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Radio Essentials 2012
Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat. -
Zerohack Zer0pwn Youranonnews Yevgeniy Anikin Yes Men
Zerohack Zer0Pwn YourAnonNews Yevgeniy Anikin Yes Men YamaTough Xtreme x-Leader xenu xen0nymous www.oem.com.mx www.nytimes.com/pages/world/asia/index.html www.informador.com.mx www.futuregov.asia www.cronica.com.mx www.asiapacificsecuritymagazine.com Worm Wolfy Withdrawal* WillyFoReal Wikileaks IRC 88.80.16.13/9999 IRC Channel WikiLeaks WiiSpellWhy whitekidney Wells Fargo weed WallRoad w0rmware Vulnerability Vladislav Khorokhorin Visa Inc. Virus Virgin Islands "Viewpointe Archive Services, LLC" Versability Verizon Venezuela Vegas Vatican City USB US Trust US Bankcorp Uruguay Uran0n unusedcrayon United Kingdom UnicormCr3w unfittoprint unelected.org UndisclosedAnon Ukraine UGNazi ua_musti_1905 U.S. Bankcorp TYLER Turkey trosec113 Trojan Horse Trojan Trivette TriCk Tribalzer0 Transnistria transaction Traitor traffic court Tradecraft Trade Secrets "Total System Services, Inc." Topiary Top Secret Tom Stracener TibitXimer Thumb Drive Thomson Reuters TheWikiBoat thepeoplescause the_infecti0n The Unknowns The UnderTaker The Syrian electronic army The Jokerhack Thailand ThaCosmo th3j35t3r testeux1 TEST Telecomix TehWongZ Teddy Bigglesworth TeaMp0isoN TeamHav0k Team Ghost Shell Team Digi7al tdl4 taxes TARP tango down Tampa Tammy Shapiro Taiwan Tabu T0x1c t0wN T.A.R.P. Syrian Electronic Army syndiv Symantec Corporation Switzerland Swingers Club SWIFT Sweden Swan SwaggSec Swagg Security "SunGard Data Systems, Inc." Stuxnet Stringer Streamroller Stole* Sterlok SteelAnne st0rm SQLi Spyware Spying Spydevilz Spy Camera Sposed Spook Spoofing Splendide -
The Cord Weekly
the Harris speaks » , : pounder to in KitAener Pmm*W&iCS ■ ■ -i Cord ; 3 12 18j Wednesday, February 3, 1999 volume 39 issue 23 Puff CSS fee revamped Powder wraps up include: KATHERINE HARDING The Student Service's Operating will • fee for five Agreement outlines that the SSAC Establishing a stable a human now have direct control over year term (May 1999-Aprit 2004) It has been hailed by Assistant Vice and finances. • Free admission for WLU students to President: Student Services David resources, facilities, home intercolle first its The Athletic Complex's (A.C.) $2.5 all regular season McMurray as "the document of million renovation project has also been giate kind ever developed in Canada." games and the incorporated into the agreement. • Student employment opportunities On January 27 29, particu- Athletics Student Students will for half of the renova- (Career Services, lars of the proposed Operating pay tion and the will be drawn from Leaders) Agreement for the renewed money monies collected from the • Extended service by two additional Comprehensive Student Services Fee compulsory fee. The is to secure to and Health (CSS fee) were unveiled at "Town University planning nights Counselling other half of the renovation Services Hall/Open Forum" presentations. the cost donations. • Reserve/New Initiative fund potential After months of negotiations through external contribution with 100% student control over dis between the University, the WLU The students' monetary the AC. will fall in line with the bursement Students' Union (WLUSU), and Graduate to project Students Association (GSA), the triumvi- duration of the Operating Agreement, Reaction to the fee with fees until this the "Town rate solicited public discussion on the not beginning At January 29 Hall/Open Forum" several Operating Agreement for the CSS fee. -
A History of Hip Hop in Halifax: 1985 - 1998
HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998 by Michael McGuire Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by Michael McGuire, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998” by Michael McGuire in partial fulfilment of the requirements for the degree of Master of Arts. Dated: August 18, 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: August 18, 2011 AUTHOR: Michael McGuire TITLE: How the East Coast Rocks: A History Of Hip Hop In Halifax: 1985 - 1998 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the -
Td Vancouver International Jazz Festival
Music is where we all belong. TD is a proud sponsor of over 90 music festivals and 100 community programs from coast to coast. #MusicMatters The TD logo and other trade-marks are the property of The Toronto-Dominion Bank. TDCT-0396_FestivalPrograms_Vancouver_5.25x8_v1.indd 1 2018-03-06 11:27 AM CHAN CENTRE PRESENTS SERIES SEP 22 Aida Cuevas: Totalmente Juan Gabriel SEP 30 I’m With Her OCT 21 Goran Bregović and His Wedding and Funeral Band NOV 13 Joshua Redman: Still Dreaming FEB 17 Bobby McFerrin: Circlesongs MAR 2 Ladysmith Black Mambazo with Habib Koité and Bassekou Kouyate APR 11 Cristina Pato Quartet APR 27 Anoushka Shankar BEYOND WORDS SERIES OCT 3 Kealoha FEB 24 No Blue Memories: The Life of Gwendolyn Brooks SUBSCRIPTIONS ON SALE NOW! Cristina Pato Joshua Redman I’m With Her Bobby McFerrin chancentre.com Welcome to the 33rd Annual TD Vancouver International Jazz Festival As a committed and long-standing supporter of Canadian music and artists, TD is thrilled to support the 2018 TD Vancouver International Jazz Festival, a world- class event celebrating the diversity of music across Canada and beyond. For 10 straight days the festival will erupt with the best jazz, blues and world music and has become a passport to a music-loving community where one can feel truly connected. From up-and-coming talent to acclaimed headliners, join us at the many events taking place around the city as we celebrate the love of music. At TD, we see music as a conversation-starter, something that has the power to bring communities together and give us all somewhere to belong. -
Canadian Rappers Hard 2973.Pdf
Canadian Rappers - Free Printable Wordsearch ZCIJMERKULESGLXYLVW PNIGHTLOVELLK OYNRNPZGLPYLMDOZHNSRI SAZOKORIASS KOFROOGNCOEYDBELLYMEX FLDOIZMEFIZ FSAOJOBHJHUTTHVHDLR ASYIBYIIWGESP DEMBMCLXEFODEEYRVKZCR ISFSOLITAIR ZPOSICMRSTVCZRETDEDH MSHTHDQBYLBC EEUVDVSQYSTZLINDBABA STIMCAIGCCSV CQSEDONHEJBOTAEIUTC NHELRGUNGSNKI SZJWUHLLAFDRCSIQASHK JXXKAYQFSOGK IRAEXKRCBDAIROSRYEE OTIGBPIPSKIDL GKYVCOVYUCOEGMNURHCBF SOZGUMUXVSK OTHUEHAPZSPWOGPCEUKI JDEWHHRHDDIN MVBRXKFZQPBODEZYECMAH LIJEUQAGEPA UAOANTAFIEDLYZMSEPAF KIJVTFHIQVYA BMSWFJWRDQMCENROEATYHN SZTSGRWIRN RXWIKSEECJFHGXYIXME EYCGGORXPPLQI SKCXAHXEORGANIKWBCSHR OFISBWLMEFX JXCYTODXHIDSSYEAUOWS FGAQOLXEABNR ZLTKHUNIKDTRXRRZRHI HYNFTCEXTSEUS GHAOAKMEIXODCDHGDUFUV IXQKSBIWNAM VNYPMTBKWITEGCNLCIDE XTLXSSMCNEJA SCLNDMHGRFSHSULRYWLPS OVCVAJRQZIE AJHMRCARCOAROIQTISJ LIEAYBAOXVEFS MTMKIIACOVDYRJLOBWT CAMHOTJPDBRUT ZHDRRWXLDUTTKAWYTYFGE NTAAHJDBGER ADKTMETCEONDMZMXSCTVL GPMPOPLHVAO PRFANESPKINCAYBAZMAF GAAOBACYIAVN HBEVGAYNBEGATXZQQDZCR MZCNZKSRIES RRSNFRVOTLNFLSFKIJ QEEUIGLDIVBYUO DENVVGROAYGOZDFOBYDEB BOXRSEIXETD FTZYAXFQPNZBHHHSAJRWG WBIDNKROFNH FSDDAYZLBMPZMSUULEJB KJUMVXXLSCBG SNAK THE RIPPER REEMA MAJOR D SISIVE JRROBS GHETTO CONCEPT GHETTOSOCKS DAVE MAC JDIGGZ DREAM WARRIORS MORE OR LES CHOCLAIR BLESS GET LOOSE CREW ROBIN TRILL ETERNIA BELLY PREACH ANKOBIA YOUNG ROSE MAESTRO BAMIS TOM MACDONALD DOOM SQUAD KORIASS LOUD EVIL EBENEZER MASIA ONE ORGANIK K OS DILLANPONDERS CHECKMATE MCENROE BUCK JAZZ CARTIER MC SHADOW K NAAN SHAD DL INCOGNITO RICH KIDD JD ERA NAV NIGHT LOVELL MERKULES YOSEPE DAX INFAMOUS -
Inferring Theme and Decoding Figurative Language in Hip
Northside Hip Hop Archive Curriculum Resource Guide: English, Grade 10, Academic/Applied (ENG2D/P) – Lesson 3 Lesson Title The Message: Inferring Theme and Decoding Figurative Language in Hip Hop Expectations: Learning Goals Assessment Make inferences about Lyrical Spotlight MEDIA: Interpreting Messages 1.2 interpret media texts, including theme increasingly complex texts, identifying and explaining the overt and Identify and explain Analyze the Bars implied messages they convey metaphor and simile Materials Audio: k-os’ “ELEctrik HeaT - the SeekwiLL” MEDIA: Critical Literacy 1.5 identify the perspectives and/or biases Handout: k-os’ “ELEctrik HeaT - the SeekwiLL” lyrics evident in media texts, including increasingly complex texts, and Highlighters comment on any questions they may raise about beliefs, values, identity Summative Task: Lyrical Spotlight Reflection: Look Back exit slips LCD Projector, Laptop and Internet access READING: Extending Understanding of Texts 1.5 extend understanding of both simple and complex texts by making connections between the ideas in them and personal knowledge, experience, and insights; other texts; and the world around them Analyze the Bars Assessment The teacher briefly reviews the concept of metaphor and simile. The teacher discusses the Opportunities idea of theme as a human understanding that emerges from a text, explaining how song content and style supports this understanding. Students listen to the song “ELEctrik HeaT Assessment - the SeekwiLL” by k-Os (www.nshharchive.ca/curriculum/english.html). They examine a FOR Minds OnMinds written copy of the lyrics in small groups. Using highlighters, they look for metaphors, Learning: Time: 20 similes and rhyme. Each group chooses an example of figurative language and writes it on Group lyrics chart paper/the board for all to read. -
“The Mic Is My Piece”: Canadian Rap, the Gendered “Cool Pose,” and Music Industry Racialization and Regulation Francesca D’Amico
Document generated on 09/26/2021 3:33 p.m. Journal of the Canadian Historical Association Revue de la Société historique du Canada “The Mic Is My Piece”: Canadian Rap, the Gendered “Cool Pose,” and Music Industry Racialization and Regulation Francesca D’Amico Volume 26, Number 1, 2015 Article abstract Over the course of the 1980s and 1990s, Black Canadian Rap artists, many of URI: https://id.erudit.org/iderudit/1037204ar whom are the children of Caribbean-born immigrants to Canada, employed the DOI: https://doi.org/10.7202/1037204ar hyper-racialized and hyper-gendered “Cool Pose” as oppositional politics to intervene in a conversation about citizenship, space, and anti-blackness. See table of contents Drawing from local and trans-local imaginings and practices, Black Canadian rappers created counter-narratives intended to confront their own sense of exclusion from a nation that has consistently imagined itself as White and Publisher(s) rendered the Black presence hyper-(in)visible. Despite a nationwide policy of sameness (multiculturalism), Black Canadian musicians have used Rap as a The Canadian Historical Association / La Société historique du Canada discursive and dialogical space to disrupt the project of Black Canadian erasure from the national imagination. These efforts provided Black youth with the ISSN critically important platform to critique the limitations of multiculturalism, write Black Canadian stories into the larger framework of the nation state, and 0847-4478 (print) remind audiences of the deeply masculinized and racialized nature of 1712-6274 (digital) Canadian iconography. And yet, even as they engaged in these oppositional politics, rappers have consistently encountered exclusionary practices at the Explore this journal hands of the state that have made it increasingly difficult to sustain a Black music infrastructure and spotlight Canadian Rap’s political and cultural intervention. -
A City "... Waiting for the Sunrise " : Toronto in Song and Sound*
A City "... Waiting for the Sunrise " : Toronto in Song and Sound* Michael J. Doucet Abstract: One aspect of urban culture is examined to evaluate Toronto's position within the urban hierarchy, namely, the production of songs and sounds about the city. Although much music has been performed and created in Toronto over the years, and many songs have been urritten about a variety of features of life in the city, the musical images of Toronto remain largely unknown beyond its borders—even to many of the city's own residents. If Toronto is a "world-class city," the evidence for such a claim would have to be found on other dimensions than the one explored here. No one ever wrote / A single note / About Toronto. — Johnny Wayne and Frank Shuster (19%) I find that lately, I'm missing old Toronto, Where bass is strong and drums are full of fire. — from the Lenny Breau song "New York City" (1987) No nation can exist by the balance sheet alone. Stories, song, dance, music, art and the rest are the lifeblood of a country, the cultural images defining a people just as surely as their geography and the gross national product. — Robert Lewis, editor of Maclean's (19%) Interestingly, though, we don't seem to have an immediately identifiable style. The last time anyone spoke about a 'Toronto Sound' [former Mayor] Alan Lamport was booting hippies out of Yorkville. Unlike a Nashville or Manchester, there isn't any one thing that makes you say 'That's Toronto' -- Bob Mackowycz, writer and broadcaster (1991) Toronto itself doesn't have a distinctive civic culture. -
Matthew Capel Thesis 18 September 2007
'Damned If They Do And Damned If They Don't': The Inferiority Complex, Nationalism, and Maclean's Music Coverage, 1967-1995 By Gordon Matthew Donald Capel A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Master of Arts in History Waterloo, Ontario, Canada, 2007 © Gordon Matthew Donald Capel 2007 Author's Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as required by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This thesis critically analyses music coverage in Maclean’s between 1967-1995, and reveals that the magazine continually stressed Canadian music as inferior to that produced by foreign artists. Only during times of intense nationalism were Canadian musicians positively received in its pages. More generally, domestic productions were seen as deficient. The historical components of this investigation reveal an essential irony in the perception of Canadian music during the last four decades of the 20th century. Despite nationalist rhetorics and Maclean's self-appointed title of "Canada's National Newsmagazine," its critics consistently emphasised that Canadian music was of poor quality in the 1967-1995 period. iii Acknowledgements I would like to express my gratitude to all those wonderful people who helped me complete this thesis. First, I must applaud my thesis advisor P. Whitney Lackenbauer for his motivation, discerning eye, and willingness to tell me when something wasn't history. For this confused, stubborn, and excitable grad student, your support cannot be overstated. -
Record Setting Blood Collection
" _,, .r..^-.. THIS ROOM Spring clean Rock & roll Kicking your body punk animals for gold page 13 page 17 page 19 >() M AKS HuMBER Et Cetera etcetera, humberc. on. ca - Humber College's Newsp; March 21, 2002 Vol. 30 No. 21 ELIZABETH BOWER Record setting blood collection ByAKUAfflNDS cause, but it's also a great chance for us to learn how to run the event, and that's the whole jK)int of this project," Humber College staff and students saved the day for said Sarah Ford, a Public Relations student. j^ the Canadian Blood Services (CBS) last Thursday by sur- Because other universities and colleges host their own passing the goal of 120 pints of blood at the blood donor blood donor clinics, Humber's North Campus is the only clinic. school to team up with the Canadian Blood Services, and Long lineups packed the Pipe lounge until 3 p.m. it% been going strong for the past 10 years. and 127 pints of blood were collected by the end of the "Tlie clinics are always really successftd at Humber," day, making the day a huge success for the CBS. said CBS's janine Armstrong. "There is usually no "When we've seen this outpouring of students will- problem meeting the projections." ing to take the time from classes to promote this clinic Davies agreed and emphasized the need for contin- and to volunteer, I'd like to say that they are true ued suppon. heroes," said Michelle Davies, a CBS volunteer. "We supply over 58 hospitals in Toronto and the Humber's Public Relation students were hired to GTA and the need for blood is always there, especially both organize and promote the event. -
Jamaican Canadian Music in Toronto in the 1970S and 1980S
Jamaican Canadian Music in Toronto in the 1970s and 1980s: A Preliminary History by Keith McCuaig A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario May 18th, 2012 ©2012 Keith McCuaig Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-91556-1 Our file Notre reference ISBN: 978-0-494-91556-1 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.