“We Choose to Do … These Things, Not Because They Are Easy but Because They Are Hard.”
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Nicola L. Hein – Klangkunst Als Philosophie
Klangkunst als Philosophie Nicola L. Hein 0 Inhaltsverzeichnis: 1. Philosophisches Konzept 1 1.1 Einleitung 1 1.2 Der Begriff der Klangkunst 5 1.3 Familienähnlichkeit und Klangkunst 10 1.4 Was ist Philosophie? 17 1.5 Alva Noë, Georg Bertram, Richard Rorty: Philosophie und Kunst 21 1.6 Was ist Klangkunst? 27 1.7 Cox: Klangkunst als Gestaltung der Frage: „Was ist Klang“? 28 1.8 Klangkunst als Diskurs 33 1.9 Klangkunst und Skepsis 38 1.10 Bestimmungen der Klangkunst in der künstlerischen Praxis 43 1.11 Klangkunst als Philosophie 58 2. Darstellung: „Sokratischer Versuch über politische Kontingenz“ 65 2.1 Das Konzept 65 2.2 Die Änderungen 71 2.3 Die Durchführung 81 2.4 Wurde Anspruch der Klangkunst als Philosophie eingelöst? 95 3. Perspektiven 99 4. Quellenverzeichnis 100 4.1 Literaturverzeichnis 100 4.2 Abbildungsverzeichnis 105 1 1. Philosophisches Konzept 1.1 Einleitung Die Geschichte der Kunstform, die unter dem Namen der Klangkunst oder der sound art bekannt ist, ist von unterschiedlichen definitorischen Versuchen gekennzeichnet. Die interpretatorischen und definitorischen Differenzen unterschiedlicher WissenschaftlerInnen, KünstlerInnen und JournalistInnen weisen dabei eine enorme Spannweite auf. Was ist Klangkunst? Welche Objekte, Handlungsformen und Prozessen fallen unter ihren Begriff und welche Merkmale weißt jene Kunstform auf? Wie lässt sich Klangkunst abgrenzen von anderen Formen der Kunst, wie etwa der Neuen Musik, der Improvisierten Musik, der Performance Art, der Skulptur und der Plastik? Gegenüber dieser Entwicklung soll gerade die Heterogenität des Entwurfs der Klangkunst dazu genutzt werden, den Versuch einer Definition zu wagen, die diese aus einem anderen Winkel heraus betrachtet und versteht, indem sie die bereits in der künstlerischen und theoretischen Praxis auffindbaren Bestandteile zusammenfügt und diese in eine spezifische Direktion weiter denkt. -
Jarred Christmas
Jarred Christmas COMEDIAN, WRITER, TV & RADIO PRESENTER, IMPROVISER AND ACTOR ‘BEST CHILDREN’S SHOW’ NOMINEE – LEICESTER COMEDY FESTIVAL 2017 ‘BEST COMPERE’ - CHORTLE AWARDS 2016 New Zealand Sensation Jarred Christmas is one of the most innovative and exciting stand-ups on the UK circuit. A sought-after headliner famed for his quick-witted spontaneity, masterful skills of improvisation and energetic storytelling; Jarred is a regular at the Edinburgh Festival, and at comedy clubs and International festivals around the globe. He is a regular team member at The Comedy Store’s weekly topical show The Cutting Edge and was recently named Best Compere at the 2016 Chortle Awards; scooping the title for the second time. A dynamic onstage persona combined with the ability to improvise with anything that’s thrown his way makes Jarred’s comedy sizzle with originality. Early in his career he supported both Ross Noble and Tommy Tiernan on UK tours. He has since written and performed in countless shows at the Edinburgh Festival and has toured the UK in his own right with his solo shows Jarred Christmas Stands Up and Let’s Go Mofo. He is currently playing to packed theatres across the UK hosting the All Star Stand Up Tour. The show features a world-class line-up of comedians and Jarred is honoured to be hosting the show for the second year running. Combining his superlative improv and stand-up comedy skills (not to mention vocal agility), Jarred has recently developed The Mighty Beatbox Gameshow and a child-friendly version The Mighty Kids Beatbox Gameshow which he hosts alongside acclaimed beatboxer The Hobbit. -
Cheltlf12 Brochure
SponSorS & SupporterS Title sponsor In association with Broadcast Partner Principal supporters Global Banking Partner Major supporters Radio Partner Festival Partners Official Wine Working in partnership Official Cider 2 The Times Cheltenham Literature Festival dIREctor Festival Assistant Jane Furze Hannah Evans Artistic dIREctor Festival INTERNS Sarah Smyth Lizzie Atkinson, Jen Liggins BOOK IT! dIREctor development dIREctor Jane Churchill Suzy Hillier Festival Managers development OFFIcER Charles Haynes, Nicola Tuxworth Claire Coleman Festival Co-ORdinator development OFFIcER Rose Stuart Alison West Welcome what words will you use to describe your festival experience? Whether it’s Jazz, Science, Music or Literature, a Cheltenham Festival experience can be intellectually challenging, educational, fun, surprising, frustrating, shocking, transformational, inspiring, comical, beautiful, odd, even life-changing. And this year’s The Times Cheltenham Literature Festival is no different. As you will see when you browse this brochure, the Festival promises Contents 10 days of discussion, debate and interview, plus lots of new ways to experience and engage with words and ideas. It’s a true celebration of 2012 NEWS 3 - 9 the power of the word - with old friends, new writers, commentators, What’s happening at this year’s Festival celebrities, sports people and scientists, and from children’s authors, illustrators, comedians and politicians to leading opinion-formers. FESTIVAL PROGRAMME 10 - 89 Your day by day guide to events I can’t praise the team enough for their exceptional dedication and flair in BOOK IT! 91 - 101 curating this year’s inspiring programme. However, there would be no Festival Our Festival for families and without the wonderful enthusiasm of our partners and loyal audiences and we young readers are extremely grateful for all the support we receive. -
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Lockett, P.W. (1988). Improvising pianists : aspects of keyboard technique and musical structure in free jazz - 1955-1980. (Unpublished Doctoral thesis, City University London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/8259/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] IMPROVISING PIANISTS: ASPECTS OF KEYBOARD TECHNIQUE AND MUSICAL STRUCTURE IN FREE JAll - 1955-1980. Submitted by Mark Peter Wyatt Lockett as a thesis for the degree of Doctor of Philosophy The City University Department of Music May 1988 TABLE OF CONTENTS Page No I List of Figures 3 IIListofRecordings............,........ S III Acknowledgements .. ..... .. .. 9 IV Abstract .. .......... 10 V Text. Chapter 1 .........e.e......... 12 Chapter 2 tee.. see..... S S S 55 Chapter 3 107 Chapter 4 ..................... 161 Chapter 5 ••SS•SSSS....SS•...SS 212 Chapter 6 SS• SSSs•• S•• SS SS S S 249 Chapter 7 eS.S....SS....S...e. -
The Fire Station Project the Fire Station
THE FIRE STATION PROJECT THE FIRE STATION THE FIRE STATION PROJECT THE FIRE STATION PROJECT ACME STUDIOS’ WORK/LIVE RESIDENCY PROGRAMME 1997 – 2013 1 THE FIRE STATION PROJECT Published in 2013 by Acme Studios 44 Copperfield Road London E3 4RR www.acme.org.uk Edited by Jonathan Harvey and Julia Lancaster Designed by AndersonMacgee/Flit London Typeset in DIN and Avenir Printed by Empress Litho The Fire Station Project copyright © Acme Studios and the authors ISBN: 978-0-9566739-5-4 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electrical, mechanical or otherwise, without first seeking the permission of the copyright owners and the publishers. Cover illustrations: Robert Ian Barnes Architects 2 Acme Studios is a London-based housing charity dedicated to supporting artists in economic need through the provision of studios, accommodation and professional support. Acme manages 16 buildings providing affordable, long-term and high-quality studios (620) units and work/live space (20 units). Through this resource it helps over 700 artists each year. Acme’s Residency & Awards Programme adds to this core service of studio provision by awarding selected UK-based artists with studio residencies, bursaries, professional mentoring and exhibiting opportunities at the Acme Project Space, working with a range of partners. At any one time over 20 artists benefit from this support. Acme’s International Residencies Programme currently manages 23 annual London residencies on behalf of eight agencies together with an Associate Artist Residencies programme for international artists applying directly to the organisation. -
David Toop Ricocheting As a 1960S Teenager Between Blues Guitarist
David Toop Ricocheting as a 1960s teenager between blues guitarist, art school dropout, Super 8 film loops and psychedelic light shows, David Toop has been developing a practice that crosses boundaries of sound, listening, music and materials since 1970. This practice encompasses improvised music performance (using hybrid assemblages of electric guitars, aerophones, bone conduction, lo-fi archival recordings, paper, sound masking, water, autonomous and vibrant objects), writing, electronic sound, field recording, exhibition curating, sound art installations and opera (Star-shaped Biscuit, performed in 2012). It includes seven acclaimed books, including Rap Attack (1984), Ocean of Sound (1995), Sinister Resonance (2010) and Into the Maelstrom (2016), the latter a Guardian music book of the year, shortlisted for the Penderyn Music Book Prize. Briefly a member of David Cunningham’s pop project The Flying Lizards (his guitar can be heard sampled on “Water” by The Roots), he has released thirteen solo albums, from New and Rediscovered Musical Instruments on Brian Eno’s Obscure label (1975) and Sound Body on David Sylvian’s Samadhisound label (2006) to Entities Inertias Faint Beings on Lawrence English’s ROOM40 (2016). His 1978 Amazonas recordings of Yanomami shamanism and ritual - released on Sub Rosa as Lost Shadows (2016) - were called by The Wire a “tsunami of weirdness” while Entities Inertias Faint Beings was described in Pitchfork as “an album about using sound to find one’s own bearings . again and again, understated wisps of melody, harmony, and rhythm surface briefly and disappear just as quickly, sending out ripples that supercharge every corner of this lovely, engrossing album.” In the early 1970s he performed with sound poet Bob Cobbing, butoh dancer Mitsutaka Ishii and drummer Paul Burwell, along with key figures in improvisation, including Derek Bailey, Evan Parker, Georgie Born, Hugh Davies, John Stevens, Lol Coxhill, Frank Perry and John Zorn. -
Marcus Brigstocke ‘Why the Long Face?’
MARCUS BRIGSTOCKE ‘WHY THE LONG FACE?’ ** AUTUMN UK TOUR ANNOUNCED ** ** TICKETS ON SALE NOW ** “Dazzling, inspired, perfectly observed. I’ve yet to see anything funnier” – Daily Telegraph “…. Charming, hilarious and utterly refreshing” - Sunday Mirror ‘Long face, not short on laughs’ - The Evening Standard Award-winning comedian and broadcaster Marcus Brigstocke is heading out on a brand new UK tour in autumn 2016 with his eagerly awaited new stand up show ‘Why The Long Face?’ Why? Because of austerity, Donald Trump, cheese strings, George Osborne, being single, Isis, The Daily Mail, tax avoiders and the inexplicable popularity of nail bars. That's why. Come to this show - last time there was a fire and almost no one died! One of Britain’s finest comedians and broadcasters, Marcus’ talent was noted early on in his career in 1996 when he won the BBC New Comedian Award at the Edinburgh Festival. He is now regarded as a major comedy, writing and acting talent, performing stand up nationally to sell out audiences around the UK and globally at international comedy festivals. As well as his sold out comedy tours he can constantly be seen and heard with numerous appearances on UK television and radio. BBC Radio 4 has become somewhat of a second home to Marcus with regular appearances on I’m Sorry I Haven’t A Clue, The Now Show and Just A Minute plus his recent award-winning radio series The Brig Society. He has also written and recorded three series and four specials of his hit Radio 4 sitcom show Giles Wemmbley-Hogg Goes Off. -
Unauthored Music and Ready-Made Landscapes: Aeolian Sound Sculpture
V ADIM K EYLIN Unauthored Music and Ready-Made Landscapes: Aeolian Sound Sculpture Introduction he Aeolian harp and its various relatives – Roman wind chimes, Chinese musical kites and others – are arguably the earliest examples of sound sculpture. The Tinstruments that are “played on” by the natural forces without a composer or a performer present have a long and well-documented history of being employed in areas as diverse as religious ceremonies, warfare or landscape design. However, their role in contemporary sound art remains somewhat underexplored. The articles on Aeolian art usually focus on describing the various ways musical instruments can be powered by the natural forces and listing the artists employing them.1 However, they limit themselves to technical descriptions, discussing neither the aesthetical and political implications of such practices, the artistic challenges they present, nor the audience’s experience. On the other hand, the works on sound art in natural landscapes2 and public spaces3 do not differentiate between various kinds of sound art, overlooking the specifics of Aeolian sculptures. My aim in this article is to provide, through a discussion of selected works by Max Eastley, Annea Lockwood, Gordon Monahan and Jodi Rose, an in-depth analysis of the mechanics of Aeolian sound sculpture. To this end I will review them from three different angles: as musical pieces, as works of environmental art and as tools of urban architectural design, focusing on the ways such works engage their audiences and the landscapes, either natural or urban, they exist in. 1 Cf. HUGH DAVIES, Sound Sculpture, in Grove Music Online. -
Marcus Brigsto Marcus Brigstocke
MARCUS BRIGSTOBRIGSTOCCCCKEKEKEKE The Brig Society ** Autumn UK tour dates announced ** “Dazzling, inspired, perfectly observed. I’ve yet to see anything funnier” - Daily Telegraph “Intelligent, dark, subtle stuff” - The Observer One of Britain’s finest comedians and broadcasters, Marcus BrigstockeBrigstocke,will be taking his hotly anticipated new show “The Brig Society” out on tour this autumn. The award-winning comedian is a firm favourite with comedy fans and his new show promises to be as quick-witted as his much loved catalogue of work. “The Brig Society” will, through the persuasive medium of jokes and anecdotes tackle the trivialities and complexities of life with joyful silliness and vengeful ire. This is The Brig Society. An invitation to re-engineer all the crappy systems that don't help us to be happy, live well, listen to good music, dance and eat whatever cheese we want to eat... Marcus will be performing “The Brig Society ” at the Edinburgh Fringe in August (nightly at the Assembly Rooms, Rainy Hall) with the UK tour due to kick off in mid September. In early September Marcus will be reprising his fantastically received role as King Arthur for the West End Production of award-winning musical Spamalot . Marcus’s talent was noted early on in his career in 1996 when he won the BBC New Comedian Award at the Edinburgh Festival. He is now regarded as a major comedy, writing and acting talent, performing stand up nationally to sell out audiences around the UK and globally at international comedy festivals. BBC Radio 4 has become somewhat of a second home to him with regular appearances on The Now Show and Just A Minute , and he has notched up an impressive list of TV credits including team captain on Argumental (DAVE) and the host of BBC4’s The Late Edition and I’ve Never Seen Star Wars. -
Whose Line Is It Anyway? Live at the Fringe Legendary Improv Show Joins Underbelly’S 2019 Fringe Herd
Whose Line Is It Anyway? Live at the Fringe Legendary improv show joins Underbelly’s 2019 Fringe herd Whose Line Is It Anyway? Live at the Fringe McEwan Hall, Bristo Square 31 July – 26 August at 7pm Tickets available at underbellyedinburgh.com from 10am on Tuesday, 5 March Today Underbelly announces the iconic improvisational comedy show Whose Line Is It Anyway? Live at the Fringe featuring Marcus Brigstocke and Phill Jupitus, alongside original improv legends, as part of its Edinburgh Festival Fringe 2019 line-up. Now legendary live version of the beloved tv show, Whose Line Is It Anyway? returns to Fringe following sell-out runs at the London Palladium and The Royal Albert Hall as well as a total sell-out Edinburgh 2017 run. Under the rein of Clive Anderson himself, audiences this August will see many of the original cast members reunite for this special run! This year’s stellar line-up includes American legend and star of the US version of the show, Greg Proops; American actor Mike McShane, remembered for his roles in Prince of Thieves and Richie Rich; Stephen Frost, half of the legendary 80s double-act The Oblivion Boy; actor, comedian and musician Richard Vranch, responsible for writing the original ‘Hoedown’ music for the show; Olivier Award nominee, known to wider audiences from Casualty and Coronation Street Tony Slattery and a couple of UK’s best stand-up and improv comedians Phill Jupitus, known for his TV and radio appearances in Never Mind the Buzzcocks, QI and I'm Sorry I Haven't a Clue and Marcus Brigstocke, star of Live at the Apollo, Have I Got News for You and Just a Minute, among others. -
Deborah Frances- White: Half a Can of Worms Pleasance Dome – 10 Dome, Potterow, Edinburgh, EH8 9AL
jSo Comedy presents Deborah Frances- White: Half a Can of Worms Pleasance Dome – 10 Dome, Potterow, Edinburgh, EH8 9AL Friday 1st – Monday 25th August 2014 (except 12th), 3.45pm Comedian Deborah Frances-White was adopted when she was only ten days old. Until late 2012, she knew nothing about her birth family. Then she stumbled across some information that led her to embark on a round-the-clock treasure hunt, drawn into her past like a magnet. This is her true story. Turns out, you can’t open half a can of worms! Armed with only her birth mother’s maiden name, Deborah turned internet detective to track her down. At first Deborah said ‘I just wanted to look – I wasn't at all sure I wanted to contact anybody. I wanted to see who they were and what they looked like.’ But, her curiosity soon became a compulsion as she delved into the online worlds of Google, ancestry.com, Facebook, Pinterest and YouTube. There is no doubt that this quest was a gamble - full of false leads, hilarious disappointments, hysterical revelations and, most importantly, the consequences of her discoveries. When Deborah finally made contact with her birth mother, she exposed a part of the past that had been hidden for decades. Half a Can of Worms is a raw and emotional show, by turns hilarious and heartbreaking (The Guardian). Discover Deborah’s mysterious past, inspirational present and inevitable future as her story unfolds. Deborah will also be bringing back her hit late night improv show Voices in Your Head, each weekend at the Gilded Balloon, with a host of special guests. -
Marcus Brigstocke
Marcus Brigstocke Award Winning Comedian, Writer, Presenter, Actor & Sarist "He is an accomplished stand-up with the ability and experience to play to any situaon." Chortle Marcus Brigstocke is a major comedy, wring and acng talent, performing in the UK and beyond. He is regularly on BBC Radio, especially Radio 4, and boasts an impressive list of TV and film credits. The Edinburgh fesval is also his regular haunt and has seen him receive a great deal of crical acclaim. TOPICS: IN DETAIL: Comedy He began his comedy career at Bristol University where he performed stand up Host and character shows and soon won the BBC New Comedian of 1996. He has Entertainment performed a multude of shows at The Edinburgh Fesval including The Award Awards Winning Show in 2002 and Planet Corduroy in 2004. 2005 saw the start of The Late Edion - Marcus's excellent topical talk-show on BBC 4. Recent TV LANGUAGES: appearances also include Live from the Apollo, Have I Got News For You, King Stupid for CBBC and a valiant aempt at raising laughs on What's the Problem with Anne He presents in English. Robinson (with varied success). On the big screen, he has appeared in the movies Love Actually, Beyond The Sea and Piccadilly Jim. As well as his live work, he fronted BBC Four's Late Edion, starred in the short-lived BBC1 sitcom The Savages and is a regular on Radio 4's Now Show. WHAT HE OFFERS YOU: A hugely likeable talent who has won countless awards, Marcus entertains audiences with his authoritave cynicism, educated tones and hilarious anecdotes.