DOCSLIB.ORG

Front/Back Track Sheet4 3/4 Sq-01.Indd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Front/Back Track Sheet4 3/4 Sq-01.Indd CHILDSPLAY - THE BLOOM OF YOUTH 1) Cuckanandy/Chris Childs 5:20 Mid-tempo song followed by a driving reel. Cuckanandy is an Irish baby dandling song rumored to have been sung by a ghost that haunted the hills around Cuil Aodha. The tune was composed by Hanneke Cassel and features the driving rhythmic sound of 12 fiddles and full band backing them up. 2) The Noodle Vendor/Sweetest Blooms/Avery’s Mazurka 4:21 Orchestral movie soundtrack sound with full band. The first two tunes were inspired by Shannon Heaton’s experience of growing up in Thailand. Don’t be surprised to hear this set in a movie sometime in the near future! 3) Buddy’s Strathspey/The Wooden Whale/The Farmer’s Daughter 4:46 Lively fiddles tunes with beautiful harmonies. Composed by Hanneke Cassel, the first tune is in memory of the great Cape Breton fiddler Buddy MacMaster. The second tune starts with a great fiddle and flute duet and then finishes with a full driving fiddle choir in the last tune! 4) Where are you Tonight I Wonder 5:34 Beautiful ballad with gorgeous string arrangement with multiple harmonies. Written by Andy Stewart of Silly Wizard, the haunting melody and lyrics of this song capture the heartbreak of when a relationship ends. 5) Lara’s Jig/The Burning Snowball/Farewell to London 4:21 Vibrant Irish fiddle tunes guaranteed to make your toes tap!. The first two tunes are driving jigs that capture the full throated sound of the band; then on the final tune Childsplay kicks it into an even higher gear that is played so fast you won’t believe there are 12 fiddles playing at the same time. Also complete with harmonies. 6) Sailing off to Yankeeland 5:53 Slower tempo song with a beautifully arranged orchestral back up. A song abut emigration that is fitting for our times, Sailing Off to Yankeeland captures the feeling of what it is like to leave your native land for unknown destinations as well as what it is like for parents to be separated from their children. Karan’s voice has never been finer! WWW.CHILDSPLAY.ORG 7) The Bloom of Youth/Temple House/Sailing In 2:52 Grooving rhythmic fiddle tunes, with a fresh up tempo sound. This set captures Childsplay’s ability to convey great fiddle playing with tight arrangements at break neck speed. 8) Turka 4:51 Whimsical, gypsy like tune with dynamic harmony part playing. Turka is one of the favorite pieces for the band as it showcases an incredibly difficult melody played a very up tempo pace yet with a very whimsical arrangement. Bonnie Bewick, a member of the Boston Symphony. Bonnie and Sheila Falls are featured on this piece in a wonderful exchange of call and response fiddling com- plete with the dynamic voicing of the whole group. 9) The Fiddle and the Drum 4:55 Sparsely arranged with a pulsing feel to convey the lyrical tension, the fiddles are so tight that the band sounds like a harmonium. In singing this anti-war song written by Joni Mitchell Karan’s voice makes this version of the Fiddle and the Drum ring with truth and passion. 10) Acadia March/Essex Wedding Reel 4:38 Slow tempo tune with gorgeous harmonies followed by an upbeat fun melodic tune. Katie Mc- Nally’s two tunes show that fiddle music is alive and well as a living tradition in the 21st century. 11) Maids of Galway/Jenny Picking Cockles/Epic Reel 4:34 Hypnotic intoxicating rhythms with full-throated melodies, up-tempo. The first two tunes showcase a musical conversation between the band members before ending up with a recently composed tune by Keith Murphy that shows how multilayered harmonies can bring music to life! 12) Lovely Annie 4:57 A light, sparse gorgeous arrangement of a beautifully penned song. Karan wrote this song as a tribute to her late mother and it conveys the depth of feeling of what it is like to lose someone you love so dearly. 13) One to One Waltz 3:36 Beautiful slow waltz tempo with lovely harmony playing. Every dance ends with a waltz, so to this album comes to an end with a delicious and lyrical melody that is sure to have listeners ask someone to dance! Total time: 60: 59.
Load more

Recommended publications
  • View Or Download Full Colour Catalogue May 2021
    VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental
    [Show full text]
  • The Folklore Society of Greater Washington
    The folklore Juli Musgrave, Editor Soci et y |Box 19114,20th Street Station, Washington, DC 20036 of Greater Washi ngt on NHWIJTIB Volume 22, No. 9 May 1986 Phone (703) 281-2228 BLEIZI RUZ MAY 16 SPECIAL EVENT Brittany is a windswept, rugged penin sula in the northwestern corner of France. Unlike other peoples of France, the Bret ons are a Celtic people; their culture, language, and music are closely related to Welsh, Irish, and Scottish traditions. From this heritage comes the band Bleizi Ruz for an FSGW Special Event concert on Friday, May 16. The music of Bleizi Ruz (Breton for "Red Wolves") comes from the tradi tional "festnoz," or late-night Breton ceilis. In towns throughout the region, people of all ages gather to socialize and dance to the music of the bombarde and biniou (folk oboe and bagpipe), fiddle, and accordion. The tunes combine haunting melodies with lively dance rhythms, creating an unforgettable sound. The Bleizi Ruz repertoire includes these dance tunes, as well as songs, and tunes arranged for listening. This is the first U.S. tour for this popular Breton band, so don't miss it! The concert will be held at the Department of Commerce’s Hoover Audi torium on 14th St. between Constitution Avenue and E St. NW. The concert begins at 8:30 p.m., and tickets will be $6.00 for FSGW members, $8.00 for non-members. W.F.F. BENEFIT DANCE MAY 24 On Saturday, May 24, in the historic Spanish Ballroom at Glen Echo Park, the Washington Swing Dance Committee, in cooperation with the Nation al Park Service, will present a special fund-raiser Swing 'n' Contra Dance in support of the 10th Annual Washington Folk Festival.
    [Show full text]
  • Traditional Music of Scotland
    Traditional Music of Scotland A Journey to the Musical World of Today Abstract Immigrants from Scotland have been arriving in the States since the early 1600s, bringing with them various aspects of their culture, including music. As different cultures from around Europe and the world mixed with the settled Scots, the music that they played evolved. For my research project, I will investigate the progression of “traditional” Scottish music in the United States, and how it deviates from the progression of the same style of music in Scotland itself, specifically stylistic changes, notational changes, and changes in popular repertoire. I will focus on the relationship of this progression to the interactions of the two countries throughout history. To conduct my research, I will use non-fiction sources on the history of Scottish music, Scottish culture and music in the United States, and Scottish immigration to and interaction with the United States. Beyond material sources, I will contact my former Scottish fiddle teacher, Elke Baker, who conducts extensive study of ethnomusicology relating to Scottish music. In addition, I will gather audio recordings of both Scots and Americans playing “traditional” Scottish music throughout recent history to compare and contrast according to their dates. My background in Scottish music, as well as in other American traditional music styles, will be an aid as well. I will be able to supplement my research with my own collection of music by close examination. To culminate my project, I plan to compose my own piece of Scottish music that incorporates and illustrates the progression of the music from its first landing to the present.
    [Show full text]
  • Table of Contents
    1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis­ A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas.
    [Show full text]
  • Triskele Volume I.Pub
    Volume I, Issue I A Newsletter of UWM’s Center for Celtic Studies Bealtaine, 2002 Failte! Croeso! Mannbet! Kroesan! Welcome! W elcome to the first edition of Triskele, our UWM Center for Celtic Studies newsletter! The Celtic world offers a wide and accessible curriculum of study—a laboratory where theories and experiences can be tested and explored: Students of all ages and backgrounds can encounter the human condition, from societies in the prehistoric past to political conflicts of the ever-changing present. Every- thing from the furniture of the kitchen to the furniture of the mind! Since our official launch last August by Irish Minister of State Mary Coughlan, T.D., and UWM Provost John Wanat, we have been very pleasantly surprised by the response from both campus and community. Our mission is to serve both. Our door Center for Celtic Studies staff members (left to right): Ina therefore is always open, so on behalf of Bettina, Ina, Nancy Kielley (program assistant), Bettina Arnold (co-director), and myself, Failte Isteach! Far Faa Ye! Croeso! Mannbet! John Gleeson (co-director), Nancy Walczyk (associate Kroesan! director) Celtic Popular Culture Conference October 12, 2002 popular culture been transformed The featured keynote speaker is What are the links between popular in its encounters with other, often Lawrence McCaffrey. The event culture and history, politics, econom- radically different societies, both in will be held atthe Irish Cultural and ics, language, and psychology in the America and elsewhere? What Heritage Center in Milwaukee, Celtic regions and those countries does the future of Celtic Studies and will include lively musical influenced by them? hold? and artistic performances.
    [Show full text]
  • Farewell to a Man, and to an Era
    September 2009 VOL. 20 #9 $1.50 Boston’s hometown journal of Irish culture. Worldwide at bostonirish.com All contents copyright © 2009 Boston Neighborhood News, Inc. FAREWELL TO A MAN, AND TO AN ERA Cardinal Sean O’Malley, Archbishop of Boston, walked around the casket with incense before it left the church after the funeral Mass for Sen. Edward M. Kennedy at Our Lady of Perpetual Help Basilica in Boston on Sat., Aug. 29. (AP Photo/Brian Snyder, Pool) BY CAROL BEGGY the United States Senate” that family was celebrated for its bors on Caped Cod to world to come to Boston,” Cowen told SPECIAL TO THE BIR stretched from his corner of deep Irish roots. As the Boston leaders including Irish Prime the Boston Irish Reporter’s Joe From the moment the first Hyannis Port to Boston, Wash- Globe’s Kevin Cullen wrote, Minister Brian Cowen. Leary at the Back Bay Hotel, news bulletins started crackling ington, Ireland, the home of his the senator himself was slow “We’re very grateful for the formerly the Jurys Hotel. on radios and popping up on ancestors, the British Isles, and in embracing his Irish heritage, great dedication of Senator Ken- Michael Lonergan had barely BlackBerries late on the night beyond. but once he did, he made it his nedy to Ireland and its people,” sat in his seat as the new Consul of Tuesday, Aug. 25, the death This youngest brother of the mission to help broker peace in Cowen said at an impromptu General of Ireland in Boston of Senator Edward M.
    [Show full text]
  • TUNE of the WEEK
    TUNE of the WEEK Standard Notation and Mandolin Tablature TUNE of the WEEK TUNE of the WEEK CONTENTS 1: Cenneag Mhor ..................................... 1 2: Mo Chaillein Dileas Donn .................. 1 3: Johnny Murray of Lochee ................... 2 4: Ray’s Classic ....................................... 2 5: Joan’s Jig ............................................ 3 6: Little Diamond ................................... 3 7: Jenny Lind Polka ................................4 8: Cro Cinn T-Saile ..................................4 9: Cavehill ............................................... 5 10: Banbury Bill ..................................... 5 11: My Beautiful Mandolin Friend ..........6 12: Wi My Dog and Gun .......................... 7 13: Pretty Little Cat .................................8 14: Periwig, The ......................................8 15: Drummond Castle .............................9 16: Yow Cam to Wir Door Yarmin ..........9 17: New Five Cents, The ........................ 10 18a: Hoch Hey Johnnie Lad ...................11 18b: Lord Drummond ............................11 19: Wistfulness at Wiston ..................... 12 20: I Bhi Ada ......................................... 12 Nigel Gatherer’s Tune of the Week, Book 1 • First published January 2012 Compiled, designed and produced by Nigel Gatherer All transcriptions by Nigel Gatherer, © Nigel Gatherer 2012 TUNE of the WEEK 1: Cenneag Mhor (traditional) I transcribed this tune from my record collection, from one of my favourite Scottish dance bands, Addie Harper’s Wick SCD Band. I don’t really know anything about the tune, but I like it. It’s in a D pentatonic key, and fairly lilts along. 2: Mo Chaillein Dileas Donn (traditional) I learned this slow air from a recording by the folk group Ossian from Glasgow. It’s a fairly well known Gaelic song TUNE of the WEEK 1 3: Johnny Murray of Lochee (unknown) I learned this tune from fiddler Clare McLaughlin of Deaf Shepherd. I think it’s a variant of a bagpipe tune.
    [Show full text]
  • BRT Past Schedule 2004
    Join Our Mailing List! 2004 Past Schedule current schedule 2012 past schedule 2011 past schedule 2010 past schedule 2009 past schedule 2008 past schedule 2007 past schedule 2006 past schedule Partial programming support provided by the John H. Chafee Blackstone River Valley National Heritage Corridor Commission JANUARY Saturday, January 10, 8 PM, $12.00 Atwater-Donnelly Aubrey Atwater and Elwood Donnelly return to present an enthralling concert of traditional American and Celtic American folk songs, a cappella pieces, hymns, dance tunes, and original works. Elwood and Aubrey blend unusual harmonies and play guitar, Appalachian mountain dulcimer, Irish tin whistle, harmonica, banjo, bones, spoons and other musical surprises. Their performance is appealing to all ages, and with humor, audience participation, and a highly relaxed stage presence, Aubrey and Elwood explain song origins to give more relevance to the material. Aubrey and Elwood met as volunteers at the Stone Soup Coffeehouse in Providence and formed a duo in the fall of 1987. They perform widely in the Northeast and other parts of the United States and Great Britain and their recordings receive international airplay. Atwater and Donnelly have performed and researched folk music extensively in New England, Ireland, England, Prince Edward Island, the Ozarks, and Appalachia. They recently released a new recording called "And Then I'm Going Home: Atwater- Donnelly Live," which was recorded at the Blackstone River Theatre and other R.I. coffeehouses in 2000. Sunday, January 11, 2-5 PM, $6.00 Irish Ceili and Set Dance Partial support provided by the Rhode Island State Council on the Arts.
    [Show full text]
  • Celtic Airs CD Liner
    Lyric masterpieces from Scotland, Ireland, and Wales, Timothy Seaman: Dusty Strings D600 hammered dulcimer played on hammered dulcimer, flutes and whistles, and Celtic harp. (1999) • Bert Berry mountain dulcimer (2001) • James Jones bowed and plucked psalteries (1990) • Gemeinhardt 3SSB flute (1978) • Sigma D18 guitar (1991) • Chieftain, Shaw, & Susato whistles • Woodsong & Suzhou bamboo flutes • Glenluce bodhran & other percussion • Hohner melodicas & harmonica • Roland keyboard • vocalizing Ardie Boggs: John Yule Celtic harp Ann Robinson: Dusty Strings Celtic harp • Ken Bloom bass bowed dulcimer Robin Jester: piano Bill Gurley: fiddle • guitar • high-strung guitar Peter Budnikas: Highland pipes Henry Smith: keyboards • bass guitar • electric violin Howard Nilsen: accordion Arrangements by Timothy Seaman & the musicians. Recorded by Timothy Seaman at Pine Wind Studios & Grace Covenant Presbyterian Church (piano & bagpipe) (www.gracecovpca.org), and by Henry Smith at Outback Studio (www.theoutbackstudio.net) Instrument photography: Timothy Seaman Cover landscape photography: Alastair Garrow Art design: Jonathan Hounshell www.timothyseaman.com 127 Winter E, Williamsburg, VA 23188 757-746-8899 prod master: sales order: acct mgr: artist: bus. rel.: Timothy Seaman contact: ofa date: 1. Carrickfergus (trad. Ireland) An 18th- Fraser. Fiddle, guitar, high-strung guitar: 11. I’ll Bid My Heart Be Still (trad. 15. Our Hero (Mo Ghile Mear) (trad. Century Ulstermen’s melody. This oldest town Bill Gurley. Scotland) / My Sweet Rowena in the Ireland, 17th Century) Eire’s lament for the in Antrim is on the Belfast Loch, not far from Glen (Timothy Seaman, 2008 Pine Wind exile of their cousin Bonnie Prince Charlie. C.S. Lewis’s childhood home. From the 6. Bonnie Bessie Logan (trad.
    [Show full text]
  • Silly Wizard Live Wizardry Mp3, Flac, Wma
    Silly Wizard Live Wizardry mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Live Wizardry Country: US Released: 1988 Style: Celtic, Folk MP3 version RAR size: 1770 mb FLAC version RAR size: 1398 mb WMA version RAR size: 1871 mb Rating: 4.5 Votes: 755 Other Formats: VQF TTA WMA ADX MP1 MMF VOC Tracklist Hide Credits The Queen Of Argyll 1 3:22 Written-By – A.M. Stewart* Mrs. Martha Knowles / The Pitnacree Ferryman / The 2:57 New Bob Mrs. Martha Knowles 2.1 Written-By – Phil Cunningham The Pitnacree Ferryman 2.2 Arranged By – Silly WizardWritten-By – Trad.* The New Bob 2.3 Arranged By – Silly WizardWritten-By – Trad.* The Parish Of Dunkeld / 4:07 The Curlew The Parish Of Dunkeld 3.1 Arranged By – A.M. Stewart*, Phil Cunningham Written-By – Trad.* The Curlew 3.2 Arranged By – Silly WizardWritten-By – Trad.* - The Valley Of Strathmore 4 7:03 Written-By – A.M. Stewart* Miss Shepherd / Sweeney's Buttermilk / McGlinchey's 3:41 Reels Miss Shepherd 5.1 Arranged By – Silly WizardWritten-By – Trad.* Sweeney's Buttermilk 5.2 Arranged By – Silly WizardWritten-By – Trad.* McGlinchey's Reels 5.3 Written-By – B. McGlinchey* - The Ramblin' Rover 6 3:12 Written-By – A.M. Stewart* The Blackbird 7 7:40 Written-By – A.M. Stewart* Scarce O'Tatties / 3:18 Lyndhurst Scarce O'Tatties 8.1 Written-By – Norman MacLean Lyndhurst 8.2 Arranged By – Silly WizardWritten-By – Trad.* - The Banks Of The Lee 9 Arranged By – A.M. Stewart*, Phil Cunningham Written-By – 4:49 Trad.* Donald McGillavry 10 3:59 Arranged By – Silly WizardWritten-By – Trad.* Golden, Golden 11 4:44 Written-By – A.M.
    [Show full text]
  • Scotland ^ 37Th Annual Smithsonian
    SMITHSONIAN FOLKLIFE FESTIVAL SCOTLAND ^ 37TH ANNUAL SMITHSONIAN FOLKLIFE FESTIVAL Appalachia Heritage and Haniioiiy Mali From Timbuktu to Washingto ii Scotland at the Smithsonian June 2 5 -July 6, 2003 Wa s h i n g t o n , D . C . The annual Smithsonian Folklife Festival brings together exemplary keepers of diverse traditions, both old and new. from communities across the United States and around the world. The goal of the Festival is to strengthen and preserve these traditions by presenting them on the National MaO, so that the tradition-hearers and the public can connect with and learn from one another, and understand cultural difierences in a respectful way. Smithsonian Institution Center for Folklife and Cultural Heritage 750 9th Street NW Suite 4100 Washington, DC 20560-0953 www. folklife. SI . edu © 2003 by the Smithsonian Institution ISSN 1056-6805 Editor: Carla Borden Associate Editors: Frank Proschan, Peter Seitel Art Director: Denise Arnot Production Manager: Joan Erdesky Design Assistant: Krystyn MacGregor Confair Printing: Finlay Printing, Bloomfield, CT Festival Sponsors The Festival is co-sponsored by the National Park Service. The Festival is supported by federally appropriated funds; Smithsonian trust funds; contributions from governments, businesses, foundations, and individuals; in-kind assistance; volunteers; and food, recording, and craft sales. Major in-kind support for the Festival has been provided by media partners WAMU 88.5 FM—American University Radio, Tfie IVashiiigtoii Post, washingtonpost.com, and Afropop, and by Motorola, Nextel, Whole Foods Market, and Go-Ped. APPALACHIA: HERITAGE AND HARMONY This program is produced in collaboration with the Birthplace of Country Music Alliance and the Center for Appalachian Studies at East Tennessee State University.
    [Show full text]
  • Silly Wizard: Caledonia's Hardy Sons
    Silly Wizard: Caledonia’s Hardy Sons Der erste musikalische Paukenschlag der schottischen Gruppe „Silly Wi- zard“ erfolgte 1978 mit „Caledonia’s Hardy Sons“. 1976 gegründet, hatten die „Wizards“ bis dahin schon einige Umbesetzungen hinter sich, doch nun ihr ideales Line-up gefunden: Mit den blutjungen Brüdern Johnny (Fiddle) und Phil Cunningham (Akkordeon, Whistle, Synthesiser, Bouzouki), zwei musikalischen Wunderkindern, dem ausdrucksvollen Sänger Andy M. Stewart (Banjo), dem Bassisten Martin „Mame“ Hadden und Bob Thomas und Gordon Jones an diversen Saiteninstrumenten revolutionierten sie die schottische Folkmusik. Die Platte beginnt mit dem traditionellen „Mo Chuachag Laghach“, bei dem jeder mal zeigen darf, wie exzellent er sein Instrument/seine Instrumente beherrscht.Als ziemlich dominierend klingt aber schon hier das virtuose Ak- kordeonspiel Phil Cunninghams an. Dem von Stewart gesungenen „The Isla Waters“ verleiht Cunninghams Ak- kordeon den elegischen Unterton. Stewart deutet an, wozu er in Zukunft noch fähig sein wird. Ein dezenter Saiten-Bass-Teppich im Hintergrund er- möglicht es Stewart und Cunningham, ihre außerordentlichen Begabungen ins rechte Licht zu rücken. „The Twa Brithers“, eine erschröckliche Ballade, gesungen von Stewart, arrangiert mit einem dezenten Harmonium Haddens und einer schönen Sai- tenbegleitung, zeigt, dass Phil Cunningham auch ein begnadeter Whistle- Spieler ist. Die folgenden Highland Pipe-Tunes teilen sich in der Melodieführung die Cunningham-Brüder, die von einem schnell-exakten Banjo Stewarts konge- nial unterlegt werden. Unglaublich ist das unheimlich schnelle und exakte Spiel Cunninghams auf seinem Klavier-Akkordeon. So etwas hat es zuvor in der schottischen Folkmusik noch nicht gegeben. Durchgehend arrangierte Tonfolgen diverser Saiteninstrumente geben den Hintergrund, vor dem Stewart die Ballade der „Glasgow Peggy“ erzählt.
    [Show full text]