This File Contains a Complete Alphabetical Index of Song Titles
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KLOS March 17Th 2013
1 1 2 PLAYLIST MARCH 17TH 2013 9AM Good morning Apple Scruffs! George Harrison – Apple Scruffs - All Things Must Pass ‘70 2 3 This was a salute to the girls (and sometimes boys) who stood vigil at Apple, Abbey Road and anyplace a Fab was to likely to be. Upon recording the tune, George invited the “Apple Scruffs,” into the studio to have a listen. The Beatles – Sun King - Abbey Road Recorded w/ Mean Mr. Mustard as one song on July 24th 1969. Lennon in Playboy interview of 1980…”That’s a piece of garbage I had around”. Many parts of Pink Floyd’s Dark Side of the Moon sound very much inspired by that piece of garbage. Lennon 1.00 The Beatles – Mean Mr. Mustard - Abbey Road Recorded July 24th. Written in India as we heard on the White LP demos from Esher. When the band is playing it during the Let It Be sessions Pam was then a Shirley. Lennon 1.00 The Beatles - Her Majesty – Abbey Road Recorded July 2, 1969. Originally fit between” Mean Mr. Mustard” and “Polythene Pam” McCartney 1.00 The Beatles – Polythene Pam - Abbey Road Recorded July 25th w/ “She Came in Through The Bathroom Window “. The only Beatles song inspired by a woman in New Jersey who dressed in polythene (but not jack boots or kilts). Written in India, demoed for the White LP. Lennon 1.00 The Beatles – She Came In Through The Bathroom Window - Abbey Road Recorded July 25th 1969. Written while in NYC to announce Apple. Based on a true story about some Scruffs breaking into Paul house at St. -
The Deep Purple Tributes
[% META title = 'The Deep Purple Discography' %] The Deep Purple Tributes Here we will try to keep a list of known Deep Purple tributes -- full CDs only. (Covers of individual tracks are listed elsewhere.) The list is still not complete, but hopefully it will be in the future. Funky Junction Plays a Tribute to Deep Purple UK 1973 Stereo Gold Award MER 373 [1LP] Purple Tracks Performed by Eric Bell (guitar), Brian Downey (drums), Dave Lennox (keyboards), Phil Lynott (bass) and Fireball Black Night Benny White (vocals). Strange Kind of Woman Hush Speed King The first known Purple tribute was recorded as early as 1972. An unknown, starving band named Thin Lizzy (which consisted of Bell, Downey & Lynott) were offered a lump sum of money to record some Deep Purple songs. (The album contains also a few non-DP tracks.) They did - with the help from two Irish guys. The album came out in early 1973. It wasn't a success. In February, Thin Lizzy had a top ten hit with a single of their own. Read more about it here. The Moscow Symphony Orchestra in Performance of the Music of Deep Purple Japan 1992 Zero Records XRCN-1022 [1CD] UK 1992 Cromwell Productions CPCD 018 [1CD] Purple Tracks Smoke on the Water Performed by the Moscow Symphony Orchestra, conducted by Constantine Krimets. Arranged by Stephen Space Truckin' Child in Time Reeve and Martin Riley. Produced by Bob Carruthers. Recorded live (in the studio with no audience) during Black Night April 1992. Lazy The Mule Pictures of Home No drums, no drum machine, no guitar - in fact, no rock instruments at all, just a symphony orchestra. -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Identity, Authority and Myth-Making: Politically-Motivated Prisoners and the Use of Music During the Northern Irish Conflict, 1962 - 2000
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online Identity, authority and myth-making: Politically-motivated prisoners and the use of music during the Northern Irish conflict, 1962 - 2000 Claire Alexandra Green Submitted in partial fulfillment of the requirements of the Degree of Doctor of Philosophy 1 I, Claire Alexandra Green, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Date: 29/04/19 Details of collaboration and publications: ‘It’s All Over: Romantic Relationships, Endurance and Loyalty in the Songs of Northern Irish Politically-Motivated Prisoners’, Estudios Irlandeses, 14, 70-82. 2 Abstract. In this study I examine the use of music by and in relation to politically-motivated prisoners in Northern Ireland, from the mid-1960s until 2000. -
Marvin Gaye As Vocal Composer 63 Andrew Flory
Sounding Out Pop Analytical Essays in Popular Music Edited by Mark Spicer and John Covach The University of Michigan Press • Ann Arbor Copyright © by the University of Michigan 2010 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2013 2012 2011 2010 4321 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Sounding out pop : analytical essays in popular music / edited by Mark Spicer and John Covach. p. cm. — (Tracking pop) Includes index. ISBN 978-0-472-11505-1 (cloth : alk. paper) — ISBN 978-0-472-03400-0 (pbk. : alk. paper) 1. Popular music—History and criticism. 2. Popular music— Analysis, appreciation. I. Spicer, Mark Stuart. II. Covach, John Rudolph. ML3470.S635 2010 781.64—dc22 2009050341 Contents Preface vii Acknowledgments xi 1 Leiber and Stoller, the Coasters, and the “Dramatic AABA” Form 1 john covach 2 “Only the Lonely” Roy Orbison’s Sweet West Texas Style 18 albin zak 3 Ego and Alter Ego Artistic Interaction between Bob Dylan and Roger McGuinn 42 james grier 4 Marvin Gaye as Vocal Composer 63 andrew flory 5 A Study of Maximally Smooth Voice Leading in the Mid-1970s Music of Genesis 99 kevin holm-hudson 6 “Reggatta de Blanc” Analyzing -
Animals and Morality Tales in Hayashi Razan's Kaidan Zensho
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses March 2015 The Unnatural World: Animals and Morality Tales in Hayashi Razan's Kaidan Zensho Eric Fischbach University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the Chinese Studies Commons, Japanese Studies Commons, and the Translation Studies Commons Recommended Citation Fischbach, Eric, "The Unnatural World: Animals and Morality Tales in Hayashi Razan's Kaidan Zensho" (2015). Masters Theses. 146. https://doi.org/10.7275/6499369 https://scholarworks.umass.edu/masters_theses_2/146 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE UNNATURAL WORLD: ANIMALS AND MORALITY TALES IN HAYASHI RAZAN’S KAIDAN ZENSHO A Thesis Presented by ERIC D. FISCHBACH Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS February 2015 Asian Languages and Literatures - Japanese © Copyright by Eric D. Fischbach 2015 All Rights Reserved THE UNNATURAL WORLD: ANIMALS AND MORALITY TALES IN HAYASHI RAZAN’S KAIDAN ZENSHO A Thesis Presented by ERIC D. FISCHBACH Approved as to style and content by: __________________________________________ Amanda C. Seaman, Chair __________________________________________ Stephen Miller, Member ________________________________________ Stephen Miller, Program Head Asian Languages and Literatures ________________________________________ William Moebius, Department Head Languages, Literatures, and Cultures ACKNOWLEDGMENTS I would like to thank all my professors that helped me grow during my tenure as a graduate student here at UMass. -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
Santa Fe New Mexican, 06-07-1913 New Mexican Printing Company
University of New Mexico UNM Digital Repository Santa Fe New Mexican, 1883-1913 New Mexico Historical Newspapers 6-7-1913 Santa Fe New Mexican, 06-07-1913 New Mexican Printing company Follow this and additional works at: https://digitalrepository.unm.edu/sfnm_news Recommended Citation New Mexican Printing company. "Santa Fe New Mexican, 06-07-1913." (1913). https://digitalrepository.unm.edu/sfnm_news/3818 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Santa Fe New Mexican, 1883-1913 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. 1 ! SANTA 2LWWJlaWl V W SANTA FE, NEW MEXICO, SATURDAY, JUNE 7, 191J. JVO. 95 WOULD INVOLVE PRESIDlNT D0RMAN THE SQUEALERS. CONFERENCE OF ! SENDS GREETINGS GOVERNORS THE CHAMBER OF COMMERCE HAS A COMPREHENSIVE FOLDER PRIN- WILSON TED SEND TO THE BROTHERHOOD CLOSES OF AMERICAN YEOMEN, CALLING REPUBLICAN SENATORS STILL INS-SIS- T ATTENTION TO SANTA FE S WILL DRAFT ADDRESS TO PUBLIC THAT PRESIDENT IS USING LAND OFFICE COMMISSIONER MORE INFLUENCE FOR TARIFF TALLMAN AND A. A. JONES PRO-- i If the smoker and lunch given by THAN ANYONE ELSE. MISE HELP OF THE the chamber of commerce brought forth nothing else, the issuing of WILSON IS LOBBYING greetings to the supreme conclave of the Brotherhood of American Yeoman, FOR THE PEOPLE Betting forth some of the facts re- PROSPECTORS WILL garding Santa Fe and its remarkable climate was worth accomplishment. BE ENCOURAGED Washington, D. C, June 7. -
Call Me Back Again
Call me back again. New York: Wm. A. Pond & Co., 1884 https://digital.library.wisc.edu/1711.dl/KL7HZYLPQYI2I83 http://rightsstatements.org/vocab/NKC/1.0/ The libraries provide public access to a wide range of material, including online exhibits, digitized collections, archival finding aids, our catalog, online articles, and a growing range of materials in many media. When possible, we provide rights information in catalog records, finding aids, and other metadata that accompanies collections or items. However, it is always the user's obligation to evaluate copyright and rights issues in light of their own use. 728 State Street | Madison, Wisconsin 53706 | library.wisc.edu THE BEAUTIFUL MELODY OF = COLLEEN DHAS MACHREE, 5 “MY OWN SWEET DARLING!’’ ™ MOUNTAIN TOP, LUZERNE CO. PA ; a 4 : : $ ae SONG AND CHORUS. | MUSIC BY ; : J | | FANNIE BEANE. 4 { - J f : SUNG WITH GREAT SUCCESS BY 4 ¥ : | 4 Pas CHAUNCEY OLCOTT y | a *.“EMERSON’S ALL-STAR MINSTRELS.*,* os t is = ARRANGED BY { | JEROME. 4 | MARCH. WALTZ. SCHOTTISCHE. By PRATT. GUITAR.—Vocal and Instrumental.—By DE JANON. 4 V Se : NEW YORK: FREDERICK BLUME, 25 union sovare. a _ BOSTON: NEW YORK: PHILADELPHIA: CINCINNATI: : — a DITSON & CO. WM. A. POND & CO. LEE & WALKER. JOHN CHURCH & CO. 24 CHICAGO: ST. Louis: : SAN FRANCISCO: : | LYON & HEALY. JOHN L. PETERS. SHERMAN, CLAY & CO. % . Copyricut, MDCCCLXXXIV, ny Freperick BLume. - : 4 ‘= : ft 3] 4nd COLLEEN DHAS MACHREE. | The shadows fall, and low the sun is sinking, His last rays tinge with gold the waters blue ; And of you, Kate Alanna, I am thinking, Tho’ waves divide us, still I know you’e true. -
Copy UPDATED KAREOKE 2013
Artist Song Title Disc # ? & THE MYSTERIANS 96 TEARS 6781 10 YEARS THROUGH THE IRIS 13637 WASTELAND 13417 10,000 MANIACS BECAUSE THE NIGHT 9703 CANDY EVERYBODY WANTS 1693 LIKE THE WEATHER 6903 MORE THAN THIS 50 TROUBLE ME 6958 100 PROOF AGED IN SOUL SOMEBODY'S BEEN SLEEPING 5612 10CC I'M NOT IN LOVE 1910 112 DANCE WITH ME 10268 PEACHES & CREAM 9282 RIGHT HERE FOR YOU 12650 112 & LUDACRIS HOT & WET 12569 1910 FRUITGUM CO. 1, 2, 3 RED LIGHT 10237 SIMON SAYS 7083 2 PAC CALIFORNIA LOVE 3847 CHANGES 11513 DEAR MAMA 1729 HOW DO YOU WANT IT 7163 THUGZ MANSION 11277 2 PAC & EMINEM ONE DAY AT A TIME 12686 2 UNLIMITED DO WHAT'S GOOD FOR ME 11184 20 FINGERS SHORT DICK MAN 7505 21 DEMANDS GIVE ME A MINUTE 14122 3 DOORS DOWN AWAY FROM THE SUN 12664 BE LIKE THAT 8899 BEHIND THOSE EYES 13174 DUCK & RUN 7913 HERE WITHOUT YOU 12784 KRYPTONITE 5441 LET ME GO 13044 LIVE FOR TODAY 13364 LOSER 7609 ROAD I'M ON, THE 11419 WHEN I'M GONE 10651 3 DOORS DOWN & BOB SEGER LANDING IN LONDON 13517 3 OF HEARTS ARIZONA RAIN 9135 30 SECONDS TO MARS KILL, THE 13625 311 ALL MIXED UP 6641 AMBER 10513 BEYOND THE GREY SKY 12594 FIRST STRAW 12855 I'LL BE HERE AWHILE 9456 YOU WOULDN'T BELIEVE 8907 38 SPECIAL HOLD ON LOOSELY 2815 SECOND CHANCE 8559 3LW I DO 10524 NO MORE (BABY I'MA DO RIGHT) 178 PLAYAS GON' PLAY 8862 3RD STRIKE NO LIGHT 10310 REDEMPTION 10573 3T ANYTHING 6643 4 NON BLONDES WHAT'S UP 1412 4 P.M. -
University of Debrecen Doctoral Programme in British and American Studies
University of Debrecen Doctoral Programme in British and American Studies A TALE OF A PUB: READING THE “CYCLOPS” EPISODE OF JAMES JOYCE’S ULYSSES IN THE CONTEXT OF IRISH CULTURAL NATIONALISM Marianna Gula 1 Introduction The 1990s’ introduction of post-colonial theory into Joyce criticism has brought about a thorough reassessment of Joyce’s relationship to politics and history in general, and British imperialism and Irish nationalism in particular. In contrast to the New Critical vision of his work as the manifestation of an apolitical, cosmopolitan modernist aestheticism, his texts have come increasingly to be seen as complex − most often subversive − sites of ideological involvement. The “Cyclops” episode of Ulysses, which most explicitly engages with the issue of Irish nationalism, has been at the forefront in this process. The chapter’s engagement with Irish nationalism, noted by the first commentators, underwent a particularly vigorous reappraisal in the past decade. This process evinced a shift from associating nationalism exclusively with the xenophobic citizen’s nostalgia and violence against Bloom to problematising the issue by contextualised readings accommodating the discourses of imperialism and nationalism. My inquiry aims to further this ongoing critical enterprise by placing the episode in the discursive context of Irish cultural nationalism. Highlighting the text against the backdrop of Irish cultural nationalism in general, not only the 1890s Celtic Revival, which provided the most immediate cultural context for Joyce and which has hitherto been mostly targeted, I explore how the text ironically re-inscribes crucial discursive formations arising out of an organic conception of the nation, and how it subversively enlists the key cultural means of their dissemination. -
Erin's Hope Song Book
THE ERIN'S HOPE SONG BOOK. ~ A Collection of Patriotic Songs and Recitations. CONTENTS: Lift your Heart up, Mother Et'ln !The Memory of the Dead Despair Not I Betsy Gray . The Gael and the Green I _ The Green Flag Annle, Dear J.:. The Forging of the'Plkes Oh, Breathe not his Name "-A:;Twent Men from Dublin TOWD The Mountain Top 9.. The Men of Ninety-Eight The Maid of SlIevenamon .3 The Croppy Boy Wrap the Green Flag Rouqd m~Eirghe na Gealalghe The Green Isle of Erin .3 The Rising of the Moon Kelly of KlIlann tr- A Nation Once Again The Men of the West 't" Clare's Dragoons The Priests of Ninety-Eight J The West's Asleep Edward Moltoy , r The Patriot Mother Carroll Dawn 6 Ninety·Eight By Memory Inspired 7 . The Horseman of Dunrone DUBLIN: NUGENT AND CO., PUBLISHERS, 45 MIDDLE ABBEY STREET., Printed in Ireland.] PRICE FOURPENCE. / ERIN'S OWN ' RECITER A Collection of Popular Irish and Other Recitations This Collection has been compiled to meet the demand for a cheap .book of Recitations, and contains a number of pieces not to be found in other collections, such as .. Shanahan's QuId, Shebeen," .. A ch, I Dunno," .. Galloping H.ogan," .. Over the Hill," -this latter providing the subject for the famous film of the same name. Forty-eight pages, Crown 8vo, printed in clear type on good pape~ Price 6d. net. NUGENT AND CO., PUBLISHERS, 45 MIDDLE ABBEY ST.. DUBLIN. $ ' . ( 1 THE ERIN'S HOPE SONG BOOK. DESP AI R NOT ! LI FT YOUR HEART UP, MOTHER ERI N J.