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S Ince 1 9 6 1 PRIME RIB LOBSTERFEST
PRSRT STD. U.S. Postage Paid Sanibel, FL Permit #33 Postal Patron Since 1961 ALL YOU CAN PRIME RIB Overloaded with an array of your favorite crustaceans Served with baked Idaho potato and more, steamed in the Heron's special brew $1C95 & corn on the cob LOBSTERFEST "FRESH".... ALL YOU CAN EAT!! 1 1/4 Pound Maine Lobster served with corn on the cobFrench Fries, & Coleslaw (while supplies last) Shrimp . 239-395-230® Fabulous Breakfast feuffet $17.95 $15.95 $16.95 37 items ©a the *©@nsi*» ihe Saturday 7:30 - 1:30 p.m. $8.99 Served with l-rench Fries & corn on the cob MasteAll rspecial Card, Visas , s«b|esDiscoveri CrediIn svsllabilityt Cards Accepte. d d 7:30 -12:00 noon 2A® Week of February 6 -12, 2004® Islander ;->.-;-•."•' Heaitv thanks lo (he 1 N "Ding" identih U) animah, % *c* Dai ling \\ildlile Rclugv lor hostini: and plants slulls and to Uank 01 ihc Islands 101 spoiisonni: While niarn look lheu I'R OWs lusi Walk On the V ild Side time and stiolled thiousili "V- ! on tnday, January 30. Although Wildlife the course, others hurried- Drive is closed to the public on Fridays, ly read their bird guides Rob Jess, Refuge Manager, thought this and scribbled their •• ;V •• .. unique wildlife event for C.R.O.W. was answers in anticipation of winning the beautiful Luc Above left & right: The last walkers on the sion for the program to be held on the Century vase donated by course were Minnesota resident Sue Dopp and drive, About 40 participants braved the Luc for the 1st place win- Bob Haugan. -
1914 the Ascap Story 1964 to Page 27
FEBRUARY 29, 1964 SEVENTIETH YEAR 50 CENTS New Radio Study 7A^ I NEW YORK-Response Ratings, a new and unique continuing study measuring radio station and jockey effectiveness, will he 'r, launched in next week's issue. This comprehensive radio analysis- another exclusive Billboard feature-will he carried weekly. Three different markets will be profiled in each issue. It will kick off in the March 7 Billboard with a complete study of the New York, Nashville, and San Francisco markets. In subsequent weeks, the study will consider all key areas. This service has been hailed by broadcast The International Music -Record Newsweekly industry leaders as a major breakthrough in station and personality Radio -TV Programming Phono-Tape Merchandising Coin Machine Operating analysis. Beatles Business Booms But Blessings Mixed Beatles Bug BeatlesGross r z As They 17 Mil. Plus Paris Dealer, 31-4*- t 114 In 6 Months 150 Yrs. Old, Control Air NEW YORK - In the six By JACK MAHER six months prior to the peak of Keeps Pace NEW YORK - While a few their American success, Beatles manufacturers were congratu- records grossed $17,500,000 ac- Story on Page 51 lating the Beatles for infusing cording to EMI managing direc- new life and excitement into the tor John Wall. record business others were This figure, which does not quietly venting their spleen include the huge sales of Beatles against the British group. records ín the U. S., shows the At the nub of their blasphe- staggering impact the group has mies was the enormous amount had on the record industry t r 1.+ra. -
A New Vision for the Genre: the Five Cello Sonatas of Ludwig Van Beethoven and the Striving Towards Instrumental Equality
G G A New Vision for the Genre: The Five Cello Sonatas of Ludwig van Beethoven and the Striving Towards Instrumental Equality A document submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in the Performance Studies Division of the College-Conservatory of Music April 2013 by Mi Yeon Yun B.M., Sookmyung Women’s University, 2000 M.M., Sookmyung Women’s University, 2005 M.M., College-Conservatory of Music, 2010 Committee Chair: L. Brett Scott G G Abstract Mainstream scholarship teaches that Beethoven’s five cello sonatas follow his progression as a composer. The Op. 5 sonatas are considered to belong to the Classical tradition of keyboard domination and cello subordination, and the Op. 69 sonata is held as an important transitional work in which the cello and the piano are first treated as equals. The Op. 102 sonatas, appearing in Beethoven’s increasingly chromatic and contrapuntal late period, further integrate the cello into the music making, but many scholars see the cello here as more of an independent voice than a matching partner. A closer look at the sonatas reveals a composer who was more consistent in his thinking. This document will study the relationship between the cello and the piano in each of the five cello sonatas of Ludwig van Beethoven and demonstrate that the equal treatment of both instruments, so widely praised in the Op. 69 sonata, is present in all five works. G G G G G G G G G G G G G G G G G G TABLE OF CONTENTS INTRODUCTION 1 CHAPTER 1. -
ASCAP/BMI Comment
Stuart Rosen Senior Vice President General Counsel November 20, 2015 Chief, Litigation III Section Antitrust Division U.S. Department of Justice 450 5th Street NW, Suite 4000 Washington, DC 20001 Re: Justice Department Review of the BMI and ASCAP Consent Decrees To the Chief of the Litigation III Section: BMI recently alerted its community of affiliated songwriters, composers and publishers to the profound impact 100% licensing would have on their careers, both creatively and financially, if it were to be mandated by the U.S. Department of Justice. In a call to action, BMI provided a letter, one for songwriters and one for publishers, to which their signatures could be added. The response was overwhelming. BMI received nearly 13,000 signatures from writers, composers and publishers of all genres of music, at all levels in their careers. Some of the industry's most well- known songwriters added their names, including Stephen Stills, Cynthia Weil, Steve Cropper, Ester Dean, Dean Pitchford, Congressman John Hall, Trini Lopez, John Cafferty, Gunnar Nelson, Lori McKenna, Shannon Rubicam and Don Brewer, among many others. Enclosed you will find the letters, with signatures attached. On behalf of BMI, I strongly urge you to consider the voices of thousands of songwriters and copyright owners reflected here before making a decision that will adversely affect both the creators, and the ongoing creation of, one ofAmerica's most important cultural and economic resources. Vert truly yours, Stuart Rosen 7 World Trade Center, 250 Greenwich Street, New York, NY 10007-0030 (212) 220-3153 Fax: (212) 220-4482 E-Mail: [email protected] ® A Registered Trademark of Broadcast Music, Inc.