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Maori and Aotearoa/New Zealand's 1981 Springbok Tour
Kunapipi Volume 23 Issue 1 Article 13 2001 ‘Almost the same, but not quite.... Almost the same, but not white’ : Maori and Aotearoa/New Zealand’s 1981 Springbok Tour Malcolm Maclean Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Maclean, Malcolm, ‘Almost the same, but not quite.... Almost the same, but not white’ : Maori and Aotearoa/New Zealand’s 1981 Springbok Tour, Kunapipi, 23(1), 2001. Available at:https://ro.uow.edu.au/kunapipi/vol23/iss1/13 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] ‘Almost the same, but not quite.... Almost the same, but not white’ : Maori and Aotearoa/New Zealand’s 1981 Springbok Tour Abstract The contradictions exposed by Maori responses to the 1981 Springbok rugby tour are clearly seen on the East Coast of New Zealand’s North Island, as they were in every other iwi.1 The Springboks were welcomed at Te Poho-o-Rawiri marae at the same time as other Ngati Porou, Rongowhakaata and other local Maori were spreading broken glass across the playing field at Gisborne’s Rugby Park — the visitors were told in no uncertain terms that they would not be welcomed again. Others from the region could not see the problem. Rugby great, George Nepia, said in 1985 ‘we have got what we wanted — the Maori in All Black teams that play in South Africa. I can’t make out why other teams can visit South Africa without all the fuss’ (Romanos 39). -
Almost the Same, but Not Quite...Almost the Same, but Not White”: Maori and Aotearoa/New Zealand’S 1981 Springbok Tour
This is a peer-reviewed, post-print (final draft post-refereeing) version of the following published document: MacLean, Malcolm ORCID: 0000-0001-5750-4670 (2001) “Almost the same, but not quite...Almost the same, but not white”: Maori and Aotearoa/New Zealand’s 1981 Springbok Tour. Kunapipi: Journal of Postcolonial Writing, 23 (1). pp. 69- 82. EPrint URI: http://eprints.glos.ac.uk/id/eprint/2896 Disclaimer The University of Gloucestershire has obtained warranties from all depositors as to their title in the material deposited and as to their right to deposit such material. The University of Gloucestershire makes no representation or warranties of commercial utility, title, or fitness for a particular purpose or any other warranty, express or implied in respect of any material deposited. The University of Gloucestershire makes no representation that the use of the materials will not infringe any patent, copyright, trademark or other property or proprietary rights. The University of Gloucestershire accepts no liability for any infringement of intellectual property rights in any material deposited but will remove such material from public view pending investigation in the event of an allegation of any such infringement. PLEASE SCROLL DOWN FOR TEXT. This is a peer-reviewed, post-print (final draft post-refereeing) version of the following published document: MacLean, Malcolm (2001). “Almost the same, but not quite...Almost the same, but not white”: Maori and Aotearoa/New Zealand’s 1981 Springbok Tour. Kunapipi: Journal of Postcolonial Writing, 23 (1), 69-82. Published in Kunapipi: Journal of Postcolonial Writing, and available online at: http://ro.uow.edu.au/kunapipi/ We recommend you cite the published (post-print) version. -
Newsletter – 7 September 2011 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 7 September 2011 ISSN: 1178-9441 This is the 173rd in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email UmodernlettersU. 1. Awards and awards ................................................................................................. 1 2. When Joy Harjo came to town ............................................................................... 2 3. When Santo Cilauro comes to town ....................................................................... 3 4. Another master class ............................................................................................... 3 5. Great lists of our time .............................................................................................. 4 6. Situations Vacant ..................................................................................................... 5 7. An Albert Belz round-up ......................................................................................... 5 8. A couple of approaching deadlines......................................................................... 6 9. A very nice way to spend the summer .................................................................... 6 10. John McAuliffe reading ......................................................................................... 6 11. The expanding bookshelf...................................................................................... -
Albert Wendt, Bibliography
Albert Wendt, Bibliography Note. This is the first comprehensive bibliography of Wendt’s work and critical commentary to be compiled. Given the fugitive nature of some small-magazine publications and gleanings from clippings, the author has been unable to determine full details for some entries. Anyone finding added information is invited to contact him by email (paul_sharrad @ uow. edu. au) or through the publisher. Publications code, (Individual poems, stories and extracts of novels are followed by abbreviations of the books they later appear in as indicated below.) Sons for the Return Home (novel) 1973 SR Flying Fox in a Freedom Tree (stories) 1974 FF Some Modern Poetry from Western Samoa (anthology) 1975 SMPS Inside us the Dead (poems) 1976 ID Pouliuli (novella) 1977 P Leaves of the Banyan Tree (novel) 1979 LB Lali (anthology) 1980 Lali Shaman of Visions (poems) 1984 SV Birth and Death of the Miracle Man (stories) 1986 BDM Ola (novel) 1991 Ola Black Rainbow (novel) 1992 BR Nuanua (anthology) 1995 Nuanua Photographs (poems) 1995 PH The Best of Albert Wendt’s Short Stories (stories) 1999 BEST Book of the Black Star (poems) 2002 BS Literary Works by Wendt 1955 ‘Drowning!’ (story), The Taranakian (annual magazine of New Plymouth Boys’ High School). 1956 ‘Home’ (poem), The Taranakian (annual magazine of New Plymouth Boys’ High School). 1957 ‘The Colour Bar’ (poem), The Taranakian (annual magazine of New Plymouth Boys’ High School). 1959 ‘Uncle’ (short story), Farrago 1959, Annual Magazine of the Ardmore Teachers’ College Students’ Association, Auckland, 26-28. [Auckland College of Education Archives, ARTC, B5.] 1959 ‘The Beauty of Night’ (poem), Farrago 1959, Annual Magazine of the Ardmore Teachers’ College Students’ Association, Auckland, 7. -
Newsletter – 10 Aug 2011 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 10 Aug 2011 ISSN: 1178-9441 This is the 172nd in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email modernletters. 1. Joy Harjo .................................................................................................................. 1 2. The Orator ................................................................................................................ 2 3. Tangiwai ................................................................................................................... 2 4. We have some winners! ........................................................................................... 3 5. Ralph Hotere’s 80th ................................................................................................. 3 6. Literary festivals ...................................................................................................... 3 7. Jungle Rock Blues .................................................................................................... 4 8. Moon over Martinborough ..................................................................................... 4 9. The expanding bookshelf......................................................................................... 4 10. Complimenting a writer ........................................................................................ 4 -
How Has the Professionalisation and Commodification of New Zealand
The Game is not the Same - a History of Professional Rugby in New Zealand Gerard John Martin A thesis submitted to Auckland University of Technology in partial fulfilment of the postgraduate degree of Master of Arts (Communication Studies), 2005. Table of Contents Page Attestation of Authorship 5 Acknowledgements 6 Abstract 8 Introduction 10 Chapter One: Development of Britain’s Game for an Elite Few into New Zealand’s Game for Many 14 1.1 Rugby: Colonial Relationships and National Development 15 1.2 Rugby, Nationhood and War 21 1.3 Rugby, Race and Political Division 25 1.4 Local and Provincial Rugby 33 1.5 Amateur Rugby and Commercial Imperatives 37 Chapter Two: New Zealand Rugby is Compelled into Professionalism 50 2.1 Rugby Union, Rugby League and Media Conglomerates 51 2.2 Television Rights and Player Contracts 58 2.3 Professional Rugby: the New Landscape 68 Chapter Three: Global Commercial Imperatives Restructure the National Game 81 3.1 Broadcasting Live Rugby on Pay-TV 82 3.2 Operational and Scheduling Changes for Rugby 88 3.3 Leveraging Sponsorship Revenue from Broadcasting rights 92 3.4 Commercial Contracts and On-Field Performance 98 2 3.5 The All Blacks: National Team or Global Product? 102 Chapter Four: New Zealand Rugby Becomes Socially Divided 110 4.1 Super 12 and Provincial Rugby: Uneven Development 111 4.2 Nurturing Rugby and Financial Survival 117 4.3 Local Communities and the Funding of Rugby Facilities 123 4.4 Exporting Talent: New Zealand as a Rugby Factory 132 Chapter Five: The 2003 Rugby World Cup: Commercial Realities -
'OTHER' AUTHOR in AOTEAROA by MICHALIA ARATHIMOS a Thesis
FRACTURE: THE RECEPTION OF THE ‘OTHER’ AUTHOR IN AOTEAROA BY MICHALIA ARATHIMOS A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington (2013) 2 ABSTRACT The fracturing of cultural identity is a common trope in postcolonial literatures. Traditional binaries of „self‟ and „other‟ are now complicated by cultural hybridities that reflect the intersectionality of migrant identities, indigeneity and the postcolonial national „self‟. Where the binaries „self‟ and „other‟ do not hold, creative forms like the novel can go some way towards exploring hybrid and „other‟ experiences, both as a reinscribing and reimagining of the centre, and as a complex „writing back‟. This thesis investigates the complex positioning of the hybrid or double-cultured individual in Aotearoa in the last forty years. While postcolonial models have been used to expose the exoticisation of the „other‟ in fictional texts, Part One of this thesis goes a step further by applying these models to real authors and interrogating their representations as static objects/products in the collective „text‟ of media items written about them. Shifts in „our‟ national literary identity can be traced in changes in responses to „other‟ authors over time. Using an interdisciplinary approach, the first part of this thesis proves that there are differences in the media‟s portrayal of six Māori and „other‟ ethnic authors: Witi Ihimaera, Keri Hulme, Kapka Kassabova, Tusiata Avia, Karlo Mila and Cliff Fell, beginning with the 1972 publication of Ihimaera‟s Pounamu Pounamu and ending in 2009 with Tusiata Avia‟s Bloodclot. -
School Reports University Fiction
SCHOOL REPORTS UNIVERSITY FICTION IN THE MASCULINE TRADITION OF NEW ZEALAND LITERATURE A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in English in the University of Canterbury by Grant Cattermole. University of Canterbury 2011 1 Contents i. Abstract i Introduction 2 Chapter 1: 'Trying to be superior' – Attitudes Towards Academia in M.K. Joseph's A Pound of Saffron 19 Chapter 2: A Shrivelled Navel Cord: Notions of Oxford Prestige and Their Conflict with New Zealand Ideology in the Campus Fiction of Dan Davin 44 Chapter 3: “Between the pub and lecture-room” - Representations of New Zealand Academic Culture in the Works of James K. Baxter 74 Conclusion: The Noose of Culture - University Fiction in 21st Century New Zealand 112 Bibliography 123 2 Abstract This thesis will investigate the fictional discourse that has developed around academia and how this discourse has manifested itself in the New Zealand literary tradition, primarily in the works of M.K. Joseph, Dan Davin and James K. Baxter. These three writers have been selected because of their status within Kai Jensen's conception of “a literary tradition of excitement about masculinity”;1 in other words, the masculine tradition in New Zealand literature which provides fictional representations of factual events and tensions. This literary approach is also utilised in the tradition of British university fiction, in which the behaviour of students and faculty are often deliberately exaggerated in order to provide a representation of campus -
Research Commons at The
http://waikato.researchgateway.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. Authors control the copyright of their thesis. You will recognise the author’s right to be identified as the author of the thesis, and due acknowledgement will be made to the author where appropriate. You will obtain the author’s permission before publishing any material from the thesis. Not a Fair Go: A History and Analysis of Social Credit’s Struggle for Success in New Zealand’s Electoral System A thesis submitted in fulfilment of the requirements of Master of Arts in Political Science at University of Waikato by David Calderwood The University of Waikato 2010 Abstract This thesis is an examination of the main issues Social Credit contended with while trying to succeed in New Zealand politics. Its historical and political analysis is in the context of the electoral system. The first section argues for and describes the changing electoral context and outlines how this created difficulties for Social Credit. It concludes that the movement faced very adverse electoral periods for third parties. The second part examines founder Major C.H. Douglas’s Social Credit vision and charts Social Credit’s political adaptations from its New Zealand beginnings to the time Bruce Beetham took over as leader in 1972. -
Destination New Zealand You Probably Know All About the Scenic Side of New Zealand – the NZ of Tourist Ads, Lord of the Rings and Nature Documentaries
© Lonely Planet Publications Pty Ltd 4 On the Road CHARLES RAWLINGS-WAY Coordinating Author New Zealand is so flush with swoon-worthy vistas, empty swathes of coastline and rampant, snowcapped mountain ranges that the locals are often blasé about the smaller stuff. This isn’t to say that it’s any less beauti- ful, it’s just less big! Wairere Falls (p351), a picture-perfect little waterfall tumbling down a cliff behind Whakatane’s main street, goes almost unheralded. SCOTT KENNEDY You can’t come to Queenstown (p607), the Adven- ture Capital of the World, and not scare yourself – right? In a town where all things fear and beer in- termingle, I found myself hanging over the edge of a cliff wondering what the hell I was doing. No turning back, all there was to do was lean back and enjoy the ride. BRETT ATKINSON I didn’t spy any whales during my time in the Catlins, but this wind-up ce- SARAH BENNETT Tipped off tacean at the Lost Gypsy Gallery by members of the local (p668) was definitely the next mountain-bike club, I needed best thing. It’s bigger than most little encouragement to check of Blair Sommerville’s other out the new Canaan Downs kinetic sculptures, and loads loop track (p476). Despite a few of fun. Later, I did increase my tricky bits and the odd sheep marine mammal tally, and spied hazard, I managed to stay in a sea lion chilling on the beach the saddle most of the time. I near nearby Nugget Point. -
Barry Crump: a Bibliography Rowan Gibbs
1 Barry Crump: a bibliography Rowan Gibbs This bibliography aims to list everything by Barry Crump and most things about him. As well as my own collection of books, periodicals and newspaper clippings on New Zealand literature I have enjoyed access to the resources of the National Library of New Zealand, the Alexander Turnbull Library, the Parliamentary Library, and Wellington City Library, and I have sneaked into Victoria University Library. These have been supplemented by other reference sources, notably the online University of Auckland Library 'New Zealand Literature File', Index New Zealand, the New Zealand Biographies file at National Library, the Electric Library Australasia, and Te Puna and other online library databases and catalogues. I have also had personal communications from librarians and others in New Zealand and overseas. I have not made contact with Crump's close associates nor with his biographer Colin Hogg, whose A Life in Loose Strides (H313 below) has been of great assistance, despite the frustration of its dearth of references to sources. I have made an effort to sight all the material here; however a few items taken from reliable sources but unseen are noted as such. All editions and impressions of Crump's books have been recorded, together with the reappearance in omnibus and collected editions of books, sections of books, and stories. But Crump was not only a great reprinter, he was a frequent and effective recycler of his own material, sometimes shuffling the original order or incorporating his short stories into his novels. To help identify such recycling, titles of chapters (which are often self-contained sketches) in the novels are given here in addition to titles of short stories. -
ABSTRACT Title of Dissertation: the BROWNING of the ALL BLACKS: PACIFIC PEOPLES, RUGBY, and the CULTURAL POLITICS of IDENTITY IN
ABSTRACT Title of dissertation: THE BROWNING OF THE ALL BLACKS: PACIFIC PEOPLES, RUGBY, AND THE CULTURAL POLITICS OF IDENTITY IN NEW ZEALAND Andrew David Grainger, Doctor of Philosophy, 2008 Dissertation directed by: Professor David L. Andrews Department of Kinesiology In this dissertation I examine how the complex, and often contradictory, discourses of being a ‘Pacific person’ are played out in, and through, New Zealand rugby. In particular, I interrogate how these discourses—manifest in various forms of public expression—structure, regulate, and, potentially, challenge traditional notions of nationality. In the opening chapters I first explore how liberal values and the goals of inclusion and pluralism have been an important part of defining New Zealand identity. In this regard Pacific peoples are playing an ever-more important role. I suggest, however, that an emergent ‘Pacific multiculturalism’ actually reinforces white cultural power. It also masks the way national belonging has been racialized in New Zealand, and the role rugby has, and continues to, play in inscribing the Otherness of Pacific peoples. What I suggest is needed is alternative or resistant models of ‘culture.’ In the concluding chapters I turn to the notion of diaspora as one potential alternative. Rearticulating the insightful ideas of Paul Gilroy in my penultimate chapter, I argue that diaspora can be productively adapted as a model to comprehend the lives, travels, migrations, and significances of Pacific athletes. I suggest they provide important diasporic resources for rearticulating modes of belonging that exceed national boundaries. Methodologically, this project is a discursive analysis of the public discourses of Pacificness circulating in a diverse range of documentary, literary, and media sources.