Annual Report for 2009 – 2010

Total Page:16

File Type:pdf, Size:1020Kb

Annual Report for 2009 – 2010 annual report for 2009 – 2010 produced by Young at Art Ltd 15 Church Street, BELFAST BT1 1PG Web: www.youngatart.co.uk Company Number NI 37755 Charity Ref: XR 36402 introduction 2009 – 2010 was strategically important for Young at Art as partnerships with non-arts organisations and its host local authority significantly expanded its programme of work and increased access to the arts for children and young people. A total of 39,944 children and adults took part in a Young at Art event between 1 April 2009 and 31 March 2010. A successful festival, a well-thought out outreach programme, an extensive touring programme and ongoing developments and new projects kept the small staff team and board of Young at Art very busy. The year also marked the conclusion of a 3-year strategy and the Board noted that all key targets had been delivered, capacity and participation had increased and its fundraising capacity was also greater in support of its work. As Young at Art entered the next more turbulent economic period, it offered a programme and management ‘fit for purpose’ for its next phase of development. The Board of Directors Young at Art “We loved the events we attended, which were thoughtfully organised and well presented.” contents festival 2009 Page 2 projects Page 3 touring & commissions Page 4 advocacy & development Page 6 management Page 7 funding & finance Page 8 appendices Page 10 I. Personnel II. Attendance & participation figures III. Marketing & Profile IV. Financial summary Copies of this report and an executive summary are available from the Young at Art office or for download from the website. The text and images contained in this report remain the property of Young at Art and its featured artists. No duplication or use is permitted in part or in full in any territory without prior consent. 1 festival 2009 Themed around black and white, the 2009 Belfast Children’s Festival was packed with an exciting international programme of music, theatre and art for all the family. It brought families into the city for celebration, entertainment and a unique cultural experience. The festival blended performance and participatory activities with a healthy mixture of free drop-in and ticketed events, combining local and international artists, multiple artforms and cross-artform events. Over 10 days the festival mounted over 190 events and 3 exhibitions attended by over 27,000 children and adults, involved over 120 artists, supported by 47 volunteers, 15 staff and the staff and volunteers of participating venues The organisation once again achieved ASSITEJ International Festival Status, the only festival in Northern Ireland to have achieved this and a stamp of its growing international presence. Participating artists came from Ireland, Northern Ireland, Portugal, Italy, Switzerland and Denmark. Festival in a Weekend at Belfast Waterfront returned, drawing families into Belfast for a range of family- friendly activities and performances under one roof during the opening weekend of the festival. Festival venues included the SQ Space Gallery, Clifton House, St Kevin’s Hall, Old Museum Arts Centre, Belfast Waterfront, Youth Action, No Alibis Bookstore, Brian Friel Theatre and Naughton Gallery. “Kaleidoscope was the best show ever! The most amazing experience for adults and children. Thank you. Can’t wait until next year” Many events sold out with an average capacity of 78.6%. Total attendance of the festival combined with a substantial weekend event was 27,164 a substantial increase in audience figures This included participation by over 30 schools and groups, many from areas of high deprivation. Families and groups were able to select from a range of activities on offer, including performances and workshops in theatre, music, dance, puppetry and visual arts, and for all ages from infancy upwards. For those parents with young children, the 2009 festival offered good provision with among others, the return of the Baby Rave with a Baby Ska theme. For children over 8 years, Carte Blanche from Denmark welcomed you into their Kaleidoscope where you walked through crooked doors, crawled through narrow tunnels and explored each room while for the 10 years Theater Sgaramusch from Switzerland told the bitter fight for the English throne. For the 0-5 years Musicalmente form Portugal filled the Waterfront studio with Concertos Para Bebes, a concert for babies. See appendices for a summary of events and download festival brochure from www.youngatart.co.uk 2 projects Young at Art engaged in an extensive programme of activity throughout the year, benefitting thousands of children and adults. Projects included special festival support schemes for children in need, educational resources (print and online), professional discussions, exhibition programmes, volunteering programmes. festival outreach Community Ticket Scheme The Community Ticket Scheme returned for a fourth year in 2009, working with a range of Surestart centres and pre-school playgroups. The Community Ticket scheme was devised to provide access to arts and cultural events for children in communities who cannot or do not attend arts events on a regular basis. Information sessions given by parent supporters of Young at Art and half-price tickets sold at the group’s weekly sessions attracted increased attendances by families from areas of socio-economic deprivation. Friendship Fund The Friendship Fund entered its third year, offering discounted tickets and transport assistance to schools and groups in disadvantaged areas. Offered as part of its general easy to use booking promotion to schools and groups, it provides discounts of up to 70% on (already subsidised) tickets for those coming from the top 25% of areas of multiple deprivation. Other forms of hardship are also considered. Over 1,000 tickets were provided through the fund while every participating school and group said it made the difference to whether they attended. On-line & Print Resources Young at Art produced companion resources to accompany the festival for schools. Resources took the black and white themes in the history of art and architecture, optical illusion (connecting to The World Around Us) and children’s rights (supporting PDMU). All were made available free to download on Young at Art’s website and referenced activities within the Toolbox online resource. The school packs connected each event and supporting activities (pre and post event) to aspects of the NI Revised Curriculum from Foundation through to Key Stage 4. Schools were also invited to be part of decorating venues and received additional resource materials. These were collected Volunteers & Young Volunteers Programmes The programme extended further into young volunteering, involving young people from Hazelwood College and through the Youth Justice Agency. Changes made to the programme included more opportunities throughout the year – at Culture Night, the Reopening of Belfast City Hall, and at a series of art workshops in shopping centres. toolbox The free online resource for teachers continued to be available but lack of dedicated resources prevented further growth. more of it than we think 3 Piloted in 2007, the exhibition programme draws original artwork by children and young people, gathered from an open call to schools, groups and artists. Selected groups receive assistance to attend the festival and see their work professionally displayed. 57 groups submitted work and the work of 9 groups was shown in the 2009 festival. The work ranged from prints, film, photography, painting and explorations of textiles. The number of submissions had risen significantly from the 2008 festival thanks to the additional publicity brought about by the partnership established with the University of Ulster. 3 touring and commissions Young at Art continued to develop key projects and partnerships which reached across Northern Ireland and offered opportunities to grow and reinforce the youth arts provision and infrastructure within the region. Projects also contributed to the role of children within large scale civic events and brought the benefit of arts activities to an ever wider audience. The most significant of these was its partnership with the Northern Ireland Commissioner for Children and Young People (NICCY). The Champion of the Child blended a touring exhibition, schools workshop programme, teaching resources and professional development programme in one. The success of the Making Space Forum continued as Young at Art extended its partnership with the University of Ulster. champion of the child “Thank you for bringing this exhibition to Omagh. I am pleased that I now have knowledge about this extraordinary person – may his legacy live on” The Champion of the Child project was a joint project between Young at Art and NICCY which used a number of arts-based activities and resources to raise awareness of children’s rights among children and the wider population. At its core was a celebration of the life, work and thinking of Janusz Korczak, a champion of children’s rights in the early 20th century. The project delivered a touring exhibition on the life and legacy of the man who inspired the UNCRC (United Nations Convention on the Rights of the Child), travelling to five venues across Northern Ireland - Strule Arts Centre, Omagh, Belfast Waterfront, Fermanagh Museum, Enniskillen, Waterside Theatre, Derry and Island Arts Centre, Lisburn. Supporting this, Young at Art delivered a training programme for the Participation Team of NICCY and with new skills, they delivered a specially devised drama workshop exploring children’s rights. A companion teacher’s resource pack was also created. Nearly 15,000 people attended the exhibition while over 360 children and young people between the ages of 10 and 13 years took part in 16 workshops across Northern Ireland. The project continues to have an impact as the workshop is repeated by the Participation Team with groups all over Northern Ireland, while the Teacher’s version has been successfully made available online for use by teachers and youth workers across the world.
Recommended publications
  • Complete Dissertation
    VU Research Portal Convictions, Conflict and Moral Reasoning McMillan, D.J. 2019 document version Publisher's PDF, also known as Version of record Link to publication in VU Research Portal citation for published version (APA) McMillan, D. J. (2019). Convictions, Conflict and Moral Reasoning: The Contribution of the Concept of Convictions in Understanding Moral Reasoning in the Context of Conflict, Illustrated by a Case Study of Four Groups of Christians in Northern Ireland. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. E-mail address: [email protected] Download date: 29. Sep. 2021 VRIJE UNIVERSITEIT CONVICTIONS, CONFLICT AND MORAL REASONING The Contribution of the Concept of Convictions in Understanding Moral Reasoning in the Context of Conflict, Illustrated by a Case Study of Four Groups of Christians in Northern Ireland ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad Doctor of Philosophy aan de Vrije Universiteit Amsterdam, op gezag van de rector magnificus prof.dr.
    [Show full text]
  • National Library of Ireland
    ABOUT TOWN (DUNGANNON) AISÉIRGHE (DUBLIN) No. 1, May - Dec. 1986 Feb. 1950- April 1951 Jan. - June; Aug - Dec. 1987 Continued as Jan.. - Sept; Nov. - Dec. 1988 AISÉIRÍ (DUBLIN) Jan. - Aug; Oct. 1989 May 1951 - Dec. 1971 Jan, Apr. 1990 April 1972 - April 1975 All Hardcopy All Hardcopy Misc. Newspapers 1982 - 1991 A - B IL B 94109 ADVERTISER (WATERFORD) AISÉIRÍ (DUBLIN) Mar. 11 - Sept. 16, 1848 - Microfilm See AISÉIRGHE (DUBLIN) ADVERTISER & WATERFORD MARKET NOTE ALLNUTT'S IRISH LAND SCHEDULE (WATERFORD) (DUBLIN) March 4 - April 15, 1843 - Microfilm No. 9 Jan. 1, 1851 Bound with NATIONAL ADVERTISER Hardcopy ADVERTISER FOR THE COUNTIES OF LOUTH, MEATH, DUBLIN, MONAGHAN, CAVAN (DROGHEDA) AMÁRACH (DUBLIN) Mar. 1896 - 1908 1956 – 1961; - Microfilm Continued as 1962 – 1966 Hardcopy O.S.S. DROGHEDA ADVERTISER (DROGHEDA) 1967 - May 13, 1977 - Microfilm 1909 - 1926 - Microfilm Sept. 1980 – 1981 - Microfilm Aug. 1927 – 1928 Hardcopy O.S.S. 1982 Hardcopy O.S.S. 1929 - Microfilm 1983 - Microfilm Incorporated with DROGHEDA ARGUS (21 Dec 1929) which See. - Microfilm ANDERSONSTOWN NEWS (ANDERSONSTOWN) Nov. 22, 1972 – 1993 Hardcopy O.S.S. ADVOCATE (DUBLIN) 1994 – to date - Microfilm April 14, 1940 - March 22, 1970 (Misc. Issues) Hardcopy O.S.S. ANGLO CELT (CAVAN) Feb. 6, 1846 - April 29, 1858 ADVOCATE (NEW YORK) Dec. 10, 1864 - Nov. 8, 1873 Sept. 23, 1939 - Dec. 25th, 1954 Jan. 10, 1885 - Dec. 25, 1886 Aug. 17, 1957 - Jan. 11, 1958 Jan. 7, 1887 - to date Hardcopy O.S.S. (Number 5) All Microfilm ADVOCATE OR INDUSTRIAL JOURNAL ANOIS (DUBLIN) (DUBLIN) Sept. 2, 1984 - June 22, 1996 - Microfilm Oct. 28, 1848 - Jan 1860 - Microfilm ANTI-IMPERIALIST (DUBLIN) AEGIS (CASTLEBAR) Samhain 1926 June 23, 1841 - Nov.
    [Show full text]
  • 2010 Evaluation Report
    21 June 2010 DAY OF PRIVATE REFLECTION EVALUATION REPORT & ACTION PLAN March 2011 Day of Private Reflection - Evaluation Report 2010 Day of Private Reflection - Evaluation Report 2010 21 June 2010 DAY OF PRIVATE REFLECTION EVALUATION REPORT & ACTION PLAN March 2011 Day of Private Reflection - Evaluation Report 2010 Produced and published by Healing Through Remembering Researched and written by Patricia McCorry March 2011 ISBN 1-905882-19-X (10 digit) ISBN 978-1-905882-19-9 (13 digit) The views expressed herein do not necessarily state or reflect the personal views of all members of Healing Through Remembering To be ordered directly from Healing Through Remembering Alexander House, 17a Ormeau Avenue, Belfast Tel: +44 28 9023 8844 Email: [email protected] This project was supported by the Funding and Development Programme of the Northern Ireland Community Relations Council. Day of Private Reflection - Evaluation Report 2010 CONTENTS 1.0 Background ..............................................................................................................................2 1.1 Introduction ............................................................................................................................................2 1.2 Context ....................................................................................................................................................2 1.3 Days of Reflection ....................................................................................................................................4
    [Show full text]
  • Northern Ireland Guidance on Marine Licensing Environmental Impact
    Northern Ireland Guidance on Marine Licensing Environmental Impact Assessment, under Part 4 of the Marine and Coastal Access Act 2009 May 2016 Contents Page 1.0 The Marine Works (Environmental Impact Assessment) Regulations ………………………………………....................... 3 2.0 Need for Environmental Impact Assessment ……………..... 4 3.0 The prohibition on Granting a Marine Licence in the Absence of an EIA Consent ……..…………………………...................... 4 4.0 Environmental Impact Assessment Screening ………….……… 4 5.0 Environmental Impact Assessment Scoping ………………............. 5 6.0 Environmental Statement Background ……...………………... 7 7.0 Content and Format of Environmental Statement ……………….. 7 8.0 Best Practice ……………………………………………….. 8 9.0 Submission of the Environmental Statement ………………............. 8 10.0 Stakeholder and Public Consultation ……………………...... 8 11.0 EIA Consent Decision ……………………………………….. 9 12.0 EIA Deferral ……………………………………………………...... 9 Appendix ………………………………………………... 11 2 1.0 The Marine Works (Environmental Impact Assessment) Regulations The licensing regime under Part 4 of the Marine and Coastal Access Act 2009 (MCAA) largely replaces a number of previous regulatory regimes including those under: Part 2 of the Food and Environment Protection Act (FEPA) 1985; The Environmental Impact Assessment and Natural Habitats (Extraction of Minerals by Marine Dredging) (England and Northern) Regulations 2007. Council Directive No 85/337/EEC, the Environmental Impact Assessment Directive (as amended) on the assessment of the effects of certain public and private projects on the environment seeks to ensure that the authority giving the primary consent has knowledge of any likely significant effects on the environment. The Environmental Impact Assessment (EIA) Directive sets out a procedure that must be followed for certain types of project before they can be given ‘development consent’.
    [Show full text]
  • Tuarascáil Ar Stráitéis Úr Maidir Le Foras Na Gaeilge I Leith Earnáil Na Meán Gaeilge Clóite Agus Ar Líne
    Tuarascáil ar straitéis úr maidir le Foras na Gaeilge i leith earnáil na meán Gaeilge clóite agus ar líne Athláithriú agus athshealbhú teanga Dr Regina Uí Chollatáin Scoil na Gaeilge, an Léinn Cheiltigh, Bhéaloideas Éireann agus na Teangeolaíochta An Coláiste Ollscoile, Baile Átha Cliath [email protected] Cúntóirí Taighde Aoife Uí Fhaoláin MA Dr. Ruth Lysaght 13 Iúil 2011 1 Clár na tuarascála Lch. Cuid a hAon: Aidhm, Réasúnaíocht, Modheolaíocht, 3 Aidhm 4 Réasúnaíocht 6 Modheolaíocht 42 Cuid a Dó: Taighde Gníomhach 48 Liosta teagmhálaithe 50 Cad atá ar fáil? 51 Anailís ar thaighde cineálach agus cainníochtúil 104 Cuid a Trí: Moltaí agus Straitéis 129 3.1 Moltaí ar a bhfuil á maoiniú cheana faoi na critéir a d'úsáideadh don tuarascáil 131 3.2 Moltaí straitéiseacha le tógáil ar a bhfuil ar fáil cheana 153 3.3 Suimiú agus míniú gearr ar na moltaí 181 3.4. Conclúid 191 Cuid a Ceathair: Buíochas, Aguisíní, Foinsí 193 Buíochas 194 Aguisíní 197 Foinsí 242 2 Cuid a hAon Aidhm, Réasúnaíocht, Modheolaíocht 3 Aidhm Is í bunaidhm na tuarascála seo ná moltaí a chur i láthair i dtaobh straitéis úr maidir le ról Fhoras na Gaeilge i leith earnáil na meán Gaeilge clóite agus ar líne. Tá dhá ghné ag baint le cur i bhfeidhm aidhm na tuarascála, mar atá, soiléiriú ar ról an Fhorais i gcomhthéacs na meán clóite agus ar líne, agus ráiteas misin na straitéise úire. 1.Ról Fhoras na Gaeilge i gcomhthéacs na hearnála seo Is iad priomhghnéithe ról Fhoras na Gaeilge i gcomhthéacs na hearnála seo mar bhord stáit a bhfuil cur chun cinn na Gaeilge ar an oileán seo mar phríomhchúrám aige ná: Misean Forbairt agus freastal a dhéanamh ar chur chun cinn na Gaeilge san Earnáil Phobail agus san Earnáil Ghnó Phríobháideach.
    [Show full text]
  • Evaluation of the Festival of Fools 2011
    Evaluation of the Festival of Fools 2011 Evaluation of the Festival of Fools 2011 1 Written by Cath McBride Designed by Nic Charlton Design t. 028 71353018 / 07540 232756 t. 028 9081 3221 / 07885 035698 e. [email protected] e. [email protected] w. niccharlton.co.uk 2 Evaluation of the Festival of Fools 2011 Contents 04–05 1. Summary: The successes, the facts and the figures 06–09 2. Evaluation aims and methodology 10–11 3. Yesterday’s Fools: Background to the Festival of Fools 12–17 4. Today’s Fools: The context of the Festival of Fools in 2011 18–35 5. Fooling About: What the Festival does 19–23 5.1. Shared cultural space, community cohesion and diversity 24–26 5.2. Impact on tourism and local economy 27–30 5.3. Artistic quality and contribution to the arts 31–32 5.4. Spreading the word – marketing and PR 33–35 5.5. Keeping it up – sustainability 36–39 6. Tomorrow’s Fools: Conclusion and looking to the future 40–52 7. Appendices Evaluation of the Festival of Fools 2011 3 1. ummary: S The successes, the facts and the figures “I was so delighted to see the Festival of Fools back in Belfast again this year, and I have to admit I think it just keeps getting better and better! It just brought the city to life over the Bank Holiday weekend… It is a Belfast gem; I hope we get to keep it!” MICHELLE CROSS, FESTIVAL OF FOOLS AUDIENCE MEMBER 4 Evaluation of the Festival of Fools 2011 From Thursday 28th April to Monday 2nd May 2011, the streets of Belfast once again came alive 2011 saw more audience members than with laughter, banter and general tom-foolery in previous years, increased numbers of as the city hosted the 8th Festival of Fools.
    [Show full text]
  • Statement of Community Involvement (Draft)
    STATEMENT OF COMMUNITY INVOLVEMENT (DRAFT) Armagh City, Banbridge and Craigavon Borough Council Contents Page 1.0 Introduction 4 2.0 What is the Statement of Community Involvement? 4 Our Vision of Participation 4 3.0 Community Planning Context 5 4.0 Community Involvement in the Preparation of the Local Development Plan 6 Purpose 6 Who can get involved? 6 Empowering dis-advantaged and under-represented Groups 7 How and when will the Community be involved? 7 Stage 1 Initial Plan Preparation 8 (a) Developing an Evidence Base 8 (b) Publication of the Preferred Options Paper 9 Stage 2 Preparation and Adoption of Plan Strategy 11 (a) Plan Strategy – Preparation and Publication of Consultation Draft 12 (b) Plan Strategy – Public Inspection of Representations 12 (c) Plan Strategy – Independent Examination 12 (d) Plan Strategy – Adoption 13 Stage 3 Preparation and Adoption of Local Policies Plan 13 (a) Local Policies Plan – Preparation of Consultation Draft 14 (b) Local Policies Plan – Publication of Consultation Draft 14 (c) Local Policies Plan – Public Inspection of Representations 15 (d) Local Policies Plan – Independent Examination 16 (e) Local Policies Plan – Adoption 17 Stage 4 Review of the Local Development Plan 16 5.0 Community Involvement in the Development Management Process 19 The Council’s Development Management Function 19 Pre-application Discussions 19 Pre-application Community Consultation 19 Advertising 20 Neighbour Notification 20 EIA Development 20 Obtaining Further Information 21 Commenting on a Planning Application 21 Planning
    [Show full text]
  • Evaluation of the Centre for Cross Border Studies
    Evaluation of the Centre for Cross Border Studies 2005 by Brian Harvey Brian Harvey Social Research 2 Rathdown Crescent Terenure Dublin 6W Tel 353.1.4903039 Fax 353.1.4903076 E-mail: [email protected] VAT: 301 311 8V IE Evaluation of Centre for Cross Border Studies, 2005 1 Executive Summary This evaluation of the Centre for Cross Border Studies covers 2002-5. It was carried out in May 2005 by desk research and examination of the documentation, statistics, products and records of the centre; 25 semi- structured interviews with staff and board members, experts and clients; and survey of people known to the centre (42% response rate). The work of the centre shifted substantially compared to the previous triennial period. Although research activities, dominant before, continued, they were eclipsed by an expansion of the centre’s work in conferences, seminars, training and networking, as well as servicing and providing administrative support for important north-south bodies such as the Standing Conference on Teacher Education, North and South and Universities Ireland. This practical work is making a major contribution to building positive relationships across the border between a diverse range of groups, especially government officials, educationalists, students and schoolchildren. The analysis of the centre’s performance is a positive one. The centre has maintained, even accelerated, its performance: Growth in website traffic, up in all indicators; Volume of research reports, publications, paper and grey literature; Numbers attending events, 1,297; Quality of national and international speakers at centre events; Publicity achieved; Finance, with income up 55%; Endorsement from political leaders.
    [Show full text]
  • Advisory Group on Media Mergers Report 2008
    ADVISORY GROUP ON MEDIA MERGERS Report to the Tánaiste and Minister for Enterprise, Trade and Employment, Mary Coughlan T.D. June 2008 1 1. Chapter 1- Introduction INTRODUCTION TO REPORT 1.1 In March of 2008, the then Minister for Enterprise, Trade and Employment, Micheál Martin T.D., announced the establishment of an advisory group (the Group) to review the current legislative framework regarding the public interest aspects of media mergers in Ireland. This review was undertaken in the context of a wider review taking place on the operation and implementation of the Competition Act 2002. 1.2 The Group was asked to examine the provisions of the Competition Act 2002 in relation to media mergers and in particular the “relevant criteria” specified in the Act, by reference to which the Minister currently considers media mergers. 1.3 The Terms of Reference of the Group were:- To review and to consider the current levels of plurality and diversity in the media sector in Ireland. To examine and review the “relevant criteria” as currently defined in the Act. To examine and consider how the application of the “relevant criteria” should be given effect and by whom. To examine the role of the Minister in assessing the “relevant criteria” from a public interest perspective and the best mechanism to do so. To examine international best practice, including the applicability of models from other countries. To make recommendations, as appropriate, on the above. 2 1.4 The membership of the Group comprised:- Paul Sreenan S.C. (Chairman) Dr. Olive Braiden. Peter Cassells Marc Coleman John Herlihy Prof.
    [Show full text]
  • Connected – a Community Plan – 2017-2030 Equality- Impact
    Connected A Community Plan for Armagh City Banbridge & Craigavon Borough 2017-2030 Equality Impact Assessment Developed by Armagh City, Banbridge and Craigavon Borough Council February 2017 EQIA of Connected a Community Plan for Armagh City, Banbridge and Craigavon Borough 2017-2030 Table of Contents Background to Community Planning ................................................................................................. 3 Introduction ............................................................................................................................................ 4 Aims of the policy ................................................................................................................................. 6 Consideration of Data and Research ................................................................................................ 9 Assessment of Impact ....................................................................................................................... 19 Consideration of Measures ............................................................................................................... 28 Formal Consultation ........................................................................................................................... 30 Feedback from EQIA ......................................................................................................................... 31 Monitoring and Review .....................................................................................................................
    [Show full text]
  • Public Awareness Campaign
    Public Awareness Campaign Report on Public Awareness Raising Palliative Care Week 2014, October 6-11 Prepared by Ronan Cavanagh, Cavanagh Communications: March 2015 2 Contents Summary ................................................................................................................ 4 1. Introduction .................................................................................................... 5 2. Campaign Overview ........................................................................................ 6 Objectives ................................................................................................................. 6 Audiences ................................................................................................................. 6 Reference Group ...................................................................................................... 6 Key Messages ........................................................................................................... 7 3. Campaign Development .................................................................................. 8 Resourcing ................................................................................................................ 8 Stakeholders ............................................................................................................. 8 Database .................................................................................................................. 9 4. Campaign Delivery .......................................................................................
    [Show full text]
  • Annual Report for 2003 – 2004
    “I just want to do our school trip over. The teachers were so nice to set up a trip like that- it was the best. My favourite part was Levity Luminarium – it was a blast.” ANNUAL REPORT FOR 2003 – 2004 YOUNG AT ART LTD Room D105, Central Building Stranmillis University College BELFAST BT9 5DY CONTENTS INTRODUCTION PAGE 3 FESTIVAL 2003 PAGE 5 Programme Accessibility Audience & Participants Partnerships DEVELOPMENT & OUTREACH PAGE 9 Festival Outreach Sure Start Inner East Image Theatre Project The Storyshapers School Friends Festival on Tour Toolbox for Teachers Image & Imagination C-TEXT Other Discrete Partnerships MARKETING, PROFILE & PUBLICITY PAGE 16 Promotion of Festival 2003 Promotion of the year-round programme General company profile THE YOUNG AT ART TEAM PAGE 20 Board of Directors Core Staffing Festival Staffing Volunteers Project Staffing CONSOLIDATION PLAN PAGE 24 Summary Background to the Consolidation Plan Consolidation Plan FUNDING & FINANCE PAGE 26 Core & Public Support Trusts & Foundations Sponsorship Earned & Partnership Income Finance APPENDICES PAGE 27 Event-by-event summary of the festival Analysis of Festival Audiences/Participants Analysis of Development & Outreach Audiences/Participants Media Coverage for the year 2 INTRODUCTION So much has happened in a short twelve-month period it is difficult to know where to begin. The best area to start with is the highlights, the purpose of Young at Art. In 2003 – 2004, Young at Art entertained inspired and enabled nearly 16,000 children and young people, their teachers, youth leaders and parents to be creative and play a role in the cultural life of Northern Ireland. Events took place all over Belfast as part of an international festival, bringing Europe to Northern Ireland and hopefully sending a positive image of this place back in the memories and experiences of the visiting artists.
    [Show full text]