Tracking Change Through 24 Years of Houston Surveys (2005)
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Bayou Place Houston, Texas
Bayou Place Houston, Texas Project Type: Commercial/Industrial Case No: C031001 Year: 2001 SUMMARY A rehabilitation of an obsolete convention center into a 160,000-square-foot entertainment complex in the heart of Houston’s theater district. Responding to an international request for proposals (RFP), the developer persevered through development difficulties to create a pioneering, multiuse, pure entertainment destination that has been one of the catalysts for the revitalization of Houston’s entire downtown. FEATURES Rehabilitation of a "white elephant" Cornerstone of a downtown-wide renaissance that has reintroduced nighttime and weekend activity Maximized leasable floor area to accommodate financial pro forma requirements Bayou Place Houston, Texas Project Type: Adaptive Use/Entertainment Volume 31 Number 01 January-March 2001 Case Number: C031001 PROJECT TYPE A rehabilitation of an obsolete convention center into a 160,000-square-foot entertainment complex in the heart of Houston’s theater district. Responding to an international request for proposals (RFP), the developer persevered through development difficulties to create a pioneering, multiuse, pure entertainment destination that has been one of the catalysts for the revitalization of Houston’s entire downtown. SPECIAL FEATURES Rehabilitation of a "white elephant" Cornerstone of a downtown-wide renaissance that has reintroduced nighttime and weekend activity Maximized leasable floor area to accommodate financial pro forma requirements DEVELOPER The Cordish Company 601 East Pratt Street, Sixth Floor Baltimore, Maryland 21202 410-752-5444 www.cordish.com ARCHITECT Gensler 700 Milam Street, Suite 400 Houston, Texas 77002 713-228-8050 www.gensler.com CONTRACTOR Tribble & Stephens 8580 Katy Freeway, Suite 320 Houston, Texas 77024 713-465-8550 www.tribblestephens.com GENERAL DESCRIPTION Bayou Place occupies the shell of the former Albert Thomas Convention Center in downtown Houston’s theater district. -
Equity Review
CITY OF HOUSTON CIVIC ART COLLECTION EQUITY REVIEW EQUITY REVIEW | 2020 2020 | 1 Cover Image: Hannah Stewart, Atropos Key Location: Hermann Park, District D 2 | CITY OF HOUSTON | CIVIC ART COLLECTION Civic Art Collection Equity Review 2020 by the City of Houston Mayor’s Office of Cultural Affairs September 30, 2020 Written By Deborah McNulty, Director Theresa Escobedo, Project Lead Monique Mogilka, Community Liaison Data Collection and Analysis Monique Mogilka, Community Liaison Arif Fusilier, Summer Intern Houston Arts Alliance Civic Art + Design Department Edited By Necole Irvin Photography By Alex Barber Special thanks to the City of Houston’s Hire Houston Youth program. EQUITY REVIEW | 2020 | 3 Luis Jiménez, Vaquero Location: Moody Park, District H 4 | CITY OF HOUSTON | CIVIC ART COLLECTION CONTENTS Introduction..............................................................................p. 7 Key Findings..............................................................................p. 8 Methodology.............................................................................p. 9 Race/Ethnicity Definitions.......................................p. 10 City Departments Identified...................................p. 10 Houston and United States Demographics.........................p. 12 Artists Represented by Race/Ethnicity .................................p. 15 Artists Represented by Gender ..............................................p. 18 Female BIPOC Artist Representation....................................p. 19 Acquisition Costs.....................................................................p.22 -
Artist-Planner Collaborations Lessons Learned from the Arts and Culture Ecosystems of Three Sun Belt Cities for a New Model of Inclusive Planning
Artist-Planner Collaborations Lessons learned from the arts and culture ecosystems of three Sun Belt cities for a new model of inclusive planning. Photo by Mike Petrucci on Unsplash Building Better Cities Building Better Lives June 2019 Report contributors: Grant Patterson and Leah Binkovitz Rice University Kinder Institute for Urban Research 6100 Main Street, MS-208, Houston, TX 77005 For more information, contact [email protected] or 713-348-4132. Copyright © 2019 by Rice Kinder Institute for Urban Research All rights reserved. Recommended citation: Patterson, Grant and Leah Binkovitz. Artist-Planner Collaborations: Lessons learned from the arts and culture ecosystems of three Sun Belt cities for a new model of inclusive planning. Report. Kinder Institute for Urban Research, Rice University. Houston, TX: Kinder Institute for Urban Research, 2019. TABLE OF CONTENTS Table of Contents 2 Executive Summary 4 Introduction 6 Case Studies 8 Emerging Themes 16 Arts and Culture within Complete Communities 18 Employing Artist-Planner Collaboration in Complete Communities 20 Conclusion 22 Citations Artist-Planner Collaborations Lessons learned from the arts and culture ecosystems of three Sun Belt cities for a new model of inclusive planning. 1 EXECUTIVE SUMMARY Executive Summary ibrant arts and culture offerings attract visitors from around the region and Vbeyond, provide gathering spaces and encourage social interaction and collective action. Furthermore, they facilitate the celebration of unique places through historic preservation, public art, cultural festivals and other community-rooted creative activities. In Houston and other cities, cultural planners are working to proactively and comprehensively plan for the impact that the arts and culture can have on their cities and neighborhoods, strategize how to promote and expand those impacts and engage with diverse stakeholders to envision the future of arts and culture moving forward. -
Presented on Selected Characterstics of Minority Persons in Houston and Parts of Harris County
DOCUMENT RESUME ED 094 023 UD 014 334 AUTHOR Lede, Naomi W.; Dixon, Hortense W. TITLE Urban Minority Groups in Houston: Problems, Progress, and Prospects. A Statistical and Analytical Study. INSTITUTION Texas Southern Univ., Houston. Urban Resources Center. SPONS AGENCY Departm.ant of Housing and Urban Development, Washington, D.C. PUB DATE 29 Mar 73 NOTE 468p.; Charts on pages 146-163 of this document will not be clearly legible due to print size in the original EDRS P:ICE MF-$0.75 HC-$22.20 PLUS POSTAGE DESCRIPTORS Age Groups; *City Demography; Economically . Disadvantaged; Employment Statistics; Family Income; High School Graduates; Marital Status; *Minority Groups; Populatico Trends; Racial Distribution; Socioeconomic Status; *Statistical Analysis; *Urban Population IDENTIFIERS *Texas ABSTRACT This document is cne of a series about the conditions of blacks and other minorities f.L. Houston, Texas. Statistics are presented on selected characterstics of minority persons in Houston and parts of Harris County. document is designed to provide data in an organized and systematic *.:ay by bringing together in one convenient source socioeconomic facts about the minority community and by keeping the document constantly up to date through more current reports. Data for the central, city and some suburban rings in close proximity to Houston proper are given when this type of distinction appears to be significant. The major areas treated in this report are: general socioeconomic characteristics, populetip.n and distribution, family and household size, education, employment and income, housing, poverty, politics, health, economic develippment statistics, and other pertinent data on minority problems and accomplishments. The preparation of the volume was guided by three major concerns: the assessment of problems; a review of progress or accomplishments in the light of civil rights legislation; and a general projection of future needs and prospects. -
30Th Anniversary of the Center for Public History
VOLUME 12 • NUMBER 2 • SPRING 2015 HISTORY MATTERS 30th Anniversary of the Center for Public History Teaching and Collection Training and Research Preservation and Study Dissemination and Promotion CPH Collaboration and Partnerships Innovation Outreach Published by Welcome Wilson Houston History Collaborative LETTER FROM THE EDITOR 28½ Years Marty Melosi was the Lone for excellence in the fields of African American history and Ranger of public history in our energy/environmental history—and to have generated new region. Thirty years ago he came knowledge about these issues as they affected the Houston to the University of Houston to region, broadly defined. establish and build the Center Around the turn of the century, the Houston Public for Public History (CPH). I have Library announced that it would stop publishing the been his Tonto for 28 ½ of those Houston Review of History and Culture after twenty years. years. Together with many others, CPH decided to take on this journal rather than see it die. we have built a sturdy outpost of We created the Houston History Project (HHP) to house history in a region long neglectful the magazine (now Houston History), the UH-Oral History of its past. of Houston, and the Houston History Archives. The HHP “Public history” includes his- became the dam used to manage the torrent of regional his- Joseph A. Pratt torical research and training for tory pouring out of CPH. careers outside of writing and teaching academic history. Establishing the HHP has been challenging work. We In practice, I have defined it as historical projects that look changed the format, focus, and tone of the magazine to interesting and fun. -
Halve the Gap by 2030: Youth Disconnection in America's Cities
HALVE THE GAP YOUTH DISCONNECTION BY 2030 IN AMERICA’S CITIES KRISTEN LEWIS and SARAH BURD-SHARPS 2013 GAP: 30.3 2013 GAP: (PERCENTAGE POINTS) (PERCENTAGE 15.7 GAP IN YOUTH DISCONNECTION RATE RATE DISCONNECTION IN YOUTH GAP 2030 2030 TARGET: TARGET: 7.9 15.2 Racial/ethnic groups Neighborhood clusters Patrick Nolan Guyer | CHIEF STATISTICIAN & CARTOGRAPHER Diana Tung | REPORT DESIGN TO DOWNLOAD THIS REPORT, PLEASE VISIT MEASURE OF AMERICA WWW.MEASUREOFAMERICA.ORG/HALVE-THE-GAP-2030 of the Social Science Research Council Contents Overview..........................................................……………………………………………………………….........3 Introduction..................................……........…..….………………………………………………………………………....5 What Do the Numbers Show?.................................................................………........…………………….....11 Factors Associated with Youth Disconnection..........................................................…………………....19 The Way Forward.................................................................……………………………………….…………….....23 Metro Area Close-Ups….....……………………………….………………………....................................................30 1. Boston 14. New York 2. Minneapolis–St. Paul 15. Los Angeles 3. Washington, DC 16. Dallas–Ft. Worth 4. San Diego 17. San Antonio 5. San Francisco 18. Tampa–St. Petersburg 6. Pittsburgh 19. Miami 7. Denver 20. Atlanta 8. Seattle 21. Portland 9. Chicago 22. Phoenix 10. Houston 23. Charlotte 11. St. Louis 24. Detroit 12. Philadelphia 25. Riverside–San Bernardino 13. Baltimore Endnotes…..………………………………………………………......................................................................105 -
Local Identities Global Challenges
THE ROLE OF THE MEXICAN AMERICAN COMMUNITY 63 The Role of the Mexican American Community in the Production of Urban Space in Houston, Texas BARRY ESPINOSA-OROPEZA Universitat Politècnica de Catalunya Houston is the fourth largest metropolitan area in our urban settlements are organized and built, in- the United States. It is also one of the most cultural- forming how different social groups (in terms of ly diverse cities in America. As such, Houston can be race, culture, ethnicity, gender, age, etc.) relate to presented as a paradigm of the twenty-first century space. Yet, among urban researchers there are dif- multicultural city in the United States. Yet Houston ferent views as to how this relation occurs. Some, remains largely understudied1, in particular, with re- for example, view it as a cause and effect situation, lation to the way ethnic and cultural minorities par- where social structure is the cause and spatial con- ticipate in the production of its urban space. This figuration is the effect. Others believe this spatial research is intended to help fill this gap, focusing configuration to be more the aggregate result of in- in one of the largest ethnic groups in Houston, the dividual decisions. Given the brevity of this paper, Mexican-American population. For this purpose, I and the extensive research already existing, I will conduct a socio-semiotic analysis of one of the old- not go into detail on these subjects.3 Yet, I would est Mexican neighborhoods in the city: ‘El Segundo like to comment, if only briefly, on a third viewpoint: Barrio’. -
The Death and Rebirth of Saks Pavilion
CITE 65 ; WINTER 2005 13 CITELINES rial of San Felipe. The former anchors the Uptown District and hosts approximately 200,000 office workers and shoppers daily and more than 18 million visitors from all over the world cash year. The latter is the straight-shot drive connecting Houston's most affluent cluster ot neighborhoods. including River Oaks, Tanglewood, and Memorial. This was a site on which CO do great things. But Wulfe's development team, including Hermes Architects as planners, was challenged to balance an attractive retail destination and the needed density on this fairly tight site. The value of land meant parking would be eithei below grade or in structures. In addition, the planning scenarios emphasized that a large retail magnet (with its commensurate ?!!1E large-scale ground floor footprint) was vital in order to readily draw the targeted customer to an inviting Lifestyle Center "the I M I possibility al a ((immunity" Boulawarcf Pface. Wulle £ Co.'s mix«k)se urban oo I the underperlarmrng Sob Pavilion environment, that itself was predicated on a costly pedestrian-friendly urban oasis. The eight-acre strip center site could not, in numerous scenarios, work as well as the on one end by the regional behemoth ot round of construction added the entire savvy developer knew it would need to. Retail Resurrection: the (iatleria (see "City Under Class," page trout portion of retail space, underground So Wullc ix: Co. turned its attention The Death and 20), itself growing, and the numerous parking, and high-end touches such as to the south, to the underperlorming Saks condo towers and offices on the other. -
DOWNTOWN HOUSTON, TEXAS LOCATION Situated on the Edge of the Skyline and Shopping Districts Downtown, 1111 Travis Is the Perfect Downtown Retail Location
DOWNTOWN HOUSTON, TEXAS LOCATION Situated on the edge of the Skyline and Shopping districts Downtown, 1111 Travis is the perfect downtown retail location. In addition to ground level access. The lower level is open to the Downtown tunnels. THE WOODLANDS DRIVE TIMES KINGWOOD MINUTES TO: Houston Heights: 10 minutes River Oaks: 11 minutes West University: 14 minutes Memorial: 16 minutes 290 249 Galleria: 16 minutes IAH 45 Tanglewood: 14 minutes CYPRESS Med Center:12 minutes Katy: 31 minutes 59 Cypress: 29 minutes 6 8 Hobby Airport: 18 minutes 290 90 George Bush Airport: 22 minutes Sugar Land: 25 minutes 610 Port of Houston: 32 minutes HOUSTON 10 HEIGHTS 10 Space Center Houston: 24 minutes MEMORIAL KATY 10 330 99 TANGLEWOOD PORT OF Woodlands: 31 minutes HOUSTON 8 DOWNTOWN THE GALLERIA RIVER OAKS HOUSTON Kingwood: 33 minutes WEST U 225 TEXAS MEDICAL 610 CENTER 99 90 HOBBY 146 35 90 3 59 SPACE CENTER 45 HOUSTON SUGARLAND 6 288 BAYBROOK THE BUILDING OFFICE SPACE: 457,900 SQ FT RETAIL: 17,700 SQ FT TOTAL: 838,800 SQ FT TRAVIS SITE MAP GROUND LEVEL DALLAS LAMAR BIKE PATH RETAIL SPACE RETAIL SPACE METRO RAIL MAIN STREET SQUARE STOP SITE MAP LOWER LEVEL LOWER LEVEL RETAIL SPACE LOWER LEVEL PARKING TUNNEL ACCESS LOWER LEVEL PARKING RETAIL SPACE GROUND LEVEL Main Street Frontage 3,037 SQ FT 7,771 SQ FT RETAIL SPACE GROUND LEVEL Main Street frontage Metro stop outside door Exposure to the Metro line RETAIL SPACE GROUND LEVEL Houston’s Metro Rail, Main Street Square stop is located directly outside the ground level retail space. -
Bibliography
Tseng Kwong Chi - Bibliography ARTIST MONOGRAPHS Tseng Kwong Chi: Self-Portraits 1979-1989, exhibition catalogue with texts by Lilly Wei, Dan Cameron, Kenny Scharf and Muna Tseng, Paul Kasmin Gallery, New York, NY, 2008. Tseng Kwong Chi: Self-Portraits 1979-1989, exhibition catalogue with texts by Lilly Wei, Dan Cameron, Kenny Scharf and Muna Tseng, Ben Brown Fine Arts, London, England, 2008. Tseng Kwong Chi, Ambiguous Ambassador, monograph of 95 photographs from the Expeditionary Self-Portraits Series, with texts by Dan Cameron, Richard Martin and Grady T. Turner, Nazraeli Press/JGS, 2005. A Retrospective, Improbable Pilgrim: The Photographs of Tseng Kwong Chi, essay by Amy Ingrid Schlegel, Philadelphia Art Alliance, 2002. Tseng Kwong Chi: The Expeditionary Works, essay by Barry Blinderman, Houston Center for Photography, Houston, TX, 1992. Tseng Kwong Chi, foreword by Richard Martin, Art Random, Kyoto Shoin, 1990. Art in Transit, New York Subway Drawings by Keith Haring, introduction by Henry Geldzahler and text by Keith Haring, Harmony Books, Crown Publishers,1984. SELECTED BOOKS AND CATALOGUES 2009 Kenny Scharf, by Richard Marshall, Ann Magnuson,The Paul Kasmin Gallery, Rizzoli, 2009 2008 Keith Haring, by Jeffrey Deitch, Julia Gruen, Suzanne Geiss, Kenny Scharf, George Condo, Rizzoli, 2008 Self and Other: Portraits from Asia and Europe, edited by Kenji Yoshida and Brian Durrans, Asahi Shimbun, Osaka, Japan, 2008 pp. 246. The American Tornado: Art in Power 1949-2008 by Germano Celant, Skira, Italy 2008 The Keith Haring Retrospective, Skira, Italy, 2008. 2007 Studio in the Street, Street in the Studio, Brattleboro Museum & Art Center, Vermont, 2007. The Jean-Michel Basquiat Show, Skira, Italy, 2007. -
We Call It Privilege, They Call It Freedom to Smear Sylvan MEYER
1eman• orts December 1965 What Good is a Baby? ROBERT C. TOTH We Call it Privilege, They Call it Freedom to Smear SYLvAN MEYER The Journalist and the Educator c. A. McKNIGHT The Chandlers ofLos Angeles: The World of Otis, Norman and 13ulf MITCHELL GORDON 2 NIEMAN REPORTS was to enroll. I returned to North Carolina, too late to en ter Davidson, and got a job for a year as a cub reporter on my hometown newspaper. NiemanRe:ports I followed through on my plan of study and majored in Spanish. Each summer, I returned to the newspaper. At the VOL. XIX, NO. 4 DECEMBER 1965 end of four years, the tug of war was over. Journalism had won, teaching had lost. Had it not been for that hurricane, Louis M. Lyons, Editor, 1947-64 I am quite certain that I would be holding forth in some Dwight E. Sargent Mary Ann Pratt college classroom today. I may not be the only man whose Editor Managing Editor career was changed by the winds of a hurricane, but I am the only one I know. Editorial Board of the Society of Nieman Fellows Throughout the years I have quieted any doubts about Robert W. Brown Weldon B. James Rock Hill Evening Herald Louisville Courier-J oumal the rightness of my choice by telling myself that, after all, Millard C. Browne Edwin A. Lahey journalism is essentially an educational function. And I Buffalo News Knight Newspapers have salved my conscience by giving much of my life to William B. Dickinson Robert Lasch causes, boards and agencies that have had as their objective Philadelphia Bulletin St. -
Fifth Ward and Denver Harbor: Black and Brown Conflict, Solidarity, and Shared Oppression in East Houston
San Jose State University SJSU ScholarWorks NACCS Annual Conference Proceedings 2012: 39th Annual: NACCS@40 - Chicago, IL Mar 15th, 5:00 AM - 7:00 AM Fifth Ward and Denver Harbor: Black and Brown Conflict, Solidarity, and Shared Oppression in East Houston Stephanie Arguera University of Texas at San Antonio Follow this and additional works at: https://scholarworks.sjsu.edu/naccs Part of the Gender and Sexuality Commons, and the Race and Ethnicity Commons Arguera, Stephanie, "Fifth Ward and Denver Harbor: Black and Brown Conflict, Solidarity, and Shared Oppression in East Houston" (2012). NACCS Annual Conference Proceedings. 6. https://scholarworks.sjsu.edu/naccs/2012/Proceedings/6 This Conference Proceeding is brought to you for free and open access by the National Association for Chicana and Chicano Studies Archive at SJSU ScholarWorks. It has been accepted for inclusion in NACCS Annual Conference Proceedings by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. Fifth Ward and Denver Harbor 1 Fifth Ward and Denver Harbor: Black and Brown Conflict, Solidarity, and Shared Oppression in East Houston Stephanie Arguera University of Texas at San Antonio Fifth Ward and Denver Harbor 2 Connecting the Dots: A self-awareness Like every other morning at 7:45AM, the concrete, slender hallways of my elementary school were crammed with tiny chattering learners from beige brick to beige brick. In my uninspired navy dress and white polo uniform, I inched into a corridor packed with my schoolmates on my way to class, becoming one with the sea of dark, blurry faces in matching low-cost garb.