DOCSLIB.ORG

Contemporary Dance

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Contemporary Dance DANCE CLASSICAL BALLET WAAPA’s Dance programs are intensive, with students CUA50113 - DIPLOMA OF DANCE averaging 35-40 contact hours per week. Daily (ELITE PERFORMANCE) tuition from our professional teaching staff focuses on Duration: 1 year, full-time building technical excellence, while three performance seasons per year give students the opportunity to refine their skills by working with visiting national and This nationally recognised qualification is the first year international choreographers. of the vocational dance program which leads into the Advanced Diploma of Dance (Elite Performance). It is a Repertoire includes works by: Nils Christe, Nacho Duato, classical technique and performance focused course, Rafael Bonachela, Leigh Warren, Sasha Janes, Lauren providing intense technical and practical experience Langlois, Claudia Alessi, Helder Seabra, Niv Marinberg, through classes and performance opportunities. Richard Cilli, Scott Elstermann and Raewyn Hill. In 2020, we plan to continue our collaborative partnership • Students develop technical and creative skills in and exchange with the Pina Bausch Foundation, discipline areas of ballet, pointe, pas de deux, Wuppertal. repertoire, solos and performance. Our international exchange program offers • Additional studies include contemporary, opportunities to study in Taiwan, Hong Kong or New choreography, dance history, music for dance, yoga, York State and students also regularly participate in character dance, anatomy and nutrition. international tours to China, Taiwan, France, Germany and Holland to further enhance their skills and experience. WAAPA Classical Ballet graduates can be found at: Alexander Whitely Company (UK), Ballet of Moravian Theatre Olomouc (Czech Republic), Ballet Preljocaj (France), Bangarra Dance Company, Chunky Move, Co3, Dance North, Disneyland Tokyo, Expressions Dance Company, Konzert und Theater, St Gallen (Switzerland), Leigh Warren and Dancers, Les Grandes Ballets Canadiennes (Quebec), Lucy Guerin, Moulin Rouge, Ochre Dance Co, Opera Australia, Queensland Ballet, Royal Carribbean, Royal Scottish Ballet, Russell Maliphant, Shaun Parker, Singapore Dance Theatre, Sydney Dance Company, Székesfehérvár Ballet (Hungary), TanzCompany Innsbruck (Austria), Teatre Vanemuine (Estonia), Theater Chemnitz (Germany), Victorian State Ballet, West Australian Ballet. CUA60113 - ADVANCED DIPLOMA OF “The teachers pushed me further than I DANCE (ELITE PERFORMANCE) believed I could go, they pushed me out of my comfort zone… WAAPA helped prepare me for Duration: 1 year, full-time my future as a professional dancer.” This nationally-recognised qualification is the second year of the vocational dance program. It takes a holistic approach to the needs of the classical dancer of the future, building the skills required for lifelong sustainability in the dance profession. Technically challenging, the second year also encourages dancers’ confidence and creativity. • Students develop advanced technical and creative skills in discipline areas of ballet, pointe, pas de deux, repertoire, solos and performance. • Advanced Diploma students perform in two major performance seasons each year with a range of Australian and international choreographers. • Additional studies include contemporary, choreography, dance history, performance Mia Thompson psychology, music for dance and cultural 2013 Advanced Diploma of Performing Arts (Dance), dance forms. formerly at Queensland Ballet and Scottish Ballet, • Upon completion of the Advanced Diploma of current company member at Sydney Dance Company Dance, WAAPA offers dancers the opportunity to apply for a third year of classical training in TEACHING STAFF the Bachelor of Arts Conversion (Dance). Sue Peacock (Head of Dance/Lecturer) Kim McCarthy (Coordinator Classical Ballet) Justin Rutzou (Coordinator, Contemporary Dance) See more course information Andries Weidemann (Lecturer, Classical Dance) ecu.edu.au/courses/C40 and C41 Michael Whaites (Lecturer and AD of LINK Dance Co) Dr Luke Hopper (Lecturer/Research) Our full-time staff are supported by a team of Phone: 134 328 exceptional sessional staff, many with of whom (61 8) 6304 0000 (International) have national and international qualifications and Email: [email protected] reputations as artists and educators. WAAPA.ECU.EDU.au - Information contained in this flyer was correct at the time of printing and may be subject to change. CRICOS IPC 00279B | RTO Provider 4756 CONTEMPORARY DANCE BACHELOR OF ARTS (DANCE) WAAPA’s Dance programs are intensive, with students averaging 35-40 contact hours per week. Daily Duration: 3 years, full-time tuition from our professional teaching staff focuses on building technical excellence, while three performance An intensive, challenging course where performance seasons per year give students the opportunity to and classroom practice is central to the philosophy of refine their skills by working with visiting national and the program. This course caters for students who wish international choreographers. to continue their contemporary or ballet studies at a professional level. It encourages students to pursue Repertoire includes works by: Nils Christe, Nacho Duato, individual goals as dancers, choreographers, educators, Rafael Bonachela, Leigh Warren, Sasha Janes, Lauren researchers or administrators. Langlois, Claudia Alessi, Helder Seabra, Niv Marinberg, Richard Cilli, Scott Elstermann and Raewyn Hill. In 2020, • Primary physical studies include: contemporary we plan to continue our collaborative partnership dance, ballet, performance, repertoire, choreography and exchange with the Pina Bausch Foundation, and secondment with electives in yoga, tumbling, Wuppertal. acting, aerial, cultural dance and somatic studies. • BA students perform in two major performance Our international exchange program offers seasons each year with a range of Australian and opportunities to study in Taiwan, Hong Kong or New international choreographers. York State and students also regularly participate in international tours to China, Taiwan, France, Germany • Additional studies include: dance history, dance and Holland to further enhance their skills and criticism, arts administration, and music. experience. • This provides insight into dance as an art form and develops skills in communication, critical thinking WAAPA Dance graduates can be found at companies and research. around the world including; • The course provides a range of international ADT, Alexander Whitely Company (UK), Bangarra programs for semester-long exchange, study Dance Company, Chunky Move, Co3 , Dance North, abroad, or performance. They can also apply Disneyland Tokyo, Expressions Dance Company, Leigh for short-term industry placements within major Warren and Dancers, Lucy Guerin, Moulin Rouge, Royal Australian companies. Caribbean, Russell Maliphant, Shaun Parker, Singapore • The Bachelor of Arts (Dance) is a prerequisite for Dance Theatre, Sydney Dance Company, Ultima Vez. Honours, LINK Dance Company, Masters programs in performance research as well as for the Graduate Diploma of Education. POSTGRADUATE OPPORTUNITIES AND “It opened up your eyes to LINK DANCE COMPANY different creative processes LINK is a fourth year Honours program and a pre- professional dance company. Dancers who have and how to adapt to different completed a Bachelor of Arts degree can audition situations.” for LINK’s one-year intensive program. LINK’s purpose is to bridge the gap between university studies and professional practice. Its program has a strong focus on contemporary choreographic process, research and performance. MASTER OF ARTS (PERFORMING ARTS) This course is unique for its ‘work place’ learning model, immersing the individual in dance making practice alongside world class teaching staff and national and international visiting artists. TEACHING STAFF Sue Peacock (Head of Dance/Lecturer) Kim McCarthy (Coordinator Classical Ballet) Justin Rutzou (Coordinator, Contemporary Dance) Photo by Tyrone robinso Photo by Tyronne Robinson Andries Weidemann (Lecturer, Classical Dance) Michael Whaites (Lecturer and AD of LINK Dance Co) Dr Luke Hopper (Lecturer/Research) “You form such close bonds with your classmates and teachers, dancing and living in one another’s Our full-time staff are supported by a team of hip pockets for three years, and now everyone has exceptional sessional staff, many of whom have spread out across the world. I really miss having a national and international qualifications and guaranteed dance class every day.” reputations as artists and educators. Scott Elstermann Freelance dancer and choreographer See more course information Pina Bausch Fellowship Winner 2018 ecu.edu.au/courses/G48 Phone: 134 328 (61 8) 6304 0000 (International) Email: [email protected] WAAPA.ECU.EDU.au - Information contained in this flyer was correct at the time of printing and may be subject to change. CRICOS IPC 00279B | RTO Provider 4756.
Load more

Recommended publications
  • 98Th ISPA Congress Melbourne Australia May 30 – June 4, 2016 Reimagining Contents
    98th ISPA Congress MELBOURNE AUSTRALIA MAY 30 – JUNE 4, 2016 REIMAGINING CONTENTS ACKNOWLEDGEMENT OF PEOPLE & COUNTRY 2 MESSAGE FROM THE MINISTER FOR CREATIVE INDUSTRIES, 3 STATE GOVERNMENT OF VICTORIA MESSAGE FROM THE CHIEF EXECUTIVE OFFICER, ARTS CENTRE MELBOURNE 4 MESSAGE FROM THE DIRECTOR OF PROGRAMMING, ARTS CENTRE MELBOURNE 5 MESSAGE FROM THE CHAIR, INTERNATIONAL SOCIETY FOR THE PERFORMING ARTS (ISPA) 6 MESSAGE FROM THE CHIEF EXECUTIVE OFFICER, INTERNATIONAL SOCIETY FOR THE PERFORMING ARTS (ISPA) 7 LET THE COUNTDOWN BEGIN: A SHORT HISTORY OF ISPA 8 MELBOURNE, AUSTRALIA 10 CONGRESS VENUES 11 TRANSPORT 12 PRACTICAL INFORMATION 13 ISPA UP LATE 14 WHERE TO EAT & DRINK 15 ARTS CENTRE MELBOURNE 16 THE ANTHONY FIELD ACADEMY SCHEDULE OF EVENTS 18 THE ANTHONY FIELD ACADEMY SPEAKERS 22 CONGRESS SCHEDULE OF EVENTS 28 CONGRESS PERFORMANCES 37 CONGRESS AWARD WINNERS 42 CONGRESS SESSION SPEAKERS & MODERATORS 44 THE ISPA FELLOWSHIP CHALLENGE 56 2016 FELLOWSHIP PROGRAMS 57 ISPA FELLOWSHIP RECIPIENTS 58 ISPA STAR MEMBERS 59 ISPA OUT ON THE TOWN SCHEDULE 60 SPONSOR ACKNOWLEDGEMENTS 66 ISPA CREDITS 67 ARTS CENTRE MELBOURNE CREDITS 68 We are committed to ensuring that everyone has the opportunity to become immersed in ISPA Melbourne. To help us make the most of your experience, please ask us about Access during the Congress. Cover image and all REIMAGINING images from Chunky Move’s AORTA (2013) / Photo: Jeff Busby ACKNOWLEDGEMENT OF PEOPLE MESSAGE FROM THE MINISTER FOR & COUNTRY CREATIVE INDUSTRIES, Arts Centre Melbourne respectfully acknowledges STATE GOVERNMENT OF VICTORIA the traditional owners and custodians of the land on Whether you’ve come from near or far, I welcome all which the 98th International Society for the Performing delegates to the 2016 ISPA Congress, to Australia’s Arts (ISPA) Congress is held, the Wurundjeri and creative state and to the world’s most liveable city.
    [Show full text]
  • Vanishing Point Shian
    Presented by Arts House as part of Dance Massive Vanishing Point A Shian Law Image: James Wright H S Tue 14 – Sat 18 Mar, 8.45pm 60 mins 1 artshouse.com.au Creative Team Artist Statement Shian Law Benjamin Hurley A séance In a society that would have this Choreographer Understudy Phillip Adams Cam Mclachlan Creating the history mean nothing, there is something Collaborating Assistant Calling the never-born work from essential about the work that was Choreographer Alison Halit the grave, never quite made never made Deanne Butterworth Producer Collaborating Sheridan Gerrald, Living a life of purgatory along the The work being made as we speak Choreographer Thomas Woodman, margin of marginal dance histories Which is to say the work that cannot Jo Lloyd Benjamin Hurley, Milo in Australia be known before it is made, may be Collaborating Hyde, Cam McLachlan, Choreographer/ Luke Fryer, Ellen Davies, At the same time central, crucial never made Dramaturg Emma Riches, Mossy (The only ones, perhaps) But is wished for Matthew Adey Pebbles Though there are always margins to A work whose future is not known, Set & Lighting Designer Performers for James Wright Performance Lecture: the margins and history is kind to no but which we must nonetheless Video Artist/ Grey Area, FUCKDOG one once you’re dead create and make to ever see Cinematographer/Editor Michael McNab (The memory as a weak organ, or: But how to convince other people Christine Francis Musician for Performance Photographer Lecture: FUCKDOG a fact proved wrong by dance) that it is a work?
    [Show full text]
  • Choreographic Performance Systems
    Choreographic Performance Systems Johannes Birringer Digital Performance Around the turn of the millennium reviewers noted that the marriage of dance and technology had produced a few significant works which startled audiences and shifted attention to what we now call digital performance. While the growth of computer-based art is an accepted phenomenon in globalized technological cultures, the genre of digital performance is still adolescent and thus in need of historical and conceptual underpinnings.1 The more sustained lineage of dance on screen and multimedia performances which incorporate projections of screen images offers a background for understanding the compatibility between live dance and the moving image, yet the incursion of software into choreographic working process is a different matter. Digital performance, to begin, is not a screen-based medium. Rather, it is characterized by an interface structure and computational processes that are integral for composition, evolving content, aesthetic techniques, interactive configurations and delivery forms. In many instances, the integration of human-machine interfaces implies the design of interactive systems, with 3D motion sensing set ups (for example Kinect) or wearable instruments that control real-time synthesis of digital outputs. Installation architectures compete with the stage – contextual design of programmable systems becomes a new form of architecture, protocol, and bio-informatic space. In the following, I review the historical development of video-dance, motion capture,
    [Show full text]
  • U.S. Facing Battle Over Castro Issue
    Weather Distribution Temperature at 7 a.m., » Today degrees. Fair today, tonight FED BANK mad tomorrow. Temperature io »'«today;, low tonight 21. High 18,900 tomorrow In »'«. Thursday continued fair not M wld. See m>HDArTniiovcnrnDAY-trr. an / weather, page 7. _ ; y Dial SH I-0010 Issued dlllr, Uond«r tCf 7rU»r. i»ogna CI111 Po»t««i RED BANK, N. J., TUESDAY, JANUARY 23, 1962 7c PER COPY PAGE ONE VOL. 84, NO. 146 Paid It Red But aol tt Addition!! Maillni OKIcei. Compromise Agreement Decision Due U.S. Facing Battle On H&M Plan TRENTON (AP) - The year- location would be on the site ol long battle between New York the present H&M terminal. and New Jersey over purchase ol Hughes said (he world trade Over Castro Issue the Hudson & Manhattan- Rail- center would now cost much less road and construction of a world than originally planned, reducing rade center appeared near set- the imbalance in benefits to the lement today. two states. The projects, to be carried out Fund Increase Accord by the Port of New York Author- The amount of money the Port ity, could run close to half a bil- Authority would put into the H&M ion dollars. would be substantially increased Gov. Richard J. Hughes said over the original $85 million. Formula he would present a compromise Hughes said the compromise agreement to New Jersey legis- plan does not include a rail line lators Thursday. The plan, he to Newark Airport, as proposed said, has "substantial agree- (See DECISION, Page 2) Sought ment" among New York officials, The New Jersey governor PUNTA DEL ESTE, Uru- would not spell out details of the guay (AP) — The United ITALIAN POLICEMEN guard wreckage of Communist new plan during a news confer- Building States fought an uphill bat- Bulgarian jat fighter carrying an aerial reconnaistanco ence yesterday.
    [Show full text]
  • SPLIT PRO 01.Pdf (594.4Kb)
    Presented by Arts House as part of Dance Massive Split A Lucy Guerin Inc Image: Gregory Lorenzutti H S Thu 16 – Sat 18 Mar, 7pm & Thu 23 – Sat 25 Mar, 7pm & Sun 19 & Sun 26 Mar, 3pm 50 mins 1 artshouse.com.au Creative Team Artist Statement Lucy Guerin The inspiration for Split came from ending ways in which women Choreographer/Director Melanie Lane & a desire to get into the studio with must conform to a ridiculous ideal. Lilian Steiner just two dancers. Having worked on In Split it is what the body does Dancers some larger pieces over the last as much as what it is that is Scanner Composer couple of years, I wanted that luxury important. Paul Lim of closeness with the dancers, to Lighting Designer play and search in a low pressure Heartfelt thanks to Lilian and Harriet Oxley Costume Designer environment. This for me is the joy Melanie for their courage and Robin Fox of dance making, a chance to burrow commitment to this work. Their Sound Designer into the pure elements of patience and diligence is very Jessie Oshodi Dancer Understudy choreography; time, space, structure apparent, and the gravity and Tra Mi Dinh and the movement of the human concentration that they bring to Dancer Secondee body. And to allow content to the choreography are vital to its James Lipari Production Manager develop from that process which realisation. Annette Vieusseux has resonance in the world. Producer Their willingness to engage in Claire Bradley Duke Assistant Producer Split shifts between two bodies, the creative process not just as reconciled and in conflict.
    [Show full text]
  • Darkemu-Program.Pdf
    1 Bringing the connection to the arts “Broadcast Australia is proud to partner with one of Australia’s most recognised and iconic performing arts companies, Bangarra Dance Theatre. We are committed to supporting the Bangarra community on their journey to create inspiring experiences that change society and bring cultures together. The strength of our partnership is defined by our shared passion of Photo: Daniel Boud Photo: SYDNEY | Sydney Opera House, 14 June – 14 July connecting people across Australia’s CANBERRA | Canberra Theatre Centre, 26 – 28 July vast landscape in metropolitan, PERTH | State Theatre Centre of WA, 2 – 5 August regional and remote communities.” BRISBANE | QPAC, 24 August – 1 September PETER LAMBOURNE MELBOURNE | Arts Centre Melbourne, 6 – 15 September CEO, BROADCAST AUSTRALIA broadcastaustralia.com.au Led by Artistic Director Stephen Page, we are Bangarra’s annual program includes a national in our 29th year, but our dance technique is tour of a world premiere work, performed in forged from more than 65,000 years of culture, Australia’s most iconic venues; a regional tour embodied with contemporary movement. The allowing audiences outside of capital cities company’s dancers are dynamic artists who the opportunity to experience Bangarra; and represent the pinnacle of Australian dance. an international tour to maintain our global WE ARE BANGARRA Each has a proud Aboriginal and/or Torres reputation for excellence. Strait Islander background, from various BANGARRA DANCE THEATRE IS AN ABORIGINAL Complementing Bangarra’s touring roster are locations across the country. AND TORRES STRAIT ISLANDER ORGANISATION AND ONE OF education programs, workshops and special AUSTRALIA’S LEADING PERFORMING ARTS COMPANIES, WIDELY Our relationships with Aboriginal and Torres performances and projects, planting the seeds for ACCLAIMED NATIONALLY AND AROUND THE WORLD FOR OUR Strait Islander communities are the heart of the next generation of performers and storytellers.
    [Show full text]
  • State High School Dance Festival 2014 – BYU Adjudicator and Master Class Teacher Bios
    Utah Dance Education Organization State High School Dance Festival 2014 – BYU Adjudicator and Master Class Teacher Bios Kay Andersen received his Master of Arts degree at New York University. He resided in NYC for 15 years. From 1985-1997 he was a soloist with the Nikolais Dance Theatre and the Murray Louis Dance Company. He performed worldwide, participated in the creation of important roles, taught at the Nikolais/Louis Dance Lab in NYC and presented workshops throughout the world. At Southern Utah University he choreographs, teaches improvisation, composition, modern dance technique, tap dance technique, is the advisor of the Orchesis Modern Dance Club, and serves as Chair of the Department of Theatre Arts and Dance. He has choreographed for the Utah Shakespearean Festival and recently taught and choreographed in China, the Netherlands, Mexico, North Carolina School of the Arts, and others. Kay Andersen (SUU) Ashley Anderson is a choreographer based in Salt Lake City. Her recent work has been presented locally at the Rose Wagner Performing Arts Center, the Rio Gallery, the BYU Museum of Art, Finch Lane Gallery, the City Library, the Utah Heritage Foundation’s Ladies’ Literary Club, the Masonic Temple and Urban Lounge as well as national venues including DraftWork at Danspace Project, BodyBlend at Dixon Place, Performance Mix at Joyce SOHO (NY); Mascher Space Cooperative, Crane Arts Gallery, the Arts Bank (PA); and the Taubman Museum of Art (VA), among others. Her work was also presented by the HU/ADF MFA program at the American Dance Festival (NC) and the Kitchen (NY). She has recently performed in dances by Ishmael Houston-Jones, Regina Rocke & Dawn Springer.
    [Show full text]
  • 2008, WDA Global Summit
    World Dance Alliance Global Summit 13 – 18 July 2008 Brisbane, Australia Australian Guidebook A4:Aust Guide book 3 5/6/08 17:00 Page 1 THE MARIINSKY BALLET AND HARLEQUIN DANCE FLOORS “From the Eighteenth century When we come to choosing a floor St. Petersburg and the Mariinsky for our dancers, we dare not Ballet have become synonymous compromise: we insist on with the highest standards in Harlequin Studio. Harlequin - classical ballet. Generations of our a dependable company which famous dancers have revealed the shares the high standards of the glory of Russian choreographic art Mariinsky.” to a delighted world. And this proud tradition continues into the Twenty-First century. Call us now for information & sample Harlequin Australasia Pty Ltd P.O.Box 1028, 36A Langston Place, Epping, NSW 1710, Australia Tel: +61 (02) 9869 4566 Fax: +61 (02) 9869 4547 Email: [email protected] THE WORLD DANCES ON HARLEQUIN FLOORS® SYDNEY LONDON LUXEMBOURG LOS ANGELES PHILADELPHIA FORT WORTH Ausdance Queensland and the World Dance Alliance Asia-Pacific in partnership with QUT Creative Industries, QPAC and Ausdance National and in association with the Brisbane Festival 2008 present World Dance Alliance Global Summit Dance Dialogues: Conversations across cultures, artforms and practices Brisbane 13 – 18 July 2008 A Message from the Minister On behalf of our Government I extend a warm Queensland welcome to all our local, national and international participants and guests gathered in Brisbane for the 2008 World Dance Alliance Global Summit. This is a seminal event on Queensland’s cultural calendar. Our Government acknowledges the value that dance, the most physical of the creative forms, plays in communicating humanity’s concerns.
    [Show full text]
  • 21, 1962 #Ry Thur»Ttt»Y 82 P———10 C—To Ice of the Peopi Rep
    THE WESTFIELD LEADER THB UUDDTO AND MOST WDHU.Y fBOULATBD WIMttY HBWIPAPIl W 0WOJI OOO1TTT I'UblJshtHl SNTY-SECOND YEAB^-No. 26 WESTFIELD, NEW JERSKY, WEDNESDAY, FEBRUARY 21, 1962 #ry Thur»ttt»y 82 P———10 C—to Ice of the PeopI Rep. Dwyer Enters Newsletters By Young Journalist [Democracy At Work Bid for Primary, Coe Gets Fourth Term Offer Eye Views Of Europe, Asia With this issue, the "Leader" For more than a year, she School In Town Meetings begins a series of ten articles by served as press secretary at the COP Congresswoman a young Westfield free-lance jour- Iranian Embassy in Washington {Two thorny problems for which proposed solutions have met with Pledges to Press nalist, Winifred. Baumer, who will where she was editor of the Em- ance from the citizens were faced headon Saturday morning in write from Paris, Vienna, Yugo- bassy's bi-monthly magazine, "Thc Party Interests slavia. Turkey and Iran. Iran Review." Early last Novem- Post uncil Chambers at separate public hearings. Miss Baumer, daughter of Mr.ber, she began her present tour [The purpose of the meetings—to present council's plan in detail Union County Congresswoman and Mrs. William H. Baumer of of Europe and the Near East. leloeation of the Town Yard—to present the Board of Education's Florence P. Dwyer, considered one 601 St. Marks avenue, writes from Her initial article "Letter from Dr. Rhoda Is Elected 1st for an expanded play area for McKinley School pupils and to of the strongest vote-getters among experiences unusual in one barely Europe" follows: e tenor of the feelings on both from those most affected, the House Republicans, today an- into her twenties.
    [Show full text]
  • Study Dance at the Western Australian Academy of Performing Arts
    DANCE CLASSICAL BALLET WAAPA’s Dance programs are intensive, with students CUA51520 - DIPLOMA OF PROFESSIONAL averaging 35-40 contact hours per week. Daily DANCE (ELITE PERFORMANCE) tuition from our professional teaching staff focuses on Duration: 1 year, full-time building technical excellence, while three performance seasons per year give students the opportunity to refine their skills by working with visiting national and This nationally recognised qualification is the first year international choreographers. of the vocational dance program which leads into the Advanced Diploma of Professional Dance (Elite Repertoire includes works by: Nils Christe, Nacho Duato, Performance). It is a classical technique and Rafael Bonachela, Leigh Warren, Sasha Janes, Lauren performance focused course, providing intense Langlois, Claudia Alessi, Helder Seabra, Niv Marinberg, technical and practical experience through classes Richard Cilli, Scott Elstermann and Raewyn Hill. In 2020, and performance opportunities. we plan to continue our collaborative partnership • Students develop technical and creative skills in and exchange with the Pina Bausch Foundation, discipline areas of ballet, pointe, pas de deux, Wuppertal. repertoire, solos and performance. Our international exchange program offers • Additional studies include contemporary, opportunities to study in Taiwan, Hong Kong or New choreography, dance history, music for dance, yoga, York State and students also regularly participate in character dance, anatomy and nutrition. international tours to
    [Show full text]
  • Gender Inequity in Achievement and Acknowledgment in Australian Contemporary Dance
    Edith Cowan University Research Online Theses : Honours Theses 2009 Architects of the identity of dance: Gender inequity in achievement and acknowledgment in Australian contemporary dance Quindell Orton Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses_hons Part of the Dance Commons, and the Gender and Sexuality Commons Recommended Citation Orton, Q. (2009). Architects of the identity of dance: Gender inequity in achievement and acknowledgment in Australian contemporary dance. https://ro.ecu.edu.au/theses_hons/1331 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses_hons/1331 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form.
    [Show full text]
  • 2000 Dance Graduation Performance of Human Terrain Program Introduction
    2000 Dance Graduation Performance Of Human Terrain Program Introduction In a world of multi-media and virtual reality, with its exciting potential for unimagined worlds to be developed, it is not Blood on the Moon accidental that the title of our 2000 Graduation Season is by Harold Collins MBE Of Human Terrain. Despite the advances of technology and the amazing differences it make to our lives, now more than ever, live human interaction and the achievements of the human body and spirit are being celebrated - as we INTERVAL have recently done in the Sydney Olympics, albeit for most 30 minutes of us via our television screens. Video in foyer Tonight you will see both digital and live dance. In the foyer Choreographers : John Utans I Lisa Wilson you can enjoy a continuous screening of solos danced by all Performed by AD1, AD2, BA1 /2/3 Performance our performance students, choreographed by John Utans Students and Lisa Wilson. Inside the theatre you will experience live performances by these same students. Unlike our first season Dance Bytes, which was an eclectic array of short pieces, the graduation season this year presents two Of Human Terrain substantial works by two experienced and acclaimed by Leigh Warren Australian choreographers. The first, in a classical style, is choreographed by Harold Collins, whose legacy to dance in Queensland is not to be underestimated. Most people understand the stringent requirements of classical ballet even if they do not attend it My thanks to the many talented artists and teachers who have regularly- the difficulty of standing 'en pointe', of maintaining worked with us throughout the year to train these graduates.
    [Show full text]