Queensland Performing Arts Centre Annual Report 2016
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Queensland Performing Arts Centre Cnr Grey and Melbourne Streets QUEENSLAND South Bank Queensland 4101 Australia PERFORMING
Queensland Performing Arts Centre Cnr Grey and Melbourne Streets QUEENSLAND South Bank Queensland 4101 Australia PERFORMING PO Box 3567 South Bank ARTS CENTRE Queensland 4101 Australia ANNUAL REPORT 2008-2009 Telephone: (07) 3840 7444 Facsimile: (07) 3844 1839 www.qpac.com.au [email protected] ANNUAL REPORT 2008-2009 This report can also be accessed online at www.qpac.com.au/corporate_information/annual_report/ © State of Queensland (Queensland Performing Arts Trust) 2009 ISSN: 0156-9147 QUEENSLAND PERFORMING ARTS CENTRE CONTENTS Page 1. BACKGROUND The Best in Live Performance 4 Contribution to Government Objectives 5 Chairman’s Report 6 Director’s Report 8 Organisational Structure 10 2. PERFORMANCE OUTCOMES Summary of Outcomes 12 Entertainment 14 Public Participation 17 Strategic Relationships 21 Commercial Opportunities 24 3. CORPORATE GOVERNANCE 27 4. FUTURE DIRECTION 30 5. BOARD OF TRUSTEES 32 6. YEAR IN REVIEW 35 7. FINANCIAL STATEMENTS 41 Detailed Financial Statements 8. FEEDBACK 67 The annual report is an account of the fi nancial and non-fi nancial performance of the Queensland Performing Arts Trust (known as QPAC) during the 2008-2009 fi nancial year. This report can also be accessed by the public through the QPAC website at qpac.com.au. QPAC is committed to open and accountable governance and welcomes feedback on this report. Please email any comments or suggestions to [email protected] or complete and return the feedback form at the back of this report. The Queensland Government is committed to providing accessible services to Queenslanders from all culturally and linguistically diverse backgrounds. If you have diffi culty in understanding the annual report, you can contact us on either (07) 3840 7444 or by email at [email protected] and we will arrange an interpreter to effectively communicate the report to you. -
Contemporary Productions of Gilbert & Sullivan's the Pirates of Penzance
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2007 Food For Joyous Laughter: Contemporary Productions Of Gilbert & Sullivan's The Pirates Of Penzance Julia Winstead University of Central Florida Part of the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Winstead, Julia, "Food For Joyous Laughter: Contemporary Productions Of Gilbert & Sullivan's The Pirates Of Penzance" (2007). Electronic Theses and Dissertations, 2004-2019. 3414. https://stars.library.ucf.edu/etd/3414 FOOD FOR JOYOUS LAUGHTER: CONTEMPORARY PRODUCTIONS OF GILBERT & SULLIVAN’S THE PIRATES OF PENZANCE. by JULIA COURTNEY WINSTEAD B.A. Murray State University, 2004 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Department of Theatre in the College of Arts & Humanities at the University of Central Florida Orlando, Florida Summer Term 2007 ABSTRACT The operetta, The Pirates of Penzance, is a classic work by Gilbert and Sullivan, a work that continues to be produced frequently despite its Victorian setting and operatic style. For many years the standard performance style of all the operettas by Gilbert and Sullivan was upheld by the D‟Oyly Carte Opera Company, who attempted to perform the operettas as they had originally been done. -
BUIHTD Program
sunnybank theatre group presents by arrangement with ORiGiN Theatrical sunnybank theatre group presents on behalf of Theatrical Rights Worldwide, New York by arrangement with David Spicer Productions and EssGee Entertainment Breaking Up is Hard to Do featuring the songs of Neil Sedaka conceived and produced by Simon Gallaher based on the operetta by W.S. Gilbert & Arthur Sullivan book by Erik Jackson & Ben H. Winters new orchestrations by Kevin Hocking music by Neil Sedaka additional lyrics by Melvin Morrow lyrics by Neil Sedaka, Howard Greenfield and Philip Cody orchestrations/vocal arrangements by Tom Kitt conceived by Marsh Hanson & Gordon Greenberg director Ashley Worsman creative consultation by Neil Sedaka musical director Carleen Steele Originally produced and developed by Harbor Entertainment: David Broser, Aaron Harnick, and Lisa Lapan, and Brown-Pinto Productions: Eric February 7 - 22 Brown and Melinda Pinto. First produced at Capital Repertory Theatre in Albany, New York, Maggie Mancinelli-Cahill, Producing Artistic Director, Wednesday and Friday 7:30pm 2005. Futher developed at Actors’ Playhouse at the Miracle Theatre, Coral Gables, Florida, Executive Producing Director Barbara S. Stein, Artistic Saturday 1:30pm and 7:30pm Director David Arisco, 2006 Box office opens January 11 directed by Leonie Walsh musical direction by June Gemmell Nov 22 - Dec 7, 2013 Musical Numbers All songs used by permission of Careers BMG Music Publishing I, Screen Gems - EMI Music Inc., EMI Sosaha Music Inc., EMI Jemaxal Music Inc., EMI Blackwood -
The Pirates of Penzance - Return Sydney Season
DEC/ JAN, 1985/ 6 Vol 9 No 11 ISSN 0314 - 0598 A publication of the Australian Elizabethan Theatre Trust The Pirates Of Penzance - Return Sydney Season THE PIRATES OF PENZANCE by ollowing an Australia-wide tour the to the irreverent send-up as originally en Gilbert and Sullivan FVictoria State Opera/ Australian Eliza visaged by Gilbert and Sullivan who were Reproduced by Craig Schaefer after the bethan Theatre Trust co-production of the Monty Python of their day. In addi New York Shakespeare Festival produc THE PIRATES OF PENZANCE returns tion, the music, while faithful to the tion to Sydney in January and will play in the original tunes, is presented in a modern Cast: Jon English, Simon Gallaher, June Lyric Theatre, Entertainment Centre. This style, complete with synthesisers. " Bronhill, Dennis Olsen, Rosemary Boyle venue will give the scope to present the Jon English, Simon Gallaher and June and Tim Tyler production on a much larger scale than Bronhill will return with the production. Lyric Theatre, Entertainment Centre was possible within the limited staging They will be joined by Dennis Olsen as the facilities of the Regent Theatre. Major General, Tim Tyler as the Police "It was such a joyous romp it won cheers Sergeant and Rosemary Boyle as Mabel. The Australian production of THE Prime seats have been held for and a thunderous standing ovation . PIRATES OF PENZANCE is based on bursts with outrageous fun, often pure Members for the matinee and evening per the New York Shakespeare Festival's pro formances on Saturday, January 4 and the slapstick but done with such speed and duction which was first performed in Cen vigor that audience laughter is almost non Monday and Tuesday evening perfor tral Park four years ago with Kevin Kline mances on January 6 and 7. -
Annual Report 2010-2011
QUEENSLAND PERFORMING ARTS CENTRE ANNUAL REPORT 2010-2011 2010-2011 ANNUAL REPORT Letter of compliance ............................................................................................................................. 3 QPAC profi le .............................................................................................................................................. 4 About QPAC ............................................................................................................................................ 6 Our vision ............................................................................................................................................... 7 Our strategic focus ................................................................................................................................. 7 Our values .............................................................................................................................................. 7 Chair’s overview ..................................................................................................................................... 9 Chief Executive’s overview .....................................................................................................................13 Outcomes in 2010-11 ...........................................................................................................................17 Operational Plan ....................................................................................................................................18 -
Annual Report 2020
2020 Annual Report CONTENTS GOVERNOR’S MESSAGE OUR MUSICIANS 1 HIGHLIGHTS 3 CHAIRMAN’S REPORT 5 CHIEF EXECUTIVE’S REPORT 7 PERFORMANCE SUMMARY 9 OUR STABILITY 12 OUR DELIVERY 16 OUR ART 22 OUR INNOVATION 28 OUR PEOPLE 32 OUR BOARD 35 OUR MANAGEMENT 40 OUR PARTNERS 42 CORPORATE GOVERNANCE 49 OUR FINANCIALS 52 Queensland Symphony Orchestra At Queensland Symphony Orchestra, we create experiences that become extraordinary when shared. Powered by music, our passionate and talented team works hard on and off the stage to bring out the best in people, and share in a sense of wonderment and excitement that is truly for everyone to enjoy. QUEENSLAND SYMPHONY ORCHESTRA | 2020 ANNUAL REPORT 1 QUEENSLAND SYMPHONY ORCHESTRA | 2020 ANNUAL REPORT OUR MUSICIANS Thank you to all of our special supporters who are part of the Music Chair Program. CONCERTMASTER VIOLIN 2 CELLO OBOE TRUMPET ~ Section Principal Warwick Adeney Gail Aitken ~ David Lale ~ (retired 18 Aug) Huw Jones ~ Richard Madden >> = = Acting Section Principal Prof Ian Frazer AC and Mrs Caroline Frazer Dr John H. Casey Arthur Waring Prof Ian Gough AM and Dr Ruth Gough Mrs Andrea Kriewaldt >> Associate Principal Estate of Barbara Jean Hebden Elinor and Tony Travers + Acting Associate Principal Cathryn Mittelheuser AM Wayne Brennan ~ Hyung Suk Bae >> = Sarah Meagher >> * Principal John Story AO and Georgina Story David Miller John Story AO and Georgina Story Sarah and Mark Combe Paul Rawson + Dr Pamela Greet and Mr Nicholas Beaton ^ Acting Principal ASSOCIATE CONCERTMASTER Katie Betts Matthew -
GUYS & DOLLS by Harvest Rain Theatre Company
GUYS & DOLLS By Harvest Rain Theatre Company Photography by Nick Morrissey Contents COMPANY PROFILE ................................................................................................................... 3 ABOUT THE SHOW .................................................................................................................... 4 PERFORMANCE SPECIFICS ......................................................................................................... 5 AUDIENCE ENGAGEMENT ......................................................................................................... 6 MARKETING .............................................................................................................................. 7 PRODUCTION DETAILS ............................................................................................................ 10 CONTACTS ............................................................................................................................... 11 APPENDIX (BIOS, SET DESIGN, LX DESIGN)………………………………………………………………………..…12 GUYS & DOLLS – Harvest Rain Theatre Company Page 2 of 19 COMPANY PROFILE Harvest Rain is well-known for producing high quality professional productions that are enjoyed by thousands of theatre goers each year. The company is also widely respected for being a hub of creativity and professional development where emerging artists can work alongside established professionals in order to hone their craft in Queensland. In 2008, Harvest Rain began a partnership with QPAC -
Annual Report 2018
ORCHESTR A FOR EVERYONE Inside front cover: Governor’s Message to be supplied QUEENSLAND SYMPHONY ORCHESTRA | 2018 ANNUAL REPORT 1 CONTENTS GOVERNOR’S MESSAGE 1 OUR MUSICIANS 3 HIGHLIGHTS 5 CHAIRMAN’S REPORT 6 INTERIM CHIEF EXECUTIVE’S REPORT 9 CONCERT ACTIVITY STATEMENT 10 OUR STABILITY 12 PERFORMANCES 2018 14 OUR ART 17 INTERNATIONAL ARTISTS 23 WORLD PREMIERES 23 AUSTRALIAN ARTISTS 24 AUSTRALIAN WORKS AND PREMIERES 25 OUR ACCESSIBILITY 27 EDUCATION AND COMMUNITY ENGAGEMENT 29 OUR INNOVATION 32 OUR PEOPLE 35 OUR BOARD 37 OUR MANAGEMENT 42 OUR PARTNERS 43 OUR DONORS 44 CORPORATE GOVERNANCE 47 OUR FINANCIALS 49 QUEENSLAND SYMPHONY ORCHESTRA VISION TO BE RECOGNISED AS AN OUTSTANDING ORCHESTRA, CREATING EXTRAORDINARY MUSICAL EXPERIENCES THAT RESONATE WITHIN AND BEYOND OUR HOME STATE OF QUEENSLAND. ORCHESTRA FOR EVERYONE QUEENSLAND SYMPHONY ORCHESTRA | 2018 ANNUAL REPORT 2 OUR MUSICIANS CONCERTMASTER Katie Betts CELLO Warwick Adeney David Lale ~ Prof Ian Frazer AC Jane Burroughs Arthur Waring and Mrs Caroline Frazer Dr Graham and Estate Barbara Jean Hebden Mrs Kate Row HyungSuk Bae >> Cathryn Mittelheuser AM Benn Day John Story AO and Georgina Story Faina Dobrenko John Story AO and Georgina Story The Curavis Fund Young Professional Circle ASSOCIATE CONCERTMASTER Simon Dobrenko Kathryn Close Alan Smith The Curavis Fund Dr Graham and Arthur Waring Mrs Kate Row Tim Marchmont Andre Duthoit VIOLIN 1 Anne Shipton Linda Carello Delia Kinmont Anonymous Matthew Jones Shane Chen M.J. Bellotti Jessica Read Natalie Low Dr Ralph and Matthew Kinmont Mrs Susan Cobcroft Lynn Cole Dr Julie Beeby Neil W. Root Nicholas Thin Kaja Skorka Benn Day Priscilla Hocking Robin Spencer Simon Mills Dr Colin and Young Professional Circle Mrs Noela Kratzing Anonymous Ann Holtzapffel Helen Travers Elinor and Tony Travers Craig Allister Young Aitken Whyte Lawyers Di Jameson Rebecca Seymour Harold Wilson Trevor J. -
MEDIA KIT “Our Focus Is on a Centre That Is an Open, Accessible, Relevant Public Space
QUEENSLAND PERFORMING ARTS CENTRE MEDIA KIT “Our focus is on a Centre that is an open, accessible, relevant public space. A Centre of change and energy, where people’s experiences of live performance stays with them long after their visit and ultimately makes a diff erence to our communities.” John Kotzas QPAC Chief Executive 2 About QPAC Queensland Performing Arts Centre (QPAC) is one of Australia’s leading centres for live performance. Located in picturesque urban parklands on the banks of the Brisbane River, QPAC is one of four organisations that make up Queensland’s Cultural Precinct. As Queensland’s state performing arts centre, QPAC fulfi ls many roles. QPAC is a venue, a producer, an investor, a presenter and a public place. On any given day QPAC simultaneously host artists and companies from around Australia and the world, produces festivals and productions, collaborates with local arts companies, creates moments of context that bridge the space between artist and audience, and all the while ensuring the centre remains a viable part of a vibrant Cultural Precinct. The Queensland Performing Arts Trust which manages QPAC, is a statutory body of the State of Queensland and is partially funded by the Queensland Government. QPAC’s venues and spaces are versatile and accommodate a wide variety of performance forms and scales – musical theatre, ballet, opera, drama, comedy, circus, and contemporary and classical music. Each day opportunities are created to interact with live performance in our theatres, foyers and outdoor spaces, as well as online. QPAC believes that watching, listening, experiencing and making art are some of the most powerful ways for people to understand themselves and the societies they live in, and affect change.