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NOTE TO USERS This reproduction is the best copy available. UMI' The Spectacle of Gender: Representations of Women in British and American Cinema of the Nineteen-Sixties By Nancy McGuire Roche A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University May 2011 UMI Number: 3464539 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3464539 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Spectacle of Gender: Representations of Women in British and American Cinema of the Nineteen-Sixties Nancy McGuire Roche Approved: Dr. William Brantley, Committees Chair IVZUs^ Dr. Angela Hague, Read Dr. Linda Badley, Reader C>0 pM„«i ffS ^ <!LHaAyy Dr. David Lavery, Reader <*"*%HH*. a*v. Dr. Tom Strawman, Chair, English Department ;jtorihQfcy Dr. Michael D1. Allen, Dean, College of Graduate Studies Nancy McGuire Roche Approved: vW ^, &v\ DEDICATION This work is dedicated to the women of my family: my mother Mary and my aunt Mae Belle, twins who were not only "Rosie the Riveters," but also school teachers for four decades. These strong-willed Kentucky women have nurtured me through all my educational endeavors, and especially for this degree they offered love, money, and fierce support. -
Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing -
Gender Lines Fall 1995 La Salle University
La Salle University La Salle University Digital Commons Gender Lines University Publications Fall 1995 Gender Lines Fall 1995 La Salle University Follow this and additional works at: https://digitalcommons.lasalle.edu/gender_lines Recommended Citation La Salle University, "Gender Lines Fall 1995" (1995). Gender Lines. 5. https://digitalcommons.lasalle.edu/gender_lines/5 This Book is brought to you for free and open access by the University Publications at La Salle University Digital Commons. It has been accepted for inclusion in Gender Lines by an authorized administrator of La Salle University Digital Commons. For more information, please contact [email protected]. VOLUME 7 FALL 1995 This issue of Gender Lines is dedicated to the Women of the Class of ‘74. Twenty-five years ago they pioneered a female student presence at La Salle, changing its intellectual climate forever. GENDER LINES Volume 7, Fall 1995 Table of Contents Dedication ELIZA COMODROMOS The Bluestockings: Conservative 1 1995 Essay Winner Feminism and the Eighteenth-Century Female Writer COURTNEY ROBINSON Aurora Leigh: The Victorian Woman 8 Made Noble Through Art KELLY YOUSE Suicide Images in Selected Poems of 14 Sylvia Plath ELIZA COMODROMOS Ambiguity and the Supernatural in 21 Coleridge’s “Christabel” PAM LANNUTTI A Hidden Warrior: The Two Stories 26 of Jael LAURA GOODMAN “How Sexy Am I Now”: Aggressive 31 Women in Film JOANNE CAWLEY The Legal, Religious and Cultural 44 Aspects of Abortion in India and China Winner of the Caryn McTighe Musil Award ELIZA COMODROMOS The Bluestockings: Conservative Feminism and the Eighteenth-Century Female Writer During the late-Seventeenth and early-Eighteenth centuries in England, the presence of the female writer became increasingly evident in the thoroughly male-dominated literary world. -
The Ukrainian Weekly 2005, No.35
www.ukrweekly.com INSIDE: • Ukrainian Australian leader promotes ties with Ukraine — page 3. • Canada names new ambassador to Ukraine — page 4. • Lemko singer conveys experience of immigrants — page 13. Published by the Ukrainian National Association Inc., a fraternal non-profit association Vol. LXXIII HE KRAINIANNo. 35 THE UKRAINIAN WEEKLY SUNDAY, AUGUST 28, 2005 EEKLY$1/$2 in Ukraine UkrainianT World CongressUUkrainian Greek-Catholic Church transfersW its headquarters to Kyiv meeting in Kharkiv attracts leaders of new communities by Zenon Zawada Kyiv Press Bureau KYIV – Ukrainian diaspora leaders from new, vibrant communities in Italy, Spain and Portugal took part in the annual meeting of the Ukrainian World Congress (UWC) in Kharkiv on August 18 and 19. More than 14 countries were represent- ed at the meeting of the UWC, the leading diaspora organization, which is led by pres- ident Askold Lozynskyj of New York City. The annual meeting offered an oppor- tunity for leaders in the new diaspora communities to get advice from leaders in the established communities, said Michael Sawkiw Jr., president of the Ukrainian Congress Committee of America (UCCA). “They’re trying to open up Saturday schools, and some governments are try- ing to help, while others aren’t necessari- ly cooperative,” he said. “They’re trying to preserve culture and language. That’s where we were as a Ukrainian American community 50 to 75 years ago.” Upon returning to Kyiv, a UWC dele- gation met with Foreign Affairs Minister Borys Tarasyuk and Verkhovna Rada Chairman Volodymyr Lytvyn. Ukrainian Catholics celebrate the liturgy to mark the historic transfer of their Church’s headquarters from Lviv to Kyiv. -
Transatlantica, 2 | 2015 Sex, Gore and Provocation: the Influence of Exploitation in John Waters’S Ear
Transatlantica Revue d’études américaines. American Studies Journal 2 | 2015 The Poetics and Politics of Antiquity in the Long Nineteenth-Century / Exploiting Exploitation Cinema Sex, Gore and Provocation: the Influence of Exploitation in John Waters’s Early Films Elise Pereira Nunes Electronic version URL: http://journals.openedition.org/transatlantica/7881 DOI: 10.4000/transatlantica.7881 ISSN: 1765-2766 Publisher AFEA Electronic reference Elise Pereira Nunes, “Sex, Gore and Provocation: the Influence of Exploitation in John Waters’s Early Films”, Transatlantica [Online], 2 | 2015, Online since 13 July 2016, connection on 29 April 2021. URL: http://journals.openedition.org/transatlantica/7881 ; DOI: https://doi.org/10.4000/transatlantica.7881 This text was automatically generated on 29 April 2021. Transatlantica – Revue d'études américaines est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Sex, Gore and Provocation: the Influence of Exploitation in John Waters’s Ear... 1 Sex, Gore and Provocation: the Influence of Exploitation in John Waters’s Early Films Elise Pereira Nunes Introduction 1 Born in Baltimore in 1946, American filmmaker John Waters soaked in movie culture as a child and a teenager, fascinated with Hollywood melodramas and female icons, the “nudie cuties” of exploitation cinema, horror movies and the independent productions of underground filmmakers. His first home-made productions, which he started making when he was sixteen, testify to the influence of these very different approaches to cinema in terms of production, distribution and promotion, as well as genres and themes. 2 Drawn to rival movie cultures—Hollywood productions and major studios theaters on the one hand, and local, independent theaters and drive-ins on the other (Doherty, 2002, 92)—he decided to teach himself how to make his own movies and modeled his films on the exploitation and underground filmmakers he idolized (Waters, 1991, 44). -
Irma La Douce (1963) Directed by Billy Wilder 22
Apocalypse Later Books by Hal C F Astell Cinematic Hell Huh? An A-Z of Why Classic American Bad Movies Were Made Filmography Series Velvet Glove Cast in Iron: The Films of Tura Satana Festival Series The International Horror & Sci-Fi Film Festival 2012 Apocalypse Later Filmography Series Velvet Glove Cast in Iron: The Films of Tura Satana Apocalypse Later Press Phoenix, AZ Apocalypse Later Filmography Series Velvet Glove Cast in Iron: The Films of Tura Satana ISBN-10: 0989461319 ISBN-13: 978-0-9894613-1-3 Catalogue reference number: ALP002 Reviews by Hal C F Astell These reviews originally appeared, albeit in evolutionary form, at Apocalypse Later http://www.apocalypselaterfilm.com Front cover art by Keith Decesare http://www.kadcreations.com Foreword by Peaches Christ http://www.peacheschrist.com Afterword by Cody Jarrett http://www.tropicofilm.com All posters, lobby cards, screenshots and photos reproduced here are believed to be owned by the studios, producers or distributors of their associated films, or the graphic artists or photographers who originally created them. They are used here in reduced, black and white form in accordance with fair use or dealing laws. Published through CreateSpace https://www.createspace.com Typeset in Gentium http://scripts.sil.org/FontDownloadsGentium Licensed through Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0) http://creativecommons.org/licenses/by-nc-sa/3.0/ “You’re cute, like a velvet glove cast in iron. And like a gas chamber, Varla, a real fun gal.” - Billie, Faster, Pussycat! Kill! Kill! Dedication This book was always going to be for Andrea Beesley, known far and wide as the Midnite Movie Mamacita.