London SE11 - 146-148 Newington Butts SE11 4RN Office Space to Rent London SE11 - 146-148 Newington Butts SE11 4RN Office Space to Rent

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London SE11 - 146-148 Newington Butts SE11 4RN Office Space to Rent London SE11 - 146-148 Newington Butts SE11 4RN Office Space to Rent Property Features: ▪ Comprises ground floor/basement office space. ▪ Total area size 170 sq m (1,830 sq ft) ▪ Central heating ▪ Kitchen ▪ Storage areas ▪ Washer/dryer area ▪ CCTV ▪ Recently renovated toilets and separated handwash/basin area ▪ Rear fire escape from basement ▪ Located within 5 minute walk from Elephant & Castle and Kennington Tube Stations. ▪ Occupiers close by include Domino`s Pizza. London SE11 - 146-148 Newington Butts SE11 4RN Office Space to Rent Property Description: Comprises decorated and fitted out ground floor and basement private office space in the heart of Elephant and Castle in South London. The office space is perfect for a small business looking to expand into a slightly larger area. Accommodates 15 - 20 people comfortably. *Note - Vacant and empty property upon new tenancy. Photos reflect current tenant furniture, which is not included in the rental price. Terms: Available on a new lease with terms to be agreed by negotiation Rent: £695 per week (PCM: £3,012) Deposit: 3 Months (£9,036) Available within 14-30 days of a completed lease. London SE11 - 146-148 Newington Butts SE11 4RN Office Space to Rent London SE11 - 146-148 Newington Butts SE11 4RN Office Space to Rent Location: The Elephant and Castle is an area around a major road junction in south London, England, in the London Borough of Southwark. The property is located within 5 minutes walk from Elephant & Castle and Kennington tube stations. Elephant & Castle serves both the Northern and Bakerloo lines, as well as National Rail with quick and easy transitions from major stations such as London Bridge, Waterlook Paddington. Zone 1. Kennington serves the Northern line. Elephant & Castle is currently undergoing a major £4bn redevelopment, with over 24 development projects happening now or in the next few years, including high scale housing and office space, as well as a large shopping centre being rebuilt in the town centre area. This is estimated to bring over 10,000 jobs to the area, and 3,000 new homes. This is a perfect opportunity to get into the next hot area in London, which is already full of life. London SE11 - 146-148 Newington Butts SE11 4RN Office Space to Rent Contacts: For further information or to schedule a viewing, please contact Sam Georgev or Joseph Bachman. Sam Georgev – Letting Agent Joseph Bachman – COO M: +44(0)75545 57088 M: +44(0)77236 19270 E: [email protected] E: [email protected] Address: Blue Alpine Partners Limited Trading Address: 83c Ashley Gardens, Thirleby Road, London, SW1P 1HG Registered Address: Suite 115, Devonshire House, Manor Way, Borehamwood, Hertfordshire, WD6 1QQ Disclaimer: Blue Alpine Partners prepares sales and letting particulars diligently and all reasonable steps are taken to ensure that they are correct. Neither a seller nor a landlord nor Blue Alpine Partners will, however, be under any liability to any purchaser or tenant or prospective purchaser or tenant in respect of them. If a property is unoccupied, Blue Alpine Partners may not have all the information required by a prospective purchaser or tenant in its possession, may not be able to obtain it and may not be able to verify all the information which it does hold. Prospective purchasers should make their own investigations before finalising any agreement to purchase or lease. .

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Shakespeare's Lost Playhouse
Shakespeare’s Lost Playhouse The playhouse at Newington Butts has long remained on the fringes of histories of Shakespeare’s career and of the golden age of the theatre with which his name is associated. A mile outside London, and relatively disused by the time Shakespeare began his career in the theatre, this playhouse has been easy to forget. Yet for eleven days in June, 1594, it was home to the two companies that would come to dominate the London theatres. Thanks to the ledgers of theatre entrepreneur Philip Henslowe, we have a record of this short venture. Shakespeare’s Lost Playhouse is an exploration of a brief moment in time when the focus of the theatrical world in England was on this small playhouse. To write this history, Laurie Johnson draws on archival studies, archaeology, en- vironmental studies, geography, social, political, and cultural studies, as well as methods developed within literary and theatre history to expand the scope of our understanding of the theatres, the rise of the playing business, and the formations of the playing companies. Laurie Johnson is Associate Professor of English and cultural studies at the University of Southern Queensland, current President of the Australian and New Zealand Shakespeare Association, and editorial board member with the journal Shakespeare. His publications include The Tain of Hamlet (2013), and the edited collections Embodied Cognition and Shakespeare’s Theatre: The Early Modern Body-Mind (with John Sutton and Evelyn Tribble, Routledge, 2014) and Rapt in Secret Studies: Emerging Shakespeares (with Darryl Chalk, 2010). Routledge Studies in Shakespeare For a full list of titles in this series, please visit www.routledge.com.
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Shopping Centre Site, Elephant and Castle, 26, 28, 30 and 32 New Kent Road, Arches 6 and 7 Elephant Road, and London College of Communications Site, London Se1
Item No. Classification: Date: Meeting Name: 7.1 Open 30 January 2018 Planning Committee Report title: Development Management planning application: 16/AP/4458 for: Full Planning Permission Address: SHOPPING CENTRE SITE, ELEPHANT AND CASTLE, 26, 28, 30 AND 32 NEW KENT ROAD, ARCHES 6 AND 7 ELEPHANT ROAD, AND LONDON COLLEGE OF COMMUNICATIONS SITE, LONDON SE1 Proposal: Phased, mixed-use redevelopment of the existing Elephant and Castle shopping centre and London College of Communication sites comprising the demolition of all existing buildings and structures and redevelopment to comprise buildings ranging in height from single storey to 35 storeys (with a maximum building height of 124.5m AOD) above multi- level and single basements, to provide a range of uses including 979 residential units (use class C3), retail (use Class A1-A4), office (Use Class B1), Education (use class D1), assembly and leisure (use class D2) and a new station entrance and station box for use as a London underground operational railway station; means of access, public realm and landscaping works, parking and cycle storage provision, plant and servicing areas, and a range of other associated and ancillary works and structures. Ward(s) or East Walworth groups Cathedrals affected: From: Director of Planning Application Start Date 02/12/2016 Application Expiry Date 24/03/2017 Earliest Decision Date 19/01/2017 Draft Planning Performance Agreement RECOMMENDATION 1. a) That planning permission be granted, subject to conditions and referral to the Mayor of London, and the applicant entering into an appropriate legal agreement by no later than 18 December 2018. b) That environmental information be taken into account as required by Regulation 3(4) of the Town and Country Planning (Environmental Impact Assessments) Regulations 2011 (as amended).
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Elephant and Castle Shopping Centre and London College of Communication Site in the London Borough of Southwark Planning Application No
planning report D&P/3654/01 30 January 2017 Elephant and Castle shopping centre and London College of Communication site in the London Borough of Southwark planning application no. 16/AP/4458 Strategic planning application stage 1 referral Town & Country Planning Act 1990 (as amended); Greater London Authority Acts 1999 and 2007; Town & Country Planning (Mayor of London) Order 2008. The proposal Comprehensive mixed-use redevelopment comprising buildings ranging from 2 to 35 storeys to provide 979 residential units; a new shopping centre; office space; a new college building; assembly and leisure space; and a new station entrance and station box for the Northern Line at Elephant and Castle London Underground station. The applicant The applicant is Elephant & Castle Properties, and the architect is Allies and Morrison. Strategic issues summary Principle of development: This mixed use scheme positively responds to strategic objectives for the regeneration of the Elephant and Castle Opportunity Area (paragraphs 19 to 22). Mix of uses: The mix of proposed residential, retail, leisure and educational uses is strongly supported for this CAZ location. The applicant, nevertheless, needs to work with Southwark and existing occupiers to progress the detail of its business relocation strategy (paragraphs 23 to 31). Housing: The proposed build to rent housing contribution (35% affordable) is strongly supported pending an independent viability review (paragraphs 32 to 45). Urban design: The scheme would significantly increase the permeability and legibility of the area, whilst successfully accommodating a rich mix of uses that would support the vibrancy and sustainability of Elephant and Castle town centre (paragraphs 46 to 54).
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PLAYHOUSES Gabriel Egan
12. PLAYHOUSES Gabriel Egan RAMA DOES NOT NEED purpose-built venues. celebrated actor Richard, and his brother-in-law, John Most of the scripts produced in the 2,500-year his Brayne. Nine years earlier, Brayne had dipped his toe D tory of recorded drama can be performed quite into theater building by installing temporary galleries adequately outdoors or within any room large enough to and a stage, with an accompanying tower or turret, in hold the performers and spectators. However, to give large the garden of the Red Lion farm in Stepney, but for the numbers of spectators a reasonable view of the action, and Theatre he and Burbage borrowed heavily to produce to charge them effectivelyYor the privilege, a custom-built something substantial: a timber-framed amphitheater performance space is needed. The ancient Greeks, whose on firm foundations, with a thatched roof and a plas culture flourished in the centuries before Christ, per tered exterior (Egan). The Red Lion does not count as the formed their plays outdoors in increasingly sophisti first purpose-built venue because it was merely a tempo cated stone amphitheaters that took advantage of natural rary construction without foundations, built for a par hollows in the ground to arrange the audience in an arc ticular set of performances. around the performers. The Roman culture that flourished Burbage and Brayne's decision to call their permanent in the first 600 years after Christ copied the Greek design building the Theatre evoked the old Roman amphitheaters, but also produced freestanding urban theaters. Instead of and visitors to London commented that it looked like one, putting the spectators in shallow tiers of seats, the Roman being virtually round although made of wood and plaster urban theater stacked them in a vertical tube of galleries; rather than stone.
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In 1590, Having Been Ordered to Vacate the Rose Playhouse and Perform Instead at the Smaller
NOT SO TEDIOUS WAYS TO THINK ABOUT THE LOCATIONS OF THE EARLY PLAYHOUSES In 1590, having been ordered to vacate the Rose playhouse and perform instead at the smaller venue at Newington Butts, Lord Strange’s Men petitioned the Privy Council to allow them to return to their Bankside venue.1 The Councillors relented, claiming they were “satisfied … by reason of the tediousness of the way” to the alternative venue (Foakes, 285). This notion that Newington Butts was too remote to be viable remains widely accepted, with many scholars reiterating the Councillors’ claim (see, for example, Jolly, 161; Schoenbaum, 136; Thomson, 67; Wickham, 60). Such a view props up an abiding logic that oscillates between what Henri Lefebvre calls the “paradigmatic” and “symbolic” approaches to the history of space, but it crucially ignores the “syntagmatic” approach (230). The paradigmatic distinction between travelling players and those who settled in London playhouses supports the symbolic focus given to playhouses in descriptions of the golden age of the London theatre. A key feature of this distinction is the relative absence of roads from one side of the binary: a London-centric bias at the symbolic core of these histories positions roads as a focus for travelling players, but roads disappear from narratives of the rise of the purpose-built “permanent” playhouses around London. A syntagmatic approach allows us to put the London playhouses back on the roads, so to speak, by understanding how the mobility of prospective audiences, rather than simply the push for permanence by travelling players, contributed to the rise of the early modern playhouses.
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Doctor Faustus, Tamburlaine and the Taming of the Shrew
Doctor Faustus , Tamburlaine and The Taming of The Shrew Derran Charlton he sole authority for the text of The Taming of The Shrew is the Folio of 1623. It is the eleventh play, appearing amongst the comedies, after As You LIke It and before All`s Well T That Ends Well. It occupies twenty-two folio pages, pp 208-29. Page 214 is wrongly numbered 212. Of the thirty-six dramas in the Folio, eighteen had already been published as Quartos. The Folio, therefore, includes eighteen unpublished plays. Sixteen were registered on 8 November, 1623. Significantly, the remaining two, King Iohn and The Taming of the Shrew , were not registered as they probably passed as reprints of older plays, The Troublesome Raigne of Iohn King of England, an anonymous play in two parts published in 1591, and The Taming of a Shrowe registered “Secundo die Maij, 1594, Peter Shorte.” This second play was printed in a quarto edition in the same year, with the following information on its title page: A Pleasant Conceited Historie, called The Taming of a Shrew. As it was sundry times acted by the Right honorable the Earl of Pembrook his seruants. Printed at London by Peter Short and are to be sold by Cuthbert Burbie, at his shop at the Royall Exchange, 1594. A single copy of this edition survives, owned by the Duke of Devonshire. First Known Performance On 11 June 1594 a performance of “the taming of a Shrow ” at the Newington Butts theater, in the village of Newington, Surrey, is recorded in Henslowe`s diary.
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Taking Liberties
Early Theatre 9.1 Matt Kozusko Taking Liberties In her recent study of Elizabethan and Jacobean drama, Theatre, Court and City, 1595–1610, Janette Dillon remarks on a kind of complacency in the view ‘modern critics’ continue to espouse of London’s best-known public amphi- theatres: ‘the Bankside theatres are frequently described by modern critics as being outside the city boundary because they were across the river in South- wark, but this is incorrect. It was because they were located within the liberties of Paris Garden and the Clink in Southwark that they were outside city jurisdiction’.1 The difference between ‘across the river’ and ‘in the liberties of Paris Garden and the Clink’ is a simple matter on the surface level, and the misunderstanding is easily cleared up by a quick survey of the jurisdictional areas into which Southwark was divided. But the mistake is symptomatic of a much broader and more significant set of conceptual indiscretions on the part of contemporary literary critical approaches to early modern drama. Other missteps attendant on this idea – that the Bankside theatres were, in fact, outside of city jurisdiction, or that the Bankside was a ‘suburb’ of license and sin – are more difficult to set straight. Indeed, Dillon’s correction itself needs revising. The Liberty of the Clink and Paris Garden were, as she notes, outside of London’s twenty-six wards, but as David Johnson demonstrates in his study Southwark and the City, jurisdiction in Southwark is an especially complicated matter,2 and the flat insistence that the Bankside theatres, or their peers in to the north, were untouchable by the lord mayor, the court of aldermen, or other manifestations of city authority, must be reconsidered.
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London Bridge Station – Zone 1 I Onward Travel Information Local Area Map Bus Map
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11. Elephant and Castle 11.1
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Design and Access Statement
2 SITE, CONTEXT & ANALYSIS Image caption 10 2 SITE, CONTEXT AND ANALYSIS 2.1 SITE LOCATION The Site is located approximately one mile to the south and east of the River Thames, towards the north of the London Borough of Southwark. The Site is adjacent to a major road intersection that includes Newington Butts, St George's Road, London Road, Newington Causeway and New Kent Road, all meeting at the former Elephant & Castle roundabout, recently peninsularised by Transport for London. The radial arrangement of these major through roads creates a direct connection between the Site and Kennington, Vauxhall, Waterloo, Blackfriars, London Bridge, Tower Bridge and Old Kent Road, as well as Walworth and Burgess Park to the south along Walworth Road, all of them around a mile radius. The Site is also a major public transport hub, including numerous bus stops, a Bakerloo Line and Northern Line underground stations and an overground rail station. Waterloo Station and London Bridge Station are in close proximity and the recently implemented North-South Cycle Superhighway links Elephant & Castle to the north up to Kings Cross. The Site includes two plots of land, located opposite each other either side of the northern end of Newington Butts, henceforth referred to as East Site and West Site. The East Site is bounded by Newington Butts to the west, New Kent Road to the north, Elephant Road to the east and Walworth Road to the south. The East Site is located within the East Walworth Ward and is adjacent to Chaucer Ward to the north and Newington Ward to the south.
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Early London Theatres
' e last date stamped below mp 2 SOUTHERN bran; UNiVilTY OF GAIUOHK.. tX>£ Digitized by the Internet Archive in 2008 with funding from IVIicrosoft Corporation http://www.archive.org/details/earlylondontheatOOordi LONDON THEATRES. 412 'tirhe Cambcn îbntrp. EDITED BY G. LAURENCE GOMME, F.S.A. AND T. FAIRMAN ORDISH, F.S.A. : THE CAMDEN LIBRARY. EARLY LONDON THEATRES [Jn tbe Jîelbs.] BY T. FAIRMAN ORDISH, F.S.A. WITH ILLUSTRATIONS AND I\!APS. Have we not houses of purpose built with great charges for the maintenance of them, and that without the hberties, as who shall say, there, let them say what they will, we will play.' John Stockwood's Sermon, 1578. LONDON ELLIOT STOCK, 62, PATERNOSTER ROW. 1894. a 'i f-: 7 13G3 ô the Jttemory of JAMES ORCHARD HALLIWELL-PHILLIPPS AND WILLIAM RENDLE. PREFACE, late O. Halliwetl-Philllpps, whose THE J. life-long labours in Shakespearean and Elizabethan literature made his opinion of the- greatest importance, was struck with my attempt, in the pages of the Antiquary^ to cast the story of the Shakespeare stage into a narrative of the playhouses ; and he urged me to bring my work to completion in a book on the subject. The present volume represents the first half of the fulfilment of a promise which I made to him. It may suffice here to briefly indicate what appear to be points of novelty. The view put forward as to the origin of the playhouse—and the intimate relation between that origin and the fact that the earliest playhouses were erected ' in the Fields ' outside the town— is perhaps the most important of these.
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