J. Paul Getty Trust 2012 Report
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Greek Art/Roman Eyes
Greek Art/Roman Eyes: The Reception of Greek Art in the Private Sphere in Ancient Italy A Symposium at the Los Angeles County Museum of Art and the Getty Villa Thursday, Friday, and Saturday, June 4-6, 2009 Program schedule as of May 19, 2009; subject to change. THURSDAY, JUNE 4, 2009 – LOS ANGELES COUNTY MUSEUM OF ART, LEO S. BING THEATER 5905 Wilshire Blvd., Los Angeles, CA 90036 7:00 p.m. Keynote address The Roman Home Transformed: Greek Art and Roman Luxury Andrew Wallace-Hadrill, British School at Rome 8:00 p.m. Pompeii and the Roman Villa: Art and Culture Around the Bay of Naples Exhibtition viewing until 9:30 p.m. FRIDAY, JUNE 5, 2009 – GETTY VILLA, AUDITORIUM 17985 Pacific Coast Highway, Pacific Palisades, CA 90272 8:45 a.m. Check-in opens 9:30 a.m. Welcome: Kenneth Lapatin, J. Paul Getty Museum SESSION ONE: Greeks and Etruscans Moderator: François Lissarrague, Centre Louis Gernet/Getty Research Institute Banquets, Games, Parades, or Something Else? Ideology, Commissions, and Cultural Interaction in Etruscan Regiae Luca Cerchiai, Università degli Studi di Salerno Greek Drinking in Ancient Etruria: Practice and Images Maurizio Harari, Università di Pavia Break Loving Children and the Power of Women: Greek Myths on Etruscan Mirrors Francesco de Angelis, Columbia University Lost in Translation? Greek Myths in Etruscan Painting in the Classical Period Agnès Rouveret, CNRS/Université Paris Ouest Nanterre La Défense Discussion 1:00 p.m. Lunch break and museum visit © 2009 J. Paul Getty Trust Page 1 of 3 3:30 p.m. SESSION TWO: Encounters between Greeks and Italians Moderator: Carol C. -
Malibu 90265 Introduction
Malibu 90265 Introduction by Taylor Coffman FROM THE SANTA MONICA PIER, it’s a six-mile drive up Pacific Coast Highway to Tuna Canyon Road. Not far along this northwest-to- westerly route lies the site of the Beach House, as William Randolph Hearst and Marion Davies called their grand mansion of the 1920s and ’30s, once the film colony’s most palatial home. Past that, in Pacific Palisades, lies the Bel-Air Bay Club; and then PCH reaches Sunset Boulevard, the world’s only street so-named. On the ocean side is the fish restaurant known as Gladstone’s Malibu. But it’s a false start: the border of that famous town lies almost a mile ahead still. Thelma Todd’s house and the section of Pacific Palisades called Castellammare are next; tucked away nearby, invisible from the main road, is the Getty Villa (J. Paul Getty greatly admired Hearst). Then comes the more working-class enclave of Sunset Mesa, or Parker Mesa. Right past it is the last part of what, overall, amounts to outlying Los Angeles and its coveted Westside, namely, the place where Topanga Canyon Boulevard reaches Topanga State Beach, once a Bohemian seaside haunt but now a bittersweet memory. Go another half mile, past the City of Malibu sign, and watch for a larger sign next to Tuna Canyon Road. It announces “Malibu 27 Miles of Scenic Beauty.” Years ago, in this same spirit of local pride, the old Malibu Township was often said to extend for twenty-six miles. In reality, twenty-nine miles (and even closer to thirty) is more like it in embracing the total Malibu coastline, the long shorefront of what I like to call greater Malibu, the storied land of postal ZIP code 90265. -
Press Release
NEWS FROM THE GETTY news.getty.edu | [email protected] DATE: June 5, 2019 MEDIA CONTACTS: FOR IMMEDIATE RELEASE Julie Jaskol Getty Communications (310) 440-7607 [email protected] J. PAUL GETTY TRUST BOARD OF TRUSTEES ELECTS DR. DAVID L. LEE AS CHAIR Dr. David L. Lee has served on the Board since 2009; he begins his four-year term as chair on July 1 LOS ANGELES—The Board of Trustees of the J. Paul Getty Trust today announced it has elected Dr. David L. Lee as its next chair of the Board. “We are delighted that Dr. Lee will lead the Getty Board of Trustees as we embark on many exciting initiatives,” said Getty President James Cuno. “Dr. Lee’s involvement with the international community, his experience in higher education and philanthropy, and his strong financial acumen has served the Getty well. We look forward to his leadership.” Dr. Lee was appointed to the Getty Board of Trustees in 2009. Dr. Lee will serve a four-year term as chair of the 15-member group that includes leaders in art, education, and business who volunteer their time and expertise on behalf of the Getty. “Through its extensive research, conservation, exhibition and education programs, the Getty’s work has made a powerful impact not only on the Los Angeles region, but around the world,” Dr. Lee said. “I am honored to be part of such a generous, inspiring organization that makes a lasting difference and is a source of great pride for our community.” The J. Paul Getty Trust 1200 Getty Center Drive, Suite 403 Tel: 310 440 7360 www.getty.edu Communications Department Los Angeles, CA 90049-1681 Fax: 310 440 7722 Dr. -
The German/American Exchange on Nazi-Era Art Provenance Research
2017 PREP Exchanges The Metropolitan Museum of Art, New York (February 5–10) Stiftung Preußischer Kulturbesitz, Staatliche Museen zu Berlin (September 24–29) 2018 PREP Exchanges The Getty Research Institute, Los Angeles (February 25–March 2) Zentralinstitut für Kunstgeschichte, Munich (October 8–12) 2019 PREP Exchanges Staatliche Kunstsammlungen Dresden (Spring) Smithsonian Institution, Provenance Research Initiative, Washington, D.C. (Fall) Major support for the German/American Provenance Research Exchange Program comes from The German Program for Transatlantic Encounters, financed by the European Recovery Program through Germany's Federal Ministry for Economic Affairs and Energy, and its Commissioner for Culture and the Media Additional funding comes from the PREP Partner Institutions, The German/American Exchange on the Smithsonian Women's Committee, James P. Hayes, Nazi-Era Art Provenance Research Suzanne and Norman Cohn, and the Ferdinand-Möller-Stiftung, Berlin 3RD PREP Exchange in Los Angeles February 25 — March 2, 2018 Front cover: Photos and auction catalogs from the 1910s in the Getty Research Institute’s provenance research holdings The Getty Research Institute 1200 Getty Center Drive Los Angeles, CA 90049 © 2018Paul J.Getty Trust ORGANIZING PARTNERS Smithsonian Provenance Research Initiative, Smithsonian Institution Washington, D.C. Stiftung Preußischer Kulturbesitz—Staatliche Museen zu Berlin (Prussian Cultural Heritage Foundation—National Museums in Berlin) PARTNERS The Metropolitan Museum of Art, New York The Getty Research -
Cult Statue of a Goddess
On July 31, 2007, the Italian Ministry of Culture and the Getty Trust reached an agreement to return forty objects from the Museum’s antiq uities collection to Italy. Among these is the Cult Statue of a Goddess. This agreement was formally signed in Rome on September 25, 2007. Under the terms of the agreement, the statue will remain on view at the Getty Villa until the end of 2010. Cult Statue of a Goddess Summary of Proceedings from a Workshop Held at The Getty Villa May 9, 2007 i © 2007 The J. Paul Getty Trust Published on www.getty.edu in 2007 by The J. Paul Getty Museum Getty Publications 1200 Getty Center Drive, Suite 500 Los Angeles, California 900491682 www.getty.edu Mark Greenberg, Editor in Chief Benedicte Gilman, Editor Diane Franco, Typography ISBN 9780892369287 This publication may be downloaded and printed in its entirety. It may be reproduced, and copies distributed, for noncommercial, educational purposes only. Please properly attribute the material to its respective authors. For any other uses, please refer to the J. Paul Getty Trust’s Terms of Use. ii Cult Statue of a Goddess Summary of Proceedings from a Workshop Held at the Getty Villa, May 9, 2007 Schedule of Proceedings iii Introduction, Michael Brand 1 Acrolithic and Pseudoacrolithic Sculpture in Archaic and Classical Greece and the Provenance of the Getty Goddess Clemente Marconi 4 Observations on the Cult Statue Malcolm Bell, III 14 Petrographic and Micropalaeontological Data in Support of a Sicilian Origin for the Statue of Aphrodite Rosario Alaimo, Renato Giarrusso, Giuseppe Montana, and Patrick Quinn 23 Soil Residues Survey for the Getty Acrolithic Cult Statue of a Goddess John Twilley 29 Preliminary Pollen Analysis of a Soil Associated with the Cult Statue of a Goddess Pamela I. -
City of West Hollywood Appendix J
R2, R3, R4 Multi-Family Survey Report City of West Hollywood Appendix J: 1986-87 Survey Context, prepared by Johnson Heumann Research Associates Appendices November 2008 ARCHITECTURAL RESOURCES GROUP Architects, Planners & Conservators, Inc. when a small group of citizens formed the West Hollywood Incorporation Committee. By November of that year, studies by the Local Agency Formation Commission confirmed that incorporation was indeed economically feasible. Tenants led by the Coalition for Economic Survival, homeowners concerned with planning issues and the gay community were among the leading advocates of cityhoog. Formal application was made on April 4, 1984. On November 4, 1984, by a 4:1 favorable margin, the voters approved incorporation . One of the new city's first tasks was to begin to draft a General Plan , the land use policy document for the municipality required· by State law. In January of 1985, the city began the process of preparing the Plan, noting that the physical environment, social character and quality of life within the City would be influenced by the General Plan. It was a stated goal to link land use and urban design, emphasizing the relationship between parcels and uses throughout the city. A reduction of density from those outlined in the West Hollywood Community Plan, .---- prepared before incorporated by the County of Los Angeles, was planned. As an i ntegral part of this planning process. the city of West Hollywood applied for c survey grant from the State Off ice of Historic Preservation in November of 1985 . 1.2 DEVELOPMENT HISTORY The area now known as West Hollywood has played a key role in t h e development of Los Angeles County west of Los Angeles . -
South Carthay PP Draft.Indd
South Carthay HPOZ Preservation Plan City of Los Angeles Adopted December 9, 2010 Preservation Plan Table of Contents Chapter 1: 5 Mission Statement Chapter 2: 7 Goals & Objectives Chapter 3: 9 Function of the Plan Chapter 4: 17 Context Statement Chapter 5: 21 Historic Resources Survey Chapter 6: 23 Architectural Styles Chapter 7 41 Residential Rehabilitation Chapter 8: 57 Residential Additions Chapter 9: 61 Residential In-fi ll Chapter 10: 71 Public Realm Chapter 11: 75 Defi nitions 3 4 Preservation Plan Chapter 1 Mission Statement acilitate the vitality of the district as a livable and sustainable Fneighborhood through the restoration, preservation and enhancement of structures, landscaping and natural features. 5 6 Preservation Plan Chapter 2 Goals & Objectives Goal 1 Preserve The Historic Character Of The Community Objective 1.1 Safeguard the character of historic buildings and sites Objective 1.2 Recognize and protect the historic streetscape and development patterns Objective 1.3 Ensure rehabilitation and new construction within the district complements the historic fabric Objective 1.4 Recognize that the preservation of the character of the district as a whole takes precedence over the treatment of individual structures or sites. Goal 2 Preserve The Historic Streetscape Objective 2.1 Encourage and maintain traditional front yards. Objective 2.2 Promote retention of historic landscape features Goal 3 Preserve The Historic Appearance Of Residential Structures Objective 3.1 Encourage retention of signifi cant architectural features Goal -
Press Image Sheet
NEWS FROM THE GETTY news.getty.edu | [email protected] DATE: September 17, 2019 MEDIA CONTACT FOR IMMEDIATE RELEASE Julie Jaskol Getty Communications (310) 440-7607 [email protected] GETTY TO DEVOTE $100 MILLION TO ADDRESS THREATS TO THE WORLD’S ANCIENT CULTURAL HERITAGE Global initiative will enlist partners to raise awareness of threats and create effective conservation and education strategies Participants in the 2014 Mosaikon course Conservation and Management of Archaeo- logical Sites with Mosaics conduct a condition survey exercise of the Achilles Mosaic at the Paphos Archeological Park, Paphos, Cyprus. Continued work at Paphos will be undertaken as part of Ancient Worlds Now. Los Angeles – The J. Paul Getty Trust will embark on an unprecedented and ambitious $100- million, decade-long global initiative to promote a greater understanding of the world’s cultural heritage and its universal value to society, including far-reaching education, research, and conservation efforts. The innovative initiative, Ancient Worlds Now: A Future for the Past, will explore the interwoven histories of the ancient worlds through a diverse program of ground-breaking The J. Paul Getty Trust 1200 Getty Center Drive, Suite 403 Tel: 310 440 7360 www.getty.edu Communications Department Los Angeles, CA 90049-1681 Fax: 310 440 7722 scholarship, exhibitions, conservation, and pre- and post- graduate education, and draw on partnerships across a broad geographic spectrum including Asia, Africa, the Americas, the Middle East, and Europe. “In an age of resurgent populism, sectarian violence, and climate change, the future of the world’s common heritage is at risk,” said James Cuno, president and CEO of the J. -
Getty and Royal Institute for Cultural Heritage Announce Major Enhancements to Ghent Altarpiece Website
DATE: August 20, 2020 FOR IMMEDIATE RELEASE IMAGES OF THE RESTORED ADORATION OF THE LAMB AND MORE: GETTY AND ROYAL INSTITUTE FOR CULTURAL HERITAGE ANNOUNCE MAJOR ENHANCEMENTS TO GHENT ALTARPIECE WEBSITE Closer to Van Eyck offers a 100 billion-pixel view of the world-famous altarpiece, to be enjoyed from home http://closertovaneyck.kikirpa.be/ The Lamb of God on the central panel, from left to right: before restoration (with the 16th-century overpaint still present), during restoration (showing the van Eycks’ original Lamb from 1432 before retouching), after retouching (the final result of the restoration) LOS ANGELES AND BRUSSELS – Since 2012, the website Closer to Van Eyck has made it possible for millions around the globe to zoom in on the intricate, breathtaking details of the Ghent Altarpiece, one of the most celebrated works of art in the world. More than a quarter million people have taken advantage of the opportunity so far in 2020, and website visitorship has increased by 800% since the onset of the COVID-19 pandemic, underscoring the potential for modern digital technology to increase access to masterpieces from all eras and learn more about them. The Getty and the Royal Institute for Cultural Heritage (KIK-IRPA, Brussels, Belgium), in collaboration with the Gieskes Strijbis Fund in Amsterdam, are giving visitors even more ways to explore this monumental work of art from afar, with the launch today of a new version of the site that includes images of recently restored sections of the paintings as well as new videos and education materials. Located at St. -
The Art of Ancient Greek Theater LOS ANGELES—The Art of Ancient
DATE: June 9, 2010 FOR IMMEDIATE RELEASE GETTY MUSEUM EXHIBITION FOCUSES ON THE REPRESENTATION OF THEATRICAL PERFORMANCE IN ANCIENT GREECE The Art of Ancient Greek Theater At the J. Paul Getty Museum, the Getty Villa August 26, 2010–January 3, 2011 Mixing Vessel with Dionysos and Comic Actors, Greek, About 390 – 380 B.C., Red-figured volute krater attributed to the Pronomos Painter. Terracotta. Lent by the Cleveland Museum of Art, John L. Severance Fund. LOS ANGELES—The Art of Ancient Greek Theater, on view at the Getty Villa from August 26, 2010 – January 3, 2011, is the first exhibition in the United States in over fifty years to focus on the artistic representation of theatrical performance in ancient Greece. Assembling international loans of antiquities from many museums and private collections, the exhibition illustrates the ways in which dramatic performance was depicted in the visual arts of ancient Greece between the fifth and the first centuries B.C. The exhibition is being presented in conjunction with the Getty Villa’s annual outdoor theater performance, Sophocles’ Elektra. “Ancient art and theater share a strong and enduring connection–one that is inspired by mythology and the social, cultural, and political realities of life in ancient Greece and Rome,” says David Bomford, acting director of the J. Paul Getty Museum. “With this exhibition and our annual production in the outdoor theater, we are delighted to bring ancient theater alive at the Getty Villa and invite our visitors to join us and discover how those themes found in ancient times persist today.” -more- Page 2 The Art of Ancient Greek Theater spans centuries of artistic production throughout the cities of the Mediterranean. -
West Los Angeles Rents Continue to Rise
Research & Forecast Report WEST LOS ANGELES | OFFICE Accelerating success. Q2 2019 >> West Los Angeles Rents Continue to Rise Key Takeaways Market Indicators | Relative to Prior Period > The average asking monthly rent for West Los Angeles Q2 2019 Forecast sustained its second straight quarter of $0.10 increases, Vacancy moving to $4.92 per square foot (PSF) full service gross Net Absorption (FSG). Construction > Demand recorded 315,900 square feet, the ninth straight Rental Rate quarter of positive absorption. > No new projects delivered from the under-construction pipeline. A total of 18 buildings remain in the pipeline. Summary Statistics | West Los Angeles, Q2 2019 > Investment activity maintained momentum with four Class A Class B All Classes properties trading, highlighted by Onni Group’s long-awaited Vacancy Rate 13.4% 9.4% 12.4% acquisition of Wilshire Courtyard. Change from Q1 ‘19 -40 +80 -60 > Leasing activity recorded 1,348,500 square feet, marking (Basis Points) six consecutive quarters of velocity exceeding 1.1 million Net Absorption* +208.5 +92.4 +315.9 square feet. Century City, Culver City and Beverly Hills drove Construction Completions* 0.0 0.0 0.0 velocity for the quarter. Under Construction* 1,273.5 694.6 1,968.1 *SF, Thousands West Los Angeles Office Market Asking Rents | West Los Angeles, Q2 2019 Vacancy in the West L.A. market dropped by 60 basis points from the previous quarter, driven by absorption gains in Class A Class B All Classes Santa Monica and Brentwood. High leasing activity from legal, Average Asking Rent $4.93 $4.27 $4.92 Change from Q1 ‘19 entertainment and consumer product tenants in Century City, +$0.07 +$0.06 +$0.10 Culver City and Beverly Hills will help maintain demand levels ($) through the rest of 2019 and into 2020. -
11-Unit Apartment Community Located in Beverlywood
2009 PREUSS ROAD 11-UNIT APARTMENT COMMUNITY LOCATED IN BEVERLYWOOD 1 CONFIDENTIALITY & DISCLAIMER All materials and information received or derived from KW Commercial its directors, officers, agents, advisors, affiliates and/or any third party sources are provided without representation or warranty as to com- pleteness , veracity, or accuracy, condition of the property, compliance or lack of compliance with applicable governmental requirements, developability or suitability, financial performance of the property, projected financial performance of the property for any party’s intended use or any and all other matters. Neither KW Commercial its directors, officers, agents, advisors, or affiliates makes any representation or warranty, express or implied, as to accuracy or completeness of the any materials or information provided, derived, or received. Materials and information from any source, whether written or verbal, that may be furnished for review are not a substitute for a party’s active conduct of its own due diligence to determine these and other matters of significance to such party. KW Commercial will not investigate or verify any such matters or conduct due diligence for a party unless otherwise agreed in writing. EACH PARTY SHALL CONDUCT ITS OWN INDEPENDENT INVESTIGATION AND DUE DILIGENCE Any party contemplating or under contract or in escrow for a transaction is urged to verify all information and to conduct their own inspections and investigations including through appropriate third party independent professionals selected by such party. All financial data should be verified by the party including by obtaining and reading applicable documents and reports and consulting appropriate indepen- dent professionals. KW Commercial makes no warranties and/or representations regarding the veracity, completeness, or relevance of any financial data or assumptions.