................................................. 7 Where to Show .......................................................... 11 Questions ................................................................... 15 Suggestions ................................................................ 17 Itinerary ..................................................................... 19 Comment: Seduction by Machine by Jack Troy......................................................... 25 News & Retrospect .................................................. -
20Th Century Design and Craft: the Library of Philip Aarons
20 th Century Design and Craft The Library of Philip Aarons 965 titles in 981 volumes The Philip Aarons Design Library The Philip Aarons design library is focused on modern decorative arts—including ceramics, glass, furniture design, metalwork and jewelry—and on modern architecture and architects, from Wright and Gaudi to Team 10. Studies of periods and movements, such as Art Nouveau, Arts and Crafts, and Art Déco, are represented as well. ARS LIBRI THE PHILIP AARONS 20 TH CENTURY DESIGN AND CRAFT LIBRARY GENERAL WORKS 1 AGIUS, PAULINE. British Furniture, 1880-1915. 195, (1)pp. Prof. illus. 4to. Cloth. D.j. Woodbridge (The Antique Collectors’ Club), 1978. 2 AKRON. THE AKRON ART INSTITUTE. Why Is an Object: An Exhibition Investigating Motivation and Purpose. Sept.- Nov. 1962. Text by Luke Lietzke and the artists. (32)pp. 15 plates. Sm. oblong 4to. Wraps. Josef Albers, Leonard Baskin, Wharton Esherick, Trude Guermonprez, Edith Heath, Margo Hoff, Gideon Kramer, Jack Lenor Larsen, Miriam Leefe, George Nakashima, Robert Sperry, Lenore Tawney, Peter Voulkos, Marguerite Wildenhain, George Wells. Akron, 1962. 3 AKRON. AKRON ART INSTITUTE. Young Designers 1953. March-April 1953. (16)pp. Prof. illus. Sm. sq. 4to. Wraps. Library stamp. Akron, 1953. 4 AKRON. AKRON ART MUSEUM. Off the Production Line. An invitational exhibition of products designed for industry for you. Feb.-March 1956. (28)pp. 55 illus. Oblong 4to. Self-wraps. Akron, 1956. 5 ALBUQUERQUE. UNIVERSITY OF NEW MEXICO. ART MUSEUM. Crafts: National Invitational Exhibition. April-May 1968. 23, (1)pp. Prof. illus. 4to. Wraps. Albuquerque, 1968. 6 ALBUQUERQUE. UNIVERSITY OF NEW MEXICO. -
October 2012 Volume 48 No. 8
October 2012 Volume 48 No. 8 Newsletter of the Potters Guild of British Columbia Blue black platter, by Holly McKeen. Crystalline glazed porcelain. See Page 9. 4 Gwyn Hanssen Pigott Shadbolt Residency 7 6 From the PGBC web pages Jae Won Lee: Elsewhere 8 Potters Guild of BC Newsletter . October 2012 1 2012 Gallery Exhibitions October 4 to 29: November 1 to 27: Mug Shots Members of the Potters Collaboration of Vision Guild of BC. Opening Reception: Thursday, Wood-fired ceramics by Jinny Whitehead, Oct. 4, 5 to 7 p.m. Pia Sillem, Jan Lovewell and Ron Robb. Opening Reception: Thursday, Nov. 1, Gallery of BC 5 to 7 p.m. Ceramics www.galleryofbcceramics.com Representing the best of BC Ceramics Follow us on Facebook Gallery Manager Brenda Beaudoin [email protected] 604.669.3606 Gallery Hours as of May 1: 10:30 a.m. to 5:30 p.m. Gallery Assistants Carito Ho, Sasha Krieger, Samantha Knopp, Amanda Sittrop [email protected] Exhibition Committee: Jinny Whitehead, Sheila Morissette, Maggie Kneer, Denise Jeffrey, Celia & Keith Rice-Jones The Gallery of BC Ceramics is a gallery by potters for potters. Looking for that perfect mug? You're sure to find it at the Gallery's Mug Shots exhibition The Gallery coordinates and curates Oct. 4 to 29. Come out and see for yourself the huge range of mug forms that fellow PGBC several exhibitions a year. members have created! Every month we showcase an artist, usually someone just starting his or her career. Gallery Deadlines Gallery Retail juries For more specific information on either We also sell the work of more Tentative dates for drop off of new work jury, please refer to the Guild website www.