76TH SEASON of CONCERTS OCTOBER 1, 2017 / NATIONAL GALLERY of ART Program

Total Page:16

File Type:pdf, Size:1020Kb

76TH SEASON of CONCERTS OCTOBER 1, 2017 / NATIONAL GALLERY of ART Program 76TH SEASON OF CONCERTS OCTOBER 1, 2017 / NATIONAL GALLERY OF ART Program Curtis on Tour Maria Ioudenitch, violin Andrea Obiso, violin Roberto Díaz, viola Michael Casimir, viola Joshua Halpern, cello Young In Na, cello OCTOBER 1, 2017 / 3:30 WEST BUILDING, WEST GARDEN COURT Kevin Puts ( b. 1972) Arcana Wolfgang Amadeus Mozart (1756 – 1791) Grande Sestetto Concertante (after Sinfonia Concertante in E-flat Major, K. 364) Photo by Pete Checchia Allegro maestoso Andante Presto Intermission Johannes Brahms (1833 – 1897) String Sextet in B-flat Major, no. 1, op. 18 Allegro ma non troppo Andante ma moderato Scherzo: Allegro molto Rondo: Poco allegretto e grazioso Program subject to change. 2 3 The Musicians MARIA IOUDENITCH Maria Ioudenitch, from Balashov, Russia, entered the Curtis Institute of Music in CURTIS INSTITUTE OF MUSIC 2014 and studies violin with Shmuel Ashkenasi and Pamela Frank. Ioudenitch has Drawing upon ninety years of artistry, the Curtis Institute of Music pairs tradition appeared as a soloist with the Kansas City and Tupelo Symphonies; the Mississippi and innovation, educating exceptionally gifted young musicians as artist-citizens who Symphony Orchestra; the Mariinsky Orchestra; the Prince George’s Philharmonic; engage local and global communities through music-making of the highest caliber. and the National Symphony of Uzbekistan. Her awards include first prize at the Each year, 175 students come to Curtis, drawn by a tuition-free, performance-inspired Kansas City Young Artist Competition and second prize at the Johansen International learning culture that is nurtured by a celebrated faculty. The school’s distinctive Competition for Young String Players. Ioudenitch was also invited to perform for “learn by doing” approach results in more than two hundred concerts each year in Van Cliburn at the celebration of the 50th anniversary of his triumph at the First Philadelphia, as well as performances around the world through Curtis on Tour. Tchaikovsky International Competition in Moscow, and she has been heard on Known as one of the world’s finest music academies, Curtis reaches global NPR’s From the Top. audiences through Curtis Performs, the school’s dedicated HD performance video Ioudenitch has attended Ravinia’s Steans Music Institute and has participated in site. Online music courses and Curtis Summerfest programs offer lifelong learners master classes with Midori, Gil Shaham, and Pinchas Zukerman, as well as master other ways to listen, explore, and learn. And students hone twenty-first-century classes at the International Summer Academy at Universität Mozarteum. She began skills through social entrepreneurship programs that bring arts access and education studying violin at age three and piano at age nine. Her previous teachers include to the community. Gregory Sandomirsky and Ben Sayevich. The extraordinary young musicians of Curtis graduate to join 4,000 alumni who have long made music history. Each season, leading orchestras, opera houses, and ANDREA OBISO chamber music series around the world feature Curtis alumni. They are in the front Andrea Obiso, from Palermo, Italy, entered the Curtis Institute of Music in 2016 rank of soloists, composers, and conductors and hold principal chairs in every major and studies violin with Aaron Rosand. Obiso made his solo debut with the Orchestra American orchestra. Curtis graduates are musical leaders, making a profound impact Sinfonica Siciliana at the age of twelve. Since then, he has appeared as soloist with on music onstage and in their communities. Orchestra Sinfonica di Roma, Orchestra del Teatro Massimo Bellini di Catania, Orkest der Lage Landen, the Moscow Virtuosi Chamber Orchestra, Limburgs CURTIS ON TOUR Symfonie Orkest, the State Youth Orchestra of Armenia, and the Central Aichi Curtis on Tour is the Nina von Maltzahn Global Touring Initiative of the Curtis Symphony Orchestra, among several other ensembles. Institute of Music. An embodiment of the school’s “learn by doing” philosophy, Obiso appears frequently on television and radio in Italy. Among his many it offers students professional touring experience alongside celebrated alumni awards are second prize at the 2015 Aram Khachaturian International Violin and faculty. In addition to performances, musicians offer master classes, interactive Competition, the Special Prize for Virtuosic Performance at the Sixth International programs, and community engagement activities while on tour. Curtis on Tour Tchaikovsky Competition for Young Musicians, and first prizes in another eleven also facilitates solo performances of Curtis students and alumni with professional competitions across Italy. orchestras and recital series. Since the program was established in 2008, students, Obiso began violin lessons at age six. He holds degrees in violin performance faculty, and alumni have performed more than two hundred concerts in Europe, from the Conservatorium Maastricht and Conservatorio di Musica Vincenzo Bellini, Asia, and the Americas. where he studied with Boris Belkin. Obiso performs on a 1741 Joseph Guarneri del Gesù violin on loan from the Yellow Angel nonprofit organization. 4 5 ROBERTO DÍAZ JOSHUA HALPERN A violist of international reputation, Roberto Díaz is president and CEO of the Joshua Halpern, from Dayton, Ohio, entered the Curtis Institute of Music in 2016 Curtis Institute of Music. As a soloist, Díaz collaborates with leading conductors and studies with Carter Brey, principal cello of the New York Philharmonic, and of our time on stages throughout the world. He also has worked directly with Peter Wiley, former cellist of the Guarneri Quartet. Halpern is the Crescendo Club important composers, most notably Krzysztof Penderecki, whose viola concerto Annual Fellow at Curtis. He has won top prizes at the Fischoff National Chamber he has performed numerous times with the composer on the podium and whose Music Association Competition, the Music Teachers National Association Senior Double Concerto he premiered in the United States. Strings Competition, and the Shepherd School of Music Concerto Competition. He A frequent recitalist, Díaz enjoys collaborating with young musicians, bringing has performed as a soloist with the Miami Valley Symphony and Starling Chamber a fresh approach to the repertoire. He has performed with major string quartets Orchestras and will appear with the Shepherd School Symphony Orchestra in the and pianists in chamber music series and festivals worldwide and is a member of the 2017 – 2018 season. Díaz Trio. His recordings include a Grammy-nominated disc of viola transcriptions As a chamber musician, Halpern has collaborated with such artists as Itzhak by William Primrose for Naxos, as well as releases on the Artek, Bridge Records, Perlman, Jon Kimura Parker, and Richie Hawley and has worked with Gary Hoffman, Dorian, Nimbus, and New World labels. Laurence Lesser, Robert McDonald, and members of the Borromeo and Emerson In addition to his decade-long tenure as principal viola of the Philadelphia Quartets. He has participated in several festivals, including Music Academy of the Orchestra, Díaz was also principal viola of the National Symphony under Mstislav West, the Taos School of Music, the Perlman Music Program, Ravinia’s Steans Music Rostropovich and a member of the Boston Symphony and the Minnesota Orchestras. Institute, and the New York String Orchestra Seminar. He is a graduate of the New England Conservatory of Music and the Curtis Institute Halpern holds a bachelor of music degree from the Shepherd School of Music of Music, where he continues to serve on the faculty, holding the James and Betty at Rice University. He began cello lessons at the age of ten and has previously studied Matarese Chair in Viola Studies and the Nina von Maltzahn President’s Chair. Díaz with Desmond Hoebig and Alan Rafferty. plays the ex-Primrose Amati viola. YOUNG IN NA MICHAEL CASIMIR Young In Na, from Seoul, Korea, entered the Curtis Institute of Music in 2013 and Michael Casimir, from Philadelphia, entered the Curtis Institute of Music in 2015 studies cello with Peter Wiley. All students at Curtis receive merit-based, full-tuition and studies viola with Roberto Díaz and Hsin-Yun Huang. Casimir appeared as a scholarships, and Na is the Joseph Druian Fellow. Na has performed as a soloist with soloist with the Hudson Valley Philharmonic in 2014, after winning first place in the the Yewon Orchestra and has been featured on the Korean Broadcasting System, as orchestra’s string competition in 2013. His other solo appearances include venues in well as the European cultural channel ARTE. She has also played solo and chamber South Africa, Spain, Brazil, and Japan. Casimir has collaborated with many renowned recitals in Trio Dono with the support of Kumho Asiana. musicians, including Shmuel Ashkenasi, Emanuel Ax, and Christoph Henkel. In Na has participated in the Calahorra Music Festival in Spain and the Montpellier 2016, he performed with Yo-Yo Ma and the Silk Road Ensemble. His other honors Music Festival in France. She has been a finalist or prizewinner in several competi- include second-place prizes at the Sphinx Competition in 2011 and 2015. tions, including the 2012 Johansen International Competition in Washington, DC, the Casimir, who began violin lessons at the age of two, received his bachelor of 2009 and 2010 Junior Tchaikovsky Competitions, and the 2009 Moscow Tchaikovsky music degree from the Juilliard School, where he studied with Heidi Castleman and Central Music School International String
Recommended publications
  • Season 2018-2019 the Philadelphia Orchestra
    Season 2018-2019 The Philadelphia Orchestra Saturday, June 15, at 8:00 Sunday, June 16, at 2:00 Yannick Nézet-Séguin Conductor Richard Woodhams Oboe Ricardo Morales Clarinet Daniel Matsukawa Bassoon Jennifer Montone Horn Mozart Sinfonia concertante in E-flat major, K. 297b, for winds and orchestra I. Allegro II. Adagio III. Andantino con variazioni—Andante The June 15 concert is sponsored by Ralph Muller. The June 16 concert is sponsored by John McFadden and Lisa Kabnick. 24 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra Philadelphia is home and orchestra, and maximizes is one of the preeminent the Orchestra continues impact through Research. orchestras in the world, to discover new and The Orchestra’s award- renowned for its distinctive inventive ways to nurture winning Collaborative sound, desired for its its relationship with its Learning programs engage keen ability to capture the loyal patrons at its home over 50,000 students, hearts and imaginations of in the Kimmel Center, families, and community audiences, and admired for and also with those who members through programs a legacy of imagination and enjoy the Orchestra’s area such as PlayINs, side-by- innovation on and off the performances at the Mann sides, PopUP concerts, concert stage. The Orchestra Center, Penn’s Landing, free Neighborhood is inspiring the future and and other cultural, civic, Concerts, School Concerts, transforming its rich tradition and learning venues. The and residency work in of achievement, sustaining Orchestra maintains a Philadelphia and abroad. the highest level of artistic strong commitment to Through concerts, tours, quality, but also challenging— collaborations with cultural residencies, presentations, and exceeding—that level, and community organizations and recordings, the on a regional and national by creating powerful musical Orchestra is a global cultural level, all of which create experiences for audiences at ambassador for Philadelphia greater access and home and around the world.
    [Show full text]
  • Cds by Composer/Performer
    CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H.
    [Show full text]
  • ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS from the LEADERSHIP
    ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS FROM THE LEADERSHIP The New York Philharmonic’s 2019–20 season certainly saw it all. We recall the remarkable performances ranging from Berlioz to Beethoven, with special pride in the launch of Project 19 — the single largest commissioning program ever created for women composers — honoring the ratification of the 19th Amendment. Together with Lincoln Center we unveiled specific plans for the renovation and re-opening of David Geffen Hall, which will have both great acoustics and also public spaces that can welcome the community. In March came the shock of a worldwide pandemic hurtling down the tracks at us, and on the 10th we played what was to be our final concert of the season. Like all New Yorkers, we tried to come to grips with the life-changing ramifications The Philharmonic responded quickly and in one week created NY Phil Plays On, a portal to hundreds of hours of past performances, to offer joy, pleasure, solace, and comfort in the only way we could. In August we launched NY Phil Bandwagon, bringing live music back to New York. Bandwagon presented 81 concerts from Chris Lee midtown to the far reaches of every one of the five boroughs. In the wake of the Erin Baiano horrific deaths of Black men and women, and the realization that we must all participate to change society, we began the hard work of self-evaluation to create a Philharmonic that is truly equitable, diverse, and inclusive. The severe financial challenge caused by cancelling fully a third of our 2019–20 concerts resulting in the loss of $10 million is obvious.
    [Show full text]
  • Book of Abstracts: Studying Old Master Paintings
    BOOK OF ABSTRACTS STUDYING OLD MASTER PAINTINGS ­ TECHNOLOGY AND PRACTICE THE NATIONAL GALLERY TECHNICAL BULLETIN 30TH ANNIVERSARY CONFERENCE 16­18 September 2009, Sainsbury Wing Theatre, National Gallery, London Supported by The Elizabeth Cayzer Charitable Trust STUDYING OLD MASTER PAINTINGS ­ TECHNOLOGY AND PRACTICE THE NATIONAL GALLERY TECHNICAL BULLETIN 30TH ANNIVERSARY CONFERENCE BOOK OF ABSTRACTS 16­18 September 2009 Sainsbury Wing Theatre, National Gallery, London The Proceedings of this Conference will be published by Archetype Publications, London in 2010 Contents Presentations Page Presentations (cont’d) Page The Paliotto by Guido da Siena from the Pinacoteca Nazionale of Siena 3 The rediscovery of sublimated arsenic sulphide pigments in painting 25 Marco Ciatti, Roberto Bellucci, Cecilia Frosinini, Linda Lucarelli, Luciano Sostegni, and polychromy: Applications of Raman microspectroscopy Camilla Fracassi, Carlo Lalli Günter Grundmann, Natalia Ivleva, Mark Richter, Heike Stege, Christoph Haisch Painting on parchment and panels: An exploration of Pacino di 5 The use of blue and green verditer in green colours in seventeenth­century 27 Bonaguida’s technique Netherlandish painting practice Carole Namowicz, Catherine M. Schmidt, Christine Sciacca, Yvonne Szafran, Annelies van Loon, Lidwein Speleers Karen Trentelman, Nancy Turner Alterations in paintings: From non­invasive in­situ assessment to 29 Technical similarities between mural painting and panel painting in 7 laboratory research the works of Giovanni da Milano: The Rinuccini
    [Show full text]
  • Everything Essential
    Everythi ng Essen tial HOW A SMALL CONSERVATORY BECAME AN INCUBATOR FOR GREAT AMERICAN QUARTET PLAYERS BY MATTHEW BARKER 10 OVer tONeS Fall 2014 “There’s something about the quartet form. albert einstein once Felix Galimir “had the best said, ‘everything should be as simple as possible, but not simpler.’ that’s the essence of the string quartet,” says arnold Steinhardt, longtime first violinist of the Guarneri Quartet. ears I’ve been around and “It has everything that is essential for great music.” the best way to get students From Haydn, Mozart, Beethoven, and Schubert through the romantics, the Second Viennese School, Debussy, ravel, Bartók, the avant-garde, and up to the present, the leading so immersed in the act of composers of each generation reserved their most intimate expression and genius for that basic ensemble of two violins, a viola, and a cello. music making,” says Steven Over the past century america’s great music schools have placed an increasing emphasis tenenbom. “He was old on the highly specialized and rigorous discipline of quartet playing. among them, Curtis holds a special place despite its small size. In the last several decades alone, among the world and new world.” majority of important touring quartets in america at least one chair—and in some cases four—has been filled by a Curtis-trained musician. (Mr. Steinhardt, also a longtime member of the Curtis faculty, is one.) looking back, the current golden age of string quartets can be traced to a mission statement issued almost 90 years ago by early Curtis director Josef Hofmann: “to hand down through contemporary masters the great traditions of the past; to teach students to build on this heritage for the future.” Mary louise Curtis Bok created a haven for both teachers and students to immerse themselves in music at the highest levels without financial burden.
    [Show full text]
  • Chamber Music Society of Lincoln Center New World Spirit Sunday, October 13, 2019 3:00 Pm Photo: Tristan Cook Tristan Photo
    The Chamber Music Society of Lincoln Center New World Spirit Sunday, October 13, 2019 3:00 pm Photo: Tristan Cook Tristan Photo: 2019/2020 SEASON The Chamber Music Society of Lincoln Center GLORIA CHIEN, Piano NICHOLAS CANELLAKIS, Cello CHAD HOOPES, Violin DAVID FINCKEL, Cello KRISTIN LEE, Violin ANTHONY MANZO, Double Bass ARNAUD SUSSMANN, Violin RANSOM WILSON, Flute ANGELO XIANG YU, Violin DAVID SHIFRIN, Clarinet MATTHEW LIPMAN, Viola MARC GOLDBERG, Bassoon PAUL NEUBAUER, Viola Sunday, October 13, 2019, at 3:00 pm Hancher Auditorium, The University of Iowa PROGRAM New World Spirit This concert celebrates the intrepid American spirit by featuring two pairs of composers that shaped the course of American music. Harry T. Burleigh was a star student of Dvorákˇ at the National Conservatory in New York. A talented composer and singer, he exposed the Czech composer to American spirituals and was in turn encouraged by Dvorákˇ to perform his native African American folk music. Two generations later, Copland and Bernstein conceived a clean, clear American sound that conveys the wonder and awe of open spaces and endless possibilities. Southland Sketches for violin and piano (1916) Henry T. Burleigh I. Andante (1866–1949) II. Adagio ma non troppo III. Allegretto grazioso IV. Allegro Chad Hoopes and Gloria Chien Quintet in E-flat Major for two violins, two violas, Antonín Dvorákˇ and cello, Op. 97, (“American”) (1893) (1841–1904) I. Allegro non tanto II. Allegro vivo III. Larghetto IV. Finale: Allegro giusto Arnaud Sussmann, Angelo Xiang Yu, Paul Neubauer, Matthew Lipman, and Nicholas Canellakis INTERMISSION Sonata for Clarinet and Piano (1941–42) Leonard Bernstein I.
    [Show full text]
  • A Tribute to Hans-Karl Piltz Marina Thibeault Viola with David Gillham Violin Eric Wilson Cello Jasper Wood Violin
    Wednesday Noon Hours UBC SCHOOL OF MUSIC A Tribute to Hans-Karl Piltz Marina Thibeault viola with David Gillham violin Eric Wilson cello Jasper Wood violin Duo in B-flat major for violin and viola, K. 424 W.A. Mozart i. Adagio-Allegro (1756-1791) ii. Andante cantabile iii. Tema con variazioni David Gillham violin Marina Thibeault viola Lullaby and Grotesque for viola and cello Rebecca Clarke i. Lullaby (1886-1979) ii. Grotesque Marina Thibeault viola Eric Wilson cello Three Madrigals Bohuslav Martinů i. Poco allegro - Poco vivo (1890-1959) ii. Poco andante - Andante moderato iii. Allegro - Moderato Jasper Wood violin Marina Thibeault viola Composed: Mozart (1783); Clarke (1916); Martinů (1947) # We acknowledge that the University of British Columbia is situated on the traditional, ancestral, and unceded territory of the Musqueam people. Hans-Karl Piltz (1923–2020) Professor Hans-Karl Piltz was a talented violist and teacher who helped shape the School of Music as it evolved from a small Bachelor of Arts program in the late 1950s to the large and thriving School it is today. He was 96 years old when he passed away this April. Prof. Piltz loved teaching, and in 1959 joined the UBC Department of Music — as the School of Music was then known. As Professor of Viola, he mentored several generations of strings musicians who have gone on to long and successful careers in orchestras and as soloists in North America, Europe, and all over the world. He founded and directed the UBC Symphony Orchestra from 1959–1970 and also helped found the Vancouver Society for Early Music — now known as Early Music Vancouver — in 1969.
    [Show full text]
  • The Vermeer Quartet
    THE VERMEER QUARTET SHMUEL ASHKENASI - VIOLIN MATHIAS TACKE - VIOLIN RICHARD YOUNG - VIOLA MARC JoHNSON - CELLO THURSDAY, APRIL 5, 2007 -PROGRAM- Quartet in E-flat Major, Op. 125, No. 1 (D. 87) FRANZ SCHUBERT (1797-1828) Allegro moderato Scherzo: Prestissimo Adagio Allegro Quartet in E minor (1906) Frank Bridge (1879-1941) Adagio; Allegro appassionato Adagio molto Allegretto grazioso Allegro agitato -1 NT ERM ISSI ON - Quartet in E minor, Op. 44, No. 2 FELIX MENDELSSOHN ( 1809-184 7) Allegro assai appassionato Scherzo: Allegro di molto Andante Presto agitato FRANZ SCHUBERT (1797-1828) String Quartet in E-.fiat Major, Op. 125, No. 1, D. 87 (1813) Fortunately for us, Schubert began writing quartets when he was a youngster away at school, an activity encouraged by his family who made it a ritual to perform the young composer's efforts during his holiday visits home. I say fortunately, because his death at the appalling age of 31 meant that he was writing his last quartets at the age when Beethoven was writing his first. Tonight's quartet, until recently infrequently heard in concert, is from the year he left school at the age of 16. It is clearly a work of youth - full of cheer and energy - but already drawing on experience gained from producing more than half a dozen youthful string quartets. It has several intriguing features. First, all the movements are in the same key - a bold concept implying confidence he could generate interest by other means - melodic, rhythmic or formal. One can speculate that he was trying his hand at a Haydn-like experiment in musical economy.
    [Show full text]
  • Joyce Yang Piano Blessed With
    Joyce Yang Piano Blessed with “poetic and sensitive pianism” (Washington Post) and a “wondrous sense of color” (San Francisco Classical Voice), pianist Joyce Yang captivates audiences with her virtuosity, lyricism, and interpretive sensitivity. As a Van Cliburn International Piano Competition silver medalist and Avery Fisher Career Grant recipient, Yang showcases her colorful musical personality in solo recitals and collaborations with the world’s top orchestras and chamber musicians. Yang came to international attention in 2005 when she won the silver medal at the 12th Van Cliburn International Piano Competition. The youngest contestant at 19 years old, she took home two additional awards: the Steven De Groote Memorial Award for Best Performance of Chamber Music (with the Takàcs Quartet) and the Beverley Taylor Smith Award for Best Performance of a New Work. Since her spectacular debut, she has blossomed into an “astonishing artist” (Neue Zürcher Zeitung). She has performed as soloist with the New York Philharmonic, Chicago Symphony, Los Angeles Philharmonic, Philadelphia Orchestra, the Baltimore, Detroit, Houston, Milwaukee, San Francisco, Sydney, and Toronto symphony orchestras, Deutsches Symphonie-Orchester Berlin, and the BBC Philharmonic (among many others), working with such distinguished conductors as Edo de Waart, Lorin Maazel, James Conlon, Leonard Slatkin, David Robertson, Bramwell Tovey, Peter Oundjian, and Jaap van Zweden. In recital, Yang has taken the stage at New York’s Lincoln Center and Metropolitan Museum; the Kennedy Center in Washington, DC; Chicago’s Symphony Hall; and Zurich’s Tonhalle. Yang kicks off the 2015/16 season with a tour of eight summer festivals (Aspen, Bridgehampton, Grand Tetons, La Jolla, Ravinia, Seattle, Southeastern Piano Festival, and Bravo! Vail) before commencing a steady stream of debuts, return engagements, and notable chamber music concerts.
    [Show full text]
  • Extensions of Remarks 3561
    February 17, 1969 EXTENSIONS OF REMARKS 3561 EXTENSIONS OF REMARKS THE RACE TO THE MOON Space experts say that unless we are will­ ing from one table to another, looking at a ing to maintain a stable, continuing space large book on each of two tables and shaking program in the coming decade we stand in his head. The Keeper looked and saw that his HON. GEORGE P. MILLER danger of squandering the $32 billion already smart monkey was reading Darwin's "Origin OF CALIFORNIA invested in the U.S. space program. of the Species" on one table and the "Holy Werner von Braun, director of the Mar­ Bible" on the other. The Keeper then asked IN THE HOUSE OF REPRESENTATIVES shall Space Flight Center, recently predicted the monkey why he kept shaking his head. Monday, February 17, 1969 the U.S. budget reductions will permit the The monkey replied: I'm trying to find out Russians "to fly rings around us in space in if I am my brother's keeper or my keeper's Mr. MILLER of California. Mr. Speak­ a period of five years." He contended it would brother." er, just before the epoch-making fiight take steady spending of $5 billion to $6 bil­ The moral for the evening is that back of Saturn V around the moon, the Oak­ lion a year for the U.S. to pull even; pro­ here in the State of my birth, Iowa's Gov­ land Tribune published an editorial en­ grams costing only up to $4 billion "simply ernor's Committee knows that it is both it's titled, "The Race to the Moon: Will It guarantee our falling back." brother's keeper and it's keeper's brother.
    [Show full text]
  • Arxiv:2103.07476V1 [Astro-Ph.GA] 12 Mar 2021
    FERMILAB-PUB-21-075-AE-LDRD Draft version September 3, 2021 Typeset using LATEX twocolumn style in AASTeX63 The DECam Local Volume Exploration Survey: Overview and First Data Release A. Drlica-Wagner ,1, 2, 3 J. L. Carlin ,4 D. L. Nidever ,5, 6 P. S. Ferguson ,7, 8 N. Kuropatkin ,1 M. Adamow´ ,9, 10 W. Cerny ,2, 3 Y. Choi ,11 J. H. Esteves,12 C. E. Mart´ınez-Vazquez´ ,13 S. Mau ,14, 15 A. E. Miller,16, 17 B. Mutlu-Pakdil ,2, 3 E. H. Neilsen ,1 K. A. G. Olsen ,6 A. B. Pace ,18 A. H. Riley ,7, 8 J. D. Sakowska ,19 D. J. Sand ,20 L. Santana-Silva ,21 E. J. Tollerud ,11 D. L. Tucker ,1 A. K. Vivas ,13 E. Zaborowski,2 A. Zenteno ,13 T. M. C. Abbott ,13 S. Allam ,1 K. Bechtol ,22, 23 C. P. M. Bell ,16 E. F. Bell ,24 P. Bilaji,2, 3 C. R. Bom ,25 J. A. Carballo-Bello ,26 D. Crnojevic´ ,27 M.-R. L. Cioni ,16 A. Diaz-Ocampo,28 T. J. L. de Boer ,29 D. Erkal ,19 R. A. Gruendl ,30, 31 D. Hernandez-Lang,32, 13, 33 A. K. Hughes,20 D. J. James ,34 L. C. Johnson ,35 T. S. Li ,36, 37, 38 Y.-Y. Mao ,39, 38 D. Mart´ınez-Delgado ,40 P. Massana,19, 41 M. McNanna ,22 R. Morgan ,22 E. O. Nadler ,14, 15 N. E. D. Noel¨ ,19 A. Palmese ,1, 2 A. H. G. Peter ,42 E. S.
    [Show full text]
  • THE SHANGHAI QUARTET Quartet-In-Residence
    University of Richmond UR Scholarship Repository Music Department Concert Programs Music 11-3-1994 The hS anghai Quartet Department of Music, University of Richmond Follow this and additional works at: https://scholarship.richmond.edu/all-music-programs Part of the Music Performance Commons Recommended Citation Department of Music, University of Richmond, "The hS anghai Quartet" (1994). Music Department Concert Programs. 564. https://scholarship.richmond.edu/all-music-programs/564 This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in Music Department Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. UNIVERSITY OF RICHMOND DEPARTMENT OF MUSIC CONCERT SERIES THE SHANGHAI QUARTET Quartet-in-Residence Weigang Li, violin Yi-Wen Jiang, violin Honggang Li, viola James Wilson, cello November 3, 1994, 8:-15 PM Cannon Memorial Chapel A native of Shanghai, WEIGANG LI began violin studies with his parents at age 5 and went on to attend the Shanghai Conservatory at age 14. He came to the United States to study at the San Francisco Conservatory through an exchange program between the sister cities of San Francisco and Shanghai. He has been a soloist with the Shanghai Conservatory Orchestra, the Shanghai Symphony and the BBC Symphony Orchestra. In 1982 he appeared with the BBC Scottish Symphony in a concert that was recorded for broadcast Upon graduation from the Shanghai Conservatory in 1985, he was appointed .assistant professor of violin there. Shortly thereafter he left China to continue his education at Northern Illinois University on a full scholarship, receiving his master's degree in 1987.
    [Show full text]