Margaret Murray's Life in Archaeology A
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A History of the Society of British Neurological Surgeons 1926 to Circa 1990
A History of the Society of British Neurological Surgeons 1926 to circa 1990 TT King TT King A History of the Society of British Neurological Surgeons, 1926 to circa 1990 TT King Society Archivist 1 A History of the Society of British Neurological Surgeons, 1926 to circa 1990 © 2017 The Society of British Neurological Surgeons First edition printed in 2017 in the United Kingdom. No part of this publication may be reproduced, stored in a retrieval sys- tem or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permis- sion of The Society of British Neurological Surgeons. While every effort has been made to ensure the accuracy of the infor- mation contained in this publication, no guarantee can be given that all errors and omissions have been excluded. No responsibility for loss oc- casioned to any person acting or refraining from action as a result of the material in this publication can be accepted by The Society of British Neurological Surgeons or the author. Published by The Society of British Neurological Surgeons 35–43 Lincoln’s Inn Fields London WC2A 3PE www.sbns.org.uk Printed in the United Kingdom by Latimer Trend EDIT, DESIGN AND TYPESET Polymath Publishing www.polymathpubs.co.uk 2 The author wishes to express his gratitude to Philip van Hille and Matthew Whitaker of Polymath Publishing for bringing this to publication and to the British Orthopaedic Association for their help. 3 A History of the Society of British Neurological Surgeons 4 Contents Foreword -
Copyright - for the Thelemites
COPYRIGHT - FOR THE THELEMITES Downloaded from https://www.forthethelemites.website You may quote from this PDF file in printed and digital publications as long as you state the source. Copyright © Perdurabo ST, 2017 E.V. FOR THE COPYRIGHTTHELEMITES - FOR THE THELEMITES ROSE AND ALEISTER CROWLEY’S STAY IN EGYPT IN 1904 A STUDY OF THE CAIRO WORKING AND WHAT IT LED TO BY PERDURABO ST ã FRATER PERDURABO, to whom this revelation was made with so many signs and wonders, was himself unconvinced. He struggled against it for years. Not until the completion of His own initiation at the end of 1909 did He understand how perfectly He was bound to carry out this work. (Indeed, it was not until his word became conterminous with Himself and His Universe that all alien ideas lost their meaning for him). Again and again He turned away from it, took it up for a few days or hours, then laid it aside. He even attempted to destroy its value, to nullify the result. Again and again the unsleeping might of the Watchers drove Him back to the work; and it was at the very moment when He thought Himself to have escaped that He found Himself fixed for ever with no possibility of again turning aside for the fraction of a second from the path. The history of this must one day be told by a more vivid voice. Properly considered, it is a history of continuous miracle. THE EQUINOX OF THE GODS, 1936 E.V. For the Thelemites CHAPTER 6 Ì[Htp (hetep), altar] • The replica As regards the replica, which Crowley later published as a photographical colour reproduction in both TSK1912 and EG873, who was the artist? As seen above, Crowley writes in Confessions that it was a replica madeCOPYRIGHT by one of the artists attached - FOR to the THE museu m.THELEMITES.874 In fact there was an artist on the permanent staff of the museum as stated in various records. -
'Goblinlike, Fantastic: Little People and Deep Time at the Fin De Siècle
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output ’Goblinlike, fantastic: little people and deep time at the fin de siècle https://eprints.bbk.ac.uk/id/eprint/40443/ Version: Full Version Citation: Fergus, Emily (2019) ’Goblinlike, fantastic: little people and deep time at the fin de siècle. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email ‘Goblinlike, Fantastic’: Little People and Deep Time at the Fin De Siècle Emily Fergus Submitted for MPhil Degree 2019 Birkbeck, University of London 2 I, Emily Fergus, confirm that all the work contained within this thesis is entirely my own. ___________________________________________________ 3 Abstract This thesis offers a new reading of how little people were presented in both fiction and non-fiction in the latter half of the nineteenth century. After the ‘discovery’ of African pygmies in the 1860s, little people became a powerful way of imaginatively connecting to an inconceivably distant past, and the place of humans within it. Little people in fin de siècle narratives have been commonly interpreted as atavistic, stunted warnings of biological reversion. I suggest that there are other readings available: by deploying two nineteenth-century anthropological theories – E. B. Tylor’s doctrine of ‘survivals’, and euhemerism, a model proposing that the mythology surrounding fairies was based on the existence of real ‘little people’ – they can also be read as positive symbols of the tenacity of the human spirit, and as offering access to a sacred, spiritual, or magic, world. -
Notes and References
NOTES AND REFERENCES PREFACE 1 In the period of history covered by the present work, the words most commonly used to describe the type of society studied by anthropologists were "primitive" and "savage". Since however, neither of these words can be used without strongly pejorative overtones, I have done my best to avoid them, substituting instead more emotionally neutral words like "aboriginal", "indigenous" and "preliterate". None of these words is perfectly suited to the job at hand and the result may sometimes come out sounding rather oddly. Nonetheless, I would rather be guilty of minor offences of usage than of encouraging Eurocentric prejudice. 2 Peter Lawrence, "The Ethnographic Revolution", Oceanill45, 253-271 (1975). 3 A recent work which makes a start in this direction is Perspectives on the Emergence of Scientific Disciplines, Gerard Lemaine, Roy MacLeod, Michael Mulkay and Peter Weingart (eds.), (The Hague and Chicago, 1977). From our point of view the most inter esting contribution is Michael Worboy's study of British tropical medicine, a discipline which, largely because of its relationship to British imperialism, exhibited a maturation process which bore many similarities to that of British Social Anthropology. 4 Jairus Banaji, ''The Crisis of British Social Anthropology", New Left Review 64, 75 (Nov.-Dec. 1970). 5 E. E. Evans-Pritchard's famous 1940 ethnography on The Nuer, for example, often regarded as the ultimate achievement of British Social Anthropology, presents the Nuer as a self-contained, static and harmoniously-operating group. However, it is evident from a number of things which Evans-Pritchard mentions in passing that, in fact, the Nuer interact so substantially with the neighbouring Dinka people that, instead of reifying "the Nuer" as a self-contained social entity, it may well have been more sensible to write a book about the Nuer-Dinka complex. -
Freud and Egypt: Between Oedipus and the Sphinx
Freud and Egypt: Between Oedipus and the Sphinx Abstracts Simon Goldhill (University of Cambridge) Digging the Dirt: Freud's archaeology and the lure of Egypt Freud's obsession with archaeology is well-known. How should we understand this foundational metaphor for the psychoanalytical process through the contrasting cases of Greece -- ever the origin and base of Western culture for 19th-century thinking -- and Egypt -- repeatedly troped as mysterious, ancient and other? Daniel Orrells (Kings College London) Freud and Leonardo in Egypt The nineteenth-century fascination with ancient Greece provided a language to explore the complexities of modern sexual identity seemingly in all its varied forms. Freud's turn to Oedipus was part of this cultural moment. Homeric epic, Greek lyric poetry, Plato's dialogues and the body beautiful of Greek sculpture all offered different vocabularies for talking about same-sex desire. But when Freud sought to understand Leonardo's homosexuality, he turned away from Greece to an Egyptian mother goddess. This talk explores what was at stake in Freud finding Leonardo in ancient Egypt. Phiroze Vasunia (UCL) Egyptomania before Freud The fascination with ancient Egypt extends from the Bible and the Greeks and Romans into the modern period. What are the main features of this Egyptomania and how do they contribute to Freud’s interest in Egypt? We look at a few significant moments in the history of Egyptomania and discuss their significance for Freud and his thought. Claus Jurman (University of Birmingham) Freud’s Egypt – Freud’s Egyptology: A look at early 20th century Egyptology in Vienna and beyond This presentation will provide an overview of the development of Egyptology in Vienna during the first decades of the 20th century and introduce some its key figures such as Hermann Junker of the University of Vienna and Hans Demel of the Kunsthistorische Museum. -
Wicca 1739 Have Allowed for His Continued Popularity
Wicca 1739 have allowed for his continued popularity. Whitman’s According to Gardner, witchcraft had survived the per- willingness to break out of hegemonic culture and its secutions of early modern Europe and persisted in secret, mores in order to celebrate the mundane and following the thesis of British folklorist and Egyptologist unconventional has ensured his relevance today. His belief Margaret Murray (1862–1963). Murray argued in her in the organic connection of all things, coupled with his book, The Witch Cult in Western Europe (1921), that an old organic development of a poetic style that breaks with religion involving a horned god who represented the fertil- many formal conventions have caused many scholars and ity of nature had survived the persecutions and existed critics to celebrate him for his innovation. His idea of uni- throughout Western Europe. Murray wrote that the versal connection and belief in the spirituality present in a religion was divided into covens that held regular meet- blade of grass succeeded in transmitting a popularized ings based on the phases of the moon and the changes of version of Eastern theology and Whitman’s own brand of the seasons. Their rituals included feasting, dancing, sac- environmentalism for generations of readers. rifices, ritualized sexual intercourse, and worship of the horned god. In The God of the Witches (1933) Murray Kathryn Miles traced the development of this god and connected the witch cult to fairy tales and Robin Hood legends. She used Further Reading images from art and architecture to support her view that Greenspan, Ezra, ed. The Cambridge Companion to Whit- an ancient vegetation god and a fertility goddess formed man. -
The Petrie Museum of 'Race' Archaeology?
Think Pieces: A Journal of the Joint Faculty Institute of Graduate Studies, University College London 1(0) ‘UCLfacesRACEISM: Past, Present, Future’ The Petrie Museum of 'Race' Archaeology? Debbie Challice [email protected] The essay makes the case that the Petrie Museum at UCL—a collection of objects from Egypt and Sudan comprising over 7,000 years of history from the Nile valley in northern Africa—is as much a museum of ‘race’ archaeology as Egyptian archaelogy. Tracing the relationship between slavery, racism and curatorial practices at museums, I excavate the lifelong beliefs of William Petrie in migration, racial mixing and skull measuring through objects such as the craniometer now housed at the Department of Statistical Sciences. The correlation of racialised groups and purported intelligence in Petrie’s work is examined, and I finally claim that his ideas need to be re-examined for an understanding of the Petrie Museum and their legacy within UCL today. ‘Race’, Archaeology, Museums, William Matthew Flinders Petrie, UCL Petrie Museum The Petrie Museum of Egyptian Archaeology at University College London (UCL) is made up of a collection of 80,000 objects from Egypt and Sudan that comprise over 7,000 years of history from the Nile valley in northern Africa. The museum is celebrated for its combination of objects, excavation and archival records, which give a unique insight into the ancient context of the collection as well as the work of the museum’s founding archaeologist William Matthew Flinders Petrie (1853-1942). These records also give an insight into the racially determinist viewpoints of Petrie and how he interpreted some of the objects in the museum according to ideas about race in the late nineteenth and early twentieth centuries. -
How Ancient Egypt Became Common Knowledge to Britons, 1870-1922
“The Glamour of Egypt Possesses Us”: How Ancient Egypt Became Common Knowledge to Britons, 1870-1922 Holly Polish A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts in History Professor Katharine Norris, Faculty Director American University May 2009 Polish 1 Fun , a comedy magazine, reported on the 1896 “discovery” of an important papyrus, found in Egypt. 1 The papyrus depicts ancient Egyptians playing golf and wearing kilts and tams. It is a parody of paintings with which many are familiar, those in which figures are drawn alongside hieroglyphs relating a story. The included caption reports that the papyrus was examined by “experts on Egyptian matters” who “have all agreed that it deals, if not with golf itself, at least with a game of remarkable similarity.” 2 The writer continues and suggests that Scotland may want to reconsider its claim to the pastime. In that brief caption, the writer raises the point that the public relies on the work of “the Professor” and “experts on Egyptian matters” to decipher the ancient culture, and, furthermore, to decipher the origins of their own heritage. The satirist’s work depends on the British public’s familiarity with ancient Egyptian art and expression to be able to understand the joke. The parody in Fun was conceived in the context of an exciting period for study of Egypt, the late nineteenth and early twentieth centuries. While travelers, scholars, and archaeologists developed precise methodology and were able to travel more easily, the study of Egypt, took on the title Egyptology and, like many disciplines, became formalized. -
Redacted Thesis (PDF, 12Mb)
Victorian Egyptology and the Making of a Colonial Field Science, 1850 – 1906 by Meira Gold Wolfson College Department of History and Philosophy of Science This thesis is submitted for the degree of Doctor of Philosophy Date of Submission: December 2019 Declaration This thesis is the result of my own work and includes nothing which is the outcome of work done in collaboration except as declared in the Preface and specified in the text. It is not substantially the same as any that I have submitted, or, is being concurrently submitted for a degree or diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. I further state that no substantial part of my thesis has already been submitted, or, is being concurrently submitted for any such degree, diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. It does not exceed the prescribed word limit for the History and Philosophy of Science Degree Committee. Abstract Victorian Egyptology and the Making of a Colonial Field Science, 1850-1906 Meira Gold This dissertation provides a new account of the origins of archaeological fieldwork in the Nile Delta. It considers how practitioners from diverse disciplinary backgrounds circulated knowledge about the built environment of pharaonic ruins: monuments, architecture, burials, and soil mounds that remained in situ. I trace the development of Egyptology from an activity that could be practiced long-distance through a network of informants to one that required first-hand field experience. -
Why Should Archaeology Matter to the History of Science? Historians Of
Why should archaeology matter to the History of Science? Historians of science have long considered the histories of archaeology and antiquarianism beyond their purview, even as archaeologists have consistently claimed their work to be part of the natural sciences.1 As Margarita Díaz-Andreu wrote, “historians of science (whether philosophers, epistemologists, historians of science, or sociologists of science) have been stubbornly reluctant to deal with archaeology in favour of other disciplines such as geology and medicine”.2 The history of archaeology has been—and often continues to be—a strictly disciplinary endeavour.3 Yet what is striking is the instability and diversity of archaeology, in addition to its global success as a phenomenon well beyond what is usually called a discipline. Doubtless thanks to Foucault, the category “archaeology” now appears everywhere: history and literature, philosophy and law.4 And the word’s resonance in terms of the history of science is clear. For instance, beyond archaeology’s long connection to the natural sciences, in the nineteenth century the promoters of the nascent social sciences saw the practice as constituting a method that mirrored the role of statistics.5 That this claim was made might seem remarkable, but only goes to demonstrate that the archaeological phenomenon deserves more scholarly attention than it has so far received. As the articles in this special issue demonstrate, disassembling archaeology and examining its practices and procedures, appropriations and circulations, we find a complex domain of intellectual and practical knowledge that helps us to reassemble the ways in which we think about science, modernity and the world.6 In order to aid this reassembly, this essay discusses issues in the history of archaeology in order to help historians of science reprioritize their understandings of the discipline, its past and the pasts that it helps to create. -
A Guide to Oral-Historical Evidence
A Guide to Oral-historical Evidence Una guía de fuentes históricas orales Pamela Jane SMITH McDonald Institute for Archaeological Research University of Cambridge, Downing Street, Cambridge, CB2 3ER [email protected] Recibido: 22-11-2012 Aceptado: 21-08-2013 ABSTRACT Oral-historical methodology is briefly analysed and explained based on the author’s personal experience in the field over 30 years. The definition and uses of structured and unstructured interviews are detailed. The emotional aspects of interviewing are recognised. The problem sof how to address questions of credibility, transferability, dependability or confirm ability are examined. Examples of how to juxtapose different sources with oral evidence to support an histori- cal interpretation are given. Following Alison Wylie’s suggestions, use of ‘networks of resistances’ and ‘concatenations of inferences’ is recommended. In summary, personal narrative is seen as an elegant tool which enriches the history of archaeology. Oral recollections can recreate and capture the volume, silence, emotion and personal meaning of events. The Personal Histories Project is introduced as a way to create new sources and oral-history archives for future stu- dents, teachers and researchers. KEY WORDS: Oral-history method. History of Archaeology. Garrod. Burkitt. Clark. The Personal Histories Project. RESUMEN En este artículo se presenta brevemente la metodología histórica basada en fuentes orales a partir de la experiencia acumulada por el autor durante 30 años. Se detalla la definición y usos de entrevistas estructuradas e informales. Se describen los aspectos emocionales de las entrevistas. Se presentan ejemplos de cómo diferentes fuentes históricas pueden combinarse con fuentes orales en interpretaciones históricas. -
The Study of the Human Remains from Nubia: the Contribution of Grafton Elliot Smith and His Colleagues to Palaeopathology
Medical History, 2000, 44: 363-388 The Study of the Human Remains from Nubia: The Contribution of Grafton Elliot Smith and his Colleagues to Palaeopathology H A WALDRON* Human remains have excited the curiosity and interest of the general public for centuries but their systematic study, and that of the diseases whose marks they bear, has been erratic and most often a fringe activity of those whose professional interests were directed mainly elsewhere. The first palaeopathological report appears to have been that of Esper' who described a tumour in the femur of a cave bear but which Mayer subsequently considered to be a simple fracture.2 Other reports in the eighteenth and early nineteenth centuries were also concerned with fossilized animal bones and credit for the introduction ofhuman palaeopathology is generally accorded to Virchow in consideration of his publication on Neanderthal bones in 1872.3 Virchow described a shortening of the ulna and humerus which he thought was due to rickets and osteoarthritis (arthritis deformans); the diagnosis of rickets was substantiated much later by Ivanhoe.4 Palaeopathological studies in Europe lagged far behind those in America, however, where J C Warren and S G Morton had produced works on the crania of the mound builders between 1822 and 1839 and begun what Jarcho described as a cranial fixation which persisted well into the first half of the twentieth century.5 Both Warren and Morton described artificial cranial deformation and, in Morton's case, evidence for trauma. The first systematic study ofdisease in ancient human remains in America was undertaken by Joseph Jones, the results of which were published in a monograph in 1876.6 Syphilis was one of the diseases which Jones reported as being present in his assemblage and this disease became a subject of intense speculation among early American palaeopathologists.