A Second Assassination Time (And She, in Fact, Denies She Was)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
National History Bowl National Championships Round 4
National History Bowl National Championships Round 4 Round: 4 Supergroup Group Room: Reader: Scorekeep: Team Names, including letter designation if needed, go in the large boxes to the right. TU# Bonus Bonus Points Cumulative Score Bonus Points Cumulative Score 1 Quarter 1 2 Tossups Only 3 4 Put a "10" in the 5 column of the team 6 that answers correctly. 7 Otherwise leave box 8 blank. 9 10 Quarter 2 1 Tossups and bonuses 2 Put "10" in the team's 3 column. Otherwise, 4 leave box blank. 5 For bonuses, put "0" or 6 Substitutions allowed between Qtrs all "10" in the bonus 7 column. 8 Quarter 3 points points 60 sec. rds - trailing team Lightning Lightning goes first. 10 pts each. Bounceback Bounceback 20 pt bonus for sweep! Total Total Quarter 4 1 Tossups worth 30, 20, or 2 10 points each 3 Put the appropriate 4 number in the column of 5 the team that answers 6 correctly. Otherwise leave 7 box blank. 8 Tiebreakers 1 Tiebreak questions Tie Breaker (Sudden are only used 2 have no point value Victory) to determine winner! 3 at all! Final Score Check score with both teams. Resolve any errors before submitting this scoresheet. NHBB Nationals Bowl 2017-2018 Bowl Round 4 Bowl Round 4 First Quarter (1) This woman nearly fell over during a botched curtsy in front of King George VI. This woman was sent to Craig House in 1941 and was later relocated to St. Coletta School for Exceptional Children, where she spent the last 66 years of her life. -
Frank Sinatra's 100Th Birthday Celebrated on Siriusxm Channel Siriusly Sinatra
NEWS RELEASE Frank Sinatra's 100th Birthday Celebrated on SiriusXM Channel Siriusly Sinatra 12/8/2015 - Weekend-long programming to include special shows hosted by Nancy Sinatra, Tina Sinatra and Frank Sinatra, Jr., as well as Sinatra concerts and more - Siriusly Sinatra and a few select channels available as part of free listening offer this weekend NEW YORK, Dec. 8, 2015 /PRNewswire/ -- SiriusXM today announced its extensive programming to celebrate the iconic Frank Sinatra's 100th birthday on his exclusive SiriusXM channel, Siriusly Sinatra. The schedule will include a new special hosted by Nancy Sinatra including some of her personal favorites; shows hosted by Frank Sinatra, Jr. and Tina Sinatra; and an hour-long feature highlighting a new boxed set of rare radio recordings that Frank made during the early part of his career; broadcasts of The Chairman's Hour, the Siriusly Sinatra series 'hosted' by Frank Sinatra himself using archival material; and episodes of Playing Favorites, the SiriusXM radio show featuring Tom Brokaw, Tony Bennett, Angie Dickinson, Steve Wynn, Linda Ronstadt and many others hosting their favorite Sinatra music. Additionally, the weekend-long celebration will include a live broadcast from Patsy's Italian Restaurant in New York City hosted by Steve Tyrell, which will feature a national birthday 'toast' to Frank at 3:00 pm ET and PT inviting listeners to raise a glass to The Chairman of the Board. Siriusly Sinatra's special programming will also feature broadcasts of Sinatra's television specials including The Man and His Music and other shows with special guests including Diahann Carroll, Dean Martin, Natalie Cole, Tony Bennett and Ella Fitzgerald; Sinatra concerts from the 50's through the 80's recorded in London, New York, Dominican Republic, St. -
Media Images of War 3(1) 7–41 © the Author(S) 2010 Reprints and Permission: Sagepub
MWC Article Media, War & Conflict Media images of war 3(1) 7–41 © The Author(s) 2010 Reprints and permission: sagepub. co.uk/journalsPermissions.nav DOI: 10.1177/1750635210356813 Michael Griffin http://mwc.sagepub.com Macalester College, Saint Paul, MN, USA Abstract Photographic images of war have been used to accentuate and lend authority to war reporting since the early 20th century, with depictions in 1930s picture magazines of the Spanish Civil War prompting unprecedented expectations for frontline visual coverage. By the 1960s, Vietnam War coverage came to be associated with personal, independent and uncensored reporting and image making, seen as a journalistic ideal by some, and an obstacle to successful government conduct of the war by others. This article considers the idealized ‘myth’ of Vietnam War coverage and how it has influenced print and television photojournalism of American conflicts, skewing expectations of wartime media performance and fostering a consistent pattern of US Government/media collaboration. Upon analysis, pictorial coverage of US wars by the American media not only fails to live up to the myth of Vietnam but tends to be compliant and nationalist. It fails to reflect popular ideals of independent and critical photojournalism, or even the willingness to depict the realities of war. Keywords documentary, Gulf War, Iraq War, journalism, news, photography, photojournalism, television, television news, Vietnam War, visual communication, visual culture, war, war photography Media representations of war are of interest to media scholars for many reasons. First, as reports or images associated with extreme conflict and matters of life and death, they tend to draw intense public attention, and potentially influence public opinion. -
([PDF]) My Times: a Memoir of Dissent Pdf by John Hess
Overview book of My Times: A Memoir of Dissent My Times is a critical look at The New York Times from the inside. John Hess worked at the paper for twenty-four years as an editor, rewrite man, foreign correspondent, investigative reporter, and food critic, from New York to Paris to the Middle East and back. In his tenure Hess rubbed shoulders and butted heads with some of the notable figures of journalism from the last fifty years, including Cyrus Sulzberger and his cousin Punch, A. M. Rosenthal, Seymour Hersh, Scotty Reston, and Homer Bigart. But this isn't a lives of the saints; reporters, to Hess's observation, mostly churned out unambitious, conformist copy, and when they didn't, editors would "fix" it. He argues that the paper deliberately fudged its coverage of Vietnam at a crucial turn. He revisits the close association of the Sulzberger publishing family with the world leaders the newspaper purported to cover objectively. Later Hess shows that the Times was far better acquainted with the jet-set than with its neglected backyard; few at the paper in the 1970s seemed able to pick out the Bronx on a map. My Times is not without warmth for the Good Gray Lady. Hess praises individual reporters and editors, and notes that working for "the most influential paper in the world" gave him a platform to pursue various campaigns for justice, a few of which he recaps here: the journalistic prairie fire he set in connection with the New York State nursing home scandal; his exposé of shenanigans at the Metropolitan Museum of Art; and his revelation of corruption in several administrations at City Hall. -
1 Hl90ak Steven Biel Fall 2014 Friday 10-‐12 Barker 128 Office Hours
HL90ak Steven Biel Fall 2014 Friday 10-12 Barker 128 Office hours: By appointment [email protected] 617-495-4858 The Vietnam War in American Culture As we mark the 50th anniversary of the Gulf of Tonkin Resolution, this course will examine the U.S. war in Vietnam from the 1950s through the fall of Saigon, and its legacies up to the present. Considering a range of texts by and about soldiers and veterans, policy makers and protesters, reporters and refugees, the course covers key events in the war, as well as representations and reinterpretations of these events in later years. In each week, I have paired materials produced during the war with those produced after the war in order to explore Americans’ contested and changing understandings of the experiences and meanings of the Vietnam War. Texts include popular films, documentaries, journalism, fiction, letters, diaries, government documents, and war memorials. Course Requirements This is a seminar. Students are expected to come to class prepared for discussion about the materials assigned each week. In addition, students will write two papers and take a three- hour final exam. Class Participation 20% Paper One (5-7 pages) 20% Paper Two (8-10 pages) 30% Final Exam 30% Academic Integrity In this course, collaboration of any sort on any work submitted for formal evaluation is not permitted. This means that you may not discuss your paper assignments with other students. All work should be entirely your own and must use appropriate citation practices to acknowledge the use of books, articles, websites, lectures, discussions, etc., that you have consulted to complete your assignments. -
Famous Journalist Research Project
Famous Journalist Research Project Name:____________________________ The Assignment: You will research a famous journalist and present to the class your findings. You will introduce the journalist, describe his/her major accomplishments, why he/she is famous, how he/she got his/her start in journalism, pertinent personal information, and be able answer any questions from the journalism class. You should make yourself an "expert" on this person. You should know more about the person than you actually present. You will need to gather your information from a wide variety of sources: Internet, TV, magazines, newspapers, etc. You must include a list of all sources you consult. For modern day journalists, you MUST read/watch something they have done. (ie. If you were presenting on Barbara Walters, then you must actually watch at least one interview/story she has done, or a portion of one, if an entire story isn't available. If you choose a writer, then you must read at least ONE article written by that person.) Source Ideas: Biography.com, ABC, CBS, NBC, FOX, CNN or any news websites. NO WIKIPEDIA! The Presentation: You may be as creative as you wish to be. You may use note cards or you may memorize your presentation. You must have at least ONE visual!! Any visual must include information as well as be creative. Some possibilities include dressing as the character (if they have a distinctive way of dressing) & performing in first person (imitating the journalist), creating a video, PowerPoint or make a poster of the journalist’s life, a photo album, a smore, or something else! The main idea: Be creative as well as informative. -
Songs of Sinatra Steve Tyrell
Songs of Sinatra Steve Tyrell I never met Frank Sinatra, but I wish I had. Frank created a genre of musical expression that has remained timeless and everlasting, and unlike the disposable pop culture of today will live forever as long as it has a chance to be heard. Frank Sinatra and his music have no expiration date; they are always cool and current. He sang the great songs and expressed the words in a way that makes the listener understand the intentions of the songwriter. I only met the Sinatra family after I started to make my standards albums. I received a very complimentary message after my second album "Standard Time" from Frank Sinatra, Jr. He told me how much he liked my first two albums and encouraged me to continue doing what I was doing. He complimented my vocal approach, my arrangements and the musicians I chose to use on those albums, many of whom he knew personally and had worked with his father. Nancy Sinatra had also gone way out of her way to encourage me and compliment my standards albums. We have become great friends and have often played the same venues around the country as I have also done with Frank, Jr. Tina was the next family member to encourage me, and we have become very good friends. She comes to my performances and has always referred to my albums and performances "as me keeping their music alive." Imagine, me keeping Frank's music alive: quite an encouraging statement, but that's what Tina, Frank and Nancy have told me ever since I started making my standards albums. -
The Student Investigative Journalism Camp PROGRAM
Camp Take-a-Stand The Student Investigative Journalism Camp An Intensive Summer Workshop for College Students In Memory of David Halberstam JUNE 8-14, 2008 at WESLEYAN UNIVERSITY, Middletown, CT PROGRAM ACCEPTING APPLICATIONS FOR JUNE 2008 WORKSHOP The Student Investigative Journalism Camp Expected Faculty Include: will provide about twenty-five energetic and David Burnham, co-founder and co-director of talented college student journalists the TRAC and former New York Times reporter. opportunity to develop investigative journalism Samuel Freeman, New York Times columnist skills with a faculty of distinguished local and and Columbia journalism professor. national journalists. Amy Goodman, host of Democracy Now! on Topics will include: Pacifica Radio. Initiating investigative stories Christopher Hedges, author and Pulitzer Prize- Conducting the most effective interview winning war correspondent for The New York Using public data in investigative reporting Times. Making FOIA requests Paul Hendrickson, best-selling author and former Washington Post feature writer. Video and mixed media journalism Bob Herbert, New York Times op-ed columnist Making important stories interesting Seymour Hersh, Pulitzer Prize-winning Journalistic independence investigative writer for The New Yorker. Reporting on wars Patrick Sloyan, Pulitzer Prize-winner for A Memorial Project, the workshop’s sessions by uncovering Desert Storm battlefield events. his colleagues will also reflect on the life and Jim Wooten, former senior national and foreign work of David Halberstam (1934-2007). Winner correspondent for ABC News. of the 1964 Pulitzer Prize for his reporting on the Vietnam War, Halberstam went on to author more Cost: $350* (room & board included) is due from than 20 books, many of them best-sellers, such as accepted students. -
African Warrior Culture
African Warrior Culture: The Symbolism and Integration of the Avtomat Kalashnikova throughout Continental Africa By Kevin Andrew Laurell Senior Thesis in History California State Polytechnic University, Pomona June 10, 2014 Grade: Advisor: Dr. Amanda Podany Laurell 1 "I'm proud of my invention, but I'm sad that it is used by terrorists… I would prefer to have invented a machine that people could use and that would help farmers with their work - for example a lawnmower."- Mikhail Kalashnikov The Automatic Kalashnikov is undoubtedly the most recognizable and iconic of all weapon systems over the past sixty-seven years. Commonly referred to as the AK or AK-47, the rifle is a symbol of both oppression and revolution in war-torn parts of the world today. Most major conflicts over the past forty years throughout Africa, Asia, the Middle East, and South America have been fought with Kalashnikov rifles. The global saturation of Kalashnikov weaponry finds its roots in the Cold War mentalities of both the Soviet Union and Western powers vying for ideological footholds and powerful spheres of influence. Oftentimes the fiercest Cold War conflicts took place in continental Africa, with both Moscow and Washington interfering with local politics and providing assistance to one group or another. While Communist-Socialist and Western Capitalist ideologies proved unsuccessful in many regions in Africa, the AK-47 remained the surviving victor. From what we know of the Cold War, millions of Automatic Kalashnikovs (as well as the patents to the weapons) were sent to countries that were willing to discourage the threat of Western influence. -
Martin Scorsese Set to Direct Frank Sinatra Biopic 5/14/09, 9:27 Am EST
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA326568 Filing date: 01/13/2010 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Notice of Opposition Notice is hereby given that the following party opposes registration of the indicated application. Opposer Information Name Frank Sinatra Enterprises, LLC Granted to Date 01/13/2010 of previous extension Address 3400 West Olive Ave Burbank, CA 91505 UNITED STATES Attorney James D. Weinberger information Fross Zelnick Lehrman & Zissu, P.C. 866 United Nations Plaza6th Floor New York, NY 10017 UNITED STATES [email protected], [email protected] Phone:212-813-5900 Applicant Information Application No 77717940 Publication date 09/15/2009 Opposition Filing 01/13/2010 Opposition 01/13/2010 Date Period Ends Applicant Oliveira, Michael 8471 SW 100 Street Miami, FL 33156 UNITED STATES Goods/Services Affected by Opposition Class 041. First Use: 2008/08/21 First Use In Commerce: 2008/08/21 All goods and services in the class are opposed, namely: Entertainment services, namely, participation in boxing contests Grounds for Opposition False suggestion of a connection Trademark Act section 2(a) Mark Cited by Opposer as Basis for Opposition U.S. Application/ NONE Application Date NONE Registration No. Registration Date NONE Word Mark CHAIRMAN OF THE BOARD Goods/Services Entertainment services Attachments Notice of Opposition (FILED) (F0566135).PDF ( 12 pages )(593057 bytes ) Certificate of Service The undersigned hereby certifies that a copy of this paper has been served upon all parties, at their address record by First Class Mail on this date. -
EXTENSIONS of REMARKS July 24, 1973
25772 EXTENSIONS OF REMARKS July 24, 1973 Cheshire, Joseph M ., xxx-xx-xxxx . T he following person for appointment as a R ichard R . Johnson Billy J. Palmer Dabney, Roger B., xxx-xx-xxxx . R eserve of the A ir F orc e, in the g rade of Gerald G. K emp Clarence R . Perry Doyle, Lawrence A., xxx-xx-xxxx . lieutenant colonel (line of the A ir F orce) , Lee T. Lasseter R aymond F. Perry Flaten, Eric A., xxx-xx-xxxx . under the provisions of section 5 93, title 10, Timothy B. Lecky R obert A.. Phillips Jr. Frymire, R ichard I., Jr., xxx-xx-xxxx . United S tates Code, and Public Law 92 -12 9: John B. Legge Ferrell F. Powell Jr. Glenn, Elmer, Jr., xxx-xx-xxxx . LINE OF THE AIR FORCE Paul F. Lessard George C. Psaros Luther A . Lono E arl S. Piper Jr. Grabovsky, Bruno J., xxx-xx-xxxx . To be lieutenant colonel Hamby, Eugene A., xxx-xx-xxxx . E lliot F. M ann A lbert Pitt xxx-xx-xxxx Hemstreet, Stanley W., xxx-xx-xxxx . Law, Richard 0., . Charles L. M anwarring Charles A . Reynolds T he follow ing persons for appointment as Hill, Edward Y., xxx-xx-xxxx . Joseph P. M arada Paul E. R idge a R eserve of the A ir F orce in the grade of Krausse, Joel B., xxx-xx-xxxx . R obert J. M artin Geoffrey H. Root lieutenant colonel (line of the A ir F orce) , Lane, Junior L., xxx-xx-xxxx . Jerry W. M arvel Paul E . -
The Irish-American Gangster in Film
Farrell 1 THE IRISH-AMERICAN GANGSTER IN FILM By Professor Steven G. Farrell 1 Farrell 2 When The Godfather was released in the early seventies, it effectively created a myth of the virtually unbeatable Italian crime family for the American public that endured for the remainder of the century. This film also effectively eliminated all other white ethnic organized gangs from the silver screen, as well as from the public’s eye. Hollywood, as we shall see, had their history wrong in this case. The Italian Mafia was never as invincible as Hollywood depicted it on film, nor did they always have everything their own way when it came to illegal activities. It wasn’t until the close of the last century that the film industry began to expose the old-time hoods as being fallible and besieged on all sides from new criminal elements connected with newly arrived immigrant groups. The Cubans, Russians and the Colombian hoods, along with the longer established African and Mexican American gangs, had begun to nibble away at the turf long controlled by the almighty Italian mob. As the paradigm of the urban underworld began to shift to reflect the new realities of the global economy, another look at the past by historians and Hollywood is revealing that the Italian gang never had absolute power as it was once commonly believed. The Irish hoodlums, to single out the subject of this paper, were actually engaged in gangland activities years before the arrival of the Italians and the Irish also competed with the Italians up until recently.