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SIASSIE KENNEALLY Date of Birth: May 29, 1969 Male/Female: Female Place of Birth: Cape Dorset Mother: Mayoreak Ashoona Father: Kaka Ashoona Siassie Kenneally was born on May 29, 1969. She comes from a family of notable Cape Dorset artists. Her mother Mayoreak Ashoona has been a mainstay of the Cape Dorset annual print collection for many years and her father was the renowned sculptor, Kaka Ashoona. Her two cousins, Annie Pootoogook and Shuvinai Ashoona are well known contemporary artists. The three cousins have shown together on occasion. Siassie began drawing at the Kinngait Studios in the early 2000’s. Her striking iridescent print, ‘Fish Tails’ from the 2008 spring collection was a hugely admired etching/aquatint and she has displayed a remarkable faculty with the medium of oil stick on paper. Siassie tends to work on a large scale and her drawings are characterized by an intimate and contemporary approach to the depiction of traditional lifestyles. EXHIBITIONS: December 2006 – March 2007 Ashoona: Third Wave Art Gallery of Alberta Edmonton, Alberta June 2007 Three Cousins Feheley Fine Arts Toronto, Ontario Apr. – May, 2008 Leaving Deep Water Saw Gallery Ottawa, Ontario May 2008 9 Works by 7 Artists Dorset Fine Arts Spring release Nov – Dec., 2008 Breaking Ground: New Oil Stick Drawings from Cape Dorset Feheley Fine Arts Toronto, Ontario Oct 2009 – Jan 2010 Uuturautiit: Cape Dorset Celebrates 50 Years of Printmaking National Gallery of Canada Ottawa, Ontario (illustrated catalogue) September 2010 Landscape Drawing 2 Inuit Gallery of Vancouver Vancouver British Columbia Dec. 2011 – Feb. 2012 Women in Charge Inuit Contemporary Women Artists Museo Nazionale Preistorica Etnografica “Luigi Pigorini” Rome Italy (illustrated catalogue) October 2013 Toronto International Art Fair Metro Toronto Convention Centre Toronto, Ontario October - November 2013 The Hand of the Artist Feheley Fine Arts Toronto, Ontario REFERENCES Hernandez, Carlos Inuit Art from the Inside Out: Siassie Kenneally’s Male Fish Gut. FLLAC Off the Wall. Dec 16, 2013.

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Contemporary Inuit Drawing
Cracking the Glass Ceiling: Contemporary Inuit Drawing Nancy Campbell A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN ART HISTORY, YORK UNIVERSITY TORONTO, ONTARIO. January 2017 © Nancy Campbell, 2017 Abstract The importance of the artist’s voice in art historical scholarship is essential as we emerge from post-colonial and feminist cultural theory and its impact on curation, art history, and visual culture. Inuit art has moved from its origins as an art representing an imaginary Canadian identity and a yearning for a romantic pristine North to a practice that presents Inuit identity in their new reality. This socially conscious contemporary work that touches on the environment, religion, pop culture, and alcoholism proves that Inuit artists can respond and are responding to the changing realities in the North. On the other side of the coin, the categories that have held Inuit art to its origins must be reconsidered and integrated into the categories of contemporary art, Indigenous or otherwise, in museums that consider work produced in the past twenty years to be contemporary as such. Holding Inuit artists to a not-so-distant past is limiting for the artists producing art today and locks them in a history that may or may not affect their work directly. This dissertation examines this critical shift in contemporary Inuit art, specifically drawing, over the past twenty years, known as the contemporary period. The second chapter is a review of the community of Kinngait and the role of the West Baffin Eskimo Cooperative in the dissemination of arts and crafts.
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Arctic Community Exploration Tour August 5 - 12, 2020 Join Host Dr
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ASHOONA, Shuvinai
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Fall 2020 CN TOWER Fall Hours Please Note ROGERS CENTRE Monday Closed Underground Parking Is BREMNER BLVD
exhibitions / programs / events b l y OW ORK A y s e s T. all year, all free R T. s IMCO presented by FRONT sT. convention e Centre s T. scotiabank September 2020–January 2021 AReNA Fall 2020 CN TOWeR fall hOuRs PleAse note ROGeRs CeNTRe Monday Closed Underground parking is bReMNeR blVd. * Tuesday–Wednesday Closed located directly in front of Thursday 10 aM–8 PM the gallery at Queens Quay R EES Friday 10 aM–6 PM West and Lower Simcoe s Saturday 10 aM–8 PM Street. lAKe SHORe BLVd. W. T. Sunday 10 aM–6 PM To arrive by TTC, take GARdINeR eXPy PUBLIC Open holiday Mondays the 509 or 510 streetcar PUBLIC PARKING PARKING from Union Station QueeNs QuAy W. * Open by appointment for to Harbourfront Centre. PUBLIC group visits or tours of PARKING To arrive by car from Lake harbOurfront Centre maximum 6 participants The poweR Shore Boulevard, take Lower Plant Simcoe Street directly south lOCATION to the gallery. 231 Queens Quay West Toronto, Ontario, Canada heAlTh ANd sAFeTy ConneCt with us M5J 2G8 The Power Plant is taking steps to prioritize the ThePowerPlantTO health and safety of INFORMATION ThePowerPlantTO +1.416.973.4949 visitors and staff. We have [email protected] introduced increased ThePowerPlantTO thepowerplant.org sanitation and cleaning of all high-frequency bit.ly/TPPSubscribe touch points, requirements for masks inside the gallery, and have limited capacity to help ensure physical distancing. 231 Queens Quay West 2611120 Toronto, Ontario, Canada M5J 2G8 OVERVIEW As we enter The Power Plant’s final all year, exhibition season of 2020, we pause Fall 2020 at to acknowledge the importance of all free the aLL YEAR, aLL FREE program.
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Pootoogook, Annie “Watching the Iraqi War on TV” (2003), Image Reproduction in the Walrus, December/January 2005
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