DOCSLIB.ORG

Hadourtaoues.Pdf (5.904Mb)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Hadourtaoues.Pdf (5.904Mb) #LANGUAGEMIXING ON TWITTER _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by Taoues Hadour Dr. Matthew Gordon, Dissertation Supervisor Dr. Mary Jo Muratore, Dissertation Supervisor MAY 2019 The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled #LANGUAGEMIXING ON TWITTER presented by Taoues Hadour, a candidate for the degree of Doctor of Philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. _______________________________________________________ Professor Matthew Gordon _______________________________________________________ Professor Mary Jo Muratore _______________________________________________________ Professor Daniel Sipe _______________________________________________________ Professor Megan Moore _______________________________________________________ Professor Mike Kearney Je dédie tout d’abord cette thèse à ma très chère Flore qui m’a donné l’envie de faire un doctorat en linguistique française. Sa sagesse, sa bonne humeur ainsi que ses conseils ont rendu mon experience à l’université du Missouri inoubliable. Ma famille également Djoher, Tarik et surtout ma mère, mon modèle, qui m’a toujours soutenu et sans qui je ne serai pas là aujourd’hui. Maman c’est grâce à toi que j’ai pu en arriver là! And finally, my amazing partner Jared. Thank you for your patience and your support throughout this journey! ii ACKNOWLEDGEMENTS First, I would like to thank my beloved mentor Dr. Flore Zéphir who both motivated me and guided me throughout my graduate career. Although no longer with us, Flore will continue to inspire me by her kindness and her dedication to research and teaching. I would like to thank my co-advisor Dr. Mary Jo Muratore who agreed to take on this role. I admire her professionalism and I truly appreciate the time she contributed to my dissertation. I will be forever grateful. In addition, I would like to thank Dr. Matt Gordon for his willingness to be my co-advisor as well. His expertise, guidance, and constructive feedback made my dissertation a work of which I am very proud. A special thanks as well to Dr. Mike Kearny who generously agreed to help me collect the data for this study. This work would not have been possible without him. My appreciation also extends to the other committee members Dr. Daniel Sipe and Dr. Megan Moore who took the time to read my work and supported me throughout my time at MU. TABLE OF CONTENTS Acknowledgements ......................................................................................................... ii Abstract .......................................................................................................................... vi Chapter 1 Introduction .................................................................................................... 1 1.1 Background Information ........................................................................................ 2 1.2 What is Twitter? .................................................................................................... 4 1.3 Objective and Research Questions ......................................................................... 5 1.4 Overview of Study .................................................................................................. 7 Chapter 2 Linguistic Ecology of France ............................................................................. 9 2.1 French Language Policies ....................................................................................... 9 2.2 Influence of English .............................................................................................. 12 2.3 Current Attitudes towards Anglicims.................................................................... 15 Chapter 3 Review of Literature ...................................................................................... 25 3.1 Code-Switching Literature .................................................................................... 25 3.1.1 Grammatical Theories ................................................................................... 25 3.1.2 Pragmatics of CS............................................................................................ 28 3.2 Internet Language ................................................................................................ 31 3.2.1 Sociolinguistic Research in CMC .................................................................... 33 3.2.2 Code-Switching in Social Media ..................................................................... 34 3.2.2.1 Previous Linguistic Research in Social Media .......................................... 35 3.2.2.2 Large Scale Studies on CS on Twitter ...................................................... 37 Chapter 4 Methodology ................................................................................................. 40 4.1 Data collection ..................................................................................................... 40 4.2 Analytical Framework .......................................................................................... 43 4.2.1 Types of CS Analysis ...................................................................................... 44 4.2.2 Topic Analysis ................................................................................................ 44 4.2.3 Discourse Function Analysis .......................................................................... 47 4.2.4 Hashtag Analysis ........................................................................................... 49 Chapter 5 Types of Code-Switching Analysis .................................................................. 55 5.1 Introduction ......................................................................................................... 55 5.2 Findings ............................................................................................................... 55 5.2.1 Intra-Sentential Switching ............................................................................. 56 5.2.2 Inter-Sentential Switching ............................................................................. 58 4.2.3 Tag Switching ................................................................................................ 60 5.3 Discussion ............................................................................................................ 63 Chapter 6 Topic Analysis ................................................................................................ 69 6.1 Introduction ......................................................................................................... 69 6.2 Findings ............................................................................................................... 70 6.2.1 Entertainment ............................................................................................... 71 6.2.2 Social Media .................................................................................................. 76 6.2.3 Politics / News............................................................................................... 78 6.2.4 Fashion / Makeup ......................................................................................... 82 6.2.5 Sports............................................................................................................ 84 6.2.6 Innovation / Technology ............................................................................... 87 6.2.7 Sex / Pornography ......................................................................................... 89 6.2.8 Events ........................................................................................................... 91 6.2.9 Business ........................................................................................................ 93 6.3 Discussion ............................................................................................................ 96 Chapter 7 Discourse Function Analysis......................................................................... 100 7.1 Introduction ....................................................................................................... 100 7.2 Findings ............................................................................................................. 100 7.2.1 Feelings ....................................................................................................... 101 7.2.2 Advertising .................................................................................................. 105 7.2.3 Quotations .................................................................................................. 107 7.2.4 Discourse Markers ...................................................................................... 109 7.2.5 Phatic Expressions ....................................................................................... 110 7.2.6 Translations ................................................................................................ 111 7.3 Discussion .......................................................................................................... 112 Chapter 8 Hashtag Analysis.........................................................................................
Load more

Recommended publications
  • 0 4 0 Is 0 18 0 32 0 34 0 33 0 35 0 7 0
    HOT ROCK SONGSTM TOP ROCK ALBUMST" 1 WKS. SALT THIS TITLE CERTIFICATION Artist PEAK WKS., LAST LAS ARTIST CER,FiCALION Title ASKS. ON A. RE. WEEK PRODUCER (SONGWRITER) IMPRINT/PROMOTION LABEL POS. CHART VYEfk ff.) 1.7FF1).7cHSTRICutifiL LABEL !117,Upf.teD HTHE MOON HALESTORM Into The Wild Life DG AG 32 AltaA.,AL 01 0 AGANAVWALK0. EITT 2 TAKE ME TO CHURCH 0 Hozier 1 8, NEW DANCE GAVIN DANCE Instant Gratification 2 2 RISE A.HOZIER.8YRNE (A MODER...AD RUEIYWORKSICOLUMBIA ALL TIME LOW Future Hearts 3 RIPTIDE A 2 4 3 3 HOPELESS 1CASTLE,LNEOGN.E.WIliTE NANCE /OW ,21p',5.V.T`c 2 61 O 4 SUFJAN STEVENS Carrie & Lowell 3 4 BUDAPEST George ASTHMATIC KITTY 0 BLACKWOCO C. (GEORGE EZRAIPOTT) IMAGINE DRAGONS Smoke + Mirrors 9 CENTURIES A Fall Out Boy KIDINAKORNERANIERSCOPEAGA 3 5 2 32 IRAWKIIIIHAMOIELIIYMAPANINUIRRHIWOOMMIN tHA4LLIKAIMUIR1140.171(41 NIDOKIROVitall HOZIER Hozier 28 Women I BET MY LIFE RUBYWORKS/COLUMWA O 6 6 6 25 IMAGINE DRAGONS (IMAGINE DRAGONS) KrANnrRgrgsgipSr 3 FALLOUT BOY American Beauty / American Psycho 7 13 Mumford & Sons 0,01/ISLAND Win At BELIEVE 4 6 LfORD (MUY FORO G SONS) GENTLEMEN OF 7HE ROAD/GLASSNOTE 0 0 SOMMTRACK A Guardians Of The Galaxy. Awesome Mix Moll 38 IMAGINE Sawyer Fredericks MARVEL/HOLLYWOOD Rock BAPPLEBERRY ...ENRON) oC NEEDTOBREATNE Live From The Woods At Fontanel NEW 0 ATLANTIC/AG Two female-ironted hard RENEGADES X Ambassadors 9 4 ALEX OA OD (A.GRAN74.HARRIS.N FELDSHUH.C.IIARRIS.A.HIEVINE) XIDINAKORNER/INTERSCOPE rock bands continue to 10 DEATH CAB FOR CUTIE Kintsugi 3 BARSUK/ATLANTIUAG make waves in the heavily HOUSE OF THE RISING SUN Kimberly NREPie, i.f) 10 0 °WIEDER.
    [Show full text]
  • SECULARISM NARRATIVES and ARAB AMERICAN FICTION a Dissertation Presented to the Faculty of the Graduate School of Cornell Univer
    SECULARISM NARRATIVES AND ARAB AMERICAN FICTION A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Danielle Aberle Haque May 2014 © 2014 Danielle Aberle Haque SECULARISM NARRATIVES AND ARAB AMERICAN FICTION Danielle Haque, PhD Cornell University 2014 “Secularism Narratives and Arab American Fiction” focuses on contemporary fiction’s challenge to the liberal political construction of minority religious practices and community life as incompatible with modernity, progress, and secularism. U.S. secularism is not simply the absence of religion from the public sphere, but is underwritten by a particularly U.S. Protestant conception of religion that has historically shaped assumptions about what it means to be both religious and secular in the United States. Looking to Mohja Kahf, Rabih Alameddine, Ninar Esber, Mouir Fatmi, and Hasan Elahi, I explore immigrant narratives that work outside religious/secular binaries; rather than operating unequivocally within the terms of religious categorizations, contemporary writers often recast those terms and respond to the secularism narrative by scrambling the terms of the religious/secular binary through lived, embodied religious experience. These works dispute the dominant United States narrative of secularism and its claim to be universal and progressive; rather, they reveal how prohibitory secularism enforces an exclusionary citizenry through racialized immigration policies, Islamaphobic political rhetoric and popular culture, and the promotion of specific economic forms and ideologies worldwide. I argue that secularism is entangled with global ideologies of human rights, but also with the particularly United States legal discourses of privacy and property.
    [Show full text]
  • Your Pretty Face Is Going to Hell the Dangerous Glitter of David Bowie, Iggy Pop,And Lou Reed
    PF00fr(i-viii;vibl) 9/3/09 4:01 PM Page iii YOUR PRETTY FACE IS GOING TO HELL THE DANGEROUS GLITTER OF DAVID BOWIE, IGGY POP,AND LOU REED Dave Thompson An Imprint of Hal Leonard Corporation New York PF00fr(i-viii;vibl) 9/16/09 3:34 PM Page iv Frontispiece: David Bowie, Iggy Pop, and Lou Reed (with MainMan boss Tony Defries laughing in the background) at the Dorchester Hotel, 1972. Copyright © 2009 by Dave Thompson All rights reserved. No part of this book may be reproduced in any form, with- out written permission, except by a newspaper or magazine reviewer who wishes to quote brief passages in connection with a review. Published in 2009 by Backbeat Books An Imprint of Hal Leonard Corporation 7777 West Bluemound Road Milwaukee, WI 53213 Trade Book Division Editorial Offices 19 West 21st Street, New York, NY 10010 Printed in the United States of America Book design by David Ursone Typography by UB Communications Library of Congress Cataloging-in-Publication Data Thompson, Dave, 1960 Jan. 3- Your pretty face is going to hell : the dangerous glitter of David Bowie, Iggy Pop, and Lou Reed / Dave Thompson. — 1st paperback ed. p. cm. Includes bibliographical references and discography. ISBN 978-0-87930-985-5 (alk. paper) 1. Bowie, David. 2. Pop, Iggy, 1947-3. Reed, Lou. 4. Rock musicians— England—Biography. 5. Punk rock musicians—United States—Biography. I. Title. ML400.T47 2009 782.42166092'2—dc22 2009036966 www.backbeatbooks.com PF00fr(i-viii;vibl) 9/3/09 4:01 PM Page vi PF00fr(i-viii;vibl) 9/3/09 4:01 PM Page vii CONTENTS Prologue .
    [Show full text]
  • Diplomarbeit
    DIPLOMARBEIT Titel der Diplomarbeit Lage, Analyse und Perspektive österreichischer Musiker im Forschungsfeld der FM4 Charts 2011 unter Berücksichtigung deutscher und/oder englischer Texte. Verfasser Roland Maurer angestrebter akademischer Grad Magister der Philosophie (Mag.phil.) Wien, 2012 Studienkennzahl lt. Studienblatt: A 316 Studienrichtung lt. Studienblatt: Musikwissenschaft Betreuerin: Univ.-Prof. Mag. Dr. Regine Allgayer-Kaufmann 1 Inhaltsverzeichnis 1. Einleitung ……………………........…...……………………………...... 4 2. Problemstellung und Erkenntnisinteresse …....…………………….... 7 2.1. Forschungsfragen ….......…………………………………………...... 9 2.2. Forschungshypothesen …………………………………………….... 9 2.3. Erhebungsgegenstand ……………………………………….………. 10 2.4. Stand der Forschung …………………………………………………. 11 THEORETISCHE VERANKERUNG 3. IFPI Austria Musikbericht 2011 …............................……………….... 13 4. Forschungsfeld Radio FM4 ………………………………………….... 17 4.1 Musikauswahl, Marktsituation, FM4 Charts ………………………... 19 4.2. Position, Sprache, Formate …………………………………............. 21 4.3. Auftrag, HörerInnen, Radio FM4 Off Air ………………................... 22 4.4. FM4 Radio Sessions, FM4 Überraschungskonzerte, FM4 Soundpark 23 Exkurs 1: Jugendkultur ……………………………………………………....... 25 Exkurs 2: Independent vs. Popularmusik ………………………………........ 26 5. Sprache in der Musik ………………………………………………...... 33 6. Bandscout ……………………………………………………................ 35 6.1. Rahmenbedingungen, die sich von Bandscout ableiten …........... 36 6.1.1. Anzahl der Live-Konzerte ! Booking ……………………… 36 6.1.2. Größe
    [Show full text]
  • Tiré À Part Int Anglais
    Reporters Without Borders THE 2003 GLOBAL PRESS FREEDOM WORLD TOUR with the support of 6 $ US — 8 $ CAN — 4 £ 6 $ US — 8 $ CAN THE 2003 GLOBAL PRESS FREEDOM WORLD TOUR With the same conviction 3 Pierre Veilletet THE 2003 GLOBAL PRESS FREEDOM WOLD TOUR AFRICA 6 Independent press in danger • Côte d’Ivoire: Those who killed Jean Hélène 8 An exemplary trial under pressure 9 • Zimbabwe: The six-year battle of The Daily News 11 • Eritrea: Three years without independent media 13 THE AMERICAS 14 Political instability and its dangers for the press • Cuba: Is journalist Bernardo Arévalo Padron free at last? 17 • Colombia: The hemisphere’s most dangerous country 19 • Haiti: Media under attack 20 ASIA AND THE PACIFIC 22 More violence against bolder journalists • Burma: A country of pitiless censorship 24 Discretion is the norm 25 • Pakistan: Letter to Khawar 26 • China: From silence to propaganda. In the claws of the police 28 NORTH AFRICA AND THE MIDDLE EAST 30 Worst record of press freedom • Iraq: Two murders and a lie 32 An air of freedom 34 • Iran: Killed for a few photos 35 • Morocco: The jail of a thousand and one nightmares 36 EUROPE AND THE FORMER SOVIET BLOC COUNTRIES 38 Former Soviet countries: a return to the old ways? • Italy: Conflict of interest in the media 40 • Russia: Has glasnost gone out of fashion? 41 Gianluca Regnicoli, Fabrica • Chechnya: A beacon in the news 42 Ali Astamirov a journalist silenced • Ukraine: Media under control 43 PREDATORS OF PRESS FREEDOM 44 WITH THE SAME CONVICTION Pierre Veilletet President, Reporters Without Borders - France hat travesty of justice in Havana.
    [Show full text]
  • Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion.
    [Show full text]
  • 2 UNLV Became a Typical Unapathetic Campus
    Inside Entertainment Faculty Input Anonymous gamblers Gerard exposes Walton's view on ""° PM«« reveal troubles Grammy freaks p prez search■ TheUniversity of Nevada LasYellin'Rebel Vegas Volume I Issue 21, Tuesday, March 6, 1984 "Littlegood isaccomplished without controversy, and no civic evil is ever defeated withoutpublicity." On Friday March 2 UNLV became a typical unapathetic campus presented her negative view con- Bro Copt, an tvangalitt from Ptnn Stat* Univtrtity, ditcutttt tptaktr visited tht campus last Friday at of hit na- Wit/i Regent JoanKenney in the background, Laura James UNLV part th« tht wagtt of tin with students. Tht hall firt and brimtton* tionwidm erutadt to win torn It for Chritt. cerning the Regent*' decision to change the requirements for position of UNLV President. making photos by Bruce Menke The qualifications were changed from that ofrequiring a doctoral to that of a doctoral desirable. Where UNLV faculty, UNS regents can't work together, I I By Franco Frantelli/zi schools future depends on next legislative session by GeorgeLorenzo Overall, the promois an exceptionally fine, symbolic ex- Actually, it wasn't until the Renaissance era that the first ample of our university, but the conclusionhas a most pro- real universities were created. But, at that time, there were A public service announcement presently airing on local found effect. As the sun sets and campus life temporarily secular and ecclesiastical faculties, and most of the in- Sit television does an excellent, artful job af portraying UNLV. diminishes into the black night, I wonder if, after its sleep, novative, scholarly work came from off campus, because The promo, produced by Communication Studies Pro- UNLV will indeed awaken to another bright sunrise over the faculty had a tendency to censure publications and Henry walked Into this fessor Allan Padderud, takes the viewer on a pleasant Beam Hall.
    [Show full text]
  • Organisational and Strategic Communication Research: European Perspectives
    i i i i i i i i i i i i i i i i i i i i Gisela Gonçalves, Ian Somerville & Ana Melo (Editors) Organisational and Strategic Communication Research: European Perspectives i i i i i i i i Livros LabCom Série: Pesquisas em Comunicação Direcção: José Ricardo Carvalheiro Design da Capa: Madalena Sena Paginação: Filomena Matos Covilhã, UBI, LabCom, Livros LabCom ISBN: 978-989-654-115-6 Título: Organisational and Strategic Communication Research: European Perspectives Editores: Gisela Gonçalves, Ian Somerville & Ana Melo Ano: 2013 www.livroslabcom.ubi.pt www.ecrea-section-strategic-communication.ubi.pt i i i i i i i i Contents Introduction..............................1 Narcissist markets and public relations. Reflections on the post- recession role of PR Adela Rogojinaru ........................5 Theoretical approaches in organizational and strategic communica- tion: A review of the French academic literature Arlette Bouzon ......................... 23 Employee communicative actions and companies’ internal commu- nication strategies to mitigate the negative effects of crises Alessandra Mazzei and Silvia Ravazzani ............ 47 Developing the resilience typology: Communication and resilience in organisational crisis Daniel Morten Simonsen .................... 69 Feedback nightmare: Organisational communication reactions to digital critic exposure. A view on some Portuguese cases (2011-2012) Ana Duarte Melo and Helena Sousa .............. 95 Organizational communication and social media – Challenges for strategizing in business and political communication Natascha Zowislo-Grünewald and Franz Beitzinger ...... 111 Identification of influence within the social media W.B.Vollenbroek, S.A. de Vries and E. Constantinides ..... 119 The (in) communicability of corporate social responsibility – a Por- tuguese insight Gisela Gonçalves ........................ 143 i i i i i i i i i Government communication in a post-conflict society: Contest and negotiation in Northern Ireland’s consociational democratic experiment Charis Rice, Ian Somerville and John Wilson ........
    [Show full text]
  • REGLEMENT Jeu « Sony Days 2018 »
    REGLEMENT Jeu « Sony Days 2018 » Article 1. - Sociétés Organisatrices Sony Interactive Entertainment ® France SAS, au capital de 40 000 €, enregistrée au RCS de Nanterre sous le N° 399 930 593, située 92 avenue de Wagram, 75017 Paris ; Sony Mobile Communications, enregistrée au RCS de Nanterre sous le n°439 961 905, située 49-51 quai de Dion Bouton 92800 Puteaux ; Sony Pictures Home Entertainment France SNC, au capital de 107 500 €, enregistrée au RCS de Nanterre en date du 02/03/1987 sous le N° 324 834 266, située 25 quai Gallieni, 92150 Suresnes ; Sony Music Entertainment, France, SAS au capital de 2.524.720 €, enregistrée au RCS de Paris sous le n°542 055 603, située 52/54, rue de Châteaudun, 75009 Paris ; SONY France , succursale de Sony Europe Limited, 49-51 quai de Dion Bouton 92800 Puteaux , RCS Nanterre 390 711 323 (ci-après les « Sociétés Organisatrices ») ; organise un jeu avec obligation d’achat uniquement dans les magasins Fnac et Darty ainsi que sur le sites www.fnac.com et www.darty.com (ci-après le « Jeu ») par le biais d’instants gagnants ouverts du 02/04/2018 10h au 15/04/2018 23h59 inclus ouvert aux personnes physiques majeures (sous réserve des dispositions indiquées à l’article 2) résidant en France Métropolitaine (Corse et DROM-COM exclus). Article 2. - Participation Ce jeu est ouvert à toute personne physique majeure, résidant en France métropolitaine (Corse et DROM-COM exclus), à l'exception des mineurs, du personnel de la société organisatrice et des membres des sociétés partenaires de l'opération ainsi que de leur famille en ligne directe.
    [Show full text]
  • Songs by Artist
    TOTALLY TWISTED KARAOKE Songs by Artist 37 SONGS ADDED IN SEP 2021 Title Title (HED) PLANET EARTH 2 CHAINZ, DRAKE & QUAVO (DUET) BARTENDER BIGGER THAN YOU (EXPLICIT) 10 YEARS 2 CHAINZ, KENDRICK LAMAR, A$AP, ROCKY & BEAUTIFUL DRAKE THROUGH THE IRIS FUCKIN PROBLEMS (EXPLICIT) WASTELAND 2 EVISA 10,000 MANIACS OH LA LA LA BECAUSE THE NIGHT 2 LIVE CREW CANDY EVERYBODY WANTS ME SO HORNY LIKE THE WEATHER WE WANT SOME PUSSY MORE THAN THIS 2 PAC THESE ARE THE DAYS CALIFORNIA LOVE (ORIGINAL VERSION) TROUBLE ME CHANGES 10CC DEAR MAMA DREADLOCK HOLIDAY HOW DO U WANT IT I'M NOT IN LOVE I GET AROUND RUBBER BULLETS SO MANY TEARS THINGS WE DO FOR LOVE, THE UNTIL THE END OF TIME (RADIO VERSION) WALL STREET SHUFFLE 2 PAC & ELTON JOHN 112 GHETTO GOSPEL DANCE WITH ME (RADIO VERSION) 2 PAC & EMINEM PEACHES AND CREAM ONE DAY AT A TIME PEACHES AND CREAM (RADIO VERSION) 2 PAC & ERIC WILLIAMS (DUET) 112 & LUDACRIS DO FOR LOVE HOT & WET 2 PAC, DR DRE & ROGER TROUTMAN (DUET) 12 GAUGE CALIFORNIA LOVE DUNKIE BUTT CALIFORNIA LOVE (REMIX) 12 STONES 2 PISTOLS & RAY J CRASH YOU KNOW ME FAR AWAY 2 UNLIMITED WAY I FEEL NO LIMITS WE ARE ONE 20 FINGERS 1910 FRUITGUM CO SHORT 1, 2, 3 RED LIGHT 21 SAVAGE, OFFSET, METRO BOOMIN & TRAVIS SIMON SAYS SCOTT (DUET) 1975, THE GHOSTFACE KILLERS (EXPLICIT) SOUND, THE 21ST CENTURY GIRLS TOOTIMETOOTIMETOOTIME 21ST CENTURY GIRLS 1999 MAN UNITED SQUAD 220 KID X BILLEN TED REMIX LIFT IT HIGH (ALL ABOUT BELIEF) WELLERMAN (SEA SHANTY) 2 24KGOLDN & IANN DIOR (DUET) WHERE MY GIRLS AT MOOD (EXPLICIT) 2 BROTHERS ON 4TH 2AM CLUB COME TAKE MY HAND
    [Show full text]
  • {Dоwnlоаd/Rеаd PDF Bооk} Blame It on the Boogie
    BLAME IT ON THE BOOGIE PDF, EPUB, EBOOK Meredith Badger | 96 pages | 01 Feb 2016 | Hardie Grant Egmont | 9781760121761 | English | Australia Blame it on the Boogie PDF Book Wednesday 9 September Thursday 30 April Friday 21 August One of the things my wife and I have tried very hard to do with our children is to instill in them a sense of personal responsibility when things happen in life. Search Search. Blame it on the boogie. Popular Stories. Thursday 24 September So after visiting every disco in Frisco, he kissed his love goodbye. Thursday 9 July Ireland IRMA [21]. From Wikipedia, the free encyclopedia. Monday 10 August We have had lots of laughs in teacher development workshops. US Billboard Hot [27]. The second one is the only reason I ever write or speak about anything. Hide Comments. Sunday 26 April Monday 12 October Thursday 28 May This magic music moves me That dirty rhythm grooves me The devil's got in to me With his dance I'm full of funky fever A fire burns inside me Boogie's got me in a super trance. Tuesday 7 July The video, featuring the group's members dancing on a black background, relied heavily on electronic trail effects, created at Image West, Ltd. Blame it on the Boogie Writer Tina Charles has stated that she recorded "Blame It on the Boogie" prior to the Jacksons; her version was not released as " Sony [felt] it was not a strong enough song. While I worked at Image West, we did a number of effects using a Quantel framestore to create "trails", including this Michael Jackson video, "Blame it on the Boogie".
    [Show full text]
  • What's It Like Watching the Love of Your
    DO YOU WANT TO KILL ME? AREN’T YOU JUST A FAME WHORE? WHERE DO YOU HIDE YOUR DICK? WHAT’S IT LIKE WATCHING THE LOVE OF YOUR LIFE GET POUNDED? HOW MUCH DID YOU LIE? WHAT BATSHIT CRAZY THINGS DID THEY MAKE YOU DO? HAS IT COMPLETELY RUINED YOUR LIFE? 1 photo or a series of photos You Can’t Ask That will be one of the most Closer to home the series won three United diverse programs on Australian television Nations Association of Australia Media Awards in 2018, featuring the first-person voices of for Promotion of Social Cohesion, Promotion former cult members, priests, swingers, of Disability Rights and Issues and for the people with schizophrenia, drag performers, Promotion of Empowerment of Older People. survivors of sexual assault, people with The series is nominated for the 2018 Logie eating disorders and ex-reality TV stars. Award for the Most Outstanding Factual or SERIES THREE The series shines a light into all corners of Documentary Program. Australian culture and identity, uncovering STARTS WEDNESDAY 11 JULY AT 9PM ON ABC unique perspectives rarely heard with such You Can’t Ask That was the most played (non- honesty or clarity. kids) program on ABC iview in 2017. Short video OR WATCH ALL EPISODES ON ABC IVIEW content complementing the series reached over Guests in the series include: drag queen 200 million people on Facebook, with one online You Can’t Ask That, a proudly homegrown superstar, Courtney Act; Bunbury’s video achieving an unprecedented 45 million ABC original format, puts misunderstood and bum-dancing former Big Brother contestant, views making it the most viewed social media marginalised Australians front and centre.
    [Show full text]