Spring 2017 the North Is Coming!
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Academic & Professional Publishing
Fall 2017 Academic & Professional Publishing Academic & Professional Publishing Fall 2017 IPG Academic and Professional Publishing is delighted to present our Fall 2017 catalog which includes hundreds of new titles for your examination� In this edition we will also be introducing a new publisher to our readership� We are pleased to present titles from Southeast Missouri State University Press� Founded in 2001, Southeast Missouri State University Press serves both as a first-rate publisher and as a working laboratory for students interested in learning the art and skills of literary publishing. The Press supports a Minor degree program in Small-press Publishing for undergraduate students in any major who wish to acquire the basic skills for independent-press publishing and editing. Recognition won by their books include the John H� Reid Short Fiction Award, the Creative Spirits Platinum Award for General Fiction, the James Jones First Novel Award, the Langum Award for Historical Fiction, the Missouri Governor’s Book Award, the United We Read selection, and the Kniffen Book Award for best U�S�/Canada cultural geography� Table of Contents New Trade Titles ���������������������������������������������������������������������������������1–85 Business & Economics ������������������������������������������������������������86–96 Science................................................................................. 97–105 Philosophy........................................................................106 & 107 Religion............................................................................. -
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University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/49169 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. The Rise of the ‘Liminal Briton’: Literary and Artistic Productions of black and Asian Women in the Midlands by Sumana Ray A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English and Comparative Literary Studies University of Warwick, Department of English and Comparative Literary Studies, April 2011 Table of Contents Illustrations 3 Acknowledgements 4 Declaration 5 Abstract 6 Abbreviations 8 Introduction: Locating the Midlands 9 Chapter One: Fictionalising the Midlands 63 Chapter Two: Anthologising the Midlands 157 Chapter Three: The Other Arts of the Midlands 230 Conclusion 315 Bibliography 323 2 Illustrations Image: Jayaben Desai proclaiming defiance during the strike at the Grunwick film processing plant in Willesden, north-west London in 1977. Photograph: Graham Wood/Getty Images Source: http://www.guardian.co.uk/world/2010/jan/20/asian-women-trade- union-grunwick?INTCMP=SRCH Illustration: Chapter I: Fictionalising the Midlands, p63 3 Acknowledgements I would like to express my most sincere thanks to my supervisor Dr. Rashmi Varma for her invaluable guidance, thought-provoking advice and continual support. I am also deeply indebted to Dr. -
Programme 2021 Thank You to Our Partners and Supporters
8–17 October 2021 cheltenhamfestivals.com/ literature #cheltlitfest PROGRAMME 2021 THANK YOU TO OUR PARTNERS AND SUPPORTERS Title Partner Festival Partners The Times and The Sunday Times Australia High Commission Supported by: the Australian Government and the British Council as part of the UK/Australia Season 2021-22 Principal Partners BPE Solicitors Arts Council England Cheltenham BID Baillie Gifford Creative New Zealand Bupa Creative Scotland Bupa Foundation Culture Ireland Costa Coffee Dutch Foundation For Literature Cunard Embassy of the Kingdom of the Netherlands Sky Arts Goethe Institut Thirty Percy Hotel Du Vin Waterstones Marquee TV Woodland Trust Modern Culture The Oldham Foundation Penney Financial Partners Major Partners Peters Rathbones Folio Prize The Daffodil T. S. Eliot Foundation Dean Close School T. S. Eliot Prize Mira Showers University Of Gloucestershire Pegasus Unwin Charitable Trust St. James’s Place Foundation Willans LLP Trusts and Societies The Booker Prize Foundation CLiPPA – The CLPE Poetry Award CLPE (Centre for Literacy in Primary Education) Icelandic Literature Center Institut Francais Japan Foundation Keats-Shelley Memorial Association The Peter Stormonth Darling Charitable Trust Media Partners Cotswold Life SoGlos In-Kind Partners The Cheltenham Trust Queen’s Hotel 2 The warmest of welcomes to The Times and The Sunday Times Cheltenham Literature Festival 2021! We are thrilled and delighted to be back in our vibrant tented Festival Village in the heart of this beautiful spa town. Back at full strength, our packed programme for all ages is a 10-day celebration of the written word in all its glorious variety – from the best new novels to incisive journalism, brilliant memoir, hilarious comedy, provocative spoken word and much more. -
TALL TALES SHORT STORIES 20 Years of the V.S
TALL TALES SHORT STORIES 20 years of the V.S. Pritchett Short Story Prize CONTENTS The RSL is grateful to the Authors’ Licensing and Collecting Society (ALCS) for supporting the Tall Tales, Short Stories programme. First published in 2019 by the Royal Society of Literature. Foreword Molly Rosenberg 2 Each story extract © its named author. ‘Love Silk Food’ Leone Ross 4 ‘Love Silk Food’ from Come Let Us Sing Anyway by Leone Ross, published by Peepal Tree Press, 2017. Copyright ‘Please Be Good To Me’ Emily Ruth Ford 6 © Leone Ross. Reproduced by permission of Peepal ‘The Street of Baths’ Fiona Vigo Marshall 8 Tree Press. ‘Synsepalum‘ from Nudibranch by Irenosen ‘The Seduction of a Provincial Accountant’ Jonathan Tel 10 Okojie, published by Dialogue Books, 2019. Reproduced with permission. ‘Hermitage’ from Love and its Seasons ‘Synsepalum’ Irenosen Okojie 12 by Aamer Hussein, published by Mulfran Press, 2017. ‘Ray the Rottweiler’ Alice Jolly 14 Reproduced with permission. ‘A Better Man’ from the ‘Sahel’ Peter Adamson 16 collection, Tell No-One About This: Collected Short Stories 1975-2017, by Jacob Ross, published by Peepal ‘Singing Dumb’ Martina Devlin 18 Tree Press, 2017. Reproduced by permission of Peepal ‘Hermitage’ Aamer Hussein 20 Tree Press. ‘The Redemption of Galen Pike’ Carys Davies 22 Stories reproduced as supplied by their authors. ‘The Premises’ Michael Newton 24 Cover illustration © Anna Trench, 2019 ‘The Not-Dead and the Saved’ Kate Clanchy 26 ‘A Better Man’ Jacob Ross 28 The contributors have asserted their Right under the Copyright, Designs and Patents Act, 1988, ‘A Dangerous Place’ Cynthia Rogerson 30 to be identified as authors of this work. -
Radio Tania File:///X:/Radio%20Tania.Htm
Radio Tania file:///x:/Radio%20Tania.htm Audio Documentaries Bio Links Writings Contact A U D I O If you would like a copy of any interview listed below, please contact me. 1. STUDIO 360 Current issues, events and trends in art are a jumping off point for an exploration of ideas that aren't necessarily "news," yet are provocative and offer a lens on experience that only art can provide. Studio 360 presents richly textured and emotionally resonant stories that look at art's creative influence and transformative power in everyday life. Studio 360 is a weekly show that airs nationally through Public Radio International. For times on your local NPR station, visit Studio 360 for station listings. PIRKLE JONES In 1956 Pirkle Jones got a call from Life Magazine for a photo assignment like no other. The farm town of Monticello California would soon be submerged under Lake Berryessa and vanish from the face of the earth. Jones joined his hero, the photojournalist Dorothea Lange, to document Monticello's final year in a series of photographs called Death of a Valley. To hear this piece, click here. LOS CARPINTEROS The artists in the Cuba-based collective Los Carpinteros connect with their country through their abstract multi media art. They work together as one unit yet they each have their individual roles and tasks. And most importantly, they embody many of the traits that are inherent in Cuban art, namely the innovativeness and the sense of use and re-use. To hear this piece, click here. NATURAL CAR ALARMS The artist Nina Katchadourian explains how she decided to transform the car alarm, and install her new version that plays tape loops of raucous bird calls in cars on city streets. -
Your Desk No Matter What Your Mood, Face the Icy Challenge of 15 the Paper - Write
Design by Studio Belly Timber www.studiobellytimber.co.uk • Printed by McLays www.mclays.co.uk www.studiobellytimber.co.uk Design by Studio Belly Timber Provident Financial Group: Principal sponsor of the Bradford Literature Festival. ProvidentIf you are Financial a genius, Group you’ll Sponsors ofmake the Bradford your own Literature rules, Festival but if not - and the odds are 2200 against it - go to your desk no matter what your mood, face the icy challenge of 15 the paper - write. 16 J. B. Priestley 20TH – 29TH MAY 2016 The Wonderful World of Words In association with 24063_Provident_Ads_AmendedSize.indd 2 15/03/2016 10:57 2017 Festival Dates D I 12th - 21st May Bradford Literature Festival 2016 rec T or Directors’ Welcome S ’ we L We are delighted to welcome you to the second of the Brontës, we also invite you to join our co Bradford Literature Festival hosted this year day-long heritage tour to walk in the footsteps in association with our title partner, Provident of Charlotte Brontë and remember 200 years of M Financial Group. her birth. We’re marking 400 years since the e death of Shakespeare with a range of intriguing The festival will bring together 350 special guests events about his work – from sex and death including authors, poets, artists and filmmakers in his famous plays, to manga Shakespeare. from around the world in 200 events in the heart Delving deeper into our literary history, we’ll be of Bradford. It’s a ten day celebration of the celebrating 500 years of Sir Thomas Moore’s wonderful world of words, not just in book form Utopia, by exploring how the concept has not Facebook.com/bradfordlitfest but also on the stage and screen, in performance only taken on a life of its own but the way it has poetry, on the pages of comics and in cultural become subverted into dystopia. -
Portfolio Editor
Portfolio Editor Editorships including co-editing NW15 (Granta/British Council) and Ten: New Poets (Bloodaxe). Guest-edited the Winter 2012 issue of Poetry Review, Britain’s leading poetry journal. Her issue, Offending Frequencies, featured more poets of colour than had ever previously been published in a single issue of the journal, as well as many female, radical, experimental and outspoken voices. Bernardine also co-edited a special issue of Wasafiri magazine in 2009: Black Britain: Beyond Definition, which celebrated and reevaluated the black writing scene in Britain; and she guest-edited the Autumn 2014 issue of Mslexia, Britain’s best-selling writing magazine. Supervising Editor of The Imagination Project, Brunel University London’s third student short story anthology, with student editors, March 2016. Supervising editor of The Psyche Supermarket, Brunel University London’s second student short story anthology, with student editors, March 2015. Guest Editor of Mslexia writing magazine, September 2014. Supervising editor of The Voices Inside Our Heads, Brunel University London’s first student short story anthology, with student editors, March 2014. Guest editor of Wasafiri: Issue 64, 2010, with Karen McCarthy Woolf. Guest Editor of Britain’s leading poetry magazine in its centenary year, Poetry Review: 101:4. Offending Frequencies. Winter 2012. Editor with Daljit Nagra of Ten poetry anthology, featuring ten new poets of colour. Bloodaxe Books, 2010. Co-editor with Maggie Gee of NW15: New Writing Vol 15, the annual British Council literature anthology. Granta, 2006. In the late 1990s I was editor of FrontSeat intercultural performance magazine published by the Black Theatre Forum, in the late 1980s I was a co-editor of Black Women Talk Poetry anthology. -
Lauri Scheyer CV
LAURI SCHEYER Xiaoxiang Scholars Program Distinguished Professor Founding Director, British and American Poetry Research Center Founding Director, Creative Writing Program Co-editor, Journal of Foreign Languages and Cultures MOOC Creator, Writer, and Host: Creative Writing in China (national platform) Founding Faculty Adviser, VO!CE Student Literary Magazine Board Member, Center for Cognitive Science Hunan Normal University Changsha, Hunan Province, PRC WeChat: Lauri_Ramey Email: [email protected] Professor of Creative Writing, African Diaspora Literature and Culture, and American Studies Department of English Founding Director, Presidentially Chartered Center for Contemporary Poetry and Poetics Journal Editor, Statement Magazine California State University, Los Angeles (Cal State LA) 5151 State University Drive Los Angeles, CA 90032 Email: [email protected] SPECIALIZATIONS Lyric poetry and poetics, critical and cultural theory, formally innovative aesthetics, art as political action, black diaspora literature and culture, African American poetry and poetics, U.S. minority and marginalized literatures, “Black” British and ethnic minority poetry and poetics, modernism and postmodernism, creative writing and creative writing pedagogy, intersections of creative and critical writing, global educational and transcultural collaboration, cognitive poetics EDUCATION PhD The University of Chicago, English and American Language and Literature Department, College, and University Honors MA The University of Chicago, Creative Writing and -
The Representation of Black Men in Black British Novels. Author: Bernardine Evaristo University: Goldsmiths, University of London
Title: Mr Loverman and The Men in Black British Fiction Subject: The Representation of Black Men in Black British Novels. Author: Bernardine Evaristo University: Goldsmiths, University of London Thesis submitted for the PhD in Creative Writing 1 Signed Declaration The work presented in this thesis is my own. To the best of my belief this thesis contains no material previously published or written by another person, nor material which to a substantial extent has been accepted for the award of any degree or diploma of the university or other institute of higher learning, except where due acknowledgement has been made. Signed: Bernardine Evaristo Date: 2 Acknowledgments I’d like to offer my sincere thanks and appreciation to my creative supervisor, Blake Morrison, and to my critical supervisor, Bart Moore-Gilbert, for their support and advice in the development of this thesis. 3 The official requirement of the critical aspect of the Goldsmith’s Creative Writing doctoral thesis is to research into the area of literature most relevant to my novel, to gain insight into its history and development, and to engage with relevant contemporary debates. This thesis strictly adheres to the MHRA Style Guide. Abstract This thesis consists of two parts. The first part, the creative writing component, is an 82,000 word novel called Mr Loverman, about a seventy-four year old closet homosexual Antiguan man who has lived in London for fifty years and is making the decision to leave his wife of fifty years and move in with his long term male lover. The second part of this thesis is a 30,000 word critical commentary entitled The Representation of Black Men in Black British Fiction. -
WBF21 Programme
WBF21 Programme WEDNESDAY 22 SEPTEMBER 7pm, County Buildings (hybrid) Will Buckingham: Hello, Stranger || FREE / £5 Take a deep dive into our need to interact with strangers — as potential allies, companions, and friends. Following the death of his partner, Buckingham realised that opening up to others would help him steer a path through grief and became immersed in the rich tradition of hosting and meeting strangers. He’ll share his insights from philosophy, anthropology, history and literature, to explain how our traditions of meeting the ‘other’ can mitigate the issues of our time — including the forced solitude of the pandemic — offering a powerful antidote to our increasingly atomised world. About the author: Will Buckingham is a writer, academic, and traveller with a PhD in philosophy and an MA in anthropology. He’s written fiction, philosophy, and books for children. THURSDAY 23 SEPTEMBER 12 noon, County Buildings Des Dillon: Pignut and Nuncle || £8 In his extraordinary new novel, Des Dillon mixes familiar with surreal to explore the dark side of humanity’s soul. Jane Eyre, beloved heroine of Charlotte Bronte’s novel, finds herself alone and lost on a stormbound moor. Her only hope comes when she finally stumbles across two men trying to find shelter. There’s only one problem, they claim to be King Lear and his faithful fool. About the author: Des Dillon is an internationally acclaimed award-winning writer from Scotland. He studied English Literature and Popular Culture and later taught English. Des is a poet, short story writer, novelist and dramatist; he is also a scriptwriter for radio and screen. -
New Daughters of Africa Contributors: Diane Abbott • Yassmin Abdel
New Daughters of Africa Contributors: Diane Abbott • Yassmin Abdel-Magied • Leila Aboulela • Ayọ̀bámi Adébáyọ̀ • Sade Adeniran • Chimamanda Ngozi Adichie • Zoe Adjonyoh • Patience Agbabi • Agnès Agboton • Candace Allen • Lisa Allen- Agostini • Ellah Wakatama Allfrey • Andaiye • Harriet Anena • Joan Anim-Addo • Monica Arac de Nyeko • Yemisi Aribisala • Yolanda Arroyo Pizarro • Amma Asante • Michelle Asantewa • Nana Asma’u • Sefi Atta • Ayesha Harruna Attah • Gabeba Baderoon • Yaba Badoe • Yvonne Bailey-Smith • Doreen Baingana • Ellen Banda-Aaku • Angela Barry • Mildred K. Barya • Jackee Budesta Batanda • Simi Bedford • Linda Bellos • Jay Bernard • Marion Bethel • Ama Biney • Jacqueline Bishop • Malorie Blackman • Tanella Boni • Malika Booker • Nana Ekua Brew-Hammond • Beverley Bryan • Akosua Busia • Candice Carty-Williams • Rutendo Chabikwa • Barbara Chase-Riboud • Panashe Chigumadzi • Gabrielle Civil • Maxine Beneba Clarke • Angela Cobbinah • Carolyn Cooper • Juanita Cox • Meta Davis Cumberbatch • Patricia Cumper • Stella Dadzie • Yrsa Daley-Ward • Nana-Ama Danquah • Edwidge Danticat • Nadia Davids • Tjawangwa Dema • Yvonne Denis Rosario • Anni Domingo • Nah Dove • Edwige Renée Dro • Camille T. Dungy • Anaïs Duplan • Reni Eddo-Lodge • Aida Edemariam • Esi Edugyan • Summer Edward • Yvvette Edwards • Zena Edwards • Safia Elhillo • Zetta Elliott • Nawal El Saadawi • Diana Evans • Bernardine Evaristo • Eve L. Ewing • Deise Faria Nunes • Diana Ferrus • Nikky Finney • Aminatta Forna • Ifeona Fulani • Vangile Gantsho • Roxane Gay • Danielle Legros Georges • Patricia Glinton-Meicholas • Hawa Jande Golakai • Wangui wa Goro • Bonnie Greer • Jane Ulysses Grell • Rachel Eliza Griffiths • Carmen Harris • zakia henderson-brown • Joanne C. Hillhouse • Afua Hirsch • Zita Holbourne • Nalo Hopkinson • Rashidah Ismaili • Naomi Jackson • Sandra Jackson- Opoku • Delia Jarrett-Macauley • Margo Jefferson • Barbara Jenkins • Catherine Johnson • Ethel Irene Kabwato • Elizabeth Keckley • Fatimah Kelleher • Donika Kelly • Adrienne Kennedy • Susan Nalugwa Kiguli • Rosamond S. -
AUTHOR NAME I Ii 1930S AUTHOR NAME Iii Iv 1930S
AUTHOR NAME i ii 1930s AUTHOR NAME iii iv 1930s First published in 2019 by Myriad Editions www.myriadeditions.com Myriad Editions An imprint of New Internationalist Publications The Old Music Hall, 106–108 Cowley Rd, Oxford OX4 1JE First printing 1 3 5 7 9 10 8 6 4 2 Introduction and this compilation copyright © Margaret Busby 2019 Individual works copyright © the authors 2019 For a full list of permissions, see pp.792–5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without the written permission of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition being imposed on the subsequent purchaser A CIP catalogue record for this book is available from the British Library ISBN (hardback): 978-1-912408-00-9 ISBN (trade paperback): 978-1-912408-01-6 ISBN (ebook): 978-1-912408-02-3 Designed and typeset in Dante and Sabon by WatchWord Editorial Services, London Printed and bound in Germany by CPI Books GmbH AUTHOR NAME v To sisterhood, love, and friendship vi 1930s AUTHOR NAME vii Contents Introduction xvii Acknowledgements xxxiii Pre-1900 Nana Asma’u From “Lamentation for ’Aysha II” 3 Sarah Parker Remond Why Slavery is Still Rampant 4 The Negro Race in America 7 Elizabeth Keckley Where I Was Born 9 Josephine St. Pierre Ruffin Address to the First National Conference of Colored Women, 1895 12 H.