DOCSLIB.ORG

Presseinfo TAPFS Tour 2012

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Presseinfo TAPFS Tour 2012 FKP Scorpio Konzertproduktionen GmbH Große Elbstr. 277 a · 22767 Hamburg Tel. (040) 853 88 888 · www.fkpscorpio.com PRESSEINFORMATION FKP SCORPIO & SEMMEL CONCERTS in association with The Agency Group Ltd. present THE AUSTRALIAN PINK FLOYD SHOW Exposed in the Light World Tour 2012 Bandmitglieder (in alphabetischer Reihenfolge) PAUL BONNEY Paul (AKA Bonney) joined the Aussie Floyd in 1998 and flies the flag for the UK as the Manc in the band. He studied music at Salford University and went on to become an established session musician in the Manchester area working with New Order and Peter Hook and playing in several originals band including Ellwood and Hanky Park. As an avid Pink Floyd fan, Bonney studied in depth Nick Mason’s playing and every night he says he’s gets into the zone of playing like Nick. In fact he has to cover two drumming parts as Pink Floyd for many years have had Gary Wallis on stage with them and he has to incorporate this into his playing. DAVE DOMMINNEY FOWLER Guitarist and vocalist David Domminney Fowler has been playing Pink Floyd songs since he started his first band at the age of 13. He worked out all the chords and solos from the albums he bought and then forced the rest of his band to play the songs at their shows. David went on to sign a record deal and tour Europe with his own band Juice, a highlight being a Festival appearance alongside Feeder and Coldplay. He went on to form a band with ex-T'Pau man Dean Howard and toured UK Arenas with Thunder, Peter Frampton and Deep Purple. Purple's front man Ian Gillan even invited David down to his home so that he could lay down vocals on one of David's tracks. David actually saw TAPFS play many years ago - he remembers saying at the time that he would love to be up on stage - and in recent years became friendly with the band. He saw many European tours, swapped music with the guys and, when an opening became available was invited to audition. He was the first and only person they saw. David remains a huge Pink Floyd fan and has fantastic memories of seeing David Gilmour and Roger Waters on tour. MIKE KIDSON Mike started out in musical theatre and has also played in a number of bands including the highly respected Zappa tribute band the Muffin Men, where he worked alongside many original Zappa musicians during the 1990s. 1 FKP Scorpio Konzertproduktionen GmbH Große Elbstr. 277 a · 22767 Hamburg Tel. (040) 853 88 888 · www.fkpscorpio.com Since 2003 Mike has been a regular with The Australian Pink Floyd, which brings the challenge of replicating exactly, yet also in Mike’s own style, the saxophone parts on Floyd’s classic 1970s albums. This has taken him around the world to the USA, South America, Canada and throughout Europe and led to Mike appearing with Dream Theater in Amsterdam in October 2005 courtesy of original Pink Floyd sax player Dick Parry. EMILY LYNN Joining TAPFS in 2010, Emily Lynn is a hugely talented and enthusiastic vocalist who loves to perform and has worked with recording artists, choirs, gospel groups and orchestras. Emily’s love of Floyd’s music – “so easy to get lost in, so atmospheric” – has truly been rekindled and she can’t wait to start. Whilst she is looking forward to being able to take the lead on Great Gig one day, her current favourite is What Do You Want From Me? “I’m so lucky to be involved with this show, really fortunate – I’m getting used to life on the road and everyone in the band seems happy to look after me!” Come and see Emily play! STEVE MAC Steve was one of the original founding band members and has performed on guitar and vocals continuously. He has enjoyed seeing the band grow from the early days through to headlining at the Royal Albert Hall, Wembley Arena in 2009 and the London O2 Arena. He is a huge fan of Pink Floyd and is passionate about the authenticity of the band's sound. Commenting he said “Pink Floyd created their own universe of sound, no other band has ever sounded the same. It’s so important to capture not just the sound but also the feel and the emotion of their amazing music”. Steve is a perfectionist and has carefully built up an elaborate replica guitar rig that incorporates much of the same equipment that David Gilmour uses. Steve's favourite guitar is his late 70’s blue Fender Stratocaster which David Gilmour has actually played! He’s endorsed by Hiwatt, Fender, Ernie Ball, Jim Dunlop, MXR pedals and AKG microphones. Steve has also written for music magazines worldwide on David Gilmour's technique and playing including ‘Guitarist’ magazine. He cites playing David Gilmour’s 50th birthday party as one of his career highlights and has also played with other Pink Floyd band members including Guy Pratt. LORELEI McBROOM It was Pink Floyd themselves who gave Lorelei her first exposure to the road on their "Momentary Lapse of Reason "and "Delicate Sound of Thunder" tours. She followed that by touring with the Stones. She even appeared in Pink Floyd’s original music videos for “The Dogs of War”, “On The Turning Away” and the “Pink Floyd Live in Venice” TV broadcast. "I grew up on folk, rock 'n roll, pop, jazz, and good soul music," says the LA born singer who has worked with acts like Billy Idol, Lou Reed (backing him with Grace Jones & Debbie Harry) and most recently Rod Stewart. She has appeared on the Grammy Awards, in various music videos, television shows and recordings and even has extensive songwriting credits. But she loves to tour and she loves great music. “I adore the music 2 FKP Scorpio Konzertproduktionen GmbH Große Elbstr. 277 a · 22767 Hamburg Tel. (040) 853 88 888 · www.fkpscorpio.com of Pink Floyd and I’m overjoyed to have a chance to sing their songs again with The Aussie Pink Floyd; the best Floyd tribute band in the world!” ALEX McNAMARA Vocalist and percussionist Alex McNamara joined TAPFS in 2010, having already appeared in the West End's biggest Rock musical, "We Will Rock You" at the Dominion Theatre for several years. After initially auditioning for Queen legends Brian May and Roger Taylor he went on to perform with them onstage in the show on several occasions, as well as appearing with them live on ITV's "The Al Murray Show" amongst other engagements. During his career, Alex has appeared in numerous theatre productions and various commercials, and in 2008 he shared a stage with high profile artists such as Alice Cooper, Blondie and Deep Purple for the British International Motor Show at London Excel. Having always been a huge fan of Rock Music, he has a huge respect for Pink Floyd and is incredibly excited to be on board with TAPFS. COLIN NORFIELD Colin Norfield has been one of the most in demand sound engineers in the world for over four decades. Colin brings a wealth of experience with him and a trained ear for all things Pink Floyd. Colin was FOH engineer on Pink Floyd’s final world tour; Division Bell. Since then Colin has handled live sound for David Gilmour, including working on his On an Island tour which featured appearances from other original Pink Floyd members. Colin previously worked with the Aussie Floyd on their 2004/2005 American, UK and European tours and rejoins the band for the forthcoming 2011 shows. Speaking about the forthcoming tour Colin said "it’s the band that creates the magic on stage and it’s my job to mix it and ensure the sound is as authentic as possible. I have a sympathetic ear to help get the best of what the guys are playing on stage. I really enjoyed working with the Aussie Floyd on the last tour and I’m looking forward to the forthcoming tour.” JASON SAWFORD Jason is an original founding member of the band. Prior to joining the band his studied a science degree in Australia and later went onto study a music degree subsequently leaving halfway through to join the Aussie Floyd. Programming the keyboards to get the right authentic Floyd sound is an on-going part of Jason’s role in the band. After playing in the band for over 22 years, Jason has many stories of funny, strange and amazing things that have happened on the road. Playing Comfortably Numb alongside Rick Wright at Dave Gilmour’s birthday party comes high up on Jason’s list of career highlights. LARA SMILES Taking the direct route in TAPFS, Lara was recommended by one of the band, and soon found herself auditioning for the show. Lara was always a fan of Pink Floyd, particularly the Dark Side Of The Moon album and she can’t wait for the tour to start. “These will be by far the biggest gigs I’ve ever done, I can’t wait. It’s so exciting”. She is also hoping to get some guitar tips from the band so that she can start to play the instrument when she performs with her girl band The Berettas. 3 FKP Scorpio Konzertproduktionen GmbH Große Elbstr. 277 a · 22767 Hamburg Tel. (040) 853 88 888 · www.fkpscorpio.com Lara had never toured and has really enjoyed getting out and about on the TAPFS bus, seeing the world and meeting the fans. “It’s been a fantastic experience.
Load more

Recommended publications
  • Adopted Budget 2009-2010
    City of Wilsonville Oregon Adopted Budget FY 2009/10 CITY OF WILSONVILLE, OREGON FY 2009-10 QUICK FACTS AND LOCATOR PAGES City Operating Capital Urban Renewal More information & Other Projects Agency on these pages WhereȱTheȱMoneyȱComesȱFrom: Propertyȱtaxes $ȱȱȱȱȱȱȱȱ5,226,000 $ȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȬ $ȱȱȱȱȱȱȱȱ7,050,000 69,ȱ274Ȭ276 Otherȱgovernments ȱȱȱȱȱȱȱȱȱȱ3,010,347 ȱȱȱȱȱȱȱȱ5,539,470 ȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȬ 70Ȭ77,ȱ202 Chargesȱforȱservices ȱȱȱȱȱȱȱȱ14,763,346 ȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȬ ȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȬ 70Ȭ77 Bondȱsales ȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȬ ȱȱȱȱȱȱȱȱ7,000,000 ȱȱȱȱȱȱȱȱȱ8,000,000 202,ȱ279 SystemȱDevelopmentȱCharges ȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȬ ȱȱȱȱȱȱȱȱ8,224,984 ȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȬ 79 Allȱotherȱrevenues ȱȱȱȱȱȱȱȱȱȱ9,378,068 ȱȱȱȱȱȱȱȱ2,066,230 ȱȱȱȱȱȱȱȱȱȱȱȱ193,453 70Ȭ77,ȱ279 Carryover/beginningȱbalance ȱȱȱȱȱȱȱȱ26,370,848 ȱȱȱȱȱȱ16,878,180 ȱȱȱȱȱȱȱ13,453,766 28Ȭ29,ȱ279 TotalȱResources $ȱȱȱȱȱȱ58,748,609 $ȱȱȱȱȱ39,708,864 $ȱȱȱȱȱȱ28,697,219 WhereȱTheȱMoneyȱGoes: Personalȱservices $ȱȱȱȱȱȱ13,595,127 $ȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȬ $ȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȬ 84Ȭ200 Materialsȱandȱservices ȱȱȱȱȱȱȱȱ14,893,008 ȱȱȱȱȱȱȱȱȱȱȱȱȱ37,300 ȱȱȱȱȱȱȱȱȱ1,068,492 89Ȭ200,ȱ279 CapitalȱȬȱequipment ȱȱȱȱȱȱȱȱȱȱȱȱ982,000 ȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȬ ȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȬ 89Ȭ200 CapitalȱȬȱprojects ȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȬ ȱȱȱȱȱȱ25,284,609 ȱȱȱȱȱȱȱȱȱ3,223,500 201,ȱ286,ȱ293 Debtȱservice ȱȱȱȱȱȱȱȱȱȱ3,024,933 ȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȬ ȱȱȱȱȱȱȱ11,853,652 255Ȭ262,ȱ283,ȱ291 Contingency/reserves ȱȱȱȱȱȱȱȱ26,251,916 ȱȱȱȱȱȱ12,808,449 ȱȱȱȱȱȱȱȱȱ7,426,025 261Ȭ264,ȱ279 Unappropriatedȱendingȱbalance ȱȱȱȱȱȱȱȱȱȱ1,580,131 ȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȬ ȱȱȱȱȱȱȱȱȱ5,125,550
    [Show full text]
  • “WISH YOU WERE HERE” RECORDING SESSIONS ROGER WATERS Di Jill Furmanovsky
    “WISH YOU WERE HERE” RECORDING SESSIONS ROGER WATERS di Jill Furmanovsky Luogo: Abbey Road Studios, Londra. Data: 1975. ll racconto: “Erano passati solo alcuni mesi dal tour di Dark Side of the Moon e Storm mi contattò chiedendomi di andare negli studi di registrazione di Abbey Road per fotografare i Pink Floyd al lavoro. Mi chiese anche di fotografare usando la massima discrezione. Iniziò così la mia esperienza quotidiana al fianco della band che stava per creare uno dei capolavori della musica contemporanea.” Edizione: Edizione 30. Qualità di stampa: stampa Fine Art digitale d’archivio su carta Hahnemuhle. Catalogo: PINKFLOYD001JF “WISH YOU WERE HERE” RECORDING SESSIONS DAVID GILMOUR di Jill Furmanovsky Luogo: Abbey Road Studios, Londra. Data: 1975. Il racconto: “Sfortunatamente non mi trovavo in studio durante la leggendaria visita di Syd Barrett, il 9 giugno del 1975. Syd, grande amico e membro della band fino al 1968, lasciò i Pink Floyd per problemi psichici legati all’abuso di LSD. Syd apparve senza preavviso nel mezzo di una sessione di registrazione e venne riconosciuto a fatica dagli altri. Era molto ingrassato ed aveva la testa e le sopracciglia rasate. Dopo attimi di sconcerto generale, Gilmour lo invitò al suo ricevimento di nozze presso gli uffici della EMI, che si svolgeva proprio quel giorno. Syd accettò di seguire i compagni ma poi scomparve così come era apparso e nessun membro della band lo vide più fino al giorno della sua morte, nel 2006. “Shine on you crazy diamond” è dedicata a lui.” Edizione: Edizione 30. Qualità di stampa: stampa Fine Art digitale d’archivio su carta Hahnemuhle.
    [Show full text]
  • “The Dark Side of the Moon”—Pink Floyd (1973) Added to the National Registry: 2012 Essay By: Daniel Levitin (Guest Post)*
    “The Dark Side of the Moon”—Pink Floyd (1973) Added to the National Registry: 2012 Essay by: Daniel Levitin (guest post)* Dark Side of the Moon Angst. Greed. Alienation. Questioning one's own sanity. Weird time signatures. Experimental sounds. In 1973, Pink Floyd was a somewhat known progressive rock band, but it was this, their ninth album, that catapulted them into world class rock-star status. “The Dark Side of the Moon” spent an astonishing 14 years on the “Billboard” album charts, and sold an estimated 45 million copies. It is a work of outstanding artistry, skill, and craftsmanship that is popular in its reach and experimental in its grasp. An engineering masterpiece, the album received a Grammy nomination for best engineered non-classical recording, based on beautifully captured instrumental tones and a warm, lush soundscape. Engineer Alan Parsons and Mixing Supervisor Chris Thomas, who had worked extensively with The Beatles (the LP was mastered by engineer Wally Traugott), introduced a level of sonic beauty and clarity to the album that propelled the music off of any sound system to become an all- encompassing, immersive experience. In his 1973 review, Lloyd Grossman wrote in “Rolling Stone” magazine that Pink Floyd’s members comprised “preeminent techno-rockers: four musicians with a command of electronic instruments who wield an arsenal of sound effects with authority and finesse.” The used their command to create a work that introduced several generations of listeners to art-rock and to elements of 1950s cool jazz. Some reharmonization of chords (as on “Breathe”) was inspired by Miles Davis, explained keyboardist Rick Wright.
    [Show full text]
  • Pink Floyd – Live at Knebworth 1990
    Pink Floyd – Live At Knebworth 1990 (55:45, CD, LP, Digital, Parlophone/Warner, 1990/2021) Es war zu erwarten, dass die einzelnen Elemente des teuren „The Later Years“-Boxsets nach und nach auch als Standalone- Veröffentlichungen eintrudeln würden. Nachdem schon relativ kurz nach der Box die überarbeitete „Delicate Sound Of Thunder“ in den Regalen stand, gibt’s nun mit „Live At Knebworth 1990“ das nächste Liveschnittchen derGilmour - geführten Pink Floyd. Nun waren Pink Floyd bei besagtem Konzert nur einer von vielen Mega-Acts und spielten deshalb auch nur ein knappes Festivalset-Stündchen – wie Dire Straits, Phil Collins (mit Genesis-Gastauftritt), Paul McCartney, Eric Clapton, Tears For Fears und Status Quo auch. Auf Live-Raritäten oder Experimente muss man hier also verzichten. Neben dem damals noch einigermaßen aktuellen ‚Sorrow‘ gibt’s hier lediglich je zwei Songs von „The Wall“ (‚Run Like Hell‘, ‚Comfortably Numb‘), zwei von „Wish You Were Here“ (‚Shine On…‘ und den Titelsong) sowie unvermeidlicherweise auch zwei von „Dark Side Of The Moon“ – ‚Money‘ und ‚The Great Gig In The Sky‘. Der Grund für die Auswahl des Letzteren dürfte darin zu finden sein, das an diesem Abend mit Clare Torry die Originalsängerin des Stücks mit Floyd auf der Bühne stand. Damit sind wir auch schon bei der Besonderheit dieses Knebworth-Auftritts: die prominenten Gäste. Pink Floyd waren ja nicht unbedingt dafür bekannt, sich Freunde auf die Bühne einzuladen. Da fallen den Meisten wohl nur Billy Corgan 1996 in der Rock And Roll Hall Of Fame, Frank Zappa 1969 auf einem Festival in Belgien und Douglas Adams 1994 im Earls Court ein, und so ist das Auftauchen gleich dreier Nicht-Bandmitglieder schon ein Grund für Sammler, das vorliegende Album in die Sammlung einzureihen.
    [Show full text]
  • PINK FLOYD (2Ème Partie)
    Dossier : PINK FLOYD (2ème partie) The Other Side Of PINK FLOYD Un dossier préparé par Hubert Allusson avec la participation de Gilles Masson, Marc Moingeon, Denis Chamignon, Benoît Herr & Hubert Allusson Coordination : Hubert Allusson Photos : Serge Llorente KOID'9 n°59 – Octobre 2006 - P/3 "A guy named Syd...". Lorsque nous vous avons concocté ce méga dossier Floyd, nous ne savions pas que l'actualité nous rattraperait ainsi. Ce sont les hasards de la vie... Au décès de Syd il faut hélas ajouter celui d'Arthur Lee, l'emblématique leader du groupe culte Love. A 60 ans également... Pink Floyd et Love. Deux des principaux représentants du mouvement psychédélique. L'anglais et l'américain qui se sont mutuellement inspirés. Encore une coïncidence... Dans quelques instants, vous allez découvrir la seconde partie du dossier Pink Floyd. Chose promise, chose due c'est de nouveau une interview en face à face (merci Benoît !) -celle de Nick Mason-, illustrée par des photos originales (bravo Serge) qui ouvre le bal. Vous lirez ensuite le compte-rendu du concert événement que Laurent Voulzy... euh, Roger Mason... Waters (j'y perd mon latin) a donné à Magny-Cours le 14 juillet 2006. Si nous avons résisté à la tentation de la rétrospective historique, il nous a quand même semblé intéressant de revenir sur quelques albums "oubliés" du Floyd. Puis, l'équipe du Koid’9 a souhaité rendre hommage au travail solo de Syd Barrett (RIP), David Gilmour, Nick Mason et Rick Wright. Personne avant nous, ne vous avez proposé un travail complet sur la carrière solo des membres de Pink Floyd.
    [Show full text]
  • The Story So Far
    1. How Long (Ace) 2. Tempted (Squeeze) 3. Silent Running (Live) 4. When You Walk In The Room (Live) 5. The Living Years (2006 Version) 6. I Live On A Battlefield (with the Royal Philharmonic Orchestra) 7. Dedicated (2006 Version) 8. Over My Shoulder (Live from Abbey Road) 9. Love Will Keep Us Alive (Full Version) - Featuring Timothy B Schmit of the Eagles 10. Eyes Of Blue 11. Beautiful World 12. Satisfy My Soul 13. Groovin’ 14. Any Day Now 15. Where Did I Go Wrong? 16. It Ain’t Over 17. What A Wonderful World (with the SWR Big Band) PCARiT14. This Compilation P2014 Carrack-UK. g2014 Carrack-UK Unauthorised copying, reproduction, hiring, lending, public performance and broadcasting prohibited. All rights reserved. Unauthorised duplication is a violation of applicable laws. Paul Carrack-The Story So Far... In my own words 1. How Long Taken from the album Blue Views. Originally released by Ace in 1974 In 1973 I was sharing a one-room bedsit in Camden with my girlfriend (now my wife) Kathy. The band I’d been with for the last 5 years since leaving home and going on the road had finally returned from Germany broke after having our equipment stolen. I reluctantly got a job cleaning cars at Henley’s Cars for the princely sum of 42 pence an hour. When the initial novelty of doing ‘real work’ with overalls and everything, wore off (after about a week) I was thoroughly miserable, apart from the fact that Kathy and I were madly in love. At some point I got a call from Tex Comer, the bass player in the aforementioned band.
    [Show full text]
  • Mise En Page 1 17/04/13 17:45 Page 28
    BAT INT Nick Mason.qxd :Mise en page 1 17/04/13 17:45 Page 28 Interview par Christophe Rossi NICK MASON Gardien du temple 1973, ANNÉE CHARNIÈRE DANS LA CARRIÈRE DE PINK FLOYD, AVEC LA SORTIE DE L’ALBUM «THE DARK SIDE « The Dark Side Of The Moon » est un Lors de la sortie du disque en mars 1973, OF THE MOON ». 40 ANS APRÈS, album qui a marqué son époque et reste avez-vous tout de suite pris conscience du NOUS AVONS JOINT NICK MASON toujours aussi frais, quarante ans après sa succès qu’il engendrait ? sortie. Comment expliquer cela ? POUR QU’IL REVIENNE SUR CE DISQUE Nous n’avons pas bien mesuré la chose, nous Cet album correspond à un changement dans la étions en tournée au Etats-Unis à ce moment là. HISTORIQUE. L’OCCASION AUSSI POUR musique rock, mais en réalité il poursuit un pro- Ça nous changeait car les ventes de nos précé- LUI DE NOUS PARLER DE SES PROJETS. cessus entamé avec « Sergent Pepper’s », des dents albums était décevantes. Nous pensions Beatles, qui fut le premier disque à sortir du for- que c’était notre meilleur album, avec la satis- A 69 ANS, LE FLEGMATIQUE BATTEUR mat des singles, ça nous a beaucoup influencé faction d’avoir fait du bon travail, mais nous ne BRITANNIQUE NE COMPTE PAS PRENDRE dans le fait de penser en termes de concept pensions pas à l’époque que le disque connaî- album. Mais l’évolution de la musique de Pink trait un tel succès car notre musique ne concer- SA RETRAITE ET NE SE FERAIT PAS Floyd et de nos concerts ne se limite pas à nait pas encore le grand public.
    [Show full text]
  • Andy Roberts Urban Cowboy 01
    ANDY ROBERTS 01 URBAN COWBOY www.thebeesknees.com ANDY ROBERTS 02 URBAN COWBOY The first seeds for this album were sown in October 1970. Everyone, my Morgan Studios had been started by well-known drummer Barry Morgan post Liverpool Scene band, was put out of business in a devastating four years before, and was Samwell’s studio of choice. His principal client instant when our long wheelbase Transit was side swiped in Basingstoke in those days was Cat Stevens, who was well on his way to being a global by a jack-knifing flatbed, killing Paul Scard, our 19-year-old roadie, and superstar. One day after a Matthews session I was taking my time packing injuring Andy Rochford, his colleague. up my guitars, when in strolled Alan Davies, who was Steve’s right hand man on acoustic (still is, as far as I know). Alan and I knew each other from The musicians in the band were all safely back in London when it way back, when we had both at various times played with Jeremy Taylor happened. Earlier we had played at Southampton University, and I was and Sydney Carter. I showed him the Kriwaczek String Organ I had with Plainsong rehearsal photographs by Harry Isles sitting in drummer John Pearson’s kitchen in Bruton Place, having a cup me (a unique stringed instrument, designed by a great friend of mine, of of tea with John, Dave Richards and Paul, when Andy Rochford phoned up which I was at that time the sole exponent!), and then we began playing to ask if Paul could possibly return to Southampton to fetch him.
    [Show full text]
  • Abstract Music Is an Essential Part of Our Lives. the World Wouldn't Be The
    Abstract Music is an essential part of our lives. The world wouldn’t be the same without it. Everyone is so enthralled by music that whether they are bored or they are working, music is often times the thing that they want to have playing in the background of their life. A. The wide range of genres allows people to choose the type of music they want to listen to. The music can range from soothing and light forms to the heavy metal instrumentals and vocals. Many singers and artists are working in the music industry, and many of them have served a lot to this industry. Best sellers of the artists are appreciated in the whole world. It is known know, music knows no boundaries are when a singer does a fantastic job; they become famous all across the globe. Sadly, as time goes on musicians pass away however, their legacy remains very much alive have passed, but their names are still alive. The world still listens to their music and appreciates their work. One such singer is Michael Jackson. His album Thriller broke the records and was the best seller. No one can be neat the files of the king of pop. Similarly, Pink Floyd made records by their album The Dark Side of the Moon. It was an enormous economic and critical success. Many teens are still obsessed by the songs of Pink Floyd. AC/DC gave an album called Back in Black. This was also one of the major hits of that era. All these records are still alive.
    [Show full text]
  • Pink Floyd Original Vocalist
    Pink floyd original vocalist click here to download Pink Floyd were an English rock band formed in London in They achieved international Pink Floyd were founded by students Syd Barrett on guitar and lead vocals, Nick Mason on drums, Roger Waters on bass and vocals, and Richard Wright on keyboards and vocals. They gained popularity performing in London's. The Madcap Laughs - Barrett - Syd Barrett discography - Stars - Opel. Wet Dream - Broken China - Identity -. The personnel of the rock group Pink Floyd has centred on a small number of full-time members, List of Pink Floyd band members. From Wikipedia, the free . Ginger Gilmour - David Gilmour discography - Polly Samson -. List of songs recorded by Pink Floyd. From Wikipedia, the free encyclopedia. Jump to navigation Jump to search. Pink Floyd were an English rock band who . Richard Wright, Vocalisations by Roger Waters & David Gilmour, Non-album. Clare Torry - Time (Pink Floyd song) - Money (Pink Floyd song). The Wall is the eleventh studio album by English rock band Pink Floyd. It was released as a double album on 30 November in the United Kingdom by Harvest Records and in the United States by Columbia Records. Bassist and songwriter Roger Waters conceived the album as a rock opera during Pink Floyd's Pink Floyd's In the Flesh Tour was their first playing in large stadiums. Jul 11, Syd Barrett, the former lead singer of Pink Floyd and one of the key figures was well-documented and he was often described as the original. Jul 11, The surviving members of Pink Floyd — David Gilmour, Nick Mason, Roger Waters and Richard Wright — said they were “very upset and sad to.
    [Show full text]
  • December 1993
    Features DAVE ABBRUZZESE With nary a note on Pearl Jam's breakthrough album, Ten, Dave Abbruzzese flew to the top of MD's 1993 Readers Poll in the Up & Coming category. Now the brand-new Five Against One is out, and Dave's really laying down his mark. • Matt Peiken 20 TONY REEDUS Can today's jazz drummer find happiness on both sides of the avant-garde/straight-ahead coin? Well, Tony Reedus has, making him one of the most sought-after skinsmen around. • Ken Micallef 26 ZILDJIAN AT 370 Zildjian certainly should be proud of their long history: Their cymbal design innovations often coincided with the major artistic leaps of our drumset masters. Since the company is celebrating their deep roots in a big way this year, we thought it a good time to check in. • Rick Van Horn 30 Volume 17, Number 12 Cover Photo By Lance Mercer EDUCATION NEWS EQUIPMENT 48 OFF THE 8 UPDATE RECORD Billy Cobham, Mike Portnoy Toss Panos, Lance Huff of David & the Giants, and the Bulletboys' 52 STRICTLY Jim D'Anda, plus News TECHNIQUE The Hi-Hat 138 INDUSTRY BY JOE MORELLO HAPPENINGS 62 DRIVER'S SEAT Big Bands & Bass Drums DEPARTMENTS BY CHARLIE PERRY 4 EDITOR'S 36 PRODUCT OVERVIEW 66 LATIN CLOSE-UP SYMPOSIUM Pearl Masters Maguinho's 6 READERS' Custom Drumkit BY RICK VAN HORN Brazilian Rhythms PLATFORM BY PETE MAGADINI 39 Rhythm Tech 12 ASK A PRO indexTension Drum 94 SHOW Tuners BY ADAM BUDOFSKY DRUMMERS' 16 IT'S SEMINAR QUESTIONABLE Pete Engelhart Crashers Trials & Tribulations BY ADAM BUDOFSKY Of A New York 50 DRUMLINE Show Drummer 40 LP Gajate Bracket BY LARRY CALLAHAN BY ADAM BUDOFSKY 102 CRITIQUE Taw Duplicate X 98 THE JOBBING Products NDEX DRUMMER 126 1993 I BY RICK VAN HORN The Clubdate Business UPDATE BY PETER J.
    [Show full text]
  • The Endless River
    A Side 1 THINGS LEFT UNSAID IT’S WHAT WE DO EBB AND FLOW A A A Side 2 SUM SKINS UNSUNG ANISINA Side 3 THE LOST ART OF CONVERSATION ON NOODLE STREET A NIGHT LIGHT A ALLONS-Y (1) AUTUMN ’68 A ALLONS-Y (2) A TALKIN’ HAWKIN’ A Side 4 CALLING EYES TO PEARLS SURFACING A LOUDER THAN WORDS Produced by David Gilmour, Phil Manzanera, Youth, Andy Jackson Engineered and mixed by Andy Jackson with Damon Iddins AUDIO-VISUAL ANISINA A UNTITLED A EVRIKA(a) NERVANA A ALLONS-Y A EVRIKA(b) AUDIO TBS9 A TBS14 A NERVANA © & p 2014 Columbia Records, a Division of Sony Music Entertainment / Distributed by Columbia Records, a Division of Sony Music Entertainment / 550 Madison Avenue, New York, NY 10022-3211 / “Columbia” Total audio-visual/audio: 39mins approx. and W Reg. U.S. Pat. & Tm. Off. Marca Registrada. / WARNING: All Rights Reserved. Unauthorized www.pinkfl oyd.com duplication is a violation of applicable laws. Side 1 Side 3 Side 4 1 / THINGS LEFT UNSAID 1 / THE LOST ART 1 / CALLING (David Gilmour/Richard Wright) OF CONVERSATION (David Gilmour/Anthony Moore) Richard Wright: Hammond organ, synthesizer, key- (Richard Wright) David Gilmour: Keyboards, guitar boards Richard Wright: Piano, synthesizer Anthony Moore: Keyboards David Gilmour: EBow and other guitars David Gilmour: Guitars, percussion Nick Mason: Percussion Bob Ezrin: Additional keyboards Andy Jackson: Effects 2 / ON NOODLE STREET 2 / IT’S WHAT WE DO (David Gilmour/Richard Wright) 2 / EYES TO PEARLS (David Gilmour/Richard Wright) David Gilmour: Guitar (David Gilmour) Richard Wright: Keyboards,
    [Show full text]