Diverse Group Finds Unity on Trip to Israel
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THE BANJO IS BACK It’S a Clanky Little Five-String Instrument with a Bluegrass History That Thompson Square Joins Was All but Extinct in Mainstream Country Music
BILLBOARD.BIZ/NEWSLETTER/EDITED BY TOM ROLAND, [email protected] APRIL 16, 2012 | PAGE 1 OF 17 INSIDE THE BANJO IS BACK It’s a clanky little five-string instrument with a bluegrass history that Thompson Square Joins was all but extinct in mainstream country music. But as Rascal Billboard Summit Flatts’ “Banjo” enters the top five on Hot Country Songs, it’s clear >page 4 that the banjo is once again relevant to contemporary country sound. Ilya Toshinsky has the distinct privilege of playing banjo on “Banjo,” though he’s hardly the only guy working it in Nashville studios. Producer Nathan Chapman plucked one on Taylor Keith Urban, Swift’s Jonathan Yudkin Vince Gill “Hall” Grammy Award-winning “Mean,” In $465k handles it on Big & Rich’s “Save a Horse (Ride a Cowboy),” and >page 6 Keith Urban plays the banjo — or, to be precise, a six-string Deer- ing ganjo—on a bundle of songs that get heavy recurrent attention on country radio. In fact, Urban’s “Somebody Like You,” which cel- Blake Shelton ebrates its 10th anniversary this summer, was a significant factor Has Cause For in the banjo’s return to prominence. Celebration >page 6 “He has an extremely unique take on it,” says Urban’s co-producer Dann Huff, who is also one of Nashville’s most accomplished gui- Rascal Flatts performs “Banjo” with Steve Martin at tarists. “He has a way of attacking it. His is a real reckless banjo the ACM Awards. From left are group member Joe Don playing, and it stems from his style as a guitar player. -
“When in Doubt, Write a Hymn.” the Award-Winning Singer-Songwriter
“When in doubt, write a hymn.” The award-winning singer-songwriter Marcus Hummon and his wife, Episcopal priest and founder of Thistle Farms, Becca Stevens, have written a wonderful book of reflections on Marcus’ cantata The Passion. Marcus and Becca look at the creative process of composing – especially a sacred text – and the scripture passages chosen to make up the cantata. Their reflections form a strong foundation for our own Holy Week prayer – and move us toward the joy of Easter with the final cut, “A New Song.” Commissioned by Christ Church Cathedral in Nashville, the score and a CD or mp3 recorded in Nashville are all available from Church Publishing. Here’s a bit of what Marcus has to say about the commission and his writing process. When I was commissioned by Christ Church Cathedral here in Nashville to write a cantata reflecting the last days of Jesus’s life, I wasn’t sure how to begin. First of all, my background is not in sacred music, but rather in popular country music. It just happens that while writing songs for the Dixie Chicks, Tim McGraw, Rascal Flatts, and others, I had started to dabble in writing music for the theater. As I wasn’t classically trained, I would need help from a friend of mine, David John Madore at the Hartt Conservatory of Music in Hartford, Connecticut, in transcribing the choral work I was arranging, and my friend Dr. Deen Entzminger and the Belmont Chamber Singers to bring the work to fruition, to full performance. I also asked Jonathan Yudkin to add his beautiful cello accompaniment. -
Romantic Comedy-A Critical and Creative Enactment 15Oct19
Romantic comedy: a critical and creative enactment by Toni Leigh Jordan B.Sc., Dip. A. Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Deakin University June, 2019 Table of Contents Abstract ii Acknowledgements iii Dedication iv Exegesis 1 Introduction 2 The Denier 15 Trysts and Turbulence 41 You’ve Got Influences 73 Conclusion 109 Works cited 112 Creative Artefact 123 Addition 124 Fall Girl 177 Our Tiny, Useless Hearts 259 Abstract For this thesis, I have written an exegetic complement to my published novels using innovative methodologies involving parody and fictocriticism to creatively engage with three iconic writers in order to explore issues of genre participation. Despite their different forms and eras, my subjects—the French playwright Molière (1622-1673), the English novelist Jane Austen (1775-1817), and the American screenwriter Nora Ephron (1941-2012)—arguably participate in the romantic comedy genre, and my analysis of their work seeks to reveal both genre mechanics and the nature of sociocultural evaluation. I suggest that Molière did indeed participate in the romantic comedy genre, and it is both gender politics and the high cultural prestige of his work (and the low cultural prestige of romantic comedy) that prevents this classification. I also suggest that popular interpretations of Austen’s work are driven by romanticised analysis (inseparable from popular culture), rather than the values implicit in the work, and that Ephron’s clever and conscious use of postmodern techniques is frequently overlooked. Further, my exegesis shows how parody provides a productive methodology for critically exploring genre, and an appropriate one, given that genre involves repetition—or parody—of conventions and their relationship to form. -
The Lanthorn, 1968-2001 at Scholarworks@GVSU
Grand Valley State University ScholarWorks@GVSU Volume 18 Lanthorn, 1968-2001 5-15-1984 Lanthorn, vol. 18, no. 24, May 15, 1984 Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/lanthorn_vol18 Part of the Archival Science Commons, Education Commons, and the History Commons Recommended Citation Grand Valley State University, "Lanthorn, vol. 18, no. 24, May 15, 1984" (1984). Volume 18. 24. http://scholarworks.gvsu.edu/lanthorn_vol18/24 This Issue is brought to you for free and open access by the Lanthorn, 1968-2001 at ScholarWorks@GVSU. It has been accepted for inclusion in Volume 18 by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. Who can Arts & Entertainment P 7 beat Reagan? Controversy P 4 Sports P 9 S rr nr \[ wrrk'.s voiillj^glik ir ? Student Living P 6 grand valley statecollege's Student run newspaper * t r r the lanthorn Volume 18 THURSDAY. MARCH 15. 1984, ALLENDALE. MICHIGAN Number 24 Students don't have to be 'true' Michigan caucus sites to e Itot at m w toeee to eeefc M r k t. k* democrats to voteSaturday ito to to i RALPH HEIBUTZKI The caucus will not allow gan primary which it replaced News Editor absentee ballots to be cast, and m 1983. is the State does not Kent County there w ” -dso be no secret bal spend as much as money on Gr»r>d Valley students want toting the election County I mg to participate in Saturday's Joseph Sancimino. a Grand "The primaries were state Dtotrict 1 County I Presidential caucus vote need Valley Student Senator who is wide and open to anyone The District 2 advantage is that it (the cau only to sign statements dectar also helping in Hart's campaign County mg themselves a Democrat for said that there are good reasons cus) costs less to the State Dtotrim 2. -
Index to Volume 26 January to December 2016 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background -
Mellencamp & Fairchild Deliver Hope Wariner Previews Atkins Tribute
page 1 Monday, May 11, 2009 Mellencamp said, "Those records are not Mellencamp & perfectly made—they're pretty raw. The emotion they capture is the essence. People Fairchild Deliver Hope are not alone in their loneliness. If people by David M. Ross get any bit of that message from the video "It struck me that Karen Fairchild's it would be fantastic." View the video at voice not only sounds good in Little Big Town http://twurl.nl/i2ucpq but also works well with mine," says John Mellencamp regarding the pair's newly released duet video "A Ride Back Home." Shot Wariner Previews on the campus of Indiana University, most of the shoot resides in and around the pews Atkins Tribute of Beck Chapel. "When he writes something by Peter Cronin it's as though he's speaking it, so it's a bit of On June 23, award-winning singer/ a challenge," says Fairchild. "I didn't want songwriter/guitarist/producer Steve to mess that up or get in the way, so I call it Wariner will release c.g.p., My Tribute to kind of 'chasing' John." Chet Atkins, a musical salute to his old Inspired from '30s and '40s American folk friend Chet Atkins. Recorded for Wariner’s songs, Mellencamp sees the lyric's darkness SelecTone Records, the 11-song collection as uplifting, delivering a message of hope. combines Atkins classics with Wariner Discussing great country folk recordings from originals played in the style of the late six- the Carter Family through Hank Williams string legend. Wariner has recorded a series of webisodes to introduce listeners to each track. -
2020 PCLI Awards Results.Xlsx
PRESS CLUB OF LONG ISLAND - 2020 MEDIA AWARD RESULTS CATEGORY PLACEMENTS WORK INDIVIDUALS DIGITAL Best Use of Facebook 1st - Newsday Spota Trial Nicole Fuller, Anahita Pardiwalla 2nd - Newsday Local Facebook Videos Initiative Tulika Bose, Elaine Piniat, Anahita Pardiwalla 3rd - News 12 Digital Elizabeth & Elisa News 12 Digital Staff Best Use of Instagram 1st - Newsday @newsday Newsday Staff 2nd - Newsday Newsday High School Sports Julia Elbaba, Gabriella Vukelic, Newsday Staff 3rd - The Independent @indyeastend Ty Wenzel, Jessica Mackin Best Use of Newsletters 1st - Newsday Feed Me Alison Bernicker 2nd - News 12 Digital News 12 Mornings News 12 Digital Staff 3rd - LIBeerGuide.com LIBeerGuide Brewsletter Bernie Kilkelly Best Use of Social Media by an Individual 1st - Newsday Daysi’s Instagram Stories Daysi Calavia Robertson 2nd - Newsday Food Lovers Guide Gabriella Vukelic 3rd- Newsday Julia Elbaba’s Instagram Stories Julia Elbaba Best Use of Social Media by an Organization 1st - Newsday LI Divided Elaine Piniat, Anahita Pardiwalla, Alexa Coveney 2nd - Newsday Personality-driven Instagram Stories Newsday Staff 3rd - Newsday Reddit AMAs Newsday Staff Best Social Media Campaign - All Platforms 1st - Newsday LI Divided Elaine Piniat, Anahita Pardiwalla, Alexa Coveney Best Use of Twitter 1st - Newsday LI Divided Twitter thread Anahita Pardiwalla, Elaine Piniat 2nd - News 12 Digital Long Island Storm Coverage Shawn Brown, Greg Cannella and News 12 Staff 3rd - News 12 Digital User Generated Videos Shawn Brown, Greg Cannella and News 12 Staff -
The Wichita County This Space Intentionally Left Blank for Mailing Labels
The Wichita County This space intentionally left blank for mailing labels. NativNativee VVol.ol. 136 NoNo.. 22 00 TThursdayhursday • fformerlyormerly the LLeotieoti StandarStandardd • Sun $1 SServingerving Wichita CountCountyy Since 1885 June 3, 2021 Your Fast Whalen Men's Five! 300-Meter 1. The City of Leoti Summer Cinema is back! The first movie is The Croods 2: A Hurdles 2A State New Age, sponsored by Elder Alliance Ag Inc. Come to the Wichita County Champion Swimming Pool Friday, June 4, 2021, movie starts at 9:30 WCHS Athletes Keep pm. Popcorn donated by Seaboard Foods. Podium Busy 2. The Grow & Learn Childcare Center will finally Story by Coach Shad Mehl Earlier in the day break ground on Monday, Whalen had qualified as June 7, 2021, at 12:30 pm. Whalen Lowers Record the second seed for the 110 Their future location, 302 enior Sheldon finals, .03 behind eventual North Indian Road, is just Whalen responded champion Coulton Chan of south of the VoAg shop at to a disappointing KC Christian. In the finals the high school. They will outcome in the 110 Whalen was leading the field host a hotdog lunch at 12:10 Shigh hurdles by defending of eight runners through pm. Bring the kids for the his state title in the 300 the first six flights, hit the fun activities. See their ad meter low hurdles at the seventh hurdle and stumbled on page A7 for more details. into the eighth, placing his Kansas State Championships 3. A.I.M. Coalition hands on the hurdle, an i s on Saturday, May 29th in recruiting new volunteer Wichita. -
USN Evening Classes
USN Evening Classes 2017 Catalog Celebrating 24 Years of Classes for the Nashville Community For the Most Up-To-Date Class Information and Registration Visit USNeveningclasses.org 2017 CLASS CATALOG There are over 130 classes in ten categories this year. Your favorites are back along with at least fifty percent new. Select the category on the left to browse the classes. Music, Literature & Culture (100) classes help you tap into your creative side or expand your knowledge of the arts with cla sses on music history, gallery tours and writing. Career, Finance, & Technology (200) classes provide you with practical advice and skills such as estate planning, iPhone app development and interviewing for a job. Family, Health & Wellness (300) offers classes to promote your well-being such as meditation, dressing with style, and eating mindfully. Cooking & Culinary Experiences (400) includes a broad range of cooking and food appreciation classes including a preview offering from one of Nashville’s finest chefs, exclusive behind-the-scenes restaurant experiences and a peak into the kitchens of some of the area’s best home cooks. Wine, Spirits, Beer, & Entertaining (500) classes offer unique opportunities to sample rare wines, learn how to make the latest cocktails and elevate the look of your event with beautiful tablescapes and floral design. Home & Garden (600) will help you spruce up some aspect of your home - inside and out - with classes such as interior decorating, green home design, and planting a beautiful garden. Arts & Hobbies (700) classes can offer you a hands-on introduction or a chance to develop deeper skills as you experience painting, pottery, woodturning and other hobbies. -
1. This Can't Be Good 2. Don't Make Me 3. the More I Drink 4. I Don't
1. THIS CAN’T BE GOOD d 2. DON’T MAKE ME o 3. THE MORE I DRINK o 4. I DON’T CARE D 5. SHE DON’T LOVE ME o 6. BACK THERE AgAIN d 7. It AIN’T EASY BEIN’ ME o 8. WHAT I WOULDN’T GIVE d 9. I HAVE BEEN LONELY D 10. SHE CAN’T GET THAT D 11. THE LAST COUNTRY SONG D 12. CHANCES D 13. I CAN’T WALK AWAY D 14. HOME o DPRODUCED BY BOBBY BRADDOCK oPRODUCED BY BRENT ROWAN dPRODUCED BY PAUL WORLEY This Can’T BE GOOD Don’T MAKE ME There’s a campfire burning on the Mississippi riverbank Girl when I look at you, you look through me My old pickup speakers are cranking out a lot of Hank Like I’m not even there That’s the sheriff’s daughter dancing on my hood I’m trying not to give up, to be strong but With an empty bottle, this can’t be good I’m afraid to say I’m scared I can’t find the place your heart is hiding There’s an unwritten law in this sleepy little town And I’m no quitter but I’m tired of fighting There ain’t no drinking on the river when the sun goes down I think I see the blue lights coming through the woods Chorus: It’s the sheriff and his posse, this can’t be good Baby I love you, Don’t wanna lose you Don’t make me let you go, Took such a long time Everybody’s running like the end of the world was coming For me to find you, Don’t make me let you go With a Buford T kind of lawman closing in Baby I’m beggin’ please, and I’m down here on my knees She just keeps on rocking, guess I better do some talking I don’t want to have to set you free She’s too dumb to run and I’m too drunk to swim Don’t make me This can’t be good, this can’t be good What -
Winter Supplement
Humphreys College NEWSLETTER SUPPLEMENT WINTER QUARTER MARCH 2010 OUR INTERVIEW A CONFESSION OF A LUCKY GUY: “YOU GET OUT OF LIFE ONLY WHAT YOU PUT INTO IT” Everybody knows his name; many remember his voice… The sign dedicating the Cali- fornia 4 - Crosstown Freeway to him is hard to overlook. In June, he will celebrate his 85th birthday, along with Sylvia, his wife of 61 years, four children, eight grandchildren, and two great-grandchildren. “In my personal life, I have been extremely fortunate to have a loving family—huge support by my wife—and to have had the enjoyment of many friends over the years,” confesses Ort J. Lofthus, a Humphreys College trustee for forty-six years. How did you become affiliated with Humphreys College? “So often, friendships and affiliations lead to becoming a part of another group. I knew Dr. John Humphreys as a member of our Downtown Stockton Lions Club, and he invited me to become a trustee. Just that simple. I have enjoyed it im- mensely, watching it grow and become an even greater part of the community. Any contribution I have made involves getting the College better known and its role better understood.” As far as I know, it has not been just Humphreys. You were actively in- volved with KUOP Radio, the Events Center at University of the Pacific, Delta College Bond Campaign, and Lodi School Board of Trustees. “My education motivation came from having had the benefit of a good education myself and having four chil- dren in local schools; it seemed like a „command performance‟.” Many Stocktonians remember you as a radio broadcaster and television entrepreneur: a stockholder and general manger of the AM station KJOY in Stockton. -
Four a Minute Productions and First Names Films Present Written
Four a Minute Productions and First Names Films present Written & Directed by Tim Young Produced by Jeff Ryan Starring Brian Haley Jeff Ryan (2015, 6 minutes, USA) Contact Tim Young Four a Minute Productions 804 677 5825 [email protected] timyoungwork.com High res photos may be downloaded from timyoungwork.com/bonding BONDING LOGLINE A father handcuffs his son to a canoe in order to spend quality time with him. SYNOPSIS James, mid-20s, simply does not have the time to go on an afternoon canoe trip with his dad. They’ve made the plans, he’s returned home to visit, and now they’re sitting in the actual canoe on the riverbank – but he has to cancel. Something has come up with his girlfriend, Sandy. Dad won’t accept this. He tries to lay a guilt trip on his son, then begs, and then finally, all other options having failed, handcuffs him. They’re going to spend quality time together, whether James likes it or not. Out on the river, James tries to reason with his father, but Dad is adamant that they relax and enjoy nature. James gets desperate, and attempts to break free by stealing the handcuff keys from Dad’s pocket, but they’re just out of reach. Finally, he submits, and at last engages in his dad’s bizarre bonding fantasy. With his guard now down, Dad shares his philosophy on how to treat the people you care about the most. “When you love someone like that, you gotta do whatever it takes to hang onto them.” Suddenly, it hits James: Sandy.