Bennett V. Spear and the Past and Future of Standing in Environmental Cases
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C Asper the Friendly Ghost Jumpchain
C asper The Friendly Ghost Jumpchain Welcome to the Worlds of Casper the Friendly Ghost... Alive or dead you'll be spending the next ten years dwelling here. The Worlds of Casper have one common theme, ghosts should be scary; those that won't be mean, will be disciplined. Here, Have 1000 Casper Points to get you started. Location To start off roll 1d8 to determine your location or pay 50cp to choose 1. 1950's Animated Casper – Noveltoons/HarveyToons. - This is the world of the original Casper cartoons, Casper 'lives' with his three 'Uncles' the Terrible Trio; Fatso, Fusso, and Lazo pressure poor Casper into being mean when he just want's to make friends. You may be able to make friends with the family of Richie Rich while you are here. 2. 1960's New Casper Cartoon Show – Casper and his friends, the ghost horse Nightmare, and Wendy the Good Little Witch, are all somewhat ostracized by their peers as they just want to be nice. This world features many elements from classic fantasy, enchanted forests, A Toyland, even Alien visitors. 3. 1970's Casper TV Specials by Hanna-Barbera - Casper Celebrated Both Halloween and Christmas with the Hanna-Barbera Gang. Yogi Bear, Snagglepuss, Huckleberry Hound et cetra. Why not visit Jellystone park while you're here? 4. 1990's Casper Film/The Spooktacular New Adventures of Casper series - This is the only version of Casper to have a Human Life to be remembered. C. McFadden is the son of a mysterious inventor and owner of Whipstaff Manor. -
Fortean Times 338
THE X-FILES car-crash politics jg ballard versus ronald reagan cave of the witches south america's magical murders they're back: is the truth still out there? phantom fares japan's ghostly cab passengers THE WORLD’S THE WORLD OF STRANGE PHENOMENA WWW.FORTEANTiMES.cOM FORTEAN TiMES 338 chimaera cats • death by meteorite • flat earth rapper • ancient greek laptop WEIRDES NEWS T THE WORLD OF STRANGE PHENOMENA www.forteantimes.com ft338 march 2016 £4.25 THE SEcRET HiSTORy OF DAviD bOWiE • RETuRN OF THE x-FiLES • cAvE OF THE WiTcHES • AuTOMATic LEPREcHAuNSP • jAPAN'S GHOST ACE ODDITY from aliens to the occult: the strange fascinations of daVid b0Wie FA RES bogey beasts the shape-shifting monsters of british folklore mystery moggies on the trail of alien big MAR 2016 cats in deepest suffolk Fortean Times 338 strange days Japan’s phantom taxi fares, John Dee’s lost library, Indian claims death by meteorite, cretinous criminals, curious cats, Harry Price traduced, ancient Greek laptop, Flat Earth rapper, CONTENTS ghostly photobombs, bogey beasts – and much more. 05 THE CONSPIRASPHERE 23 MYTHCONCEPTIONS 05 EXTRA! EXTRA! 24 NECROLOG the world of strange phenomena 15 ALIEN ZOO 25 FAIRIES & FORTEANA 16 GHOSTWATCH 26 THE UFO FILES features COVER STORY 28 THE MAGE WHO SOLD THE WORLD From an early interest in UFOs and Aleister Crowley to fl irtations with Kabbalah and Nazi mysticism, David Bowie cultivated a number of esoteric interests over the years and embraced alien and occult imagery in his costumes, songs and videos. DEAN BALLINGER explores the fortean aspects and influences of the late musician’s career. -
96-843
OFFICIAL TRANSCRIPT PROCEEDINGS BEFORE THE SUPREME COURT OF THE UNITED STATES CAPTION: NATIONAL CREDIT UNION ADMINISTRATION, Petitioner v. FIRST NATIONAL BANK & TRUST CO., ET AL. and AT & T FEDERAL CREDIT UNION, ET AL., Petitioner v. FIRST NATIONAL BANK & TRUST CO., ET AL. CASE NO: No. 96-843, 96-847, l <L PLACE: Washington, D.C. DATE: Monday, October 6, 1997 PAGES: 1-61 ALDERSON REPORTING COMPANY 1111 14TH STREET, N.W. WASHINGTON, D.C. 20005-5650 202 289-2260 , v LIBRARY OCT ~ 8 1997 Supreme Court U. RECEIVED SUPREME COURT. U.S MARSHAL'S Of F ICE *97 OCT -7 All 22 1 IN THE SUPREME COURT OF THE UNITED STATES 2 X 3 NATIONAL CREDIT UNION : 4 ADMINISTRATION, : 5 Petitioner : 6 v. : No. 96-843 7 FIRST NATIONAL BANK & TRUST CO., : 8 ET AL.; : 9 and : CONSOLIDATED 10 AT&T FEDERAL CREDIT UNION, ET AL., : 11 Petitioner : 12 v. : No. 96-847 13 FIRST NATIONAL BANK & TRUST CO., : 14 ET AL. : 15 ----------------- -X 16 Washington, D.C. 17 Monday, October 6, 1997 18 The above-entitled matter came on for oral 19 argument before the Supreme Court of the United States at 20 10:05 a.m. 21 APPEARANCES: 22 SETH P. WAXMAN, ESQ., Acting Solicitor General, Department 23 of Justice, Washington, D.C.; on behalf of the Federal 24 Petitioner. 25 JOHN G. ROBERTS, JR., ESQ., Washington, D.C.; on behalf of 1 ALDERSON REPORTING COMPANY, INC. 1111 FOURTEENTH STREET, N.W. SUITE 400 WASHINGTON, D.C. 20005 (202)289-2260 (800) FOR DEPO 1 the Private Petitioners. -
Children's Horror, PG-13 and the Emergent Millennial Pre-Teen
Children Beware! Children’s horror, PG-13 and the emergent Millennial pre-teen Filipa Antunes A thesis submitted for the degree of Doctor of Philosophy University of East Anglia School of Art, Media and American Studies December 2015 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Filipa Antunes “Children beware!” Abstract This thesis is a study of the children’s horror trend of the 1980s and 1990s focused on the transformation of the concepts of childhood and horror. Specifically, it discusses the segmentation of childhood to include the pre-teen demographic, which emerges as a distinct Millennial figure, and the ramifications of this social and cultural shift both on the horror genre and the entertainment industry more broadly, namely through the introduction of the deeply impactful PG-13 rating. The work thus adds to debates on children and horror, examining and questioning both sides: notions of suitability and protection of vulnerable audiences, as well as cultural definitions of the horror genre and the authority behind them. The thesis moreover challenges the reasons behind academic dismissal of these texts, pointing out their centrality to on-going discussions over childhood, particularly the pre-teen demographic, and suggesting a different approach to the -
BOOK of ABSTRACTS New (4) Copia
BOOK OF ABSTRACTS KEYNOTE LECTURES • CHEYETTE, BRYAN [email protected] University of Reading (UK) “The Contemporary Novel, Reality Hunger and the Memory Boom” This lecture will explore the tensions between historical understanding and memory studies with particular reference to the Holocaust and decolonization (under the sign of the post- 1990s “memory boom”). After the exhaustion of “postmodernism” and “postcolonialism” as master signifiers of the contemporary, recent influential narratives —such as David Shields’ “reality hunger” or Michael Rothberg’s “multidirectional memory”— may, I will argue, unwittingly reinforce long-standing binaries between memory and history, fluidity and rigidity, subjectivity and objectivity, the real and the imagined. The lecture will be illustrated from the fiction, memoirs and histories of a wide range of imaginative writers, memoirists, and intellectuals in a bid to both bring together new comparative histories and show how the “memory boom” has made such comparative work particularly challenging. • EAGLESTONE, ROBERT [email protected] Royal Holloway, University of London (UK) “Telos and Trauma” The cluster of ideas around trauma, violence and testimony mark one connection between literature, the past and ethics. Recent research in the field has explored both the frequent elision of the world outside Europe in these debates and the ways in which “memories are mobile … [and] histories are implicated in each other” (Rothberg). The aim of this, in turn, has been the hope that these aspects -
The Zone of Interest Pdf, Epub, Ebook
THE ZONE OF INTEREST PDF, EPUB, EBOOK Martin Amis | 320 pages | 21 Aug 2014 | Vintage Publishing | 9780224099745 | English | London, United Kingdom The Zone of Interest PDF Book There are many reasons to avoid this book. How are others finding it?. Play the game. The identical fear has brought many survivors to choose silence, and in silence they still live today. Thomsen becomes enamored with Doll's wife Hannah. About this book. This mirror didn't show you your reflection. I wonder if this isn't really a novel for future generations, which might perhaps join Tadeusz Borowski's This Way for the Gas, Ladies and Gentlemen and a few other books as a concise introductory to the era's horrors. Instead, what is truly exceptional about this book is what it says about men and masculinity within those notions. Szmul though and the ethical and physical horror he undergoes every day, not surprisingly, eludes Amis. Caught doing something plainly disgusting. In some ways, I respect this approach. I will say that it was an interesting read as apart from The Reader i haven't read 'the other side of the story', but it's not for the faint hearted. Lastly, there is Szmul, a Jewish prisoner, who works at the ramp where the prisoners arrive on the trains and who is a witness to all the atrocities that happen around him. Granted, it would be very difficult for any writer, no matter how talented, to pull off a combination love story and office comedy set within the higher bureaucracy of a concentration camp. -
1610792551110.Pdf
Casper (Fox Films) Casper: A Spirited Beginning & Casper Meets Wendy A Jumpchain CYOA by WoL_Anon Ver. 0.1 In this world, both ghosts and witches exist. The year is 1997, and the titular Casper has only just become a ghost. Should events proceed as normal, over the next few days he will make his very first friend, form a family with the Ghostly Trio, and dub himself ‘The Friendly Ghost’. About a year later, Casper will go on vacation with the Ghostly Trio. It is then that he will meet Wendy, a witch, and form a friendship with her as well. You arrive in this world as Casper comes to on a train bound for Ghost Central Station. You will be staying here for the next ten years. You have 1000 choice points (cp) to spend. -Age and Gender- You may choose any age you would like for free, as long as it makes sense and does not provide you with any additional advantages you have not purchased. Your gender remains the same, but you can pay 50cp to change it if you wish. -Background and Species- You must choose one of the following options, which will serve both as an Origin, as well as a species choice. Each one qualifies you for different discounts. You may design a background in this world, based on your Origin and what you purchase here, provided it makes sense and does not provide you with advantages not granted by purchases you have made. Alternatively, you may choose to take your Origin as a Drop-In, with no memories or history in this world. -
You've Seen the Movie, Now Play The
“YOU’VE SEEN THE MOVIE, NOW PLAY THE VIDEO GAME”: RECODING THE CINEMATIC IN DIGITAL MEDIA AND VIRTUAL CULTURE Stefan Hall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2011 Committee: Ronald Shields, Advisor Margaret M. Yacobucci Graduate Faculty Representative Donald Callen Lisa Alexander © 2011 Stefan Hall All Rights Reserved iii ABSTRACT Ronald Shields, Advisor Although seen as an emergent area of study, the history of video games shows that the medium has had a longevity that speaks to its status as a major cultural force, not only within American society but also globally. Much of video game production has been influenced by cinema, and perhaps nowhere is this seen more directly than in the topic of games based on movies. Functioning as franchise expansion, spaces for play, and story development, film-to-game translations have been a significant component of video game titles since the early days of the medium. As the technological possibilities of hardware development continued in both the film and video game industries, issues of media convergence and divergence between film and video games have grown in importance. This dissertation looks at the ways that this connection was established and has changed by looking at the relationship between film and video games in terms of economics, aesthetics, and narrative. Beginning in the 1970s, or roughly at the time of the second generation of home gaming consoles, and continuing to the release of the most recent consoles in 2005, it traces major areas of intersection between films and video games by identifying key titles and companies to consider both how and why the prevalence of video games has happened and continues to grow in power. -
SVWC 2019 Reading List for Website
2019 Reading List Martin Amis The Rub of Time: Bellow, Nabokov, Hitchens, Travolta, Trump: Essays and Reportage, 1994-2017 (2018) The Zone of Interest (Vintage International) (2015)reprint Experience:A Memoir (2014) Kobe the Dread (2014) Lionel Asbo: State of England (2012) The Pregnant Widow (2011) Heavy Water and Other Stories (2011) Other People (2010) The Second Plane (2009) House of Meeting (2007) Vintage Amis (2007) Yellow Dog (2005) The War Against Cliche (2002) Experience (2000) Night Train (1999) The Information (1996) Visiting Mrs. Nabokov (1995) Times Arrow (1992) Dead Babies (1991) Success (1991) The Moronic Inferno (1991) Einstein’s Monsters (1990) London Fields (1989) Money:A Suicide Note (1984) Invasion of the Space Invaders (1992) The Rachel Papers (1973) Kwame Anthony Appiah The Lies That Bind: Rethinking Identity (2018) As If: Idealization and Ideals (2017) Lines of Descent (2014) The Honor Code: How Moral Revolutions Happen (2011) Cosmopolitanism:Ethics in a World of Strangers (2010) Encyclopedia of Africa (2010) Experiments in Ethics (2008) The Ethics of Identity (2005) Thinking It Through (2003) Color Conscious (1998) Nobody Likes Letina (1994) In My Father’s House (1993) Avenging Angel (1991) Necessary Questions(1989) Rick Atkinson The British Are Coming:The War for America, Lexington to Princeton (2019) The Guns at Last Night:The War in Western Europe 1944-1945 (2014) D-Day:The Invasion of Normandy 1944 (2014) The Long Gray Line:The American Journey of West Point’s Class of 1966 (2009) In the Company of Soldiers:A -
Holy Ghosts, Or, How a (Not So) Good Catholic Boy Became a Believer in Things That Go Bump in the Night / Gary Jansen
Table of Contents Title Page Copyright Page Dedication PART I - Follow the Thread Chapter 1 Chapter 2 Chapter 3 Chapter 4 PART II - Discernment of Spirits Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 PART III - Dearly Departed Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Acknowledgements ABOUT THE AUTHOR JEREMY P. TARCHER/PENGUIN Published by the Penguin Group Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA • Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.) • Penguin Books Ltd, 80 Strand, London WC2R 0RL, England • Penguin Ireland, 25 St Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd) • Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia • (a division of Pearson Australia Group Pty Ltd) • Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi-110 017, India • Penguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore 0632, New Zealand (a division of Pearson New Zealand Ltd) • Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England Copyright © 2010 by Gary Jansen All rights reserved. No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the author’s rights. Purchase only authorized editions. Published simultaneously in Canada Scripture texts in this work are taken from the New American Bible with Revised New Testament and Revised Psalms ©1991, 1986, 1970 Confraternity of Christian Doctrine, Washington, D.C., and are used by permission of the copyright owner. -
Thinking Animation: Bridging the Gap Between 2D and CG the Magic of Animation
TEAM LinG ©2007 Angie Jones and Jamie Oliff. All rights reserved. No part of Publisher and General Manager, this book may be reproduced or transmitted in any form or by any Thomson Course Technology PTR: means, electronic or mechanical, including photocopying, recording, Stacy L. Hiquet or by any information storage or retrieval system without written Associate Director of Marketing: permission from Thomson Course Technology PTR, except for the Sarah O’Donnell inclusion of brief quotations in a review. Manager of Editorial Services: The Thomson Course Technology PTR logo and related trade dress are Heather Talbot trademarks of Thomson Course Technology, a division of Thomson Learning Inc., and may not be used without written permission. Marketing Manager: Heather Hurley “OSCAR®,” “OSCARS®,” “ACADEMY AWARD®,” “ACADEMY AWARDS®,” Executive Editor: “OSCAR NIGHT®,” “A.M.P.A.S.®” and the “Oscar” design mark are trade- Kevin Harreld marks and service marks of the Academy of Motion Picture Arts and Marketing Coordinator: Sciences. All other trademarks are the property of their respective owners. Meg Dunkerly Important: Thomson Course Technology PTR cannot provide software Project Editor/Copy Editor: support. Please contact the appropriate software manufacturer’s Cathleen D. Snyder technical support line or Web site for assistance. Technical Reviewer: Thomson Course Technology PTR and the authors have attempted Scott Holmes throughout this book to distinguish proprietary trademarks from PTR Editorial Services Coordinator: descriptive terms by following the capitalization style used by the Elizabeth Furbish manufacturer. Interior Layout Tech: Information contained in this book has been obtained by Thomson Bill Hartman Course Technology PTR from sources believed to be reliable. -
Kaiki Eiga and the Dawn of Japanese Horror Cinema
Nightmares from the Past: Kaiki eiga and the Dawn of Japanese Horror Cinema A DISSERTATION SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Michael E. Crandol IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Christine L. Marran, Adviser August 2015 © Michael E. Crandol, 2015 Acknowledgements The initial seeds of this project were planted over a decade ago, when fellow movie buff Jared Hendrix asked me if I had ever heard of a film called Jigoku and a director named Nakagawa Nobuo (I had not). My thanks must first go to Jared and our little international film club for making me aware of Nakagawa’s kaiki world. Classic Japanese horror cinema might have remained nothing more than a private hobby had not Rachel DiNitto at the College of William and Mary recommended graduate school – specifically the program at the University of Minnesota, where she had a colleague teaching Japanese film, Christine Marran. I am forever indebted to both of them for guiding my steps and cheering me on during every stage of my academic studies. Thanks especially to Christine for fully embracing my decision to become “the horror guy” and never doubting I could do something interesting with my love of B-grade monster movies. The research required to do this project justice was carried out via a generous fellowship from the Japan Foundation. Special thanks to Fujimura Syuji, who was always available to help with matters pertaining to research as well as the day-to-day particulars of living in Japan. Fujiki Hideaki provided invaluable assistance and insight during my time as a research student at Nagoya University, and has continued to be an enthusiastic supporter of my work.