Financial Report 2015 OUTSTANDING 2015 RESULTS
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Gavin Ames Avid Editor
Gavin Ames Avid Editor Profile Gavin is an exceptionally talented editor. Fast, creative, and very technically minded. He is one of the best music editors around, with vast live multi-cam experience ranging from The Isle of Wight Festival, to Take That, Faithless and Primal Scream concerts. Since excelling in the music genre, Gavin went on to develop his skills in comedy, editing Shooting Stars. His talents have since gone from strength to strength and he now has a wide range of high-end credits under his belt, such as live stand up for Bill Bailey, Steven Merchant, Ed Byrne and Angelos Epithemiou. He has also edited sketch comedy, a number of studio shows and comedy docs. Gavin has a real passion for editing comedy and clients love working with him so much that they ask him back time and time again! Comedy / Entertainment / Factual “The World According to Jeff Goldblum” Series 2. Through the prism of Jeff Goldblum's always inquisitive and highly entertaining mind, nothing is as it seem. Each episode is centred around something we all love — like sneakers or ice cream — as Jeff pulls the thread on these deceptively familiar objects and unravels a wonderful world of astonishing connections, fascinating science and history, amazing people, and a whole lot of surprising big ideas and insights. Nutopia for National Geographic and Disney + “Guessable” In this comedy game show, two celebrity teams compete to identify the famous name or object inside a mystery box. Sara Pascoe hosts the show with John Kearns on hand as her assistant. Alan Davies and Darren Harriott are the team captains, in a format that puts a twist on classic family games. -
TV Universe—UK, Germany, Sweden: HOW PEOPLE WATCH TELEVISION TODAY Author: Colin Dixon, Founder and Chief Analyst, Nscreenmedia | 2019
TV Universe—UK, Germany, Sweden: HOW PEOPLE WATCH TELEVISION TODAY Author: Colin Dixon, Founder and Chief Analyst, nScreenMedia | 2019 I NTRODUCTION Technology has become such a part of our daily lives that sometimes it seems that it is an end unto itself. However, in the world of the consumer, it has a particular role to play. Tim O’Reilly, who coined the term “open source,” put Online TV is now the second it this way: most popular source of “What technology does is create new opportunities to do a job that customers want done.”1 Home entertainment is most certainly a job that people “want done.” Ninety years ago, broadcast television television content in the UK, technology was the new opportunity to deliver it in an entirely new way.2 Based on the data from our most recent survey in Europe, the internet has become the next new opportunity to provide television entertainment to the home. Germany, and Sweden. Today, there are three primary sources of TV entertainment available to consumers: free-to-air (FTA), pay TV, and online TV. Free-to-air TV channels are typically received via an antenna but can also arrive over satellite and cable. Examples include BBC1, SVT1, and Das Erste. Pay TV services distribute linear TV over cable, satellite, and telco TV systems. Examples include Virgin Media, Sky Deutschland, and Com Hem. Online TV allows viewers to stream or download shows and movies over mobile and broadband data networks. Examples of services include Netflix, Now TV, and Amazon Prime Video. Just twelve years after Netflix first introduced streaming services, online TV has become the second most popular TV source in the UK, Germany, and Sweden. -
BISHOP FAMILY PRG 1123 Series List
BISHOP FAMILY PRG 1123 Series List Photographs of the Bishop family (Series 1-43) Photographs of the Bishop family 1 ca.1855-1900. 13 photographs, 9 copies. [Daguerreotypes and 1 ambrotype of members of the Bishop family including Captain John Bishop and his wife Esther Elizabeth Bishop, and three of their children: Mary Vale Bishop, Amelia Helen Bishop and John Frederick Bishop, as well as two unidentified men. Also includes photographic copies of the daguerreotypes and ambrotype. Glass plated photograph of Captain John Bishop, and three opalotypes of Amy Helen Bishop, Ethel Mary Wollaston (nee Bishop) and Theodore Edwin Ekers]. Photograph album of Ethela Bishop 2 ca.1911-1912. 1 volume, 93 photographs. [Photograph album belonging to Ethela Bishop comprising 93 small black and white photographs, most of landscapes, of Mount Barker, landscapes and workers at Wellington Lodge, landscapes and workers at Koonamore Station near Yunta, various locations in Port Lincoln including Mill Cottage owned by Joseph Kemp Bishop, the Adelaide Hills, Adelaide including Glen Osmond and the zoo, and two of Ethela and Joseph’s grandchildren, Jack (John) and Mary Bishop, children of Sidney J.F. Bishop. See special list for Series 2 for details.] Photograph albums of the Bishop, Broadbent and Johnson families 3 ca.1912-1953. 5 volumes. 1. Port Lincoln landscapes, including Mill Cottage, ca.1912. 2. Broadbent and Claxton families of Port Lincoln. Marjorie Broadbent married Myles Kemp Bishop in 1923. Most photographs include captions. ca.1917-1918. Includes loose sheet of photographs of Esther and Ann Bishop ca.1926, 1940. 3. Family holiday in Victoria and South Australia, including commercial photographs and postcards, ca.1935. -
TP Vision Confirms Arrival of Freeview Play on Philips Android Tvs
News Release TP Vision confirms arrival of Freeview Play on Philips Android TVs TP Vision has confirmed the imminent arrival of Freeview Play to the company’s Philips Android TVs. Freeview Play is the UK’s fastest growing TV platform, launched in 2015, the platform now has over 7 million users. Freeview Play gives viewers access to live and on demand TV in one easy to use interface. The platform provides 85 live channels (including 15 in HD), as well as 20,000 hours of on-demand content from BBC iPlayer, ITV Hub, All 4, My 5, UKTV Play, CBS Catchup Channels UK and Horror Bites. TP Vision has been one of the strongest and most successful partners for Android TV having first introduced the platform back in 2014 and having committed nearly 50% of the company’s range of Philips sets to Android TV ever since – including the premium OLED and OLED+ ranges, frequently awarded the status of the Best TV available by the media, consumers and the trade. Philips Android TVs manufactured from now on will include firmware that enables Freeview Play by default. 2019 model year Philips Android TVs which are in-store or are already in use in consumer homes will receive an over-the-air software update which will prompt users to enable Freeview Play on the TV via easy onscreen instructions. In the case of any further questions, consumers can easily contact Philips’ Consumer Care info-line for help. Commenting on the inclusion of Freeview Play to Philips Android TVs, Martijn Smelt CMO for Europe at TP Vision said: ‘The addition of Freeview Play is the final piece that allows us to confidently say Philips Android TV sets offer the best overall package on the UK market. -
Kantar Media Would Like to Group People Into Groups of Urban and Rural Dwellers
Job Number 451210007 Name of survey Ofcom BBC iPlayer Project Questionnaire Version Final No. Author Charlie Gordon, Ayanda Dlamini Telephone 02071605633 Methodology Online Questionnaire CAWI Duration 20 minutes Sample Size 4,000 Internet Users Sample Description 16+ England, Scotland, Wales, NI adults Sex, approx: Quotas Male – 50% Female – 50% Age, approx.: 16-24 – 14% 25-34 – 17% 35-44 – 16% 45-54 – 18% 55-64 – 15% 65+ – 20% Households with children aged under 16 – 28% Social Grade, approx.: ABC1 – 56% C2DE – 44% Urban and Rural Split Urban – 83% Rural – 17% Ethnicity White – 86% BAME –14% Platform Provider: Sky – 35% Virgin – 13% Freeview only – 42% Any Freeview – 64% Several targets? Gender, age, age & gender, SEG, rural/urban Fieldwork dates March 2019 GDPR1. This survey asks about sensitive topics such as ethnicity, whether you have children, or political opinion. By selecting the Yes button you are consenting for these questions to be asked. Please proceed if you are happy to participate Yes No - SCREEN OUT SHOW TO ALL First, we’d like to ask a couple of questions about yourself to ensure we interview a good cross- section of the population. ASK ALL SINGLE CHOICE DemQ1. Please select your gender. 1. Male 2. Female 3. Other (please specify) 4. Prefer not to say IF CODE 1,3 CODE AS MALE FOR QUOTAS IF CODE 2,4 CODE AS FEMALE FOR QUOTAS ASK ALL SINGLE CHOICE RANGE FROM 1 TO 100 SCREENOUT IF BELOW 16 DemQ2. Please type in your age dAge - FOR QUOTAS 1. 16-24 2. 25-34 3. 35-44 4. -
UKTV Case Study
Case Study UKTV Satisfying 42 million viewers Web channel overhaul UKTV is a multi-award winning media “In 2012 we embarked on a large project company with eleven core brands: to redevelop all of our consumer and UKTV Play, Dave, Watch, Gold, Alibi, business websites from the ground Yesterday, Drama, Really, Home, Eden, up,” says UKTV Head of Digital Delivery, and Good Food. It’s home to the most Oliver Davies. “Moving from Cold popular non-PSB channel in the UK, Fusion, new channel sites were built in and reaches more than 42 million a fully responsive mobile-friendly grid, Like many companies, we really viewers every month. A ‘David to the using a Python Django-based content “ suffered from having images all Goliath brands’, UKTV is the fastest management system. Our digital asset over the place, in folders and on growing broadcaster in Britain. platform had to be the right fit.” desktops, and the workflow was proving difficult to manage. Our image management was something we were determined to get right. – Oliver Davies, Head of Digital Delivery, UKTV. ” Simplifying Solutions Third Light at Work UKTV chose an Enterprise Edition Third Light media library to host all 168,768 of its image assets. The system is accessed by 21 administrators, and 600+ in-house and press users. Simpler storage and retreival No more manual handling “We’d never used a third-party digital asset “Before we used the Third Light system, management tool before, so we did lots of our web editors had to go through a very research into different systems, and made manual process to prepare images for the decision to use Third Light as our tool websites. -
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28th January 2016 For up-to-the-minute updates from the challenge including images and video content follow Twitter and BBC Live Jo’s on the homestretch! Final day of Jo Brand’s BT Sport Relief Challenge and trainer Greg Whyte says it will be “a brute of a day” Jo Brand is going to have to dig deep to keep battling those blisters and aching limbs, as today she struggles through to the finish line on the final leg of her BT Sport Relief Challenge. After a week full of wind, rain, blisters and ice baths, Jo aims to reach her final destination in Liverpool tonight (Thursday 28 January). The challenge has seen the 58-year-old comedian walk east to west across the width of the country in just seven days, starting at the Humber Bridge last Friday. The challenge is sponsored by BT, a long- term supporter of Comic Relief challenges since 2009. Her day started at 5.30am this morning from Warrington, and by 7.30am this morning she had already walked 10,000 steps. The final leg of Jo’s mammoth challenge will see her walk through Widnes, Hale, Allerton, Sefton Park, Toxteth, finishing up in Liverpool at approximately 7pm. Jo will be joined today by celebrity friends including BBC Breakfast’s Louise Minchin, BT Sport Relief Challenge champion John Bishop and comedy legend Ricky Tomlinson. Trainer Greg Whyte said, “It’s the last day and Jo is absolutely battered. Today is going to be an absolute brute. We’ve had an extremely early start today because we need to make sure we have an on time delivery into Liverpool”. -
Robert I. Lerman
CURRICULUM VITAE Robert I. Lerman Director, Labor and Social Policy Center Urban Institute 2100 M Street, NW Washington, D.C. 20037 202-261-5676, e-mail: [email protected] Professor of Economics American University Department of Economics Washington, DC 20016 202-885-3761, e-mail: [email protected] Education: A.B., Brandeis University, 1965 Magna Cum Laude with Honors, Valedictorian, Phi Beta Kappa Ph.D., M.I.T., 1970 Thesis: An Analysis of Youth Labor Force Participation, School Activity, and Employment Professional Awards: First Prize, National Essay Contest on An Implementation Strategy for Reforming the Nation's Welfare Programs, Sponsored by the Institute for Socioeconomic Studies: November 1985 American University Award for Outstanding Contributions to Academic Development, May 1994 Elected to Phi Kappa Phi Honor Society, February 1995 Co-recipient of Howard Rosen Award for Best Article in the 1997 Monthly Labor Review by an author outside the Bureau of Labor Statistics. Professional Employment: Senior Fellow in Labor and Social Policy, Urban Institute, January 2004 to present Professor, Department of Economics, The American University, September 1989 to present. (Chair of Department, September 1989 to June 1995) Director, Labor and Social Policy Center, Urban Institute, July 1995 to December 2003 Director of Research and Senior Research Associate, Center for Human Resources, Heller School of Social Welfare, Brandeis University: June 1980-August 1989. 1 Economist, Special Assistant for Youth and Welfare Policy, Office of Assistant Secretary for Policy, Evaluation and Research, U.S. Department of Labor: June 1977-May 1980. Research Associate, Institute for Research on Poverty, Lecturer, Department of Economics, University of Wisconsin at Madison: September 1976-May 1977. -
Bafta Rocliffe New Writing Showcase – Tv Comedy 2016
In addition to our top three finalists, theF ORUM LIST includes BAFTA Rocliffe patrons include: three additional projects. To contact any of the writers, simply Jenni Konner, Christine Langan, Julian Fellowes, John Madden, Mike Newell, BAFta ROCLIFFE NEW WrITING email [email protected] with your details and we will connect Richard Eyre, David Parfitt, Cameron you with them. McCracken, Peter Kosminsky, David Yates, SHOWcaSE Ð TV COMEDY 2016 Finola Dwyer, Michael Kuhn, Nik Powell, FRENEMIES by Paul Wilson Duncan Kenworthy, Rebecca OÕBrien, TUESDAY 21 JUNE 2016 No break-up is easy. But if two people can make each other Simon Relph, Sue Perkins, John Bishop and Dave Spikey. BAFTA 195 PIccaDILLY, LONDON W1J 9LN unhappy when they’re together, imagine the pain they can inflict when they’re apart. Rocliffe Producer and Moderator GALGOROTH by Alex Harvey FaraH ABUSHWESHA Parodic animated comedy series, spoofing ‘80s sci-fi/fantasy cartoons, [email protected] coupling puerile humour with epic storylines and satire: South Park BAFTA Producers meets He-man. JULIA CarrUTHERS [email protected] HELP by Sally Tatum & David Brain KAM KANDOLA FLYNN HELP is the story of what happens when your best friend becomes [email protected] your nanny. Rocliffe Producer JADE GrEEN [email protected] KEVIN CECIL is a writer and After becoming neither FaraH ABUSHWESHA runs A huge thank you to our script selection panelists and jurors. Casting script editor. He won an Emmy, an electrical engineer nor Rocliffe and is the Director FaYE TIMBY a Writer’s Guild of America an actor, multi-BAFTA of Content for the comedy The Jury [email protected] award and a Writer’s Guild of nominated ADAM TANDY platform PYPO. -
Press Release Ericsson
PRESS RELEASE SEPTEMBER 8, 2016 Ericsson partners with UKTV to deliver the UK’s first virtualized live event broadcast Ericsson and UKTV, the biggest multichannel broadcaster in the UK, unveil completely virtualized live playout service at IBC Show 2016 Ericsson’s Virtualized Live Playout service is built and operated to the same standards of reliability as traditional linear services, and provides support for graphics and ad insertion New service provides opportunity to launch ‘pop up’ channels by leveraging channel capacity on ‘rental’ basis – including daily - with no long term commitments Ericsson (NASDAQ: ERIC) today announced it is working with UKTV, the country’s biggest multichannel broadcaster, to deliver the UK’s first virtualized live event broadcast. Ericsson’s Virtualized Live Playout service will help UKTV launch and broadcast live events on its award-winning network of channels, which includes the UK’s most watched non-public service broadcasting channel, Dave. The product will be unveiled for the first time at IBC Show (Hall 1, D61) in Amsterdam, the Netherlands. Ericsson’s Virtualized Live Playout is an entirely software based, fully managed service that operates on a fully virtualized cloud environment. The service features a highly flexible commercial and operational model, which enables broadcasters and content owners the ability to ‘rent’ playout or channel capacity on a daily, pay as you go basis with no long-term commitments, capex, maintenance costs or on-going technology investments. Virtualized Live Playout is designed to carry live content and support graphics and ad insertion, and is built and operated to the same standards of reliability as traditional linear services. -
Financial Report 2013 Suits
Financial Report 2013 Suits Overall description of financial performanceFinancial Growth At aut que culpa plictem fugit idit, core sunt. esequis aut quaeruptas magnate consed que Del molorep repuditae. Nem faccus. premoll aborumquae que videbit plicaer umquide PudioriUKTV: istia cusdae voluptiam sales et eum aces hit alibearunt record autatio idiorae et ex et£278m accus ere 2013/142012/13 Underlying Revenue Profits (£m) (£m) 2012/132013/14 Underlying Underlying ProfitsProfits (£m) (£m) que modi sunt volorem volorpost, cus dipidit numendit vitat laboribus et occate prae. Itatur, aspellanientOur financial perferem results shownulparibus that UKTV aut ea is parum reaping quo ipsaAnd nonsequametthere’s much more volore to num come: aut our occumquia investment in dolorumthe rewards sunt. of investment in content, new channels voluptatur,programming utentiam has already accum paid velitat back fuga. in the Inctem. form of 2012 2012 Ximagnietand distribution, esto evelitiorro making and etur, broadcasting adi dolorun more tiscius of Aborporibus,a growing share officiis of audience mod forquassuntus the financial abo. Nemyear ut conthe imaginativecus aribusci showsalignit, that quaes have exceate put our num portfolio laudic of quidunt.2013, and even faster growth so far in 2014’s ratings. tochannels imporer at chiciassum the heart of quia EPGs. velique quatem quatio Fugite miliqui rerovit quosam a volorem ni dolut od blatiores natia volorum faciis nihicidit, offictempe quatOur topque line ides growth re velis continues, endemporum with quam,sales -
United Kingdom
FREEDOM ON THE NET 2014 United Kingdom 2013 2014 Population: 64.1 million Internet Freedom Status Free Free Internet Penetration 2013: 90 percent Social Media/ICT Apps Blocked: No Obstacles to Access (0-25) 2 2 Political/Social Content Blocked: No Limits on Content (0-35) 6 6 Bloggers/ICT Users Arrested: No Violations of User Rights (0-40) 15 16 TOTAL* (0-100) 23 24 Press Freedom 2014 Status: Free * 0=most free, 100=least free Key Developments: May 2013 – May 2014 • Filtering mechanisms, particularly child-protection filters enabled on all household and mobile connections by default, inadvertently blocked legitimate online content (see Limits on Content). • The Defamation Act, which came into effect on 1 January 2014, introduced greater legal protections for intermediaries and reduced the scope for “libel tourism,” while proposed amendments to the Contempt of Court Act may introduce similar protections for intermediaries in relation to contempt of court (see Limits on Content and Violations of User Rights). • New guidelines published by the Director of Public Prosecutions in June 2013 sought to limit offenses for which social media users may face criminal charges. Users faced civil penalties for libel cases, while at least two individuals were imprisoned for violent threats made on Facebook and Twitter (see Violations of User Rights). • In April 2014, the European Court of Justice determined that EU rules on the mass retention of user data by ISPs violated fundamental privacy and data protection rights. UK privacy groups criticized parliament for rushing through “emergency” legislation to maintain the practice in July, while failing to hold a public debate on the wider issue of surveillance (see Violations of User Rights).