Weed Woman Alice Moon • Hwang’s Power • Bullets & Octane Are Back ®

MAY 25 - 31, 2018 / VOL. 40 / NO. 27 / LAWEEKLY.COM

PEACEFUL WARRIOR TAKES ON THE LEADING ROLE SHE WAS BORN TO PLAY

BY MARNIE GOODFRIEND AND MICHELE RAPHAEL

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www.laweekly.com // May 25 - 31, 2018 // LA WEEKLY the media be damned. Our city’s biggest, hoods everywhere, blogs and social zine have been flourishing in neighbor Festivals celebrating the humble, DIY Ziners All Calling PUBLISHING sun com a.m.-9 p.m.; free. prabhupadafestival. Ave., Palms; Sat.-Sun., May 26-27, 4:30 Bhagavad-gita Museum, 3764 Watseka looks pretty magical in its own right. fest.com. a.m.-6 p.m.; free. (626) 795-9311, lazine Green St., Pasadena; Sun., May 27, 11 Pasadena Convention Center, 300 E. discussion on “Black Femme Zinester.” an art exhibit, a photo booth and a panel workshops, zine libraries, arcade games, As always, the event o‘ers live music, which comprises artists from Skid Row. Amber of the Skid Row Zine Collective, Leigh, Simone, QM Tabia and Impress Garrison Alecsaunder, Nick Paul, Linda and sizes. A highlight is a reading by art, stories and comics in all shapes Up and Koreangry — will present their US, Awkward Ladies Club, Cheer the E‘ like #SNATCHPOWER/FUCK U PAY small-press publishers — with names year more than 200 zine authors and printed lit for the past seven years. This L.A. ZineFestL.A. . —Shana —Shana Nys Dambrot —Siran Babayan , has been honoring 5/27

- mainopolysm.com. p.m.; $25-$40 in advance, $30-$50 day of. Street, Santa Monica; Sun., May 27, 1-6 are encouraged. limited, so ridesharing and public transit attire is encouraged. Parking will be stice. Patriotic and/or Monopoly-inspired money for the annual Summer SOUL consciences: Your gluttony will be raising on tap. Note to those prone to guilty more than a dozen local restaurants Barra, there’ll be food and drinks from your mom used to make from Stella Rose Creamery or cookies better than smooth ice cream courtesy of Sweet mac and cheese from Manchego, silky and Arts Festivaland Arts Today’s fourth annual Breaking Stereotypes M mon and great food meet at That boardgame you never actually finish Get OutofJail Free FOOD of MainStreet emerge victorious; rapper Bryce Vine ment. Bands will battle and only one will of scientifically advanced entertain- extravaganza that’s the absolute apex Laboratory communities for an all-day Caltech and NASA Jet Propulsion USIC/FE Stop inandseeour I T S HARVEST FARM FRESH VA . Whether it’s ooey-gooey inventory. L TIME! brings together the Ashland Hill, 2807 Main IT’S —Avery Bissett Techstock Music MAINopoly: ATaste 5/28 - Academy: MemorialDay Pool Party lacma.org/event/cur-ate-36. ($135 with wine tasting). (323) 857-6000, ($125 with wine tasting), $110 general May 29, 6 p.m.; $100 LACMA members 5905 Wilshire Blvd., Mid-Wilshire; Tue., one. ate as you digest it all in more ways than fold faces you’ll contemplate and appreci- culinary treasures to match those multi- a stimulating night of multidimensional utive chef Fernando Darin has prepared ergizers ArtBites. Ray’s & Stark Bar exec- Maite Gomez-Rejón of art-and-food syn- an after-hours tour with the redoubtable of people both famous and obscure in current show featuring Hockney portraits life.” You’ll make your way through the “David Hockney: 82 Portraits and 1 Still- with the museum’s special exhibition, a history of California cuisine intersects that rare and illuminating spot at which techstock.party. Mon., May 28, 2 p.m.; free. (626) 395-6811, Lawn, 1200 E. California Blvd., Pasadena; fornia Institute of Technology, Beckman ies and old friendships renewed. freely in this celebration of new discover will commence, and the libations will flow and barbecued, games for kids of all ages faculty and students. Pigs will be roasted fair with works of all genres created by infighting; and everyone will enjoy the art will headline and cool out all the musical months. Today’s the pleasures of the coming summer beat in this erotic, sweaty salute to Beat the heat as Masterbeat heats the Kicking Right Off Summer P beat.com/naval-academy. $90/$80/$40. (323) 656-1234, master Hollywood; Mon., May 28, noon-6 p.m.; ber! something you wish you could remem- Masterbeat make this Memorial Day to know and love from Masterbeat. Let debauched shenanigans you’ve come course there’ll be even more of the usual “gasp” or “gossip” or something). Of in case you though GSP was short for known as George Spiliopoulos — just progressive beats from DJ GSP (also boasts sensuous and sinewy tribal and the rooftop of the glorious Andaz Hotel hardware mecca, has rare performance tucked above the Miracle Mile antique The Loft at Liz’s, a warm gallery space Examining Aesthetics ART wed Cur-ATE: David Hockney’s Los Angeles Portraits Come for aTaste, Stay for the FOOD/ART tue ARTY Andaz, 8401 Sunset Blvd., West Los Angeles County Museum of Art, —David Cotner Masterbeat Naval —David Cotner —David Cotner 5/30 5/29 Cali- on on is is

- free. theloftatlizs.com/upcoming-events/ . Ave., Baldwin Hills; Wed, May 30, 7-9 p.m.; June 15.) (The accompanying exhibit runs through an intimate space for a live audience. mix as Galleriet occupies and activates and spoken word are potentially in the beats and video art, sculpture, paintings genres from dance and song to synth- conceptual avant-garde. Any and all cian and the aesthetic surrealism of the mance persona of an electronic musi- interdisciplinary artist with the perfor Katharina Stenbeck, aka Galleriet, is an setting-no. performance/ 440-4500, skirball.org/programs/ $15 Skirball members/students. (310) Beach; Thu., May 31, 7 p.m.; $20 general, 2701 N. Sepulveda Blvd., Manhattan the war in more ways than one. vanishing perceptions of those who lost The White Elephant Archive presents the of an atrocity that seemingly never ends, members. A crucial, compelling portrait ing with the stony silence of older family view of third-generation Austrians cop- the Holocaust as seen from the point-of- the continually unfolding after-e‘ects of Eduard Freudmann presents this look at ally renowned multimedia mastermind Elephant Archive, SettingNo. 3. now is the best time to see and more of its survivors die each year, people don’t know about the Holocaust, In a time when four out of 10 young Never Forget HIS at Bit My Finger,” there’s a viral dud. But and Diet Coke experiment or “Charlie For every keyboard-playing cat, Mentos Not-So-Viral Videos COMEDY thu —Shana Nys Dambrot an intimate performance by and ideas forms the perfect setting for quirky, ecologically conscious objects Human Nature.” This assortment of contemporary design is called “Nature: ongoing exhibition featuring progressive art on the calendar tonight. Its current sanctum.com. 8:30 p.m.; free. (323) 908-8702, ucbinner Blvd., East Hollywood.; Thu., May 31, UCB Inner Sanctum, 5419 W. Sunset perform improv inspired by each video. teams, as well as audience members, to projector and then invite other improv hosts screen these snoozers onto a equivalent of watching paint dry. The random and WTF they’re like the online go-seek, etc. — that are so tedious, vacations, brothers playing hide-and- clips — cooking demonstrations, family YouTube for the most poorly watched Halloween at the Clubhouse, scour who regularly perform improv as Hot Quattrocchi and Annabel Seymour, comedy. A.J. Berna, Sandha Khin, David Under 50Views TORY The Loft at Liz’s, 453 S. La Brea —David Cotner white-elephant-archive- —Siran Babayan , bad videos make good e White e White Galleriet Internation- 5/31 Skirball, Skirball,

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EVANGELIST THE LOW DOSE Moon? bottom of my question: Who is Alice day I reached out in order to get to the personality through her posts, until one gram, getting to know her open, genial she was one of the best-dressed there. top under a weed-leaf military jacket, shadow and crocheted happy-face crop her bright pink lipstick, matching eye snapping photos, too — after all, with experience on her Instagram Story and whoever crossed her path, sharing the the party, hitting joints, chatting with weed? There she was, buzzing around knows everyone and everything about cannabis socialite, who seemingly ing myself, who is this bubbly, trendy, in somewhat of a confused awe, ask- from New Orleans eight years ago, and encer and writer came to Los Angeles | BY MADISONMARGOLIN The self-dubbed entrepreneur, influ- I began following Moon on Insta TheRollup Alice Moon Alice Moon, “Oscars ofCannabis” host, promotes education to end stigma found myself tech startup, I for a cannabis Beach launch at a Venice Alice Moon hen I first met //

- screen time on Viceland’s her as “the edible expert,” earning her Nonetheless, the grand failure launched behind the idea didn’t work smoothly. etary and pot preferences, but the tech consumers find edibles that fit their di- ment and failure, a brilliant idea to help Swallow both her greatest accomplish- of 2017 by called Swallow, nominated best tech launching a short-lived edible startup up from waitressing to budtending to without even a GED worked her way and mentions in media like consume safely and [at] low doses. she says. “I want to teach people to has been a passion of mine for years,” had too many edibles, so changing that cannabis experiences because they’ve seen too many people have negative cannabis and to end the stigma. “I’ve raison d’être is to educate people on pinned down to one specific thing. Her role in L.A.’s cannabis space can’t be as part of their team going forward. pany WebJoint, who have adopted Moon Friday, May 18, a project of the tech com - Cannabis Awards (CCAs) at L.A. Live on side Sam Zartoshty, the California But the truth of the matter is, Moon’s Her latest gig was co-hosting, along- Dope Magazine. Moon calls Bong Appetit High Times. spend all day on Instagram, but now I account up to almost 5,000. “I used to the new Alice Moon brand Instagram shut down in 2016; she’s since rebuilt promote her weed jewelry business, was ing 13,000 followers, which she used to her former Instagram account boast- learned that lesson the way when number of Instagram followers. Moon tions, which are more valuable than any intention to make face-to-face connec- single weed event she can, with the love with it.” right, nine times out of 10, they fall in Once people know how to use cannabis She makes a point to go to every ALIC LOOP ABOUT MY LI KEEP PEOPLE I TO BEORGANI BUT NOW I DAY ONI “I USED TO SPENDALL E MOON NSTAGRAM, JUST TRY

N THE N THE C AND C AND COURTESY ALICEMOON FE.” each other.” “We can get there quicker if we just help to help grow their businesses,” she says. able to plug people with what they need “By building all these connections, I’m started to pay attention to me.” a company down. That’s when people lot of respect, and was not trying to tear being fair about it,” she says. “I gained a was reviewing products honestly and misrepresenting its THC content. “I brands, and even outed one of them for provided candid input on di¨erent had an edible review blog, where she tion. Before she founded Swallow, Moon brands for bullying or misrepresenta out other cannabis industry players or and gregarious, Moon isn’t afraid to call weaknesses,” Moon says. Though sweet learning about everyone’s strengths and really love helping the community and tion to educate and advocate for it. “I cannabis only strengthens one’s posi- ity, and it will be good, moving forward.” educate the community about the real- right information, she says. “We need to nabis negatively if they don’t have the the plant could get sick and rep can- aren’t as passionate or educated about because it is a real thing.” People who something people need to know about says. “I freaking love weed, but this is expert,’ and now I can’t consume,” Moon use. “People knew me as the ‘edible condition caused by heavy cannabis sis syndrome, a rare, poorly understood through was due to cannabis hypereme- two years of vomiting she’s su¨ered consumed, after having figured out the It’s been two months since she last she’s currently on a tolerance break. her passion for cannabis even though she’s already put in. connections, a testament to the work mention her vast Rolodex of valuable a lot of passion,” Dell’Olio says. Not to “She’s dedicated to the industry and has pitched herself to host the awards. at an event in DTLA, she immediately thing anymore.” showing that it’s not this black-market setting a standard for our industry, founder and CEO of WebJoint. “We’re the next level,” says Chris Dell’Olio, co- “take California’s [cannabis] industry to brand and best CPA. dispensary, best lawyer, best cannabis industry, in categories including best leaders from all over the cannabis ceremony, now an annual event, honors of Cannabis.” The red-carpet awards moting the CCAs, known as “the Oscars ity.” down but actually enhanced my creativ years,” Moon says. “It never slowed me “I work nonstop and used cannabis for be a pro-weed working professional. charm. She wants to show that you can L.A. hustle and friendly, Southern the loop about my life,” she says. just try to be organic and keep people in And it’s only snowballed from there. Acknowledging the drawbacks of Indeed, Moon continues to champion When Moon met the WebJoint team The ritzy Hollywood a¨air is meant to The past few weeks, she’s been pro - The savvy influencer embodies both - - | 9 | LA WEEKLY // May 25 - 31, 2018 // www.laweekly.com - - The savvy influencer embodies both both embodies influencer savvy The - pro been she’s weeks, few past The to meant is a¨air Hollywood ritzy The team WebJoint the met Moon When champion to continues Moon Indeed, of drawbacks the Acknowledging there. from snowballed only it’s And just try to be organic and keep people in in people keep and organic be to try just says. she life,” my about loop the Southern friendly, and hustle L.A. can you that show to wants She charm. professional. working pro-weed a be for cannabis used and nonstop work “I me slowed never “It says. Moon years,” creativ my enhanced actually but down ity.” Oscars “the as known CCAs, the moting awards red-carpet The Cannabis.” of honors event, annual an now ceremony, cannabis the over all from leaders best including categories in industry, cannabis best lawyer, best dispensary, CPA. best and brand to industry [cannabis] California’s “take co- Dell’Olio, Chris says level,” next the “We’re WebJoint. of CEO and founder industry, our for standard a setting black-market this not it’s that showing anymore.” thing immediately she DTLA, in event an at awards. the host to herself pitched has and industry the to dedicated “She’s to Not Dell’Olio says. passion,” of lot a valuable of Rolodex vast her mention work the to testament a connections, in. put already she’s though even cannabis for passion her break. tolerance a on currently she’s last she since months two been It’s the out figured having after consumed, su¨ered she’s vomiting of years two - hypereme cannabis to due was through understood poorly rare, a syndrome, sis cannabis heavy by caused condition ‘edible the as me knew “People use. Moon consume,” can’t I now and expert,’ is this but weed, love freaking “I says. about know to need people something who People thing.” real a is it because about educated or passionate as aren’t - can rep and sick get could plant the the have don’t they if negatively nabis to need “We says. she information, right - real the about community the educate forward.” moving good, be will it and ity, posi- one’s strengthens only cannabis “I it. for advocate and educate to tion and community the helping love really and strengths everyone’s about learning sweet Though says. Moon weaknesses,” call to afraid isn’t Moon gregarious, and or players industry cannabis other out misrepresenta or bullying for brands Moon Swallow, founded she Before tion. she where blog, review edible an had di¨erent on input candid provided for them of one outed even and brands, “I content. THC its misrepresenting and honestly products reviewing was a gained “I says. she it,” about fair being tear to trying not was and respect, of lot people when That’s down. company a me.” to attention pay to started I’m connections, these all building “By need they what with people plug to able says. she businesses,” their grow help to help just we if quicker there get can “We other.” each FE.” COURTESY ALICE MOON COURTESY C AND N THE

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www.laweekly.com // May 25 - 31, 2018 // LA WEEKLY |

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- - » 12 What What ( (1988). In her hen hen an actress from disappears mainstream movies, one of- ten asks, happened to her? - Rosan For (1996) and (1996) Crash (1994), The Big Blue Desperately Desperately Seeking Susan Born , Guilty released earlier ” Ar ” here? happening is What Arquette Arquette is recognized by most - main Although Although she says her character ulti- concerns her to referring course, of is, She older, getting were you as seeing was “I na na Arquette, it may be assumed that her - tele and films independent in credits many vision were selected with intention over leading roles in blockbusters, or that she what often is This radar. the o fell simply or said, we about such say, actresses who to rose roles, only tofame for memorable billboards larger-than-life the from vanish navigate to trying tourists above towering trac on Sunset Boulevard. But now we and armies and lists are There better. know we work, at machine” “the called something reaching from women keep to learned, have Hollywood. in potential their in turns unforgettable her for fans stream iconic films (1985), in which she famously co-starred with Madonna, and Quentin ensemble hit. Tarantino’s Indie - no films, art-house in roles her favor fans Cronenberg’s David tably Luc Besson’s - Man quirky Heller’s Max film, recent most hattan story social a Judith, plays Arquette month, this at- and disappointments life whose worker to her embittered have son her to tachment love. romantic and risk-taking possibility, And while Arquette says that she could she because, role, female lead the to relate frets who mother Jewish a is too she admits, over her daughter, 23-year-old actor Zoe her imagine to impossible is it Sidel, Bleu risk-taker. a but anything being mately has a paradigm shift of self-love, feeling empowered and letting go of her - personal Arquette’s anger, and resentment ity is the - While antithesis of Ju Judith’s. dith’s is rediscovery prompted by a man, to needs she what exactly knows Arquette and grace with there us leads she And do. redemption,” and peace in believe “I light. says. she movement, #MeToo the of eects the about in which she also has a leading role. And with 2002, In decades. for this at been she’s she company, Productions Child Flower her in and, prescient a produced and directed documentary, groundbreaking retrospect, - exam which Winger, Debra for Searching with interviews via sexism and ageism ines more than 35 women, including Winger - Han Daryl Fonda, Jane Dern, Laura herself, nah, Salma Hayek, Jennifer Jason Leigh, McDormand, Frances Gywneth Paltrow, and Woodard Alfre Sheedy, Ally Ryan, Meg Patricia. sister, younger Arquette’s of because women to coming was work less younger. someone wanted studios and age could You see it in movies, you know, a 65-year-old actor and a 25-year-old play wife. his ing the for impetus her of says 58, now quette, doc. “I also wanted to explore balancing - Some career. your art, your with life your seat, back the taking up ends always thing or kids the or marriage your either W APHAEL R ER/JOHNSON HY BY KREM AND MICHELE MICHELE AND BY MARNIE GOODFRIEND GOODFRIEND MARNIE BY

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www.laweekly.com // May 25 - 31, 2018 // LA WEEKLY » In solidarity andsisterhood Insolidarity just fed the machine.” many people were. All of these people that no. What has surfaced is how complicit so paranoid,you’re anyblacklist.’noton But say,‘You’rethey’dsomeone, told you “If the truth. It really was that,” Arquette says. was it knowreally we now And do?’ I did wrong.WhatSomething’s happening? is peared or were taken away. arrive and roles that were promised disap- rector’s chairs. Invitations somehow didn’t the media and to the men sitting in the di- and feeding false and damaging stories to fective tactics, allegedly including spying byWeinstein’s threatening and highly ef- derailed werecareers their detour; a take wood, including Arquette, didn’t decide to grateful for her courage — we all should be.” moving.inspiredI’m byher. alwaysI’ll be ward to protect other women was incredibly for step and fear thatovercome her ing up to him about her own harassment. “See- who gained Arquette’s trust as she opened terrified when we first spoke,” says Farrow, Prizes for their work. Farrowandwon a viral hashtag and critical movement, and 2017. The revelations catapulted #MeToo to in who were willing to speak out in his exposés women other with him connect also and the first to confide in writer Ronan Farrow gul Harvey Weinstein. Arquette was one of rape at the hands of now-fallen media mo- accounts of sexual harassment, abuse and at least 80 women have reported crushing is,” Arquette declares. is a battle between light and dark. It really hope.areseeingweof Whatglimmer isa everywhere,seeing are we that darkness the all amidst alive be to time powerful crazy this time, this at witnessing we’re ally harassed by someone. … And now, what house and Patricia talks about being sexu- gathered at a luncheon at Melanie Gri„th’s shared their collective experiences. stars its when emerged theme darker or work or both? You have to give love with her guy? Why couldn’t she have years old. Why couldn’t she dance and be in see a revival of between art and love. “My mom took me to tionary tale about a ballerina tragically torn quette’s first film experience, a classic cau- women have it all?” says, “It’s going to happen whether [men] ing freedom of expression. To this, Arquette logue is being written and women are seiz- dia new a point, tipping a reachedhave recovery.helpwith andcare we thatNow receivetoheard, and be forward,come to pavingwaythesurvivorsfor assaultto of is workPerhaps moreimportantlens.the the behind and of front in both equality for fighting entertainment, in women for are creating new spaces and opportunities 11 “For a lot of years, you just felt like, ‘What Hollyin manywomenthat out turns It reasonably,completely was, “Rosanna yearsIndeed,16 thedocumentary,after women these allthere’s scene, one “In in And Ar from stemmed questions These The New Yorker , published in the fall of everything into your marriage.” ) the career.act.juggling the It’s a everything into your motherhood , a Winger , Debra for Searching when I was 4 4 was I The Red Shoes when The New YorkerPulitzerNew The to youreverything to , female actors Can Can - - - - nah & Mira Sorvino were not invited to the victims incl Rosanna Arquette, Daryl Han- Weinsteinother with alongArgentoAsia Panahi added, in a new thread: “Reminder: Arquette told all started in the first place.” Echoing what it how conversationto backthe get to up responded,“That’ssure.Timesquette for protests.”thread,dressblacktheAr & In ful than all the Hollywood virtue signalling speech by @AsiaArgento was more power ist Rita Panahi tweeted: “That 1.05-minute journalIranian-Australianmorning,- day industry: “We know who you are.” able for their crimes against women in the ence she said were still to be held account- She also sent a warning to men in the audi- film festival had been his “hunting ground.” she was 21 at Cannes in 1997, and that the she alleged that Weinstein raped her when portedly not cleared by festival organizers; Festival, giving an impassioned speech, re- at the closing ceremony of the Cannes Film actor Asia Argento boldly took to the stage night, same The unnamed. remains who by drugging by a 27-year-old French actress Blue director, Besson, was accused of rape after another. On Saturday, Arquette’s she adds: “Hell hath no fury like a woman.” lish poet and playwright William Congreve, truism dating back to 1697, penned by Eng- like it or not.” Then, paraphrasing a potent HAVEN’ T BUT T SPOKEN OUT YET, AND I LOOK AND FORWARD In response to Argento’s speech, on Sun - onecoming, keep stories the yes, And, MORE ALOT WEINST ARE THERE TILL A LOT OF WOMEN WHO WHO WOMEN OF ALOT “THERE’S STILL L.A. L.A. Weekly about exclusion, T HERE AND — R OSANNA T Big Big HEIR - - are more quiet and step back after they after back step and quiet more are empowering,” Arquette says. “Some people it’s and is it what That’s that. felt I me.’®” ing, ‘You can’t brand me. Only I can brand body.’sayShe’sown your owning you is starting to tattoo a lot. I was like, ‘Oh, this reallywho’smeto close assaultedbeen is finally got it the other day because someone so many tattoos on their bodies right now. I I’ve got a lot of close who are getting trauma. You can’t tell anyone how to do it. with dealing of way own their and things and creatives, based on respect. actresses and female directors, producers a positive direction to the alliances between fuel viral gossip, but the focus is shifting in that used to fly o« the newsstands and still catfights on and o« the set were the stories very little airtime. The celebrity feuds and typicallyreceivedhas that one ashes, the corruption. and abuse with rife is Hollywood sation. and Diane Kruger, are part of this conver actresses on set, including Uma Thurman choking to admitted has Tarantino,who like Woody Allen, who has his accusers, and to criminal, remains in question. Directors ward women, ranging from inappropriate less male powerhouses whose behavior to- devoted to #metoo. #TimesUp” supposedly was that #GoldenGlobes last A “Everyone has their own way of doing of way own their “Everyonehas So a new type of family is emerging from Themen named here are among count - TO WHEN THEY DO. DO. THEY WHEN TO RQUETTE T IME IS UP.” EINS OUT HEY WILL. - - made use of it. I am proud of her every day.” Arquette. “She has taken her deep pain and says McGowan, articulating the essence of tivistwomenprofound,”supporterof and ac- an as work her true, is performer a as work Herbeing. substantial and magical integrity and her fearlessness.” Arquette says. “So I honor and respect her she’s not afraid and that’s what’s so great,” selling how-to memoir, best- a and E! on docuseriesCitizen Rose while continuing to define herself with her Weinstein,by up trumped were believes she whichcharges, possession drug fight to battle court unnerving an undergoing manipulationof Weinstein;by sheis now spokeFarrowto aboutrapeher yearsand working toward a common goal. McGowan one example of women with diverse voices just is bond Their Arquette’s. of ally and in in movement, #MeToothe propelled that stories the in figure key a and Weinstein, of accuser outspoken fiercely and visible most the their time is up.” and there Weinsteinsout more lot a are And I look forward to when they do. There haven’twho theywill. yet,butspokenout women of lot a still There’sbarriers. the down break to doors the pounding there out are people some andstory, their tell dian Cli« Arquette. Their mother and their paternal grandfather was come- actors, were Arquette, Lewis and Nowak David and Richmond; their parents, Brenda fiveincludingPatricia,children,actorsof eldest the YorkCity,is New in born was who Arquette, DNA. family Arquette the Being political isintrinsically political Being The respect is mutual. “Rosanna is a is “Rosanna mutual. is respect The but Rose of afraid are people of lot “A Activist, artist and actor Rose McGowan, , is a close friend close a is YorkTimes, New The and later Yorkerand New The Brave. entwined into ( 14 » | | 13 LA WEEKLY // May 25 - 31, 2018 // www.laweekly.com * * * * * $20 Removal $20* $20* $20* $20* $20* $20 $20 $30 $25 $10 + Earn Lightsheer™ Hair Restylane Bucks!* Dr. Kojian, Owner Kojian, Dr.

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n $145. y s ti - y e i d e a e a Call Call h l h n r t m p p T s a a you can be paid as much as $415 if you follow all of the study procedures. CLINICAL TRIA TO ADVERT 310.574.7303 Research Description & Purpose Contact Information: To take part in this research study or for more information,

UCLA IRB#16 The goal of this study is to learn about areas of functioning in cannabis users.

UCLA is conducting a clinical trial to examine the safety of a medication, pomaglumetad methionil (POMA), and methamphetmine. and (POMA), methionil pomaglumetad medication, a of safety the examine to trial a clinical conducting is UCLA Informationplease call 1will(800) be collected581-9847 using. individual assessments over the course of three

Protocol ID:IRB#17-001767 UCLA IRB Approved Approval Date: 3/16/2018 Through: 2/12/2019 Committee: SouthIng General Hser IRB

months. This research is being conducted by UCLA researchers Dr. Yih- Ing Hser Ing Hser

and Dr. Larissa Mooney, and is fundedIng Hser by the National Institute on Drug Abuse.

Additionally, Additionally, Additionally, Additionally,

. .

Would the study be a good fit for me? . 145 145 This study may be a good fit for you if: 145 • You are 18 years or older, and • ? ? Are a regular? cannabis user would be asked to: be asked would to: be asked would to: be asked would

What would happen if I took part in the study? You would be asked(about 3 months) to: (about 3 months) (about 3 months) •

Attend 4 assessment sessions where you will be askedYou questions about your You You cannabis use and daily life. • Provide urine samples that will be tested for drug use • Wear a Fitbit device for the duration of the study (about 3 months)

For attending all of the assessment sessions, you will be paid at $145. Additionally, you can be paid as much as $415 if you follow all of the study procedures. if you follow all of the study procedures. study the of all follow you if procedures. study the of all follow you if procedures. study the of all follow you if To take part in this research study or for more information,

Contact Information: , and , and , and 415 415 415 . . .

please call 1 (800) 581-9847. $ $ $

Protocol ID:IRB#17-001767 UCLA IRB Approved Approval Date: 3/16/2018 Through: 2/12/2019 Committee: South General IRB 9847 9847 9847 - - - a regular cannabis user a regular cannabis user a regular cannabis user 581 581 581 years or older or years older or years older or years . Abuse Drug on Institute National the by funded is and Mooney, . Abuse Drug on Institute National the by funded is and Mooney, . Abuse Drug on Institute National the by funded is and Mooney, (800) (800) (800) regular cannabis user cannabis regular user cannabis regular user cannabis regular 1 1 1 Are you Are you Are you call call call You are 18 are You a Are your about questions asked be will you where sessions assessment 4 Attend life. daily and use cannabis use drug for tested be will that samples urine Provide study the of duration the for device Fitbit a Wear 18 are You a Are 18 are You a Are your about questions asked be will you where sessions assessment 4 Attend life. daily and use cannabis use drug for tested be will that samples urine Provide your about questions asked be will you where sessions assessment 4 Attend study the of duration the for device Fitbit a Wear life. daily and use cannabis use drug for tested be will that samples urine Provide study the of duration the for device Fitbit a Wear goal of this study is to learn about areas of functioning in cannabis users. users. cannabis in functioning of areas about learn to is study this of goal users. cannabis in functioning of areas about learn to is study this of goal goal of this study is to learn about areas of functioning in cannabis users. users. cannabis in functioning of areas about learn to is study this of goal can be paid as much as much as paid be can as much as paid be can as much as paid be can , you will be paid at $ at be paid will , you sessions assessment the of all attending $ at be paid will , you sessions assessment the of all attending $ at be paid will , you sessions assessment the of all attending

• • • • • • • • • • • • • • • Protocol ID:IRB#17-001767 UCLA IRB Approved Approval Date: 3/16/2018 Through: 2/12/2019 Committee: South General IRB Protocol ID:IRB#17-001767 UCLA IRB Approved Approval Date: 3/16/2018 Through: 2/12/2019 Committee: South General IRB Protocol ID:IRB#17-001767 UCLA IRB Approved Approval Date: 3/16/2018 Through: 2/12/2019 Committee: South General IRB please please please please please Research Description & Purpose The three of course the over assessments individual using collected be will Information - Research DescriptionYih & Purpose Dr. researchers UCLA by conducted being is research This months. The Larissa and Dr. three of course the over assessments individual using collected be will Information - Yih Dr. researchers UCLA by conducted being is research This months. Larissa and Dr. Research Description & Purpose The three of course the over assessments individual using collected be will Information - Yih Dr. researchers UCLA by conducted being is research This months. Larissa and Dr. theWould study be a fit good forme? if: you for fit a good be may study This Whatwould happen iftook I partin the study? theWould study be a fit good forme? if: you for fit a good be may study This theWould study be a fit good forme? if: you for fit a good be may study This Whatwould happen iftook I partin the study? Whatwould happen iftook I partin the study? For you For you For you To take part in this research study or for more information, information, more for or study research this in part take Contact Information: To information, more for or study research this in part take Contact Information: To information, more for or study research this in part take Contact Information: To

14

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» gan, a partnership that balances her. She her.balances that partnership a gan, of four years, investment banker Todd Mor husband heroverlooking Pacificwith the homeshares Sheothers.a and herself for her grounded and able to keep advocating large dose of gratitude and self-care, keeps valueeverything earn.”I that a with This, really I so artists, were they and kidsfive that. I saw struggle with my parents feeding that I grew up poor. … I’m really grateful for her dreams. 15 and hitchhike to Los Angeles to pursue age at bags her pack to her emboldened it would just happen.” One of those visions younger, I would visualize something and theFish’s anthems.wasanti-war “WhenI listeningCountrywhileto mud the Joe & was a flower child at Woodstock, sliding in she all, After heart. her with leading and dirty, marching to the beat of her own drum shift. She’s no stranger to getting her hands paradigm a and growth for opportunity an as it sees She #MeTooaftermath. the that defines the way in which she envisions optimism and hope innate an with basis same urgency to work for change on a daily der community, Arquette is inspired by the sex tra“cking or fighting assault, discrimination, ageism or her in such distress.” seeing happened,that when 9 was him.’I motherfuckers, they killed him, they killed saying,floor motherfuckers,‘Thosethose was on the news and she was pounding the was. I remember vividly when MLK died. It she who “That’shumanity,”says. shefor integrity and what is supposed to be right was so conscious and instilled values and “I am so blessed to have had a mother who op.photo a forshowingversus simplyup ference between giving yourself to a cause a socially driven person, who lives the dif- rights at a young age shaped Arquette into a shirt on that little girl,’‰” Arquette recalls. MORE’ on my bare chest and he said, ‘Put NO KILL WAR THE ‘STOP painted had the back of a truck with him and my mom while they were living in Chicago. “I was on march that Martin Luther King Jr. attended nam protester who once organized a peace women’s rights activist and anti-war Viet- 12 It all comes back to her roots. “I’m glad “I’m roots. her to backcomesall It fightingshe’s Whether human for fight mother Watchingher ) also was an agent for change, a change, for agent an was also for against the transgen- sexual sexual - to o›er more resources and opportunities neglect each year and develops programs and abusesexual physicaland of victims tion and clinic that treats more than 20,000 at USC Medical Center, a leading organiza at the Violence Intervention Program (VIP) years, Dr. Astrid Heger, executive director her longtime friend and collaborator of 15 as matchmaker.altruisticsuch Peoplean these people, to introduce you to them, like know youto wantsShehelping others. to individuals who have dedicated their lives has no ego. “I really want her work to be out there. She those a›ected in the LGBTQIA community. and facilities to rape survivors and supports Angeles that extends additional treatment the Alexis Project, a clinic in downtown Los With Heger and VIP, the Arquettes opened reststemming from complications HIV.of who died in 2016 at age 47 from cardiac ar Alexis, sister,actress-activist beloved their after Foundation,named ily FamArquette - Alexis the found to forces for them. breathing.” with self-reflection, being grateful for just ity is a daily practice; I try to ward that o› fucked. Learning how to not live in negativ the first time. “If I look at the news first, I’m is how it feels to talk with Arquette, even for God “as you would with a best friend.” This Nachman, who encouraged speaking with Rebbe 19th-century the of teachings the reads and morning the in minutes 20 for practices yoga, makes an e›ort to meditate Arquette herplatform uses munity, and she is genuinely invested. She left in advocating for the transgender com- Alexis that footprints big “Sheknowsthe away, and she has a big impact,” Heger says. involved in everything she does blows me and engaged and focused stay Rosanna become a skeptic, so to have someone like Which is what I say to everyone else. I have one who says to me, ‘How can I help you?’ is the one who is always present. She’s the people who say they want to help. Rosanna high-profile of lots with up end I sotions, selflessness and her constant dedication. Weekly,” Arquette says of Heger. Last year, Arquette and her family joined “I work with a lot of vulnerablepopula of lot a with work “I Forher part, Heger toArquette’spoints She should be on the cover of to highlight to L.A. L.A. - - - -

| | 15 LA WEEKLY // May 25 - 31, 2018 // www.laweekly.com

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UT INSTEAD INSTEAD UT , could just get that what what that get just could he, or B - Hop and Madsen Michael with Holy , Lands shot in Berlin with , with Sarah Ga Sarah with Dead, Is Octavio EGER RQUETTE] TOOK RQUETTE] H Onscreen, the award-winning actor will actor award-winning the Onscreen, As one of the first women to blow the Earlier this month, Arquette, along with along Arquette, month, this Earlier this exists in our own backyard and billions and backyard own our in exists this sex in made being are dollars of billions and business.” huge a become It’s tra¡cking. year: this films upcoming more four in star Love Puppy per Penn; - Aman director and Meyers Rhys Jonathan Sthers; da don and director Lee; Sook-Yin and Etruscan Smile with Brian Cox. She also series, comedy Red YouTube a in co-stars shot dating, Tinder on take a , Right Swipe in Los Angeles with co-star and creator Carly Craig (American ), Housewife due July. in out whistle on Harvey Weinstein in going public with her story, Rosanna Arquette has found herself in a position of being a catalyst for change, this time within - Hol lywood, a role she was born to It play. is embodies that darkness the amid light the activism, and work Arquette’s of spirit the urging us to to grasp got onto the I silver glad lining. I’m now. here be to exciting “It’s movement anti-war Vietnam the in kid a be mother my mean, I time. this here I’m and for was rights; always women’s my sister, Patricia, did an Oscars speech for equal happy I’m ago. years three women for pay to be one of the voices. One of the many voices.” of millions as we struggle to find common ground and ground common find to struggle we as address the misconception that all men eggshells. on walk or shameful feel should - influen when occurring shift this sees She - spot the in roles with or power in men tial - ac their for ownership take truthfully light against allegations the mentions She tions. a if be would dream C.K.“My Louis comic him, like guy he did was so not OK and then come out that them teach … heal men other help and to have to We don’t be you have that guy. - redemp and rehabilitation for room make tion.” She is clear that she is only talking about those who admit to their mistakes. It is, in her eyes, essential to forgiveness. come “You from us — don’t forget it. You says, Arquette woman,” a inside lived once pointedly. Kate Bosworth, Mira Sorvino, Andra Day and Gloria Allred, as was honored part of - Tra¡ck and Slavery Abolish to Coalition ing (CAST)’s #20for20 campaign - com memorating the 20th organization’s an- and 20 niversary supporters fearless who have used their voices to spearhead and programs. outreach social crucial support “I’ve raised money and for awareness the Gupta Ruchira journalist Indian that work out get 7 as young as girls helping in does the “She’s explains. Arquette of brothels,” one who opened my eyes to the fact that FORTUNATE SHE IS IS SHE FORTUNATE W - - - - - STRID STRID EINSTEIN...... EINSTEIN. DR. A HO ARE LESS FORTUNATE.” FORTUNATE.” LESS ARE HO — W SHE CAN BE A VOICE FOR W OMEN OMEN OF FEELING SORRY FOR HERSELF, FOR SORRY FEELING OF

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A HIT FROM W “WITHOUT A DOUBT, [A DOUBT, A “WITHOUT Her Her thoughts on where men belong in It seems so simple, but what if every “I believe that how this is really going to going really is this how that believe “I Arquette Arquette is acutely aware of the - tre Although Although Arquette’s commitment to It also was obvious to friends like Heger Heger like friends to obvious was also It “She “She is an amazing friend. She is com SHE FOCUSES ON HO ON FOCUSES SHE the #MeToo the era #MeToo are simple yet powerful, and an activist warrior. warrior. activist an and possible, possible, a cross between Mother Nature a chance. Somehow she makes this all feel feel all this makes she Somehow chance. a same time, she is still willing to give peace peace give to willing still is she time, same be able to knock them out and run.” At the At run.” and out them knock to able be someone someone tries to hurt them, they should think all girls should be able to kick ass. If ass. kick to able be should girls all think ‘Men and Masculinity’; he’s written amaz written he’s Masculinity’; and ‘Men manners.” and elegance and class of “I in women, and believes self-defense. course course at Stony Brook called University and integrity and grace have you because her wrong — she is intensely protective couraging men to be a part of the solution. solution. the of part a be to men couraging a Kimmel has Michael educate. to is work world and still be a more powerful man within much but Arquette, alive don’t get surprise that it is one of inclusiveness by en- by inclusiveness of one is it that surprise gentle be to how men teach that books ing this in man a be to how integrity, with men still very ’60s are The led with grace? one vision vision for the , and it comes as no , she has a clear a has she , Winger Debra for Searching tion of power between . But as with as But genders. between power of tion done done to balance out the uneven - distribu always have to honor her.” her.” honor to have always be to needs that work of amount mendous and then they were able to achieve, so we and able then were to they achieve, abused. abused. They told their truth, their story with women and girls who were raped and raped were who girls and women with years years ago, and she’s done a lot of work is is due. started “Tarana this 12movement Too,” she is quick to give credit where credit where credit give to quick is she Too,” anyone anyone hashtagged Burke’s Tarana “Me sexual assault advocacy began long before before long began advocacy assault sexual example] — speaking up and out for others.” for out and up speaking — example] who who is being by abused her [for husband, are less fortunate than are less her — fortunate the waitress and how she can be a voice for women who who women for voice a be can she how and self, self, she focuses on how fortunate she is says. “But instead of feeling sorry for her for sorry of feeling instead “But says. and suddenly she’s in deep water,” Heger in and deep suddenly she’s water,” has had two huge songs written about her, her, about written songs huge two had has hit from Weinstein. hit This is from a Weinstein. woman who jeopardized. “Without a doubt, she took a she a doubt, “Without jeopardized. so much momentum to make it happen.” it make to momentum much so early on that Arquette’s career had been tinue to run the Alexis Project, and we have have we and Project, Alexis the run to tinue - con to her with work to excited I’m and her, I don’t think her interest will ever wane. wane. ever will interest her think don’t I knowing experience phenomenal a been it’s could could be doing so many other things, but but that, deserve I if know don’t I mine. of instead she is worried about me, and is a fan a is and me, about worried is she instead one one like her and expect a narcissist, but - some at look “You continues. Heger kind,” and funny — and completely unselfish and unselfish completely and — funny and pletely beautiful, utterly talented, so smart so talented, utterly beautiful, pletely

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ATEATE . . | | 17 LA WEEKLY // May 25 - 31, 2018 // www.laweekly.com - » 18 ( E STUEVEN PHOTO BY MICHEL BY PHOTO A native of New Orleans, Scully has incor has Scully Orleans, New of native A a “There’s big New Orleans population from response the says Schoenkerman porated her family roots into MiddleBar’s MiddleBar’s into roots family her porated hangs that window glass stained decor. The over the bar was salvaged from a church from tiles the and Katrina, Hurricane after her family’s corner store line the bottom stage. the of few a have “We says. Scully Inglewood,” in that so menu, the on items NOLA-inspired gives me a little more street cred around here than maybe the average white girl [have].” would the neighborhood near Florence and La good. been generally has Brea - - The MiddleBar Mary, which is made with made is which The MiddleBar Mary, MiddleBar’s spiced rum features an es- Renie Schoenkerman nights in the tiny corner stage. stage. corner tiny the in nights the just was vodka, herbal custom-infused They frenzy. fermenting their of beginning have a vanilla bean–infused bourbon for and their the New-Fashioned, Blackberry Basil Sunrise is made with their own fer mented tequila — and everything is gar jour. du pickles house-made with nished pecially interesting ingredient — coŽee. of is CoŽee Rwanda the Silverback brand of choice, because of taste and because it also benefits people, Rwanda’s wildlife, Cocktails say. couple the culture, arts and $10. at start - -

Scully Scully went to pickling academy to be- celebrated who couple, the December In - pro a be to meant just was it Originally out at the farmers markets.” markets.” farmers the at out everything learn and pickler master a come The fruit. and vegetables fermenting about two created the Middle Bar Mary, which of gestalt the like was says Schoenkerman spicy a with adorned It’s mary. bloody the and crunchy mix of pickled green celery, - concoc The cucumbers. and onions beans, BloodyBest Choice People’s the won tion in Los Fest Bloody 2017 at Mary the Mary Angeles. their five-year wedding anniversary last ver brick-and-mortar the opened month, end deteriorating the at MiddleBar of sion of Market Street in Inglewood, between eroding buildings that were once part of a bustling downtown. They searched L.A. for a space and saw the potential in Inglewood. mix- drink infused their for facility duction soon shop took oŽ the and things ers, but opened for and jazz gospel brunch Satur days and Sundays, and Soulful Saturday -

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Eats Eats “At first it was just a hobby for relaxation relaxation for hobby a just was it first “At “We were “We both bartenders back in our BY MICHELE STUEVEN | cocktail cocktail line and ended up banging them started started to cocktail cater, created our own and had nothing to do with work. Slowly we Slowly work. with do to nothing had and It was in the middle of the house. the of middle the in was It other we wanted to perfect it,” Schoenker it,” perfect to wanted we other MiddleBar. it dubbed just and over coming bloody mary, and bloody as we mary, got to know each kept friends Our ever. bar library best the and using friends as willing guinea pigs. guinea willing as friends using and 20s, so we had some ego about our own our shotgun-style house, hoping to build their own. They spent years experimenting experimenting years spent They own. their of middle the in bar a built “We says. man to make an award-winning interpretation of interpretation award-winning an make to the worst drinks they’d ever had and vowed vowed and had ever they’d drinks worst the

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Na- , Butterfly M. The Color Purple Color The June 10 | centertheatregroup.org . In earlier earlier In I. and King The | Ahmanson Theatre, | Ahmanson Theatre, , which wrestles wrestles which , Face Yellow Hamilton, 135 S. Grand Ave., downtown | Through | Through downtown Ave., 135 S. Grand , which stands for “fresh o„ the boat” boat” the o„ “fresh for stands which , , people of color now fill now color of people , Allegiance A consistent theme in Hwang’s work Hwang’s in theme consistent A in realization a been of sort “There’s Hwang originally set out to conjure conjure to out set originally Hwang takes number production major One a creating we’re hand, one the “On Michael confronts issue larger A and and a to according jobs, acting of percent 35 Performers American Asian the by poll Coalition. Action like plays early in present It’s identity. is FOB assimilation; with deals and - ex an woos diplomat French a which in she’s learn to only courtesan Chinese otic to chooses ultimately he fact a man, a and ignore; casting. colorblind with industries cultural and entertainment whose nation a see to going are we that people majority a are demographics assume you If 2040. around color of onstage themselves see to like people make to need we then screens, on and to fields these for just adjustment that but artistically only not viable remain reasons. Hwang commercially,” also - inclu improve to desire a there’s “While we theater, the in and Broadway on sion to how out figure to go to way a have still that.” achieve the future, so I just decided to write the write to decided just I so future, the could.” I musical romantic best of inversion an adviser an become would Xue drafts, Hillary President elected newly the to election, the lost she when But Clinton. Trump While change. to had script the character, o„stage an as mentioned is own his create to compelled was Hwang Alan Alyse by played Clinton, of version about song torch a sings who Louis, democracy. imagined as McDonald’s, a at place from back gazing lens Chinese a through and seating luxurious with future, the by choreographed waiters roller-skating for nominee Tony a Pinkleton, Sam 1812. of Comet Great the & Pierre tasha, to speaks which is, it loopy, sounds it If confronting challenges biggest the of one tone. Tesori: and Hwang Chi- this through seen is that musical of dismissive is therefore and lens nese election, 2016 the uses and democracy, the demonstrate to now, does China as - democ of nature chaotic and ine¤ciency reinforces that musical a is this So racy. in believe creators, as we, And idea. that of question tonal a there’s So democracy. the on is which show, a create you do how also we but satiric, somewhat hand one - audi the where something create to want revisiting Hwang explains, feels,” ence their quandary. It’s Group. Theater Center and Ritchie musical new a mount to gamble a quite a in cast Asian-American mostly a with Ahmanson the as significant as venue production the 20, June Starting Theatre. Theater Curran Francisco’s San to moves they that after and tweaks, creative for with where, Broadway to head to hope like shows HWARTZ D, TS NLY NK NHIBI PHOTO BY CRAIG SC BY PHOTO I SA HAT T P I TERATURE TERATURE

T WAS T WAS HENRY HWANG HWANG HENRY NATED BY THE BY NATED I ETS.” I “It’s a political fantasia,” composer composer fantasia,” political a “It’s SOV D DAVI “I TEND TO THI “I TEND TO CENSORSHI ART. GREAT I CERTA THERE’S LI GREAT OF OUT CAME THAT EUROPE EASTERN WHEN I DOM time she met Hwang. “He said, ‘I have this have ‘I said, “He Hwang. met she time know I is. it what know don’t I but idea, thought, I it.’ in songs have would it that you’re hell the what know don’t I ‘God, can’t I you.’ follow I’ll but about, talking in like be to going music’s what imagine loved Chinese musical about how, when when how, about musical Chinese loved election the following failed democracy on up stepped China Trump, Donald of void. leadership a fill to stage global the out turned what about explains Tesori first the from process unusual an be to

The King and I and King The . “I tend to tend “I . Butterfly M. “There’s an inherent contradiction be- contradiction inherent an “There’s Center by commissioned , Power Soft At this point the play jumps 50 years years 50 jumps play the point this At tween a regime that seeks soft power and power soft seeks that regime a tween - cen top-down of deal great a having also seems It content. that control to sorship incompatible. are goals two those me to view,” of point American very a that’s But 1988 and native L.A. an Hwang, explains for winner Tony That art. great inhibits censorship think that literature great certainly there’s said, was it when Europe Eastern of out came - clas are There Soviets. the by dominated produced were that movies American sic Code.” Hays the under Michael director artistic Group Theater with play a as began 2014, in Ritchie 2016 the around set elements musical Xue executive, film Chinese A election. writer, a and Ricamora), (Conrad Xing surrogate), Hwang’s Jue, (Francis DHH of production a attend - Clin Hillary for fundraiser a by followed with relationship a up strikes Xue ton. from home way the On candidate. the street the in stabbed is DHH event, the a by inspired scene a in out passes and of one severed nearly that attack real-life arteries. Hwang’s just we events The future. the into be- a for basis the become have witnessed Seven Seven The Soft

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CHINESE FOODCHINESE FOR THOUGHT FOR show. experience with experience Broadway hit a of form the in power” “soft ), stems from Hwang’s Hwang’s from stems ), Home (Fun Tesori seeking producers Chinese with confabs ments struck him as factually inaccurate. factually as him struck ments 16, May on Theatre Ahmanson Jeanine winner Tony by score a with though many of the show’s narrative ele- narrative show’s the of many though Power ending moved him nearly to tears, even even tears, to nearly him moved ending relationship with an English tutor, the tutor, English an with relationship of Siam is made amenable through his through amenable made is Siam of , in which the recalcitrant King recalcitrant the which in I, and King saw Broadway’s recent revival of revival recent Broadway’s saw popular entertainment. popular intellectual influences delivered via via delivered influences intellectual “soft power,” strong U.S. cultural and cultural U.S. strong power,” “soft , and King The of example an It’s suspicions. raise to the way to a better future. It occurs in occurs It future. better a to way the enough often others; and Tibet in Years

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Shep argues, will enable Edmund to sur Whitman’s collector of a valuable edition of Walt visit and suggests ripping o a wealthy Shep (played by Apostolina) pays him a retreat from the world when his buddy roach-ridden apartment. He’s in anxious creditors and facing eviction from his and Edmund is now being hounded by price. But business has not been good, stores and resells them at an inflated coveted books at garage sales and thrift scout, meaning he searches for rare or bonds that bind us to our past. hard it can be to sever the formidable good and evil, and highlights just how culminates as a riveting face-o between nebbish whose life is on the downturn, it GOOD VS.EVIL | BY DEB Edmund (French Stewart) is a book Stage come together inanintense fashion The two strands ofForever Bound ultimately ORAH KLUGMAN ORAH Leaves of Grass. Its proceeds, ing as a wry comedy about a disquieting way. Commenc- come together in an intense, disparate narratives that er Bound, starts out as two thoughtful dramedy, teve Apostolina’s dark and //

Forev- - Stewart at the top of his game. His sad- play, its humor underscored by a gifted Forever Bound is a solid character-driven morality. test the limits of their courage and their the girl, who calls herself Rosalind, must manner. Ultimately both Edmund and it’s a shocker that plays out in a gripping apparent. When the reveal does come, Edmund and his problems aren’t at first just what it is and how it connects to thing very wrong with this picture — but have entrusted her welfare to him. references her parents, who, he claims, a break, the man, with brisk overbearing, girl complains that she’s tired and needs nuances of classic literature. When the man (Rob Nagle) tutoring her in the (Emily Goss) and a supercilious older but lovely and intelligent young woman and a spotlight comes up on a cowed problems, the scenario drastically shifts, abiding Edmund deliberates on his comes along. vive until a more legitimate opportunity Directed by Anne Hearn Tobolowsky, Immediately you realize there’s some- As the reluctant and natively law-

ing portrayal. Nagle, a staple of the L.A. people are willing to go to destroy it. consequences, and to just how far good terone-driven obsession and its evil their schtick to the depiction of testos- ignites when the focus shifts away from scenes are together, the play really only an apt foil. willing to cut ethical corners, makes for ers.” Apostolina, as a guy ready and person in a world with no time for “los- what it’s like to be a poor but principled sack bookseller gleans the essence of This researchproject issponsoredbytheNational InstituteonDrugAbuse. Dan George, MPH, MBA , Jeremy Martinez, M.D. Behavioral ResearchSpecialists,LLC PARTICIPATE INANADDICTIONRESEARCHSTUDYAT NOCOST with outpatientcounselingavailable As Rosalind, Goss gives an illuminat - But as entertaining as this pair’s co mpared withplacebo(sugarpills) Matrix InstituteonAddictions, LosAngeles French Stewart, left, and Steve Apostolina in in Apostolina Steve and left, Stewart, French 230 N.MarylandAve. For moreinformation, pleasecall: COCAINE Suite 207,Glendale, Compensation maybeprovided in research treatment study for: Investigational medications CA 91206 High Cholesterol-Inpatient-PhaseI-IVPediatricsPTSDRestlessLeg Opiate Addiction-DiabetesInsomniaAsthmaADHDHypertension 323-938-8184 for timeandtravel. Depression -AnxietyBipolarSchizophreniaPainAlzheimer’s Research Investigators: & Tasnim Shamji, M.D. users 888-255-5798 Ext.1 Paid ParticipationAvailable

Forever Bound Forever Night’s Dream. from Helena’s speech in play. The bitterly ironic title is drawn agreeable add-on in a contemporary Coleridge, Whitman and the like, an riven with quotes from Shakespeare, villain. performance, is mesmerizing as the ally incapable of ever rendering a bad theater scene who seems constitution- Overweight volunteers It’s worth mentioning that the text is Weight LossProgram Study 818.256.1697 forparticipation • FinancialCompensation • Van Nuys,CA • Medicalexam at nocosttoyou • Supplementsat nocosttoyou • Ages18-65 • Males/Females 3269 Ave., Casitas Atwater Village |Through FOREVER BOUND|Atwater Village Theatre, for 16weekstudy. Call TODAY at June16|plays411.com/foreverbound Wanted: A Midsummer [email protected] www.brstrials.com PHOTO BY KATHY FLYNN | | 21 LA WEEKLY // May 25 - 31, 2018 // www.laweekly.com - Game he The Solo Saturday Saturday A Beautiful Mind andBeautiful A is Alden Ehrenreich, Ehrenreich, Alden is ). He He ). Apply Don’t Rules Solo | Directed by by | Directed STORY WARS A STAR SOLO: , Story Wars Star A One: Rogue Ron Howard | Written by Jonathan Kasdan and and Jonathan Kasdan by | Written Howard Ron , with neither neither with Back, Strikes Empire The Rivals in fortune and love, Solo and Solo love, and fortune in Rivals Os- his like work, best Howard’s in Even Anchoring of portrayal beloved her o” Fresh Neil designer production While Lawrence Kasdan | Walt Disney Pictures | Citywide Pictures Disney | Walt Kasdan Lawrence a portrayal by Harrelson that ultimately ultimately that Harrelson by portrayal a in roles similar on variation a like feels and Apes the of Planet the for War trilogy. Games Hunger grudging the of seeds the sow Calrissian established Kasdan Lawrence friendship in back. his has other the convinced fully who Glover, Donald is moment a Having a with month this earlier double-tapped on performance buzzed-about his of release the by followed Live Night - com candid a America,” Is “This video his Ehrenreich, Like racism. on mentary smoothly dovetails here performance case his in predecessor, his of that with Ehrenreich, like Also Williams. Dee Billy between line the tread must Glover easily challenge a obnoxious, and cocky Unlike both. of charm the by overcome - hold Glover finds scene one Ehrenreich, crying hands, his in droid dying a ing of request unfair an metal, of piece a over actor. any films car-winning murky into delves seldom he , 13 Apollo ques- larger with grapples or areas moral with and yeoman, a He’s tions. mov things keeping job, yeoman’s a does dramatic through pace measured a at ing in energy kinetic conjuring and scenes and shot are which sequences, action the narrative clear and concise with edited progression. résumé outstanding an compiled has who leg- with working career, film brief his in Woody Coppola, Ford Francis like ends Warren and brothers Coen the Allen, (2016’s Beatty - particu ability, uncanny an demonstrates the capture to scenes, early the in larly not Ford of phrasing and language body inhabiting by but him impersonating by Romeo, street-smart a portraying role, the his of vestige last the being romance the into full-time transitions he as youth life. outlaw Daenerys mama dragon ’ Thrones of girlish a brings Clarke Emilia Targaryen, over hardening act, first the to energy survivor. a of shell sleek the into time endured Qi’ra what guess only can One assume can and Dryden, of hands the at doesn’t it ensure to herself only has she again. happen bru- a as Corellia Planet paints Lamont landscapes his urbanscape, deco talist deserts, and mountains mainly of consist previous his dominated that features movie, series. the in entries other frankly, and, cinema, studio in sameness a to points It perpetu- but Disney by mainly imposed bad a necessarily not is which all, by ated keep to happy are fans Obviously thing. and Wookiee bellowing the revisiting wide the through dashes warp-speed the gives Solo is, it as satisfying and beyond, same. the of more want: they what them TURES ST S A INGS LLEY/COURTESY WALT DISNEY PIC WALT LLEY/COURTESY D’S BE D’S E. E. RED PAC R HE DOE K, A HE’S N IN RON R ASU E OMAN, AND WITH OMAN, JOB, OMAN’S EEPING TH PHOTO BY JONATHAN O JONATHAN BY PHOTO HOWA WO EV YE SOLO YE K A AT MOVING ME Streamlining the plot frees up time to time up frees plot the Streamlining explore characters and relationships. relationships. and characters explore stemming nickname a is learn, we Solo, He family. no has Han that fact the from Chewbacca, for lunch becomes almost him, meet we when captive desperate a wins and escape him helps instead but been he’s which in world a in trust his advice That one. no trust to warned Beckett, model, role Solo’s from comes may have come up with, but what we what but with, up come have may a as works that movie franchise a is have don’t sequels many way a in stand-alone avoids script the better, Even anymore. narratives convoluted confusing the by blockbusters modern to common so the Get objective: simple one providing Coaxium. Return of the of Return . Journal Street Wall The The reunion between Solo and Qi’ra and Solo between reunion The mission, the for needed is ship fast A di”erences creative what telling No We’ll never know what Miller and Lord Lord and Miller what know never We’ll henchman (or henchwoman) happens to happens henchwoman) (or henchman Qi’ra. be If emotion. restrained with celebrated is significant a Dryden to deliver don’t they energy volatile but valuable a of amount out it take will he Coaxium, called source hides. their of with game card a in had be can one and Lando man ladies and huckster notorious crew a As Glover). (Donald Calrissian - Cal Chewbacca, Qi’ra, Solo, of consisting Phoebe by (voiced L3 his ’bot, and rissian - audi the ship, their board Waller-Bridge), Millennium the of glimpse a gets ence actually which new, was it when Falcon applause. of round a elicits and Miller between come have might - Kas Jonathan screenwriters versus Lord wrote (who Lawrence father, his and dan and Back Strikes Empire The ), but Howard, who was hired with hired was who Howard, but Jedi), remaining, production of weeks mere movie, the of percent 70 shot reportedly to according In the same report, an unnamed cast cast unnamed an report, same the In hour an in shot Howard noted member day, full a in did Lord and Miller what modernize to meant latter the that and and Kasdan Howard, while franchise the Kennedy Kathleen producer executive feel. retro a favored - Star Star Solo: A Solo: IEFE

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| SOWING THE SEEDS THE SOWING raked with pink facial scars, whose whose scars, facial pink with raked mastermind Dryden Vos (Paul Bettany), Bettany), (Paul Vos Dryden mastermind ern, Beckett lands in debt to criminal criminal to debt in lands Beckett ern, - West classic a of out straight heist train of Solo and Qi’ra. Following a gripping gripping a Following Qi’ra. and Solo of grifting duo who hint at a future version version future a at hint who duo grifting Harrelson) and Val (Thandie Newton), a Newton), (Thandie Val and Harrelson) Solo falls in with Tobias Beckett (Woody (Woody Beckett Tobias with in falls Solo later rescuing her. rescuing later enlist as a pilot for the Empire, intent on intent Empire, the for pilot a as enlist at the end of act one, prompting him to him prompting one, act of end the at Han and Qi’ra are violently separated separated violently are Qi’ra and Han whom Solo is destined to meet one day. day. one meet to destined is Solo whom in a tussle, not unlike a certain princess princess certain a unlike not tussle, a in chievous vixen who can hold her own her hold can who vixen chievous - mis a Clarke), (Emilia Qi’ra is crime his home planet, Corellia. His partner in partner His Corellia. planet, home his opening hook. opening on grifter a is Ehrenreich) (Alden Solo and acts of derring-do, and that’s just the just that’s and derring-do, of acts and ans, it’s everything you want from from want you everything it’s ans, Wars young cast surrounded by savvy veter savvy by surrounded cast young paced and plotted, starring a talented talented a starring plotted, and paced

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couture editors in the business. one of the most revered haute- working-class man who became as a queer, black, Southern, keeps private: his experience more urgent the struggles Talley toral story structure only makes the more I understood that elec- throughout the documentary, the undertones of race and class film. But the longer I considered thus must make its way into the around that horror show and footage happened to revolve for Novack that so much of her those days. At first, I felt pity were shot. It’s not easy reliving Trump were elected, my nerves the woods for weeks if Donald ing that he would disappear into Nov. 6, and Talley began claim- pointment that revelation was. And, oh, what an initial disap - obsession with 24-hour news. lowing the election via Talley’s threads of its story would be fol- I realized that the present-day fashion guru André Leon Talley, tion on the life and career of to André, a thoughtful medita Novack’s election. As I was watching Kate A LHD | BY APRIL WOLFE Novack often fills the screen By the time the film got up to Film BUT TALLEY PERSEVERES INTHEGOSPELACCORDING TO ANDRÉ The Gospel According to André André to According Gospel The The Gospel According // 2016 presidential footage from the that incorporate documentaries warning for be a trigger here should

- himself is still starkly white. world in which Talley immersed becomes clear that much of the Tom Ford, Fran Lebowitz — it Anna Wintour, Marc Jacobs, jects — Diane von Furstenberg, cycles through interview sub- firmly in the past. But as Novack ward outlook, seeing that time their hair. He’s got a future-for protect the merchandise from drape veils over their heads to Jo Belle hat shop and have to North Carolina, would go to the the black women in Durham, South, like the one about how relays stories of the Jim Crow ing to exude hope even when he is his boisterous, big self, seem- Obama is president, and Talley present-time story, Barack than fashion. But Novack’s film is about more sian) he can spout from on cue. and design (specifically Rus- endless knowledge of history diŠcult not to admire him or the ishly fascinating caftans that it’s himself in every one of his gar footage, Talley appears so fully the archives and in Novack’s or texture is contagious. In both ment over every piece of fabric at these events, as his excite- who’s a fave interview subject by old commentary from Talley, archival footage is accompanied saunter down runways. This adorning women who strut and tographs of striking fashions with archival videos and pho- In the early parts of the - - ress has proved an illusion. to worry that much of that prog- — and the Talley of after seems especially your chance at love hard enough and sacrifice all — you swallow your anger, work believes anything is possible if presents himself as a man who Talley of before the election the Wind, his eyes well up. The American version of edited, fashioned as an African- a Naomi Campbell spread he old issue of years. As he thumbs through an have stuck with him over the racially charged slights that He speaks frankly about the maintain his composed facade. too overcome by emotion to him at a moment when he’s seem as though Novack catches are dashed, it does suddenly around, and all of Talley’s hopes not on camera. not to address it head-on, at least to become successful, prefers taught him the best revenge was to an all-black high school that racism. But Talley, who went versed in being outspoken about generation and maybe more friends are from a younger journalist Tamron Hall. 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R tions —Beethoven, Grieg, V collaboration withthe A my feet T tickled. peaksthatI over craggy camera, aided by drones, skims soclose them formore thanashot ortwo. T We butnever often follow seeclimbers andapexes and cliffs around the globe. without narrative ortitlecards, slopes tor of photography.) Mountain aclimberofasdirec note,Ozturk, served flat expanse of amovie screen. (R ately something like ananttraversing the for the next- hand-orfoothold, proportion up the endlessrock face,feeling around the tiny, fragile humanclimbermidway me. Dafoe —amore dramatic concernseized Orchestra andthe narration of Willem the sounds of the A yes,ing the filmtrulyisscored that, to quickie intro establish- behind-the-scenes extraordinary opening shots —after a indifference harsh to us.Butfrom the majesty, overwhelmingdeadliness and ismountains of course, ,their fearsome can’t stir: awe. T most “awesome” moviesof ourera just something thatthe purportedly biggest, big-screen reverie Mountain (A some of S because nothing aboutitisinspired, save quite saythatMary inspired ahost of filmsandfictions.I the T finest ghost story? Who canpen inacontest. to participate to save(Daphne ourselves. Howland) may to need save the nerds ifwe’re going that isendangered these days. Butwe sustained. seems clearthattheir curiosityshouldbe scientists’ fascinationiscontagious,andit science isn’t deeply explained. S dane “hello, howdoyoudo”s, andthe Cheney preserves afew too many mun- deep spaceare photogenic —although ful —hot springs, the ocean’s depths and their search. Muchof the filmisbeauti- through the ages their fuel wonder and scientists believe that;allthe discoveries simply have atall?N nopayoff existence. destroy Couldothers us,or cal cures orbring newmeaning to human could leadto practical advances like- medi on other planets. S perception of timeorwhether there’s life the most basic,mysteries —suchasour minate aboutsomeof the grandest, ifalso taste of the other’s T cursory field. take turnsvisiting oneanother to get a chologists andaneuroscientist —who studying spaceandtime,cognitive psy- variousmolecular biologist, physicists ninescientists —ageobiologist, surveys directeda documentary by I ignorant populace.TheMostUnknown , not just corporate interests butalsoan basic scienceby politicianswhofavor now we’re witnessing the depletion of gain. But benefits inmassive personal Jobs changed ourlives andreaped the nerds, asthe likes of BillGates andS toseemed usher inthe revenge of the lan H S Behold this?Behold film they hell did ow the cherstuhl) Jennifer turridge’s Byronic moodswings. T hat requires alevel of funding ather than simply scoring ather thansimply scoring he subjectof Mountain, he filmwas crafted in P ome of their endeavors ome of their endeavors ustralian Chamber ustralian Chamber eedom’s 70-minute S T is one of these, helley isoneof these, he late 20th century he late 20thcentury CO, whoseselec hat scenario has hat scenariohas swear sometimes ivaldi — shape ivaldi —shape an Cheney, inspires surveys, surveys, one of the one of the till, the till, the enan enan hey ru- he he can’t teve teve - - | | LA WEEKLY // May 25 - 31, 2018 // www.laweekly.com 23 BRIAN

- DENNEHY AND BILLY BILLY HOWLE PASADENA Laemmle’s Playhouse 7 (626) 844-6500 ZEGEN MICHAEL GLENN FLESHLER IRVINE Edwards 8 Westpark (844) 462-7342 #144 SOARS!” this is that it gives hope to the under-35s the hope to this is that it gives own lead in her the that a woman can play that benefi- get To life. story entire for her every endure to cial message, you’ll have epiphany rom-com requisite character’s worth still it. (April Wolfe) speech, but it’s JON TENNEY DIRECTED BY ENCINO Laemmle’s Center 5 Town (818) 981-9811 MICHAEL MAYER MARE —Nathaniel Bell —Nathaniel -type -Ella Taylor, NPR -Ella Taylor, Beverly Hills, CA 90211 CA Beverly Hills, LA WEEKLY WINNINGHAM ❖ plays as part of Laemmle’s as part plays Laemmle’s of e Deer Hunter 2X2 THUR 5/24 The Dignified Princess SCREENPLAY BY NOW PLAYING MOSS , a feature-length adaptation of the Hans Christian Hans Christian the of adaptation , a feature-length STEPHEN KARAM ELISABETH Daily at 12:00, 2:30, 5:00, 7:30 & 10:00 5:00, 2:30, ❖ Daily at 12:00, Laemmle’s Music Hall Laemmle’s The Deer Hunter rospective of Czech animator Jirí Trnka, a key figure in in figure a key Trnka, Jirí Czech animator of rospective animation in his native stop-motion of development the - Nightin with e Emperor’s o series kicks land. e gale Andersen two bonus shorts. tale, plus is is a golden of style enchanting opportunity Trnka’s experience to for grown-ups intended was which much of puppetry, eatre, Aero children. by approached but can be safely Santa Monica; u., May 31, 7:30 Ave., 1328 Montana americancinematheque $12. (323) 466-3456, p.m.; . calendar.com Hollywood Blvd., Hollywood; Sun., May 27, 7:30 p.m.; $10. $10. p.m.; 7:30 Hollywood; Sun., May 27, Hollywood Blvd., . lafilmforum.org (323) 466-3456, 29 May Tuesday, controversial Vietnam devastating, Michael Cimino’s drama in at an emo- Anniversary series. Clocking Classics hours, film the three exhausting tionally and physically immersion a novelistic provides horrors the war into of - male bud three of destinies as it slowly unfolds the film was e town. steel Pennsylvania a rural dies from Oscars, five — winning including simultaneously praised visions of — and criticized its harrowing for Picture Best prevailing ultimately prison camp, in a Vietnamese life 1970s. the famous American films of most the as one of playing his first big break who received Savage, John on reflect to screening Steven, the appear aer will Ahrya Arts Laemmle his crucial role. 8556 Fine eatre, $15. May 29, 7:15 p.m.; Tue., Hills; Beverly Wilshire Blvd., . laemmle.com (310) 478-3836, 31 May ursday, ret a four-day launches American Cinematheque e STOLL COREY VIEW THE TRAILER AT WWW.THESEAGULL-MOVIE.COM VIEW THE TRAILER AT THE SEAGULL SEAGULL THE THE - - 310-478-3836 ❖ laemmle.com “‘THE SEAGULL’ SEAGULL’ “‘THE YADVI YADVI 9036 Wilshire Blvd. RONAN SAOIRSE May 25 -31, 2018 May 25 -31, WEST LOS ANGELES Pico & Westwood The Landmark at W. (310) 470-0492 landmarktheatres.com 11:50, 2:15, 4:40, 7:05, 9:25 Thur: 11:50, 2:15, 4:40 Fri-Wed: rare chance to marvel chance to how good at just rare craft, at their how easily women are these other of bodies and lives inhabit the they actors all these together people. Throwing Avengers of some kind eerily like feels a film like benefit of One hidden crossover. BENING ANNETTE T IS - . Spielberg eatre at the Egyptian, 6712 at the Egyptian, eatre 6712 Spielberg MOVIE TO-DO L TO-DO MOVIE Y The Social Secretary, a 1916 comedy star WEEKL Yes, there’s a scene in Bill there’s Yes, style, the film throws a spotlight on on a spotlight film throws the style, vérité cinéma REDCAT’s International Children’s Film Festival is is Festival Film Children’s International REDCAT’s YOUR YOUR and Adults Kids for Films Animated 26 May Saturday, a hugely was Norma Talmadge luminescent The waned prominence whose movie star popular silent office box two straight After talkies. of advent with the well lived she and retired; losses cut her duds, she From titled #MeToo 1950s. In a program the into Silent American Cinematheque the Screen, the presents woman who young as an attractive Talmadge ring sexual avoid herself to look dowdy resorts making to is part 8mm screening of work. The at harassment George the by series sponsored and Retroformat the will provide Cliff Retallick Foundation. Family Lucas will be accompanied by feature and the score, a live Theatre at the short Spielberg several subjects TBA. Hollywood; Sat., Hollywood Blvd., May Egyptian, 6712 americancinema $12. (323) 466-3456, 26, 7:30 p.m.; thequecalendar.com like more aren’t there a wonder it’s such a good idea immersionit. a highbrow in international Essentially spans fest the for kids), you know, cinema (except, short of the around subjects from weekends three 90 approximately $5, lasts costs program globe. Each subjects with live-action animated and mixes minutes, 631 REDCAT, whole family. for the say, as they films. Fun, Sat., Second St., May 26, noon; $5. (213) downtown; W. . redcat.org 237-2800, 27 May Sunday, many been re-created 1968 May have of events e more no is probably times on celluloid, but there tumul- the a cinematic document of comprehensive in . Shot Days May Klein’s tuous period than William the Sorbonne and factory as strikers workers students, revolution their of terms the negotiate to attempt they who photographer a street civil unrest. Klein, amid the cause, document their to students the by recruited was years film 10 the later. on 16mm and completed shot this of a digital transfer presents Filmforum Angeles Los history piece of as part Visions its series 1968: rare of . Possibilities of Holderman’s Boomer-ensemble rom-com Boomer-ensemble Holderman’s - promiscu perpetually the Book Club where has (Jane Fonda) Vivian ous bachelorette beau, long-lost as her shut up and listen to Arthur delivers Johnson), (Don a movie- with unabashed love of confession style In that moment,earnestness. Holderman as much on Vivian just camera the trains though she’s even does on Arthur, as he purses lips, her Vivian a word. saying not as a pussycat skittish look away, tries to a For trash. the through digging caught watch Vivian split second, as I watched from Fonda recognized I suddenly Arthur, relent iconic performance in 1969’s her classic They Shoot Horses,less, tearjerker Don’t They? in And I mean “recognized” trappings kitsch all the that, for a breath, beholding and I was away fell rom-coms of is capable that Fonda emotion raw the ability, a breathtaking That’s emitting. of channel such talent and experienceto humdrum scenes, something even into — Fonda, leads Book Club’s all four of Mary and Steenburgen Diane Keaton, though it Even — can do. Candice Bergen every map of beforefollows the rom-com offers film still too- the it, Holderman’s ONGOING BOOK CLUB - -

About 25 minutes in, the in, the About 25 minutes is Ehrenreich, who cap- Solo is Ehrenreich, hits like a rock final- a rock 1993 hits like Summer weight of the pain in the deceptively deceptively pain in the the of weight balmy floor. on a shallow freshwater ly settling - autobio perspective Carla Simón’s of The is purposefully limited, drama graphical little by framed at times myopic, even (Laia Artigas) own access orphan Frida’s aunt adults — her the world. While the to (Bruna Cusí) and uncle Esteve Marga - turned in loco paren Verdaguer), (David Sanz) (Montse and her aunt Lola tis; her and Fermí (Isabel Rocatti grandparents - moth — whisper about Frida’s Reixach) causes, AIDS-related of death recent er’s film the and flows throughout pain ebbs Fundamentally, power. with arresting debut, Simón’s 1993, director Summer becomes a rumination on reconciling and disorder attachment with one’s film confronts abandonment issues. The and contradictory the feelings directly assimilate a child who must impulses of but Simón the eschews a new family, into family other many of bells and whistles an extraor instead crafting melodramas, dinary grief and and beautiful work of with children is typical of Frida memory. in need desperately disorder: attachment unable ones yet loved from validation of act to it, leads her accept to often which statue backyard visits the often out. Frida for her things leaving Mary, Virgin the of was that she assurance needing mother, know. now doesn’t someone she by loved family-friendly ending is no tidy, There mother Frida’s of spectre the suggesting Simón is so Instead, her. love to is there if ado- gradual, her in depicting precise lescent, paradoxes the understanding of summer that, the and loss over love for of is as tactile experience her us watching, Turner) a sunburn. (Kyle of sting as the mance dovetails smoothly with that of his with that of smoothly mance dovetails Howard Williams. Billy Dee predecessor, pace at a measured moving things keeps scenes and conjuring dramatic through energy action sequences. in the kinetic Anchoring of and phrasing body language the tures portraying a original Han (Harrison Ford), into transitions as he street-smart Romeo Beloved Game of life. outlaw the Thrones Emilia mama Daenerys Targaryen, dragon hardening energy, a girlish brings Clarke a survivor. of sleek shell the time into over Neil Lamont paints designer Production urbans- deco as a brutalist Corellia Planet mountains andcape, with landscapes of One: A Star deserts Rogue that dominated series. Story entries in the and other Wars a sameness cinema,It points to in studio - Disneyimposed but perpetu mainly by necessarily all, which is not a bad by ated keep happy to fans are Obviously thing. and the Wookiee bellowing the revisiting wide the through warp-speed dashes beyond, and satisfying as it is, Solo gives same. the of more want: what they them Riefe) (Jordan comes lunch for Chewbacca, a desperate for Chewbacca, comes lunch escape and him helps instead but captive, is criminal model role trust.wins his Solo’s Harrelson a portrayal Woody by Beckett, on a variation like feels that ultimately for the Planet of in War thesimilar roles Having GamesApes trilogy. and The Hunger whose perfor Glover, a moment is Donald SUMMER 1993 ------June,Last plays like the film’s film’s the like plays Though it’s a small it’s Though SOLLERS POINT : cool chases, exotic creatures, duels creatures, : cool chases, exotic

rest for drug dealing, director Matthew director for drug dealing, rest is set Point sad, Sollers quiet Porterfield’s rust a dying of canvas a larger against its of struggles emotional belt city and the is repeat Lombardi) (McCaul people. Keith officer; his parole — by his by “no” edly told Courtney’stwice-shy ex-girlfriend ( school director. Zazie a trade by Beetz); an HVAC admission to denied he’s When certification starts for he program, looking the — nobody except again work dealing loose, seem- finds him useful. The gangs performances bolster improvisational ingly and surface realism unstudied film’s the characters. the of hope and despair the details quotidian the to attends Porterfield landscape scarred this economically of in Dundalk, Maryland,and its people. Shot community in Baltimore an unincorporated chain-link of film is a collage the County, graffiti-illuminated overpasses,fences, - visits lawn pavement.crumbling Keith houses, shops, condemned repair mower — reconnecting and work sites, backyards connect — with old friends and to or failing impulse control,acquaintances. Lacking also backs an he frustrated, and deeply out smashing a corner by into old enemy inci- rage a road windows during his van feeling of sincerity and depth dent. Keith’s performance embodied in Lombardi’s are such as his with details and embroidered - trea dog, and the for Courtney’s pining his bed — including under keeps he sures and a book about the his sketchbook char sense that this Illuminati. It makes would think this book is smartacter and unseen masterminds identify the seek to a striking He’s his future. who would deny his own of weight the shouldering figure, an of burdens with the along demons, poor people. against weaponized economy Packham) (Chris story man trying about a young rebuild to house ar an extended following his life busters by providing one simple objective: one simple busters providing by plot the Streamlining Coaxium. the Get and re characters explore up time to frees lationships. Solo, learn, is a nickname we fact that Han (Alden the from stemming be He almost has no family. Ehrenreich) when directors Christopher Miller and Phil Miller and Phil Christopher directors when on Howard Ron by replaced were Lord Story fans feared , many Solo: A Star Wars worst.the just new movie isn’t But the a tal- expertly starring paced and plotted, savvy by surrounded cast young ented vet everything Star from you want it’s erans; Wars just and that’s derring-do, and acts of know what never hook. We’ll opening the come up with, have may Miller and Lord movie is a franchise have but what we many in a way that works as a stand-alone the better, Even anymore. sequels don’t convoluted confusing, the avoids script block modern so common to narratives deeply what the images already suggest, already images the what deeply in Mountain music the shotsmany as if the principle, organizing been arranged have ascents and vistas of between relationship it. The illustrate to rich more proves and music, here, image movies generally than the and rewarding - subordi clearly as one is not offer today, (Alan Scherstuhl) other. the to nate SOLO: A STAR WARS STORY WARS A STAR SOLO: GO

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www.laweekly.com // May 25 - 31, 2018 // LA WEEKLY |

Avenue (213)388-9000 (323) 692-0829 189 TheGroveDr.,Third&Fairfax Palmas Avenue(323)924-1644 at Vine(323)464-4226 Hollywood Blvd.(323)461-3331 7674 Blvd., westofHighland(323)467- Hoover St.(213)748-6321 South MainStreet(213)617-1033 (323) 664-2169 6639 (844)462-7342 4046 Solo: AStarWarsStory AMC SUNSET5 Calltheaterforschedule. UNIVERSITY VILLAGE3 Solo: AStarWarsStory3D Solo: AStarWarsStory A ChanceintheWorld-Premiere Andy Irons:KissedbyGod 14 REGAL CINEMASL.A.LIVESTADIUM Solo: AStarWarsStory3D CGV CINEMASLA Calltheaterforschedule. DOWNTOWN INDEPENDENT Touch ofEvil Citizen Kane Shadow ofaDoubt(1943) The ThirdMan Solo: AStarWarsStory VISTA Solo: AStarWarsStory3D Solo: AStarWarsStory PACIFIC’S THEGROVESTADIUM14 Solo: AStarWarsStory PACIFIC’S ELCAPITAN TCL ChineseTheatreTour Lobbyists &HandprintsTour Solo: AStarWarsStoryTheIMAX2D Solo: AStarWarsStoryAnIMAX3DExperience TCL CHINESETHEATREIMAX Solo: AStarWarsStory TCL CHINESE6THEATRES RBG Deadpool 2 Book Club LOS FELIZ3 Solo: AStarWarsStory3D Solo: AStarWarsStory ARCLIGHT HOLLYWOOD Calltheaterforschedule. ARENA CINEMA One FlewOvertheCuckoo’sNest Always atTheCarlyle Fury oftheFistandGoldenFleece Feral The DeathofStalin ARENA CINELOUNGESUNSET other programs. to confirmshowtimes.SeeFilm&VideoEventsfor Schedules aresubjecttochange;pleasecallahead Boulevard (323)654-2217 Hollywood Blvd.(323)461-3331 (323)924-1644 Sunset Boulevard-LobbyLevel

WEST HOLLYWOOD, BEVERLY HILLS DOWNTOWN, LOS S. ANGELES HOLLYWOOD &VICINITY | Thurs., 5:45p.m. Sun., 8:45p.m.;Mon.-Tues.,5:15Wed.,9:30 Tues., 3:40,11:10p.m. Fri.-Sat., 3:40,11:15p.m.;Sun.,1:30,9:20Mon.- 7:50, 11:20p.m.;Mon.-Tues.,10a.m.,1:30,5,8:30 4:40, 8:20p.m.,12mid.;Sun.,9:20a.m.,12:50,4:20, 7, 10p.m. Thurs., 12:15,12:30,1,1:15,2,3:45,4:20,5:15,7:30p.m. 10:30 p.m. 9:30 p.m. Thurs., 7:45p.m. 7, 10:45p.m.;Mon.,7:15Tues.,9:45Wed.- p.m.; Thurs.,9:30p.m. Sun., 4:30p.m.;Mon.,9Tues.,7:15Wed.,5 Tues.-Wed., 1,4,7,10p.m. 11 a.m.,2,5,8,p.m.;Mon., 12noon,3,6,9:30p.m.; Sun., 5:20p.m.;Mon.-Tues.,12noon,7:30p.m. 4:45, 8,11:15p.m. 3:45, 6,7,10:15p.m.,12mid.;Fri.-Mon.,a.m.,1:30, 6, 7,10:15p.m.,12:15a.m.;Sat.-Mon.,12noon,12:30, a.m.; Tues.-Thurs.,1,4:15,7:30,10:45p.m. p.m.; Sun.,11:45a.m.,3:15,6:30,9:45Mon., 6, 7,8,9,10p.m.,12mid.;Tues.,mid. 10, 11p.m.;Mon.,9,9:45,10a.m.,12noon,1,3,4,4:30, 9, 9:45,10,11a.m.,12noon,1,2,3,4,4:30,5,6,7,8, 10:15, 10:45,11,11:25,11:45a.m.,2:30,3,6,6:45p.m. Tues.-Thurs., 12noon,3:30,7p.m. Experience 1000 West Olympic Blvd. 1000WestOlympicBlvd.

1:20,4:20,7,9:45p.m. Fri., 4:15, 6, 7:45 p.m.; Sat., 5:30, 10:15 p.m.; Sun., Fri.,4:15,6,7:45p.m.;Sat.,5:30,10:15Sun., Neighborhood Movie Guide 4473SunsetDr.(323)660- 1,4,7,9:45p.m. 1,4,7,9:50p.m. Fri.,12mid. Sun.,12mid. Fri.-Mon., 8:45 a.m., 12 noon, 3:30, 7 p.m.; Fri.-Mon.,8:45a.m.,12noon,3:30,7p.m.; Sat.,12mid. 1822 N. Vermont Ave. 1822N.VermontAve. Sat.,1:45p.m. 8000 West Sunset 8000WestSunset 1625 North Las 1625NorthLas Fri., 2:30 p.m.; Sat., 3:45 p.m.; Fri.,2:30p.m.;Sat.,3:45 621 South Western 621SouthWestern Fri., 1, 4, 7, 10 p.m.; Sat.-Sun., Fri.,1,4,7,10p.m.;Sat.-Sun., Fri.-Sat.,11:50a.m.,7:30p.m.; 1:30,5:15,8:45p.m. Fri.,12noon,12:30,3:45, 11:30a.m.,3:15,7,10:30p.m. Fri.-Sat.,1,4:15,7:30,10:45 Fri.,12mid,1,2a.m.;Fri.-Sun., Mon., 6 p.m.; Tues.-Thurs., Mon.,6p.m.;Tues.-Thurs., Mon.,10:30a.m. Thurs.,7p.m. Fri.-Sat., 9:15 a.m., 1, Fri.-Sat.,9:15a.m.,1, Fri.-Wed.,10a.m.,1,4, Fri.-Mon.,3,9p.m. Fri.-Mon.,1:15,11:15p.m. Mon.,4:20p.m.;Tues.- Hollywood Hollywood 3323 S. 3323S. Sunset Blvd. SunsetBlvd. Wed.,8p.m. Sat., 7:45 p.m.; Sat.,7:45p.m.; 6801 6801 251 251 6925 6925 6464 6464 Fri., Fri.,

1005 4020 MarltonAvenue(323)296- Texting Allowed Pico Blvd.(310)470-0492;No Wilshire Blvd.(310)274-6869 Monica Blvd.(888)AMC-4FUN 473-8530; NoTextingAllowed 11272 SantaMonicaBlvd.(310) (800) 326-3264704 Solo: AStarWarsStory A ChanceintheWorld-Premiere Andy Irons:KissedbyGod CINEMARK 18&XD Deadpool 2 Book Club Solo: AStarWarsStory IPIC WESTWOOD Solo: AStarWarsStory The GospelAccordingtoAndrÈ LANDMARK WESTL.A. Calltheaterforschedule. LANDMARK’S REGENT The RockyHorrorPictureShow The Shining Mountain LANDMARK’S NUARTTHEATER Exhibition OnScreen:VanGogh-ANewWayof LAEMMLE’S ROYALTHEATER Solo: AStarWarsStoryTheIMAX2D Solo: AStarWarsStory3D Solo: AStarWarsStory Adrift AMC CENTURYCITY15 Calltheaterforschedule. LAEMMLE’S MUSICHALL3 The DeerHunter THEATRE LAEMMLE’S AHRYAFINEARTS Solo: AStarWarsStory 3D MARKETPLACE AMC LOEWSCINEPLEXMARINA Solo: AStarWarsStory3D Solo: AStarWarsStory A ChanceintheWorld-Premiere Andy Irons:KissedbyGod CRENSHAW PLAZA15+XTREME RAVE CINEMASBALDWINHILLS Solo: AStarWarsStory3D Allowed Ave. (310)208-3250;NoTexting (310)478-3836 Santa MonicaBlvd.(310)477-5581 Drive (310)568-3394 Blvd (310)307-7003 CULVER CITY, MARINA DELREY LAX, WESTWOOD, WEST L.A. 7, 10:30p.m. Tues.-Wed., 10:40a.m.,12:30,7:10p.m. a.m., 7:50,11:50p.m.;Mon.,10,10:407:50 p.m.; Tues.-Wed.,1:20,11:10Fri.-Sun.,10,10:40 Mon., 8:40a.m. 4:50, 8,11:10p.m. 3:40, 6:45,9:55p.m.;Wed.,11a.m.,3,7:45,p.m. p.m.; Mon.,12noon,3:05,6:30,9:40Tues.,12:15, 4:15, 7:40,10:45p.m.;Sun.,12:50,3:55,7:20,10:25 4:05, 5:50,7:20,9:05,10:35p.m. 7:20, 9:05,10:35p.m.,12:20a.m.;Mon.-Thurs.,2:35, p.m., 12:20a.m.;Sun.,12:50,2:35,4:05,5:15,5:50, p.m.; Fri.-Sat.,12:50,2:35,4:05,5:50,7:20,9:05,10:35 p.m.; Mon.-Thurs.,10:45,11:20a.m.,12:50,2,5:15,8:30 11:45 p.m.;Sun.,9:35,10:45,11:20a.m.,2,8:30, 8:30 p.m.;Fri.-Sat.,9:35,10:45,11:20a.m.,2,5:15,8:30, 5:15, 8:30,11:45p.m.;Mon.-Thurs.,10:45a.m.,2, p.m.; Mon.-Thurs.,3:45,7Fri.-Sun.,10:45a.m.,2, 4:05, 7:40,11:15p.m. 3:20, 6,6:30,7,9:40,10:05,10:35p.m.;Thurs.,12:25, 10:35, 11:30p.m.;Wed.,10:50,11:15,11:40a.m.,2:25, 11:40 a.m.,12:30,2:55,3:20,4:05,6:30,7,7:40,10:05, 4:05, 6:45,7,7:40,10:20,10:35,11:30p.m.;Tues.,11:15, 11:35 p.m.;Mon.,11:15,11:40a.m.,12:30,3:10,3:20, 11:25 a.m.,12:50,2:55,3,4:25,6:30,7,8,10:05,10:35, 6:30, 7,8,10:05,10:35,11:35p.m.;Sun.,9:30,11:15, Sat., 9:30,11:15,11:40a.m.,12:50,2:55,3:20,4:25, 3:20, 3:50,3:55,7,7:30,7:50,10:35,11:05,11:25p.m.; 4:20, 7:20,10:15p.m. 3:30, 6:40,9:50p.m. 8:30, 9:50,10:30p.m. p.m.; Tues.-Wed.,11:40a.m.,1:50,3,3:50,5:10,6:30, a.m., 1:20,1:50,3,4:30,5:10,6:30,8:30,9:50,11:10 7:50 p.m.;Fri.-Mon.,11:40 4:30, p.m.; Tues.-Wed.,10a.m., 3:55, 7,7:20,10:25,10:50p.m. 4:25, 7:20,8,10:50,11:15p.m.;Wed.,12:15,12:35,3:35, 7:20, 8,10:50,11:30p.m.;Tues.,12:35,12:50,3:55, 4, 6:40,7:30,10,10:50p.m.;Mon.,12:35,1,3:55,4:25, 7:20, 10:30,10:55p.m.;Sun.,11:55a.m.,12:30,3:20, 10:20, 10:55p.m.;Sat.,12noon,12:35,3:25,3:55,6:50, Seeing Experience a.m., 1,3:15,5:30,7:50,10:05p.m. Thurs.,7,9:45p.m. 1:30,3:30,5:30,7:30,9:30p.m. Mon.,7:30p.m.;Tues.,1p.m. Fri., 11:50 a.m., 3, 6:45, 9:50 p.m.; Sat., 1:10, Fri.,11:50a.m.,3,6:45,9:50p.m.;Sat.,1:10, Fri., 11:45 a.m., 12:35, 3:20, 3:55, 6:45, 7:20, Fri.,11:45a.m.,12:35,3:20,3:55,6:45,7:20, Fri.,11:59p.m. 8556 Wilshire Boulevard 8556WilshireBoulevard 10:10a.m.,1:10,4:10,7:20,10:30p.m. Tues.,7:15p.m. 13455 Maxella Ave. 13455MaxellaAve. 10840 Wiltshire 10840Wiltshire Fri.-Sun., 9:15 a.m., 3:45, 7 Fri.-Sun.,9:15a.m.,3:45,7 Fri.,11:30a.m.,12:05,12:20, Fri.-Mon.,10:20a.m.,1:20, Fri.-Sun.,9:30a.m.,12:30, Fri.-Mon., 9:10 a.m., 3:50, 7:10 Fri.-Mon.,9:10a.m.,3:50,7:10 6081 Center 6081Center Thurs.,7p.m. Thurs.,7p.m. Fri.-Sun., 12 noon, 3:20, Fri.-Sun.,12noon,3:20, Fri.-Mon.,12:30,10:30 12:30,10:15p.m.;Fri.- Fri.-Sun.,10:50a.m.,1:50, 10850 W. 10850W. 1045 Broxton 1045Broxton 10250 Santa 10250Santa Fri.-Mon., 10:45 Fri.-Mon.,10:45 Sat.,11:59p.m. Wed.,8p.m. Wed.,8p.m. 9036 9036

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Suite 73(310)289-4262 326-3264 706 1441 ThirdStreetPromenade(800) Long Beach (562)438-5435 Culver Blvd.(310)360-9565 Pacific CoastHwy.(310)289-4262 422 Blvd., RedondoBeach777-FILM South BayGalleria,1815Hawthorne Solo: AStarWarsStory3D Solo: AStarWarsStory AMC LOEWSCINEPLEXBROADWAY Mary Shelley LAEMMLE’S MONICA4-PLEX Calltheaterforschedule. AERO THEATER Avengers: InfinityWar Overboard Deadpool 2 Book Club Solo: AStarWarsStory3D Solo: AStarWarsStory AMC SANTAMONICA7 Miller’s Crossing Solo: AStarWarsStory3D Solo: AStarWarsStory PACIFIC CULVERSTADIUM12 The RockyHorror PictureShow ART THEATER Solo: AStarWarsStoryTheIMAX2D Solo: AStarWarsStory3D Solo: AStarWarsStory A ChanceintheWorld-Premiere Andy Irons:KissedbyGod Adrift AMC ROLLINGHILLS20 Solo: AStarWarsStory3D Solo: AStarWarsStory A ChanceintheWorld-Premiere Andy Irons:KissedbyGod Adrift AMC GALLERIAATSOUTHBAY16 Solo: AStarWarsStoryTheIMAX2D Solo: AStarWarsStory3D Solo: AStarWarsStory A ChanceintheWorld-Premiere Andy Irons:KissedbyGod Adrift AMC DELAMO18 Calltheaterforschedule. NEW MALIBUTHEATER Avengers: InfinityWar Life oftheParty Deadpool 2 (323) 466-FILM Creek Road(310)456-6990 Street Promenade(310)395-3030 Second St.(310)478-3836 Santa Monica,Malibu Santa BEACHES South BaySouth Tues., 4p.m. p.m.; Mon.,4Wed.,4,7Fri.-Sat., a.m., 5,7:45p.m.;Fri.,1a.m. 9:15 p.m.;Tues.-Thurs.,11:30a.m.,3,6:30,9:45p.m. Sun., 8:30p.m.;Fri.-Sun.,11a.m.,2:30,6,9:30p.m. 9:30 p.m.;Tues.-Wed.,11:30a.m.,2:45,6,9:15Fri.- 9:45 p.m. Tues.-Wed., 11:15a.m.,1:45,4:15,7:15,10p.m. 9:45 p.m. 6:30, 9:15p.m.;Tues.-Wed.,11:45a.m.,2:15,4:45,7:15, 1, 4,7,10p.m. 9:30, 10p.m.;Tues.,1,7,Wed.,Thurs., p.m.; Sat.-Sun.,10a.m.,1,3,9:30,Mon., p.m.; Thurs.,11a.m.,5p.m. 5, 6,9,11p.m.;Mon.-Wed.,a.m.,12noon,3,9 2:15, 4:15,7,9:45,10:30p.m.;12:30a.m. p.m.; Tues.-Thurs.,11a.m.,2:30,6,9:15p.m. 4:45, 8,11:30p.m.;Mon.,10a.m.,1:15,4:20,7:30,10:30 Thurs., 10a.m.,1:15,4:45,8p.m.;Fri.-Sun., 7:30, 11p.m.;Mon.,10:30a.m.,1:45,5,8:15Tues.- 7:45, 11:15p.m. 1, 4:30,8,11:30p.m.;Tues.-Wed.,10a.m.,1:15, Wed., 10:30a.m.,1:45,5,8:15p.m.;Fri.-Mon.,9:30 p.m., 12mid.;Mon.,10:15a.m.,1:30,5,8:30p.m.;Tues.- 7, 10:30p.m.;Tues.-Thurs.,12:15,3:30,p.m. Wed., 1:15,4,6:45,10:15p.m. p.m.; Mon.,11:05a.m.,1:45,4:30,7:15,10Tues.- 12:30, 3:45,7,9:45p.m. p.m.; Mon.,12noon,3:15,6:30,9:45Tues.-Wed., Tues.-Wed., 11:30a.m.,2:45,6,9:15p.m. a.m., 1:30,2:30,4:30,5:30,7:30,8:30,10:15p.m. 2:30, 3:30,5:30,6:30,8:30,9:30p.m.;Tues.-Wed.,11:30 6:30, 8:30,9:30,11:15p.m.;Mon.,11:30a.m.,12:30, p.m.; Tues.-Wed.,12:30,3:30,6:30,9:30p.m. 3:30, 7,10:10p.m. 9 a.m.,12:15,3:30,6:50,10p.m.; Tues.-Thurs.,12:15, a.m.; Sat.-Sun.,9a.m.,12:15, 3:30, 7,10:30p.m.;Mon., p.m.; Tues.-Thurs.,10a.m.,1,4:15,7:45,11:15p.m. Experience Experience Thurs.,7,9:30p.m. Thurs.,7,9:45p.m. Thurs.,7,10p.m. Fri.-Mon., 11:15 a.m., 2, 4:45, 7:30, 10 p.m.; Fri.-Mon.,11:15a.m.,2,4:45,7:30,10p.m.; Fri.-Sun., 11:05 a.m., 1:45, 4:30, 7:45, 10:30 Fri.-Sun.,11:05a.m.,1:45,4:30,7:45,10:30 Fri.-Sun., 11:30 a.m., 12:30, 2:30, 3:30, 5:30, Fri.-Sun.,11:30a.m.,12:30,2:30,3:30,5:30, Fri.-Mon., 10:30 a.m., 1:30, 4:30, 7:30, 10:30 Fri.-Mon.,10:30a.m.,1:30,4:30,7:30, 1,4,7,10p.m. Fri., 9 a.m., 12:15, 3:30, 7, 10:30 p.m., 1 Fri.,9a.m.,12:15,3:30,7,10:30p.m.,1 Fri.-Mon.,10a.m.,1:15,4:30,8,11:30 Fri.-Mon., 10:15 a.m., 12:45, 3:45, Fri.-Mon.,10:15a.m.,12:45,3:45, Mon.,7:30p.m. 2025 E. Fourth St., 2025E.FourthSt., 1328 Montana Ave. 1328MontanaAve. Fri.-Sun., 12:15, 3:45, 7, 10:15 Fri.-Sun.,12:15,3:45,7,10:15 Fri.-Mon., 11:30 a.m., 6 p.m.; Fri.-Mon.,11:30a.m.,6p.m.; 3525 Carson St., 3525CarsonSt., Fri., 10 a.m., 1, 3, 4, 9:30, 10 Fri.,10a.m.,1,3,4,9:30, Fri.-Sun.,11a.m.,12noon,3, Fri.-Mon.,8,10:45a.m.,1:30, Fri.-Sun., 9:30 a.m., 12:45, 4, Fri.-Sun.,9:30a.m.,12:45,4, Fri.-Sun.,10:15a.m.,1:31,5 Fri.-Mon.,9a.m.,12:15,3:30, Thurs.,7p.m. Thurs.,7p.m. Thurs.,7p.m. Sat.-Sun., 4 p.m.; 7 Sat.-Sun.,4p.m.;7 2,8p.m. Fri.-Mon.,8:45,11:30 Fri.-Mon., 11 a.m., 2:30, 6, Fri.-Mon.,11a.m.,2:30,6, Mon.,11a.m.,2:30,6, 11:30a.m.,2:45,6:15, 1310 Third 1310Third 3822 Cross 3822Cross Crenshaw & Crenshaw& Sat.,11:55p.m. Wed.,8p.m. Wed.,8p.m. Wed.,8p.m. 1332 1332 9500 9500

3836 Lankershim Boulevard(310)478- Ventura Blvd.(818)501-0753 Canyon Ave.(818)508-6004 (818) 340-8710 Mall, 6731FallbrookAve.,WestHills 7342 122 501-5121 of VanNuysBlvdandMilbank(818) Solo: AStarWarsStory 3D Solo: AStarWarsStory CENTER ALLSTADIUM10 PACIFIC’S NORTHRIDGEFASHION Solo: AStarWarsStory3D Solo: AStarWarsStory A ChanceintheWorld-Premiere Andy Irons:KissedbyGod Adrift STUDIOS CINEMA AMC LOEWSCINEPLEXUNIVERSAL Solo: AStarWarsStory3D Solo: AStarWarsStory Andy Irons:KissedbyGod CENTURY 8 Three Kings Solo: AStarWarsStory LAEMMLE’S NOHO7 Solo: AStarWarsStory3D Solo: AStarWarsStory REGAL THEAVENUE13 Solo: AStarWarsStory3D Solo: AStarWarsStory GARDENA CINEMA Solo: AStarWarsStory3D LAEMMLE’S FALLBROOK7 Solo: AStarWarsStory3D Solo: AStarWarsStory 6 EDWARDS GRANDPALACESTADIUM Solo: AStarWarsStoryTheIMAX2D Solo: AStarWarsStory3D Solo: AStarWarsStory A ChanceintheWorld-Premiere Andy Irons:KissedbyGod Adrift AMC PROMENADE16 Solo: AStarWarsStory PACIFIC’S SHERMANOAKS5 Calltheaterforschedule. LAEMMLE’S TOWNCENTER5 Solo: AStarWarsStory3D Solo: AStarWarsStory ARCLIGHT SHERMANOAKS Solo: AStarWarsStoryTheIMAX2D Crenshaw Blvd.(310)217-0505 544-FILM Valley Dr.,RollingHillsEstates(310) 9811 Ventura Blvd.,Encino(818)981- 3264 707 Dr. atUniversalCityWalk(800)326- Shirley Ave.(818)501-5121 St., WoodlandHills(818)883-2AMC Northridge, Chatsworth, GranadaNorthridge, Hills No. Hollywood, Universal City S.F. VALLEY West Valley Panorama City, Oaks, Sherman Encino 4767CommonsWay(844)462- 10:50 p.m. 5:15, 8:30,11:45p.m. a.m. 12:30, 3:30,6:30,9:30p.m.,12:30a.m.;Tues., a.m., 3,6:15,9:45p.m. a.m., 1:15,4:30,7:45,10:45p.m.;Mon.-Thurs.,11:30 3, 4:30,6:15,7:45,9:45,10:45p.m.;Sun.,11:30 6:15, 7:45,9:45,10:45p.m.;Sat.,11:30a.m.,1:15, 12:40, 3:50,7,10:10p.m. 2:15, 4,7,10,11:15p.m. 10:15 p.m. 8, 10:10p.m. a.m., 1,4,7,10p.m. p.m.; Fri.,10a.m.,1,4,7,p.m.,12mid.;Sat.-Mon., 1:15, 2,4:30,5:15,7:45,8:45,10:45p.m. 5:15, 7:45,8:45,10:45p.m.;Tues.-Thurs.,10:30a.m., 9:45 p.m.,12mid.;Mon.,10,10:30a.m.,1:15,2,4:30, p.m., 12mid.;Sun.,10:30a.m.,2,3,5:15,6:15,8:45, 5:15, 8:45p.m.,12mid.;Sat.,10:30a.m.,2, 4:50, 8,11:10p.m. 4, 7:10,10:15p.m. Sat.-Sun., 10a.m.,1,4,7:10,10:15p.m.;Mon.-Thurs., p.m.; Tues.-Thurs.,1:10,7:30p.m. a.m., 2:40,6p.m.;Tues.-Thurs.,p.m. Mon.-Thurs., 12:30,4,7:30,11p.m. Experience Experience Thurs.,7,9:45p.m. Thurs.,7p.m. Thurs.,7:30p.m. Fri.-Mon.,10a.m.,1:15,4:30,7:45,11p.m. Fri.-Sun.,9a.m.,12:30,4,7:30,11p.m.; Victory Blvd. & Coldwater VictoryBlvd.&Coldwater 100 Universal City 100UniversalCity Fri.-Mon., 10, 11:15 a.m., 1, Fri.-Mon.,10,11:15a.m.,1, 12:30,10:15p.m. Fri.-Mon.,12:30,3:45,7, Fri.-Mon.,11a.m.,2,5,7:15, Fri.-Mon.,8,11a.m.,2,5, Fri.,9:45,10:30a.m.,1:15,2, Fri.-Sun.,10:30a.m.,1:40, Fri.,1,4,7:10,10:15p.m.; Fri.-Mon.,10a.m.,1:10,7:30 Fri.,6p.m.;Sat.-Mon.,11:30 14948 S. 14948S. Thurs.,7p.m. Thurs.,7p.m. Thurs.,7p.m. 5240 5240 Fri.-Mon.,5:15,8:15p.m. 12:50, 4:05, 7:20, 12:50,4:05,7:20, 3:45,7p.m. Fri.-Mon.,10:45a.m.,2, Fri.-Mon.,9:30a.m., Fri.,11:30a.m.,3,4:30, Fri.-Sun.,9:30a.m., 4:20,10:40p.m. 9:10p.m. 21801 Oxnard 21801Oxnard 550 Deep 550Deep 9400 N. 9400N. Wed.,8p.m. Wed.,8p.m. Fallbrook Fallbrook 15301 15301 Corner Corner 17200 17200 322 AmericanaWay(818)551-0218 Verdugo Blvd.(626)444-3456 Figueroa St.(323)256-6383 (888) AMC-4FUN Ave (626)639-2260 5353 Magnolia Boulevard(323)404- Deadpool 2 Book Club Solo: AStarWarsStory IPIC THEATRESPASADENA Exhibition OnScreen:VanGogh-ANewWayof LAEMMLE’S PLAYHOUSE7 The LastUnicorn Wayne’s World Solo: AStarWarsStory3D Solo: AStarWarsStory ARCLIGHT PASADENA Calltheaterforschedule. ACADEMY 6 Solo: AStarWarsStory3D Solo: AStarWarsStory U.A. LACA—ADA-FLINTRIDGE Deadpool 2 Solo: AStarWarsStory HIGHLAND THEATER Solo: AStarWarsStory3D Solo: AStarWarsStory PACIFIC THEATRESGLENDALE18 Calltheaterforschedule. MGN FIVESTARCINEMA Solo: AStarWarsStory3D Solo: AStarWarsStory AMC BURBANKTOWNCENTER6 Solo: AStarWarsStory3D Solo: AStarWarsStory AMC BURBANKTOWNCENTER8 Solo: AStarWarsStoryTheIMAX2D Solo: AStarWarsStory3D Solo: AStarWarsStory A ChanceintheWorld-Premiere Andy Irons:KissedbyGod Adrift AMC BURBANK16 Calltheaterforschedule. THEATER BANSHEE Solo: AStarWarsStory3D Solo: AStarWarsStory 21 PACIFIC’S WINNETKAALLSTADIUM (818) 501-5121 E. MagnoliaBlvd.(888)AMC-4FUN (626) 229-9400 Maryland Avenue(888)501-0101 N. 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L Clarke). by former Guns N’ Roses guitarist Gilby for that one album; by 2007’s both get on board. They had it made. Crüe and My Chemical Romance could rock/emo punk divide. Fans of Mötley image and the sound to cross the sleaze RCA, had both the like the world was their oyster. Signed to In the Mouth of the Young, and it looked sophomore e‰ort and major-label debut, hardcore punks Helmet produced their ment for a band that many expected to go due out this week — quite an achieve - sword. Octane have lived and died by their own band-wagoneers in the past, Bullets and have accused them of being pretty-boy doesn’t scare these guys. While critics indie. But the DIY ethic and hard work the Underdog, they were back on an full-length full-length album, decades, as he should be. The seventh made this thing work for two whole

RISING WITH ABULLET | BY BRETT CALLWOODBY BRETT But that major-label fun only lasted Two years later, of post- Singer Gene Louis is proud that he’s Music Bullets and Octane Bullets and Octane rock to their own rhythm The Revelry in 2004 (produced when they put out debut was already six years old formed in 1998, the band Bullets and Octane. Having many of us predicted for quite work out the way et’s be honest — it didn’t // Waking is Up Dead,

Song for “Waking Up Dead” single. they actually intended to release the released the album to the public when up last year, when the band accidentally benefited from, a Spinal Tap–esque fuck- day. Keen fans might recall, and have Up Dead, which o§cially drops that same week, a record release party for loved already.” to be able to play with the band that I and then had a great opportunity an outsider who was a fan of the early much there now,” Udell says, “just as a little bit of the punk element is not as stepped up a bunch recently, and maybe that the rock & roll part of it has really Octane fan before he joined. the drummer says he was a Bullets and feels a lot more than four guys.” a confidence when we get onstage that that we all respect each other and there’s way Bullets is supposed to sound. I love to be in place to make Bullets sound the the years, you realize what elements need thing to bring to the band. I think over “Everyone has equal ability and some- the most confidence with,” Louis says. the best yet. says, though, that the current lineup is gone, as the band has evolved. The singer fell away. Band members have come and quietly into the night when the RCA deal The band play at the Viper Room this “As an outsider looking in, I would say Jonny Udell is a recent addition, and “I think this one is the lineup I feel Waking mean, the album’s amazing?’ Talk about in Sweden. We were like, ‘What do you “We were on tour at the time, we were ing, ‘Your album’s amazing,’«” Udell says. things pop up on our Facebook page go - tently let loose the full album. guys in to the fact that they’d inadver age, it was social media that clued the up signing a new deal.” really well while over there and we ended about the band anymore. Things went overseas to see basically if anybody cared singles because we started touring again had happened was, we released three hours,” Udell says. “It got leaked. What “All of a sudden we started seeing As is so often the case in this day and “It got released by accident for 24 JO IMPORTANT.” FRONT OFPEOPLE IS AND PUTTING ITIN IT, GETTING OUT AFTER YOU C A PASSION, BUT MUSI “CREATING THE NNY UDELL C ISDEFINITELY REATE PHOTO BY T AYLOR WONG - the room is a second home for the band. Sunset Strip sleaze and Hollywood glitz, Intimate, with just the right balance of fect venue to see Bullets and Octane. big fish in a small pond anywhere else.” like-minded people. It’s easy to become a it’s important to surround yourself with anything going on there. So I still think get any in small-town Kansas. There’s not happen. I don’t necessarily think you’d and networking to make those things — that’s a lot of meeting people out here with Bullets — videos, art, photography says. ‘But so many things that got done you have to do anymore,” the singer p.m. on Friday, May 25, at the Viper Room. Sticky Dirt and Five Headed Cobra at 8 say ‘Fuck you.’«” together, laughing and smiling while we This time around, we’re enjoying playing You have to block out some of that stu‰. need and the pressures of certain things. A lot of influences that you don’t really says. “It gets scattered and squirrelly. up in the business side of it all,” Louis to nobody. because they love it, so they’re answering this point, these guys are only doing this a solid combination of old and new. At ing home and playing, for me anyways.” just playing at the Viper Room is like go- spot in town was to play, these days. But and I couldn’t even tell you where the hip that’s amazing. We play all over the place, tory, all the legends that have come there, on the Sunset Strip, because of the his- it in front of people is important. Playing after you create it, getting out and putting ing the music is definitely a passion, but ing in front of people,” Udell says. “Creat- still stand by that sentiment? country and then fading away. Does Louis about artists coming to this part of the recorded the song “Cancer California,” now, and it has been 12 years since they in Los Angeles for more than a decade festivals in July.” of June before we go back to Europe for Song,’ which will be released at the end we have the third single, ‘The Fuck You new album comes out on May 25 and then Friday, we released the second single. The ing the first single back on April 13. Last internet and then started over by releas- got signed, we pulled everything o‰ the sign with anybody. However, once we it on our own, not sure if we were gonna then because, like I said, we were doing “We did get some reviews from back the new songs. number of people who knew the words to shows on that tour, there were a good and, when they rolled into some of those the band received some early feedback, were allowed to keep it. On the plus side, my God!’«” head at the moment. We were like, ‘Oh running around like a chicken with no “A lot of us do this for the love of play The Viper Room seems like the per Bullets and Octane play with Die Fast, “When you’re younger, you get caught As for the set, Louis says we can expect “I don’t necessarily think it’s something The St. Louis band have been based “The feedback was great,” Udell says. Those who bought the album on iTunes - - | | LA WEEKLY // May 25 - 31, 2018 // www.laweekly.com 25 - - Those who bought the album on iTunes iTunes on album the bought who Those says. Udell great,” was feedback “The based been have band Louis St. The something it’s think necessarily don’t “I As for the set, Louis says we can expect can we says Louis set, the for As caught get you younger, you’re “When Fast, Die with play Octane and Bullets The Viper Room seems like the per the like seems Room Viper The play of love the for this do us of lot “A running around like a chicken with no no with chicken a like around running ‘Oh like, were We moment. the at head God!’«” my side, plus the On it. keep to allowed were feedback, early some received band the those of some into rolled they when and, good a were there tour, that on shows to words the knew who people of number songs. new the back from reviews some get did “We doing were we said, I like because, then gonna were we if sure not own, our on it we once However, anybody. with sign the o‰ everything pulled we signed, got - releas by over started then and internet Last 13. April on back single first the ing The single. second the released we Friday, then and 25 May on out comes album new You Fuck ‘The single, third the have we end the at released be will which Song,’ for Europe to back go we before June of July.” in festivals decade a than more for Angeles Los in they since years 12 been has it and now, California,” “Cancer song the recorded the of part this to coming artists about Louis Does away. fading then and country sentiment? that by stand still - “Creat says. Udell people,” of front in ing but passion, a definitely is music the ing putting and out getting it, create you after Playing important. is people of front in it - his the of because Strip, Sunset the on there, come have that legends the all tory, place, the over all play We amazing. that’s hip the where you tell even couldn’t I and But days. these play, to was town in spot go- like is Room Viper the at playing just anyways.” me for playing, and home ing At new. and old of combination solid a this doing only are guys these point, this answering they’re so it, love they because nobody. to Louis all,” it of side business the in up squirrelly. and scattered gets “It says. really don’t you that influences of lot A things. certain of pressures the and need stu‰. that of some out block to have You playing enjoying we’re around, time This we while smiling and laughing together, you.’«” ‘Fuck say 8 at Cobra Headed Five and Dirt Sticky Room. Viper the at 25, May Friday, on p.m. you have to do anymore,” the singer the anymore,” do to have you done got that things many so ‘But says. photography art, videos, — Bullets with here out people meeting of lot a that’s — things those make to networking and you’d think necessarily don’t I happen. not There’s Kansas. small-town in any get think still I So there. on going anything with yourself surround to important it’s a become to easy It’s people. like-minded else.” anywhere pond small a in fish big Octane. and Bullets see to venue fect of balance right the just with Intimate, glitz, Hollywood and sleaze Strip Sunset band. the for home second a is room the - AYLOR WONG AYLOR PHOTO BY T BY PHOTO REATE REATE IS DEFINITELY IS DEFINITELY C NNY UDELL JO “CREATING THE “CREATING MUSI BUT A PASSION, C YOU AFTER OUT GETTING IT, IT INAND PUTTING IS FRONT OF PEOPLE IMPORTANT.” “It got released by accident for 24 for accident by released got “It and day this in case the often so is As seeing started we sudden a of “All hours,” Udell says. “It got leaked. What leaked. got “It says. Udell hours,” three released we was, happened had again touring started we because singles cared anybody if basically see to overseas went Things anymore. band the about ended we and there over while well really deal.” new a signing up the clued that media social was it age, inadver they’d that fact the to in guys album. full the loose let tently go- page Facebook our on up pop things says. Udell amazing,’«” album’s ‘Your ing, were we time, the at tour on were “We you do ‘What like, were We Sweden. in about Talk amazing?’ album’s the mean, Waking Waking “I think this one is the lineup I feel feel I lineup the is one this think “I and addition, recent a is Udell Jonny say would I in, looking outsider an “As this Room Viper the at play band The quietly into the night when the RCA deal deal RCA the when night the into quietly and come have members Band away. fell singer The evolved. has band the as gone, is lineup current the that though, says, yet. best the says. Louis with,” confidence most the - some and ability equal has “Everyone over think I band. the to bring to thing need elements what realize you years, the the sound Bullets make to place in be to love I sound. to supposed is Bullets way there’s and other each respect all we that that onstage get we when confidence a guys.” four than more lot a feels and Bullets a was he says drummer the joined. he before fan Octane really has it of part roll & rock the that maybe and recently, bunch a up stepped as not is element punk the of bit little a as “just says, Udell now,” there much early the of fan a was who outsider an opportunity great a had then and albums I that band the with play to able be to already.” loved for party release record a week, , which o§cially drops that same same that drops o§cially which Dead, Up have and recall, might fans Keen day. fuck- Tap–esque Spinal a from, benefited accidentally band the when year, last up when public the to album the released the release to intended actually they single. Dead” Up “Waking Song for for Song

Waking Up Dead,Up is Waking // et’s be honest — it didn’t didn’t it — honest be et’s way the out work quite for predicted us of many Having Octane. and Bullets band the 1998, in formed old years six already was debut out put they when

in 2004 (produced 2004 in Revelry The Bullets and Octane rock to their own rhythm own their to rock Octane and Bullets

Bullets and Octane and Bullets

Music Singer Gene Louis is proud that he’s he’s that proud is Louis Gene Singer But that major-label fun only lasted lasted only fun major-label that But Two years later, Page Hamilton of post- of Hamilton Page later, years Two

BY BRETT CALLWOOD

| RISING WITH A BULLETRISING full-length album, album, full-length go to expected many that band a for ment decades, as he should be. The seventh seventh The be. should he as decades, - achieve an quite — week this out due made this thing work for two whole whole two for work thing this made sword. Octane have lived and died by their own their by died and lived have Octane band-wagoneers in the past, Bullets and Bullets past, the in band-wagoneers have accused them of being pretty-boy pretty-boy being of them accused have doesn’t scare these guys. While critics While guys. these scare doesn’t indie. But the DIY ethic and hard work hard and ethic DIY the But indie. , they were back on an on back were they , Underdog the both get on board. They had it made. it had They board. on get both 2007’s by album; one that for Crüe and My Chemical Romance could could Romance Chemical My and Crüe rock/emo punk divide. Fans of Mötley Mötley of Fans divide. punk rock/emo image and the sound to cross the sleaze sleaze the cross to sound the and image RCA, Bullets and Octane had both the both had Octane and Bullets RCA, like the world was their oyster. Signed to Signed oyster. their was world the like , and it looked it and , Young the of Mouth the In sophomore e‰ort and major-label debut, major-label and e‰ort sophomore hardcore punks Helmet produced their produced Helmet punks hardcore Clarke). by former Guns N’ Roses guitarist Gilby Gilby guitarist Roses N’ Guns former by album L

26

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Callwood again, despite some initial opposition filled the void by performing Crass songs the band’s singers, Steve Ignorant, has enough, in 1984. In recent years, one of United States before they broke up, aptly who never even bothered to tour the they were that rare major British band achieving mainstream acceptance, and the destruction of the environment than protesting the rise of globalization and punk collective were more interested in mean it, man. The Essex, England, art- committed anarchists, Crass really did of fame once they became popular. As precious few resisted the temptations that they didn’t want to be rock stars, but Many of the early punk bands insisted @ Paranoid Visions Steve Ignorant & still fired up and has plenty to say. be old, but this gaggle of punk vets is “Never ’ad Nothin’–” justice. They may “I’m an Upstart,” “Teenage Warning” and are capable of doing genre classics like gone but, regardless, the current lineup decades. Band members have come and band have been a force for good for four Anti-fascist and waving a socialist flag, the these Tynesiders have been over the years. it’s easy to forget how politically vocal Cock Sparrer and Cockney Rejects, but with the likes of British Oi! bands such as more credit. They’re often lumped in (near Newcastle) in England, should get The Angelic Upstarts, from South Shields @ Angelic Upstarts sat floor hopping. lections is guaranteed to have the dance combination of their crowd-friendly se- ing over into the U.K. indie charts. The permeated everywhere, including cross- Hazard’s contagious productions have side of the pond for the last decade. Still, fear of flying has kept him on the other stateside audiences, as Hazard’s rumored This is a particularly special occasion for strictly drum & bass festival, Let It Roll. for the first time in December at Europe’s label, they only performed back-to-back Hype’s standard-setting Playaz record have been associated for years through ends is a relatively new one. While they This convergence of the revered U.K. leg- their jump-up jams to headline Bassrush. titans, DJs Hype and Hazard, who bring point, the clash of two O.G. drum & bass spillover from EDC Las Vegas. Case in Los Angeles tends to be blessed with the @ Hazard PresentsBassrush Hype B2B fri | |

Music THE FONDA THEATRE BAR ALEX’S THEATERBELASCO Picks

—Lily Moayeri // //

5/25 5/26 —Brett as relevant as ever. Us a Living?” and “Big A, Little a” are just and provocative songs as “Do They Owe baud. The sad reality is that such furious from the group’s co-founder, Penny Rim- rock beast compared with the plodding showcased a harder-driving, faster-paced by the group between 1990 and 1994 Obsessed. The three albums put out dormant pre-Vitus group called The into the 1990s by reviving a previously outfit Saint Vitus. Weinrich transitioned to his run with seminal doom-metal cemented by the end of the 1980s thanks Weinrich’s genre bona fides were already Stoner-metal vocalist Scott “Wino” @ The Obsessed sun Me. ambitious 2016 release, back,” Grace declares on the group’s yard, waiting for something dead to come “I don’t want to hang around the grave - Me! are a punk band still looking forward. gender icon Laura Jane Grace, Against irreplaceably absurd lyrics. Led by trans- and AC/DC, crowned by von Helvete’s rowed from) The , simultaneously sounded like (and bor 1998’s RockNRoll Machine. But at their peak, on Tony Sylvester on their recent album, competent but unremarkable vocalist still crank up a nonstop attack with and longtime lead guitarist Euroboy and Rune Rebellion (rhythm guitar) Founding members Happy-Tom (bass) rock band is a fairly wild musical entity. current version of the Norwegian hard- Hank von Helvete, you might think the once fronted by a total madman named If you didn’t know that were @ Turbonegro, Against Me!

RESIDENT DT RESIDENT THE REGENTTHEATER See Saturday. Against Me!: —Falling James Apocalypse Dudes, Turbonegro LA —Falling James Shape Shift With 5/27 - @ @ nonetheless. another gem full of Hessian headbangers lineup, but their 2017 record, remaining in the current Obsessed Weinrich is the only original member of successful European festival shows. band name was revived in 2012 for a run bands of the time period. The Obsessed on the sound popularized by desert-rock then-burgeoning, more energetic take paced Sabbath clones of the ’80s and the a stylistic bridge between the slower- dirge of Saint Vitus’ doom, serving as sound also encompasses lo-fi indie pop on their second album, ally described as a garage-rock band, but Perrote and Carlotta Cosials. They’re usu- distinctly di§erent singer-guitarists, Ana Hinds are a Spanish group featuring two Hinds mon deliriousness. in one glorious instant of spectacle and transmogrifying from psych to SIIIIIIIKE sterling, stellar ri§s and big blowsy beats, as many surprise moments as it does reliable trademark BJM vein. It also has in a musical vein as well as a “rock” in a Get Lost have a reasonably newish album — on-high. The band, currently a septet, lightning bolts of rock greatness from Jonestown Massacre deliver endless tion, Anton Newcombe and The Brian deeper and deeper levels of annihila the cult leader urged his followers toward nomenal out of dust and thin air. Whereas individual who creates something phe- singular vision of a driven, charismatic those benchmarks of the culture is the the cult leader, but the real power behind People easily confuse the pop star with The BrianJonestown Massacre

TERAGRA THE FONDA THEATRE (A Records) — that’s both “rock” M BALLROOM —Jason Roche —David Cotner I Don’t Run, their PHOTO BY CASEY CURRY , is is Sacred, 5/28 Don’t - | | LA WEEKLY // May 25 - 31, 2018 // www.laweekly.com 27

PM - SUMMER HEAT PM PM THE BALANCING ACT - REDHOUSE PRESENTS, BENZMIXER, BENZMIXER, REDHOUSE PRESENTS, SPICE GIRLS NIGHT

SUBHUMANS WED. MAY 30 • 8:00 MAY WED. SADISTIK 10 YEAR ANNIVERSARY RE-RELEASE SHOW SAT. MAY 26 • 9:00 MAY SAT. SUN. MAY 27 • 10:00 MAY SUN. BASHMENT LATIN 6/1 6/2 CLUB 90’S 6/2 6/3 6/3 SHABBAAAAA WILDE 6/5 WALTER FUSION CULTURE 6/6 SONIDO LATINO SWEET SUNDAYS: THE MOTH 6/7 LOUD & CLEAR PRESENTS 6/8 - OUT LOUD COMEDY LAUGH 6/12 CHAINFLOWER, EVOL WALKS CLUB 90’S HOSTED BY DRESS SHOE THE HACK 8BITLA PRESENTS: AFTERPARTY) (AN E3 MULTIVERSE

PM PM PM PM SUBHUMANS - (THEE STATIC AGE) SUBHUMANS - (THEE STATIC WOODBURN, CHUWEE, MELLY MAC MELLY CHUWEE, WOODBURN, CLUB 90’S CLUB COMING SOON: 5/27 5/30 CLUB 90’S THE AFRICAN FIESTA (MEMORIAL DAY WEEKEND (MEMORIAL DAY AFRICAN FIESTA THE ZONGOZONGO SOUNDSYSTEM PAGES, BASH): WED. MAY 30 • 8:00 MAY WED. / BREATHERRR CRUSH VERY TONGUE / FOREST OF 5/23 EMERALD CITY PRESENTS: 5/24 5/25 PARTY RIH RIH - DI BADGYAL 5/26 CLUB 90’S 5/26 MERKULES ANNIVE. SADISTIK’S PARTY 5/27 BASHMENT AFRO GOGO + LATIN FRI. MAY 25 • 10:00 FRI. MAY 5/30 BREATHERRR CRUSH, VERY 5/31 TINK PRESENTS: SEAN HEALY FOREST OF TONGUE MERKULES THU. MAY 24 • 9:30 MAY THU. PARTY RIH RIH DI BAD GYAL • 10:00 26 MAY SAT. 21+ 21+ • FREE W/ RSVP 21+ • FREE 21+ 21+ GIORGIA ANGIULI JUNE 9 • SAT. DEEP LOCALS THUR. JUNE 7 • DECIBEL & NUIT BLANCHE PRESENTS SAT. MAY 26 • MAY SAT. 10-L8 FRI. MAY 25 • FRI. MAY 6/2 (USA TRAUMATIK MR HEIST, MAJISTRATE, MC DJ EVOL, PRESENTS: XCELLERATED DJ CONSTRUCT, DEBUT), WERD & TEC, MC J DINO, 6/3 6/7 LA PARTY AFRICAN DAY DRIP ENTS: PRES- MYB ENTERTAINMENT 6/7 DECIBEL & NUIT BLANCHE 6/8 HEYZ PRESENTS: GLITCH SYNDICATE 6/8 ANGIULI PRESENT - GIORGIA 6/8 GENE FARRIS SALVATION HSA:

16+ 18+ 21+ 21+ CONCRETE JUNGLE ENT PRESENTS: COMING SOON: 5/27 THE W/ FEST! PSYCHO MAYHEM 5/27 5/27 THE QUAKES! BRAINS! TWISTED INSANE 5/31 ACS & MORE TURBO ANGELES LEONADO EN LOS RIGHTS: YOUR KNOW 6/1 THE MUSIC & “CELEBRATING GONZO PRESENTS: 6/1 LEGACY OF JOE STRUMMER” EVOEKORE MEDIA PRESENTS 6/2 THE SMOG IN HOLIDAY VIENTO EN CONTRA SAT. JUNE 2 • SAT. PRIMITIVE MAN SAT. MAY 26 • MAY SAT. & DEFIANCE VARUKERS THE XCELLERATED YUKSEK FRI. JUNE 1 • BALI BABY FRI. MAY 25 • FRI. MAY

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@ @ @ o– walls. the way he hangs o– ceilings and bounces have compared him to Spider-man due to sleeve than ever before. Some people Die, on the road with more tricks up his his sophomore album, met with critical acclaim. Now, he takes his debut album, perform his heart out. In 2016, he released If there’s one thing this man can do, it’s ing back. And that goes for his shows, too. man born Daystar Peterson holds noth- vocals or spitting spitfire freestyles, the dian heartthrob. Whether he’s flexing his “Luv,” listeners fell in love with the Cana scene with standout singles “Say It” and Lanez, as soon as he exploded on the up against an artist like . For Tory Toronto knows the pressure in going Any R&B singer who comes out of Tory Lanez tue “Finally Floating.” Perrote’s exuberant, childlike vocals on fuzzy, grungy racket behind Cosials’ and bassist Ade Martin churn together a and drummer Amber Grimbergen and melodic tune that echoes The Breeders, Club” is a harder-rocking but still sweetly aimed at making grand statements. “The sonal conversations than noisy anthems “Soberland” feel more like intimate, per tly rollicking “Echoing My Name” and naturalism. Such poppy songs as the gen- with a straightforward and disarming aspects of punk to sing about their lives revivalists. Instead, they employ the DIY rock combos, Hinds aren’t slavish ’60s and punk. Unlike most modern garage- It’s never been clear if singing protest D.O.A. wed Also Wednesday, May 30. a mysteriously macabre force of its own. as imitation has long since turned into fire, but what have might once started of Mazzy Star’s cool and The Gun Club’s L.A. Witch sound like an exotic fusion fast to think about the classic-rock past. is more interesting when they go too nestly thoughtful lyrics, but their music Both Japandroids singers write ear of John Cougar and Bruce Springsteen. more mainstream heartland romanticism Replacements and Hüsker Dü with the duo combine the punk intensity of early drummer David Prowse. The Canadian dualities embodied by King and singer- the past and the present is just one of the Wild Heart of Life. The division between Japandroids’ 2017 album, guitarist Brian King sings urgently on between my home and my hometown,” gaining ground/A continuous cold war “The future’s under fire/The past is Japandroids, Witch L.A.

THE NOVO THEVIPERROOM W HOLLY —Shirley Ju OOD FOREVER I Told You, which was —Falling James Memories Don’t Near to the —Falling James 5/30 5/29 - - - @ @ —Matt Miner vatory in Santa Ana. Also Wednesday, May 30, at the Obser the druggy daydream five albums they put out last year — is . Their latest release — one of ences like The Mothers of Invention and touches of prog and metal from influ- or fellow Aussies Tame Impala, but with Californians John Dwyer and Ty Segall rock not dissimilar to the music of (2017), they crafted freaked-out psych- (2016) and On albums such as source of consistently impressive LPs. ing live acts in rock music and a prolific have become one of the more exhilarat- septet from Melbourne, Australia, who King Gizzard & the Lizard Wizard are a Wizard King Gizzard &theLizard thu —Jonny Whiteside Los Angeles’ best rock & roll club. another ho-hum Wednesday night at from Spanish femme fatales Bala. Just ing side dish Best Western and a jolt auteur Bryan Small’s superb cowpunch- big bang thanks to veteran Hangman dency comes o– with an appropriately This climax to Wheeler’s May resi- with former Circle Jerk Zander Schloss. table long-term musical collaboration Hatred, Sun Trash — and an equally no- memorable bands — Throw Rag, Mutual him well for decades, with a series of approach. It’s an M.O. that’s served to Wheeler’s peculiarly provocative the damn thing completely submits his fangs into a song and working until tenacity — he just won’t let go, sinking intensity and gila –esque music has always displayed an o¦eat punk individualists, Sean Wheeler’s One of California’s great grizzled, post- Bala Messengers, Best Western, WheelerSean &theReluctant all stripes. Harvey Weinstein and other bullies of trip” of Trump, Bill Cosby, Roy Moore, as curtly against the “psychotic power album, fucked up, Donald.” On D.O.A.’s latest all get scammed,” he growls. “You’re Donald”). “When he cuts a deal, we’ll and now Donald Trump (“Fucked Up George W. Bush (“Fucked Up Bush”) Ronald Reagan (“Fucked Up Ronnie”), the lyrics to eviscerate U.S. presidents decades, as Shithead has rewritten has proved extremely pliable over the minute-and-a-blast “Fucked Up Baby” candidate. The band’s powerful 1981 in British Columbia as a Green Party 1978, he’s also run for various o£ces Canadian punk group D.O.A. since trying. Besides leading the influential that’s never stopped Joey Shithead from songs can really change the world, but

L W HOLLY THE REDW Fight Back, Shithead rails just OOD PA —Falling James OOD LL ADIUM Nonagon Infinity

Gumboot Soup. 5/31

- | | LA WEEKLY // May 25 - 31, 2018 // www.laweekly.com 29 53688 LACE: —Falling James —Falling PA N 316 W. Second St., L.A. 316 W. 1234 W. Seventh St., L.A. 1234 W. 901 E. First St., 901 E. First L.A. Making NEERTOW 16 E. Huntington Dr., Arcadia. Arcadia. Dr., 16 E. Huntington PIO B: 1417 W. Eighth St., San Pedro. St., Eighth San Pedro. W. 1417 4067 W. Pico Blvd., L.A. Bali Baby, L.A. Bali Baby, Blvd., Pico W. 4067 9081 Santa Monica Blvd., West 9081 Santa West Blvd., Monica 8852 W. Sunset Blvd., West Sunset West Blvd., 8852 W. 8901 Sunset Blvd., West Hollywood. 8901 Sunset West Blvd., ALLROOM: 6801 Hollywood Blvd., L.A. Jeezy, 6801 Hollywood L.A. Jeezy, Blvd., AR & GRILL: GO: DOUR: AM B 247 S. Main St., L.A. Clit Kat, Kuromi, S. Main St., 247 L.A. Kuromi, Clit Kat, 428 S. Hewitt St., L.A. The Obsessed, Yidhra, St., 428 S. Hewitt Obsessed, Yidhra, L.A. The 9009 W. Sunset Blvd., West Hollywood. The Hollywood. The Sunset West Blvd., 9009 W. 245 E. Green St., Metalachi, E. Green Pasadena. 245 6010 W. Pico Blvd., L.A. Raquel Rodriguez, L.A. Rodriguez, Raquel Blvd., Pico W. 6010 2478 Fletcher Dr., L.A. Idris Ackamoor, SK L.A. Idris Ackamoor, Dr., Fletcher 2478 BA HARRIET’S N: OXY: EDWOOD B EDWOOD B: N NIGHTCLU BLUES CLU ADIA BLUES AS SHOWROOM: AS PPY & PPY Hollywood. Bullets & Octane, Die Fast, Sticky Dirt, Hollywood. & Octane, Die Fast, Bullets Wacken $10. 25, 8 p.m., May Fri., Cobra, Headed Five Sat., Battle, Metal Blacktop $10. 26, 8 p.m., May Sunset Jam, The $10. 7 p.m., Sun.,Mojo, 27, May Infirmities, Bad M.D.C., D.O.A., free. 7 p.m., Mondays, $20 (see Music 8 p.m., 30, May Samaritans, Wed., $15. 31, 8 p.m., May Thu., LarryPick). & His Flask, Red Pears, Beach Goons, Ariel View, The Cozzmos, The Ariel Beach Goons, View, Pears, Red Sat., Andrew $15. Brian Puspos, 26, 9 p.m., May 8 p.m., Sun., Rabon, 27, May J. Rigo, August Garcia, Struts, $27.50. 8 p.m., 29-31, May $15 & $25. The Kakraba, DJ Carlos Niño, Fri., May 25, 8 p.m., $15. 25, 8 p.m., May Fri., Carlos Niño, DJ Kakraba, Sat.,Big Business, Avola, Esya, $14. 26, 9 p.m., May Sun., 27, May People, Lea, I Speak Machine, Daniel Club, Christian Scenery, Collapsing free. 8:30 p.m., Particle Foxtrails, free. 28, 9 p.m., May Nymph, Mon., Object free. 29, 9 p.m., May Tue., Carlos Niño, DJ Kid, DJ Handbag, Gaycay, Dynasty as Subject, Agender, free. 9 p.m., 30, May Sá,Luiza Wed., Moorea Masa, Emily Elbert, Fri., May 25, 8 p.m., $15. $15. 25, 8 p.m., May Elbert, Fri., Masa, Emily Moorea Ben Sparaco The Finger, Middle Jerry’s Cubensis, Hunnypot, $15. every 7 p.m., Band, Sun., 27, May Nikki Artifex, Angelica free. 7 p.m., Monday, other $8. Olivia p.m., 29, 7:30 May Tue., Bank, Tyler Page, 7:30 p.m., 30, May Zander Sage, Black, Grace, Wed., $15. 31, 8 p.m., May Thu., Hook, Red Tribe, $13. Flow New Arcades, Sun., May 27, 8 p.m. Sun.,New Arcades, 27, May Fri., May 25, 8 p.m. Primitive Man, Celeste, Infernal Infernal Man, Celeste, Primitive 25, 8 p.m. May Fri., Sun.,Coil, Sat., May $18. Leonado, 26, 8 p.m., May ACs, Turbo Brains, The Quakes, noon, $20; The 27, Insane, Sun., May $20; Twisted 6 p.m., Sun., 27, May Music the Celebrating Rights: Your Know 8 p.m. 27, Ghetto with Bala, The Strummer, Joe of & Legacy $12. 31, 8 p.m., May Thu., Strike., Pedal Defendants, Hollywood. Carter Ace, Fri., May 25, 8 p.m., $15. Ro $15. Ro 8 p.m., 25, May Hollywood. Carter Ace, Fri., $30 8 p.m., Sun., 27, Kid, May Chicago James, BJ the $40. 8 p.m., 30, May Wed., Cuomo, & $45. Rivers Joe Kay, Fri., May 25, 9 p.m., $20. Hinds, Mon., May May Hinds, Mon., $20. 25, 9 p.m., May Fri., Kay, Joe (see Music Pick). $18 28, 8 p.m., Whaja Dew, MoonFuzz, Fri., May 25, 8 p.m., $5. p.m., 25, 8 May Fri., MoonFuzz, Dew, Whaja Chat, Musical, Sabrina the Birote in This Is Not Alice, Sat., $5. Greaseball 26, 7 p.m., May Pioneertown Rd., Pioneertown. Godspeed You Black Pioneertown. Godspeed You Pioneertown Rd., $40. 25, 8 p.m., May Fri., Emperor, Bruja & the Coyote, Manhattan Murder Mystery, Mystery, Murder Manhattan Coyote, Bruja & the $5; 25, 9 p.m., May Fri., Lord, for the Tramp Fri., Lord, for the Tramp Mystery, Murder Manhattan Minimum, Consciously Relative The 25, 9 p.m. May Sat., Animal King, 26, 3 p.m., May Fall, Final Dying, Tilli, Brutalists, The Anytown’rs, Normal & the $5; Joe 9 Sat., Sun., 27, May Black Rose, 26, 9 p.m. May Messengers, $8. Seanp.m., Reluctant & the Wheeler $5 (see 9 p.m., 30, May Bala, Wed., Western, Best Music Pick). Moneybagg Yo, Fri., May 25, 10 p.m. Travis Scott, Lil Travis p.m. 25, 10 May Fri., Yo, Moneybagg Thu., YBN Nahmir, p.m. 10 Sun., 27, May Vert, Uzi $20 & $30. 31, 9:30 p.m., May O Zorn, Sun., May 27, 8 p.m., $20. See $20. 8 p.m., Music Pick. Sun., 27, O Zorn, May John DePatie, Sun., May 27, 4 p.m., $20. 4 p.m., Sun., 27, DePatie, John May Sat., Nueva Conjunto $20-$28. El 26, 9 p.m., May May Thu., Crew, Yachtley 28, 8 p.m. May Ola, Mon., $10. p.m., 31, 10 Movies, Alex Cuba, The Altons, Fri., May 25, 7:30 25, 7:30 May Fri., Altons, Cuba, The Alex Movies, Sniffers, the & $13. Amyl p.m., Surfbort, Sat., 26, May Landry, Gill Kandle, Americans, The $10. 7:30 p.m., Cones, Passed, Jo $10. 7:30 p.m., Sun., 27, May $12. Rafiq 28, 7:30 p.m., May Mon., Jeweler, Media $14. 29, 7:30 p.m., May Tue., Bhatia, Ian Chang, 7:30 30, May Wed., Grass, of Blade Mellowdrone, Deltas, & the $15 & $25. Jessica Hernandez p.m., $14. 31, 7:30 p.m., May Thu., JAZZ & BLUES JAZZ ALV ARC HISKY A GO- WHISKY ZEBULO THE TERAGR THE TROU THE UNIO ROOM: VIPER THE T: RESIDEN ROSE: THE R THE SMELL: THE B: OHM NIGHTCLU PA R THE THE MINT: THE GE: LOUN MOROCCAN THE 18389 Ventura Blvd., Blvd., 18389 Ventura N: 366 N. La Cienega Blvd., L.A. Blvd., 366 N. La Cienega 3101 Pico Blvd., Santa Blvd., Pico 3101 LOO NET: HOP: 5221 Hollywood L.A. Johnny Blvd., 800 W. Olympic Blvd., L.A. Lord L.A. Lord Olympic Blvd., 800 W. 200 W. Second St., Pomona. 200 W. 2200 Beverly Blvd., L.A. The Posies, Posies, L.A. The Blvd., 2200 Beverly SA S 1623½ N. Cahuenga Blvd., L.A. Blvd., 1623½ N. Cahuenga R 450 S. Main St., L.A. The Jake Pinto Pinto 450 S. Main St., Jake L.A. The 6400 Sunset Blvd., L.A. DJ Ceebrown, Ceebrown, 6400 Sunset L.A. DJ Blvd., NE: ORO 1154 Glendale Blvd., L.A. The L.A. 1154 The Glendale Blvd., A TER: 104 N. Avenue 56, L.A. Thalma de de 56, L.A. Thalma N. Avenue 104 FE: 5303 N. Lankershim Blvd., North Blvd., 5303 N. Lankershim A 3040 W. Sunset L.A. Sadistik, Blvd., 3040 W. 3311 S. Main St., Sun., Express, L.A. Rick UIT 2913 E. Anaheim St., Long Beach. Icky & Beach. St., 2913 E. Anaheim Long 1906 Cypress Ave., L.A. Atomic Sherpas, Sherpas, L.A. Atomic Ave., 1906 Cypress 5043 York Blvd., Highland Park. Peach Kelli Kelli Peach Highland Park. Blvd., 5043 York CA G HE 1822 W. Sunset Blvd., L.A. Cheap Tissue, Sunset Tissue, L.A. Cheap Blvd., 1822 W. R: T: T A: T THE C A MUSIC: BOS: LO RD & STO ARD CABE’S FE NEL RGO A RGO Robbie Gennet, Sat.,Robbie 26, 7 p.m. May Bane’s World, Michael Seyer, Diners, Fri., May 25, 8 May Diners, Fri., Michael Seyer, World, Bane’s Dust Skeletonwitch, Pallbearer, $15. Obituary, p.m., May Mon., Bolt, Sat., $25. Eels, 26, 7:30 p.m., May $40. 28, 7:30 p.m., Travis Jr. & the Delta Dawns, Sundays, free. 8 p.m., Dawns, Delta & the Jr. Travis Freitas, Fri., May 25, 9 p.m., $10. Hockey Dad, Cold Dad, Hockey $10. 25, 9 p.m., May Fri., Freitas, Sat., Wished $13. TV 26, 8 p.m., May Girl, Fronts, $12. 31, 8 p.m., May Bone, Thu., Hollywood. Dave Alvin, Jimmie Dale Gilmore, Abby & Abby Gilmore, Dale Alvin, Jimmie Hollywood. Dave 11 free. a.m.-2 p.m., Myth,the Sun., 27, May Casualties, Sick Sick Sinners, Milwaukee Wildmen, Casualties, Sick Wildmen, Sick Sinners, Milwaukee The Quaranteds, The Demons, Dragstrip 8 Kalacas, Palm Pila, Rey $27. 25, 7 p.m., May Fri., End, Gritty Sat.,Springsteen, Jose $16. DJ 26, 8:30 p.m., May $10. 9 p.m., Sun.,Maldonado, 27, May 2Mex, Diveyede, Son the Rhemic, Sat., Son Diveyede, Rhemic, the 2Mex, 26, 8:30 May Sat., $15; Merkules, p.m., $25. Very p.m., 10 26, May 8 30, May Wed., Tongue, of Forest Crush, Breatherrr, $5; Subhumans, Suicida,p.m., Generacion Nausea, 31, 8 p.m., May Thu., $15. Tink, 8 p.m., 30, May Wed., TBA. 31, 9 p.m., May Stevenson, Thu., $20; Erin Monica. Denny Laine, Fri., May 25, 8 p.m., $25. Henry 25, 8 p.m., May Laine, Fri., Denny Monica. Holland’s and Mr. in a benefit for McCabe’s Rollins, Sat., Todd $60. p.m., 26, 8 & 10 May Opus Foundation, $12. 8 p.m., Sun., 27, May Albright, Sunny War, Band, Fri., May 25, 8 p.m., free. Dead Air, Hotel Ten Ten Hotel Air, Dead free. 25, 8 p.m., May Band, Fri., free. 8 p.m., Sophie Strauss, Sun.,Eyes, 27, May free. 28, 9 p.m., May Mon., Trio, Demeritt Matt The free. 29, 9 p.m., May Tue., James Rose, Lay, Shannon 9 30, May Wed., Thomas, Joshua Alexander, Tommy free. 31, 8 p.m., May Spain, Thu., free. p.m., May 27, 10 p.m. The Z-Boys, Crooked Coast, Thu., Coast, Thu., Crooked Z-Boys, The p.m. 10 27, May 31, 9 p.m. May Fri., May 25, 8 p.m., free. 25, 8 p.m., May Fri., Neo Globs, Golden Grease, Fri., May 25, 8:30 p.m., 25, 8:30 p.m., May Fri., Grease, Neo Globs, Golden Books, Hotel Hawthorne Listener, Heights, $10. Sat., Heavy Things, Sienna Skies, 4 p.m., 26, May $15; 28, 8:30 p.m., May Mon., Geotic, Kllo, $20. 28, May Mon., Adult Books, Duress, Feels, Numb.er, 29, 8 May Tue., TwoLips, Nylo, Tomi, free. 8:30 p.m., 30, May Wed., Flower, Yoshi $15. Astronomyy, p.m., $15. 8:30 p.m., Pop, Adult Mom, Post Life, Fri., May 25, 8 p.m., $12. 25, 8 p.m., May Fri., Life, Post Adult Mom, Pop, Dorn, Rose Vanilla, French Joys, Current Momma, Spare Sat., Hammer, Ramonda $10. 26, 8 p.m., May Sun., May Hearts, Gypsum, Parts for Broken Thick, Bud OD, Sun, Distractor, $8. Santoros, 8 p.m., Fat 27, Hell, Gatecreeper, of $8. Full 28, 8 p.m., May Mon., Stills, $15. Tiny Sundressed, 29, 8 p.m., May Tue., $10. 31, 8 p.m., May Blushh, Thu., the Splooges, Boogie Mamas, Fri., May 25, 8 p.m., May Boogie Mamas, Fri., Splooges, the Crim, Sat., Widows, The Bad Co., Upstarts, Angelic free. Tapes, War XO, (see Music Pick). $18 26, 8 p.m., May 8 Sun., Band, Chocolate 27, May Kid SeaThe Ritual, A, Quartet, Demone Gitane Terminal The free. p.m., $7. 31, 8 p.m., May Acute, Thu., Toys, Shark Jon Brion, Fri., May 25, 9:30 p.m., $30. The Watkins Watkins The $30. 25, 9:30 p.m., May Brion, Fri., Jon $30. 31, 8:30 p.m., May Thu., Hour, Family Huron, Wed., May 30, 8 p.m., $20. 8 p.m., 30, May Wed., Huron, Terra Lightfoot, Fri., May 25, 8:30 p.m., $20-$25. 25, 8:30 p.m., May Fri., Lightfoot, Terra The Black Widows, Lawndale, Joe Baiza, Fri., May 25, May Baiza, Fri., Joe Lawndale, Black Widows, The Buckhenries, Spells, The $5. Izzy & the 8:30 p.m., Sat., Zip Guns, Immortals, The 26, 8:30 p.m. The May $10. 4:30 p.m., Sun., 27, May Syd Straw, Tarzana. Falling Doves, Stoney Sugarskull, Enola Fall, Stoney Doves, Sugarskull, Fall, Enola Falling Tarzana. Billy 25, 9 p.m. May Band, Fri., Shefts Chrissy The Kat Dixon, Fur on Ergot, Bones, Alice Bag, Egrets Sat., 26, 9 p.m. May Lively, ROCK & POP & ROCK CLUBS MC MAUI SUGAR MILL SUGAR MAUI THE MARKE: THE THE LOVE SONG: LOVE THE LOS G LOS LODGE ROOM: LODGE THE HOTEL HOTEL THE LA THE HI HA HI THE HARV GRAMMY MUSEUM: GRAMMY THE GLASSHOUSE: THE THE FEDERAL: THE THE ECHOPLEX: THE THE ECHO: THE CA BOOTLEG BOOTLEG BA AMOE ALEX’S B

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SHOR THE SATELLITE: QUE SERA: PLAYHOUSE: L LE JARDIN: GRAND ST THE E BOARDNER’S: THE BELAS AVALON HOLLYWOOD: GREA JOE’S THE COWB COW GALLERYTHE COFFEE BA THE CINEMABAR: THE WRI TIMBIRI POUYA: MOT LEBOWSKI FEST: KAITLYN AURELIA SMITH: GO FEVER RAY: TERS: THE BLAS ANDREA MILLER: 03 GREEDO: For morelistings, pleasegoto laweekly.com. UNION NIGH TC CONCERTS OS GLOBOS: FRIDAY, MAY 25 DANCE CLUBS COUNTRY &FOLK AS Afrolituation: AfricaDay Edition, Fri., May 25,10 p.m. Mondays, Mondays, 9p.m., free. 10 p.m., free. Sundays, Motown on Sundays, Splits, Thu., May 31,9p.m. Orchestra, Tue., May 29,9p.m. Joe Finkle &the 7/10 May 27, Sun., Burnett, 8p.m. The BlueRhythm May 26,9p.m. Morganfield p.m. JamesIntveld, Sat., Fri.,Magnolia Blvd., Burbank.CodyBryant, May 25,9 Sun., May 27,Sun., 9p.m. TigerHeat, Thursdays. Thu., May 31,9p.m., free. free. DreamersLuke &Drifters, Davis, CooperWalker, May 27, 9p.m. The Hot ClubofMondays, L.A., 9p.m., May 26,9p.m., free. CoolHouse, Sun., White, Sat., Potential Fri., Suitors, May 25,9p.m., free. BruceRay Yourself 9p.m., Clean,Saturdays, $5. Mondays, 8p.m., $3-$7. 10Saturdays, p.m., $10-$20. BlueMondays, Rhythm Tramps, Wednesdays, 7:30p.m. 6p.m. Teresa Sundays, Bonedaddys, James&the Woodland Hills.The Deductions, Fridays, 8p.m. The May 27, 10 p.m. Project, Crim,8p.m. The Observatory. DrakeParty, May 26,9p.m., $15&$25. Sat., Hazard, Fri., May 25,9p.m., $20(see MusicPick). Sundays, 8 p.m., $5. Jazz Jam Session, Thursdays. 8p.m., $5.JazzJamSession, Sundays, May 26,9p.m., $20. of JazzJamSession, Sisters Avery, Fri., May 25,9p.m., $20. Don Littleton, Sat., $10. Club ’90s, Sun., May$10. 27, Club’90s,Sun., 10 p.m., $10. Fridays, 10 p.m.10 Saturdays, p.m., Bootie L.A., $5& Wednesdays, 9p.m. 143, Thu., May 31,9p.m., $10. Al Petteway, May 27, Sun., 7p.m., $20. Ave., May Altadena.26,7p.m., LaRecolte, $25. Sat., the Bats, Fri., 9p.m. 31, 8p.m. Wed.,Nelson, May 30, 8p.m. Moonridge, Thu., May p.m., free. Preston Tue., Smith, May 29,8p.m. Jimi May 27,Sun., 6p.m. Chad Watson, Mon., May 28,8 May 26,8p.m. JB&the BigCircle Riders, Sat., Heart, Chatsworth. Rob Staley, Fri., May 25,8p.m. Rebel $20. Forever Hollywood Cemetery. Hollywood Palladium,Hollywood 6215W. Blvd., L.A. Sunset ning Britpop, post-punk andnewwave, Fridays. Underground, withDJs G&Diana Meehan spin- Larry Vidal, Shay Silver, DJ Natalie, Thu., May 31,10 p.m. Procedure, Thursdays, 8p.m., free. Goodman, Wed., May 30, 8:30p.m., $5. Booker, May 27, Sun., 4p.m. Monroe Michael The Rye Brothers,May 25-26,9p.m., $8.Patty TSIDE TSIDE SHOWROOM: EC OWN 60: B T STOP: OYTRY: COUN

HO G.B. 8p.m. The Novoby Microsoft. CHE: TE-OFF TE-OFF ROOM: PLEX: AR JAZZ CLUB: AR JAZZ OY PALA 1923 E. Seventh St., Long St., Beach.Release 1923E.Seventh C 1430 N.Cahuenga Blvd., Perplex, L.A. Asi H., ANGELIC UPSTART T AMERIC With Bunny8p.m., Michael, $37.50. 9p.m., $20.50. El Rey Theatre. O THEA 6506 Hollywood Blvd., DJ L.A. 6506Hollywood Esco, Sun., 8p.m., $34-$175. The Greek Theatre. 8 p.m., $25-$89. Saban Theatre. 8p.m., $25-$89.Saban 1455 Sunset Blvd., L.A. Super Soul Soul Blvd., 1455 Super L.A. Sunset 3040W. Blvd., Club’90s, L.A. Sunset 1652N.Cherokee Ave., BarSinister, L.A. LU 1717 Lake Silver Blvd., Dance L.A. 8p.m. The Yost Theater. 1154 GlendaleBlvd., DubClub, 1154 L.A. 7p.m., $20-$30. The Wiltern. 6p.m., free. LACMA. B: 3967 Sepulveda Blvd., Culver City. 3967 Sepulveda CE SALOON: 4067 W. Pico Blvd., L.A. TER: 3321 E. South St., Long St., Beach. 3321E.South AN BAR & GRILL:AN BAR 1735 Kingdom L.A. Vine L.A., St., 21791 Ventura Blvd., 1300S.Brand Blvd., Glendale. 1050 S. Hill St., L.A. Hype, L.A. 1050 S.HillSt., 943N.Broadway, Club L.A. CKS With CoolMaritime.,8p.m., TAGE: 21635 Devonshire St., 21635Devonshire St., S: With BadCo. 2029N.Lake 4311 W. 4311 —Falling James —Falling James —Falling James | | 31 LA WEEKLY // May 25 - 31, 2018 // www.laweekly.com

7 p.m. 7 p.m. 8 p.m. 8 p.m. 8 p.m., —Falling James —Falling —Falling James —Falling 7:30 p.m. The The 7:30 p.m. S, TESLA: T 7 p.m., $25. $25. 7 p.m., The Belgian pianist Belgian pianist The 7:30 p.m., $40.50- 7:30 p.m., THERS: : Cellist Sol Gabetta Sol Cellist Gabetta Violinist Tien-Hsin Cindy Tien-Hsin Violinist . WITCH: With Quinto Sol, Fayuca, 9 p.m., 9 p.m., Sol, Quinto With Fayuca, Matthew Aucoin conducts Giuseppe conducts Giuseppe Aucoin Matthew With Algiers, 9 p.m. El Rey Theatre. Rey Algiers, El p.m. 9 With 8 p.m., $35. Hollywood Forever $35. Hollywood 8 p.m., Forever Baritone Rod Gilfry stars as Walt Gilfry stars as Walt Rod Baritone & THE BLACKHEAR TT IZZARDLIZARD WIZARD: & THE IZZARDLIZARD WIZARD: & THE HILHARMONIC: P . Vocalist Areni Agbabian and a small en- Areni Vocalist IE BRO AN, THE DOOB L.A FIDEL NADAL: FIDEL G KING RIGOLETTO: WAERT: STEVEN VANHAU : CROSSING LIZ PHAIR: LIZ JAPANDROIDS, L.A JAPANDROIDS, G KING

MINSTREL MINSTREL & FOLK ARMENIAN ENING OF 8:30 p.m. The Fonda Theatre. Fonda The 8:30 p.m. EV YX, JE JOAN $25. The Regent Theater, 448 S. Main St., L.A. Theater, Regent $25. The unravels Robert Schumann’s Cello Concerto Cello in A mi- Schumann’s Robert unravels the down Dudamel sets 129; and Gustavo Op. nor, 25, 11 May a.m. Fri., Symphony, Third composer’s continues with its “Schumann Focus” orchestra The com- German Dudamel conducts the as Gustavo Symphony Sol and cellist Gabetta Fourth poser’s Concerto, Cello the Sat.,reprises 26, 2 p.m.; May Disney Concert Hall, 111 Walt 2 p.m. Sun., 27, May L.A. Ave., S. Grand Hollywood Forever Cemetery. See Music Pick. Cemetery. Hollywood Forever MUSIC: explores 20th-century Italian composers music by explores Busoni Ferruccio Francesconi, Scelsi,Giacinto Luca $35. Zipper Concert 29, 8 p.m., May and others, Tue., L.A. Ave., Hall, 200 S. Grand Whitman in composer-conductor Matthew Aucoin’s Aucoin’s Matthew in composer-conductor Whitman May Fri., L.A. by Opera, presented opera, Civil War Sat.,25, 8 p.m.; $55-$125. Wallis 26, 8 p.m., May Arts, 9390 N. Performing for the Center Annenberg Santa Hills. See Beverly Blvd., Monica GoLA. The student musicians essay works by Beethoven, Beethoven, works by musicians essay student The and Shostakovich, Bozza, Turina Fauré, Brahms, LACMA, Theater, Bing free. 6 p.m., Sun., 27, May L.A. Blvd., 5905 Wilshire Cemetery, 6000 Santa L.A. Blvd., Monica Cemetery, Wu leads the way through works by Schumann by works through and way leads the Wu Mozart, Sat., $65 & $85. Doheny 26, 4 p.m., May L.A. Place, Chester Mansion, 10 Forum, 3900 W. Manchester Blvd. Manchester 3900 W. Forum, Verde’s tragically twisted opera, Sun., May 27, 2 p.m.; 2 p.m.; Sun., opera, twisted tragically 27, May Verde’s Sun., 31, 7:30 p.m.; May $25- June 3, 2 p.m., Thu., Pavilion. Chandler Dorothy $340. $251. , 2301 N. Highland Ave., L.A. $251. Hollywood Ave., Bowl, 2301 N. Highland The Observatory. See Music Pick. Observatory. The See Hollywood Palladium. Music Pick. $27.50. FivePoint Amphitheatre, 14800 Chinon, Irvine. Chinon, 14800 Amphitheatre, FivePoint semble perform folk and Persian classical music, semble perform folk and Persian 415 E. Sat., Abril Bookstore, $20. 26, 7:30 p.m., May Ste. Glendale. 102, Broadway THURSDAY, MAY 31 MAY THURSDAY, WEDNESDAY, MAY 30 MAY WEDNESDAY, CLASSICAL & NEW MUSIC CLASSICAL CURTIS HARDING: CURTIS GO BONNIE RAITT TAYLOR, JAMES GO ST For more listings, please go to laweekly.com. please go to more listings, For GO GO GO PLAYERS: CAMERA DA THE AN GO GO ENSEMBLES: CHAMBER SCHOOL COLBURN THE EELS: GO GO D STEELY

9 With With With With 8 p.m. The The 8 p.m. 9 p.m., $40. The The $40. 9 p.m., 6 p.m., $45-$95. 6 p.m., With Blackberry With 7 p.m., $25. 7 p.m., ARANOID VISIONS: ARANOID FUNKADELIC: PARLIAMENT . WITCH: 5 p.m., free. LACMA. free. 5 p.m., With X, Pearl Aday, Aday, X, Pearl With ON & 8 p.m. Hollywood 8 p.m. Bowl. With Flipp Dinero, Davo, 9 p.m., 9 p.m., Davo, Dinero, Flipp With With Konshens, Jamila Woods, Half Jamila Woods, Konshens, With AYS: With Mestizo Beat, Breakestra, Venice, Venice, Beat, Mestizo Breakestra, With With Milo Greene, Backseat Pilots, Backseat Pilots, Milo Greene, With With Eli, 9 p.m. El Rey Theatre. Rey El 9 p.m. Eli, With 9 p.m. The Observatory The 9 p.m. AYS: AYS: 6:30 p.m., $32. The Wiltern. $32. The 6:30 p.m., 11 p.m. The Observatory, 3503 S. Harbor Blvd. Observatory, 11 The p.m. TORY LANEZ: TORY SUBHUMANS, FINAL CONFLICT: UTOPIA: RUNDGREN’S TODD JAPANDROIDS, L.A JAPANDROIDS, PAUL SIMON: PAUL TOPANGA D TOPANGA HINDS: TOWN MASSACRE: JONESTOWN THE BRIAN TURBONEGRO, AGAINST ME!: AGAINST TURBONEGRO, & P IGNORANT STEVE

EGGAE FEST: EGGAE Afrolicious, 11 a.m. Topanga Community Club. Community 11Afrolicious, a.m. Topanga FNTN, Paint Box, Pacific Range, 11 a.m. Topanga 11 a.m. Topanga Range, Pacific Box, FNTN, Paint Blvd. Canyon N. Topanga 1440 Community Club, Hollywood Forever Cemetery, 6000 Santa Monica Cemetery, Hollywood Forever L.A. SeeBlvd., Music Pick. Observatory, 3503 S. Harbor Blvd., Santa 3503 S. Harbor Blvd., Ana. Observatory, Kummerspeck, Watcher Moon, Bleach and others, Moon, Watcher Kummerspeck, N. Topanga 1440 Community Club, 11 a.m. Topanga Topanga. Blvd., Canyon Regent Theater, 448 S. Main St., L.A. See Pick. Music Theater, Regent Pint, Charlotte Day Wilson, 12 p.m., $25. UCLA 12 p.m., Wilson, Sunset Day Charlotte Pint, L.A. Dr., 111 Easton Center, Recreation Canyon Poppy Jean Crawford, 9 p.m., $25. The Fonda Fonda $25. The 9 p.m., Jean Crawford, Poppy 6126 Hollywood L.A. See Blvd., Music Pick. Theatre, Nipsey Hussle, Tha Dogg Pound, Mack 10, Mozzy, Mozzy, Mack 10, Pound, Dogg Nipsey Hussle, Tha Citizens G, 7 p.m. Lil King Suga Outlawz, Free, Ontario. 4000 Ontario Center, Business Bank Arena, p.m., $22. The Fonda Theatre. See Music Pick. Theatre. Fonda $22. The p.m., Chambers Arthur Brothers, Los With Adams, The 3 Sista Blues, Money, Ramblers,Bayou Eddie Ossun & Naquin Kevin Zydekats, Haley & the Lisa Santa Rancho and others, $30. 12 p.m., Playboys Susana & Park. Community Center With Dave Mason, Lightnin’ Willie, Bo Dollis Jr. & Jr. Bo Dollis Willie, Mason, Lightnin’ Dave With Alex Allman Project, Devon The Magnolias, Wild the and Zydekats Haley & the Lisa La Recolte, Nester, Santa $30 & $199. Rancho others, 12 p.m., Susana Ave. Angeles 5005 Los & Park, Community Center $29.50 & $39.50. The Novo by Microsoft, 800 W. Microsoft, 800 W. Novo by The $29.50 & $39.50. L.A. SeeOlympic Blvd., Music Pick. With Bostich + Fussible, 7 p.m., $29.50-$120. The The $29.50-$120. 7 p.m., + Fussible, Bostich With L.A. Ave., N. Vermont 2700 Theatre, Greek Smoke, Outlaws, 6 p.m. Glen Helen Amphitheater, Glen Helen Amphitheater, 6 p.m. Outlaws, Smoke, San Bernardino. 2575 Glen Helen Parkway, The Wiltern, 3790 Wilshire Blvd., L.A. Blvd., Wilshire 3790 Wiltern, The TUESDAY, MAY 29 MAY TUESDAY, MONDAY, MAY 28 MAY MONDAY, SUNDAY, MAY 27 MAY SUNDAY, SATURDAY, MAY 26 MAY SATURDAY, GO GO GO POUYA: GO TOPANGA D TOPANGA GO JAZZR GO IMI VALLEY CAJ FESTIVAL: MUSIC UN & BLUES SIMI VALLEY THE GO GO USIC FESTIVAL: MUSIC T THE WES TO WELCOME WAR, GEORGE CLINT GEORGE WAR, GO SUM 41: D TOPANGA GO IMI VALLEY CAJ FESTIVAL: MUSIC UN & BLUES SIMI VALLEY THE BOOGALOO ASSASSINS: BOOGALOO LUCAS: JOYNER BAD COMPANY: SKYNYRD, LYNYRD

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