Brian McBride photographed by SitaKaylin.com. photographed by ChristinaVantzou.com. effect. Definethisduoasyouchoose—whatever yourracingnature,StarsoftheLidofferanout. father did, out where the compositions his played pure: transcendence. thing McBride’s own music same has a similar the felt he but sound, the to meaning own his apply he’d obscured, music The room. words at all. Music is probably an attempt forno me towith decompress slower,and fromany the moveracing can’t natureprobably ofthat somethingdebate.” have other,I the activity,on basedand word-fast,very this have I hand,one the debate.”“On ofJordanMichael “thedesignationcollege as expert debatecoach,currentlyworkingfortheUniversityofSouthern California. an He’s job. day unlikely his with accordance in locales changed has Gardens, mar Bell called experiment recently and bands various pop a on for working also who’s McBride, engineering Texanproject. Dead music+visuals his sound of half better does the ried He 2001. in whim, a on Belgium to city.same Wiltziethe moved in lived they’ve since decade a been actually It’s align. stars their,ahem, just isn’trelevanttous,”saysMcBride.“What’simportantisourrelationship withthemusic.” rules of his trade. He sort of hates being away from home. Wiltzie’s the same. “Staying in the limelight prevailing the ignores He praise. from shies He three. all of inclinations aloof the combines business music boy,the young to a approach with his crossed and Thompson S. Hunter and Stipe Michael like care we about.” McBride says something this from behind bug-eyed sunglasses, taking a slow not drag of a cigarette. He looks That’s perish. or publish of equivalent musical release—the of rate certain a almost six years, and they’re now preparing to tour the U.S. for the first time in just as many. correspondence,Wiltziewith theirfirst releaseAngeles.Brusselswas Losin livingMcBrideinIt and in assembled by and recorded were guitar ethereal of loads and clips, recordings, movie field horns,and Decline synths; foils. without urban of full about created sentences pressed mumble when sounds who, often but it, describe, cinematic can’t fans most their reasons for for orchestral phenomenon and cult a touted nuance they’re and of favorites, full band, critical musician’s a they’re is Lid have aspiration; the of process the Stars in and thing: station, three-tiered radio a student-run become Austin’s at of University the at 1990, in hum. to city’s same antidote that of perfect born somewhat inviting—the it’s if even city, endlessly the of and rhythm the beautiful, sweeping, warm, a is at it evolves yet Pierre that music pace, of beatless glacier’s wordless, It’s concrete of electronics. Boards no musique and think texture terms, the all as contemporary reimagined drone, In Canada Górecki. and Henryk of ambience minimalism into classical the and ventures Henry, Eno’s Brian recalling ably with struggling I’m where togoinapieceofmusic,I’lloftenturnthesoundmyenvironmentguideme.” If ignores. everybody that present things of minutiae themselves—the of and in instruments way. as specific sounds very those a view in I do mood to your but influence hogwash, Total supposed is which F-sharp, of lot a there’s say “They squeal. bus Park Echo an of brakes the der, shoul his Fromover Lid. the of Stars duo minimalist of half one McBride, Brian says environments,” each passing day.with Pause.faster Butwhatabouttheundertones? and louder grows only that clatter polyrhythmic gigantic, eating—one texting, ing, talk walking, people, dogs, birds, cars, trains, commerce, construction, closing, doors opening, doors horns, honking advertisements, blaring operation: and access of swarm constant a are over world the (), saw the duo expanding their melodic swath. Reverberating piano hits, swells of strings As a child, McBride would lay in bed as Bach seeped through his walls from the living the from walls his through seeped Bach as bed in lay would McBride child, a As either“I’mwell-balancedvery schizophrenic,” I’mor says, avoidingheutterance his of when together come who composers rogue of pair a as Lid the of think to easiest It’s entity,need musical you successful a be to want you if says, that maxim this “There’s double-disc2007’s opus,peaceful recent most Lid’s The meeting since albums seven recorded have Wiltzie, Adam partner, his and McBride vari soundscapes textural quiet, crafted have Lid the of Stars years, fifteen For urban for frequency common a there’s that theorize who people of lot a are “There R apidity is the hallmark of these times, and its sound is ceaseless rhythm.ceaseless cities is Major sound its and times, these of hallmark the is apidity Photographed by SitaKaylin And Their Refinement of the of Refinement Their And Written by and Christina Vantzou Chris Martins x - - - -

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