The Rocky Road Free Ebook
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Programma Per Le Scuole
programma speciale Rom città aperta Mercoledì 2 e giovedì 3 dicembre, Cinema Massimo 3 Si rinnova la collaborazione del Festival con il Centro Nazionale di Documentazione e Analisi per l’Infanzia e l’Adolescenza (CNDA) - Istituto degli Innocenti, il più importante osservatorio italiano sul mondo dei minori, che promuove a Sottodiciotto l’iniziativa “Rom città aperta”. Attraverso due giorni (mercoledì 2 e giovedì 3 dicembre) di proiezioni, performance musicali, incontri, tavole rotonde, l’iniziativa si prefigge di incontrare l’universo Rom senza pregiudizi, affrontando da ogni punto di vista le contraddizioni e le risorse della cultura gitana, ragionando sulle spinte all’integrazione delle nuove generazioni e sul bisogno di mantenere radici e tradizioni di quelle vecchie. Il programma speciale – il cui titolo vuole essere anche un implicito omaggio a chi ha ‘reinventato’ il cinema al servizio del reale e lo ha trasformato in un vero strumento di conoscenza, ovvero Roberto Rossellini – è curato da un gruppo composito e trasversale, composto dalla giovanissima Laura Halilovic – “scoperta” da Sottodiciotto due anni fa quando vinse il Concorso Under 18 Exstrascuola con il cortometraggio Illusione, oggi regista di Io, la mia famiglia Rom e Woody Allen, vincitore del Premio UCCA Venticittà all’ultimo Bellaria Film Festival – e da Marco Dalla Gassa e Fabrizio Colamartino, docenti e critici cinematografici, esperti del CNDA. L’idea portante che ha guidato la selezione dei film e l’allestimento delle altre iniziative del programma, è quella di partire dalle rappresentazioni dei Rom più codificate e irrorate di stereotipi e luoghi comuni, per eroderle dall’interno con immagini, musiche, parole, ritmi, andando oltre gli steccati ideologici e la contingenza della cronaca, per far emergere una realtà che, molto più spesso di quanto non si creda, vive una integrazione possibile e praticabile, spesso portata avanti con passione proprio dalle generazioni più giovani. -
The Rocky Road Ç”Μ影Ƽ”Å'˜ ĸ²È¡Œ (Cast)
The Rocky Road 电影演员 串行 (Cast) Frank Evans https://zh.listvote.com/lists/film/actors/frank-evans-3751804/movies Wilfred Lucas https://zh.listvote.com/lists/film/actors/wilfred-lucas-2477748/movies å®‰æ± å°¼Â·å¥§æ²™åˆ©æ– https://zh.listvote.com/lists/film/actors/%E5%AE%89%E6%9D%B1%E5%B0%BC%C2%B7%E5%A5%A7%E6%B2%99%E5%88%A9%E6%96%87- ‡ 3618522/movies Gladys Egan https://zh.listvote.com/lists/film/actors/gladys-egan-767742/movies Blanche Sweet https://zh.listvote.com/lists/film/actors/blanche-sweet-267718/movies Frank Powell https://zh.listvote.com/lists/film/actors/frank-powell-523961/movies https://zh.listvote.com/lists/film/actors/%E6%9F%A5%E5%B0%94%E6%96%AF%C2%B7%E5%85%8B%E8%8E%B1%E6%A0%BC- æŸ¥å°”æ–¯Â·å…‹èŽ±æ ¼ 3666370/movies James Kirkwood https://zh.listvote.com/lists/film/actors/james-kirkwood-1371051/movies Henry Lehrman https://zh.listvote.com/lists/film/actors/henry-lehrman-84780/movies Dorothy West https://zh.listvote.com/lists/film/actors/dorothy-west-2011211/movies Marion Leonard https://zh.listvote.com/lists/film/actors/marion-leonard-1748192/movies Adele DeGarde https://zh.listvote.com/lists/film/actors/adele-degarde-2053698/movies George Nichols https://zh.listvote.com/lists/film/actors/george-nichols-3101795/movies Harry Solter https://zh.listvote.com/lists/film/actors/harry-solter-2197385/movies Stephanie Longfellow https://zh.listvote.com/lists/film/actors/stephanie-longfellow-3498464/movies Linda Arvidson https://zh.listvote.com/lists/film/actors/linda-arvidson-2710971/movies Owen Moore https://zh.listvote.com/lists/film/actors/owen-moore-966972/movies Edith Haldeman https://zh.listvote.com/lists/film/actors/edith-haldeman-3719238/movies Kate Bruce https://zh.listvote.com/lists/film/actors/kate-bruce-2461823/movies W. -
Appendix: Partial Filmographies for Lucile and Peggy Hamilton Adams
Appendix: Partial Filmographies for Lucile and Peggy Hamilton Adams The following is a list of films directly related to my research for this book. There is a more extensive list for Lucile in Randy Bryan Bigham, Lucile: Her Life by Design (San Francisco and Dallas: MacEvie Press Group, 2012). Lucile, Lady Duff Gordon The American Princess (Kalem, 1913, dir. Marshall Neilan) Our Mutual Girl (Mutual, 1914) serial, visit to Lucile’s dress shop in two episodes The Perils of Pauline (Pathé, 1914, dir. Louis Gasnier), serial The Theft of the Crown Jewels (Kalem, 1914) The High Road (Rolfe Photoplays, 1915, dir. John Noble) The Spendthrift (George Kleine, 1915, dir. Walter Edwin), one scene shot in Lucile’s dress shop and her models Hebe White, Phyllis, and Dolores all appear Gloria’s Romance (George Klein, 1916, dir. Colin Campbell), serial The Misleading Lady (Essanay Film Mfg. Corp., 1916, dir. Arthur Berthelet) Rebecca of Sunnybrook Farm (Mary Pickford Film Corp., 1917, dir. Marshall Neilan) The Rise of Susan (World Film Corp., 1916, dir. S.E.V. Taylor), serial The Strange Case of Mary Page (Essanay Film Manufacturing Company, 1916, dir. J. Charles Haydon), serial The Whirl of Life (Cort Film Corporation, 1915, dir. Oliver D. Bailey) Martha’s Vindication (Fine Arts Film Company, 1916, dir. Chester M. Franklin, Sydney Franklin) The High Cost of Living (J.R. Bray Studios, 1916, dir. Ashley Miller) Patria (International Film Service Company, 1916–17, dir. Jacques Jaccard), dressed Irene Castle The Little American (Mary Pickford Company, 1917, dir. Cecil B. DeMille) Rebecca of Sunnybrook Farm (Mary Pickford Company, 1917, dir. -
RUDOLPH VALENTINO January 1971
-,- -- - OF THE SON SHEIK . --· -- December 1970 -.. , (1926) starring • January 1971 RUDOLPH VALENTINO ... r w ith Vilma Banky, Agnes Ayres, George Fawcett, Kar l Dane • .. • • i 1--...- \1 0 -/1/, , <;1,,,,,/ u/ ~m 11, .. 12/IOJ,1/, 2/11.<. $41 !!X 'ifjl!/1/. , .....- ,,,1.-1' 1 .' ,, ,t / /11 , , . ... S',7.98 ,,20 /1/ ,. Jl',1,11. Ir 111, 2400-_t,' (, 7 //,s • $/1,!!.!!8 "World's .. , . largest selection of things to show" THE ~ EASTIN-PHELAN p, "" CORPORATION I ... .. See paee 7 for territ orial li m1la· 1;on·son Hal Roach Productions. DAVE PORT IOWA 52808 • £ CHAZY HOUSE (,_l928l_, SPOOK Sl'OO.FI:'\G <192 i ) Jean ( n ghf side of the t r acks) ,nvites t he Farina, Joe, Wheeze, and 1! 1 the Gang have a "Gang•: ( wrong side of the tr ack•) l o a party comedy here that 1\ ,deal for HallOWK'n being at her house. 6VI the Gang d~sn't know that a story of gr aveyard~ - c. nd a thriller-diller Papa has f tx cd the house for an April Fool's for all t ·me!t ~ Day party for his fr i ends. S 2~• ~·ar da,c 8rr,-- version, 400 -f eet on 2 • 810 303, Standord Smmt yers or J OO feet ? O 2 , v ozs • Reuulart, s11.9e, Sale reels, 14 ozs, Regularly S1 2 98 , Sale Pnce Sl0.99 , 6o 0 '11 Super 8 vrrs•OQ, dSO -fect,, 2-lb~ .• S l0.99 Regu a rly SlJ 98. Sale Pn ce I Sl2.99 425 -fect I :, Regularly" ~ - t S12 99 400lc0 t on 8 o 289 Standard 8mm ver<lon SO r Sate r eels lJ o,s-. -
Films to Your Collection! Are Good Only on Orders Received on Or Be You Get Low Sale Prices from Now Through Fore July 31, 1971
.. ,· - . .... ,. ,_,,,.... , LAUREL &,. ·HARDY ,,--? .• i~ 5 ,. ~ .SU.MIER· SALE t· NO W'S THE TIME to add these 5 top refer to items on this page only. Sale prices Laurel & Hardy films to your collection! are good only on orders received on or be You get low sale prices from now through fore July 31, 1971. July 31, 1971. ORDER NOW!! Sale Prices t rfHE MUSIC BOX TWO ·TARS . j {1932) (1928) Probably their funniest sound comedy and their only fi lm to win Two guys on shore leave-a rented Model T Roadster-two girfs an Academy Award! All about delivering a piano lo BIiiy GIibert's a traffic jam and a mile long string of vintage automobiles! One home on the top of the hill - via the longest flight of stairs you've of their funniest and most famous comedies. ever seen! Gua,;.anteed to please!! 81ff.02-0580, Standard 8mm., 350-feet, 1-lb., Regu. 810-02-0079, Stamdard 8mm., 425-feet, 1-lb., Regu- ,· la,rly SlS.98 . .. .. ... ... ..... ... Sale S12.59 larly SlS.98 .. .. ... .. ~ ........... Sale. S12.59 860-02-0006, Super 8, 400-feet, 1-lb., Regularly S15.98 860-02-0004, Super 8, 450-feet, 1-lb., Regularly S15.98 . Sale S14.49 .. .. .. ... ........... ... ..... Sale S14.49 64{)..02-0019, 16mm. optical sound version, 1100-feet, 620-02-0020, 16mm. silent, 850-feet, SO-lbs., Regularly 5-lbs., Regularly S59.98 ..... .. ... .. Sale $53.99 S49.98 ... ......... ...... .. Sale S44.99 Blackhawi Plyer F-212 does not #,tper ctde /Ji;.llef#n B-209. lnste6d Ff.ye-,, F-212 r sh.ouliI be 1£Set! in .1."fmjm1ction with Bul letin '/J-209 '1Lt1til June 30, 1971. -
SECOND SHOWING of FILM PROGRAMS December 8
TIGHT BINDING The Museum of Modern Art if) 11 Weat ».1r.l Street New York N. Y. Telephone: Circle 7-7470 Coble Addreae: Modernart frees Please reply to: The Film Library, 485 Madison Avenue, New York, N. Y. dent: „,g«,r Goodyear Truatee Committee: John Hay Whitney, Chair man, A. Conger Goodyear, Edward M. M. Warburg {^.President: John D. Rockefeller, Jr. Director, John E. Abbott Curator, Iris Barry Telephone: PLaca 3-1981 Wg.PrealdenU January 31, 1936 L, C.Clark Lgry.Treonurert fj A. Lewlaohn TO MOTION PICTURE EDITORS TO CITY EDITORS .HuiN.BIlM Robert Wood* BHM Dear Sirs: IV. Murray Crane Lord Duvcen of Millbank The PRESS VIEW of the second program, The Rise of the American ,ball Field Film, given by the Muse-urn of Modern Art Film Library will be | Ford held at the DALTON SCHOOL AUDITORIUM, 168 East 89th Street, New l0nd B. Foedlck York City, TUESDAY February 4 at 8:30 P.M. lp Goodwin Charles S. Payson The four motion pictures which comprise the program are: | Stanley Kesor >D A. Rockefeller The New York Eat (1912) directed by D. W. Griffith, with Mary J. Sacba Pickford and Lionel Barrymore John S. Sheppard The Fugitive (1915) directed by Thomas K. Ince, with Wm.S.Hart ird M. M. Warburg The Clever Dummy (1917) a Mack Sennett comedy with Ben Turpin l Hay Whitney A Fool There Was (1914) directed by Frank Powell, with Theda Bara Program notes will explain the significance of these films and tort d H. Barr, Jr. they will be accompanied by music appropriate to the day in which each was produced. -
The History of the Motion Picture
46905 -42 ' f THE MUSEUM OF MODERN ART « WEST 53RD STREET, NEW YORK 19, N. Y. I1 w FOR IMMEDIATE RELEASE gUEPHONE: CIRCLE 5-8900 " THE HISTORY OF THE MOTION PICTURE PRESENTED BY MUSEUM OF MODERN ART On Monday, September 16, the longest motion picture Cycle ever presented will open in the auditorium of the Museum of Modern Art, 11 West 53 Street. Comprised of the most Important films, both American and foreign, produced during the past half-century, the Cycle will start with a program entitled "The Development of Narrative" and will end December 31, 1947, with a program of abstract films. It will include such outstanding motion pictures as: 1916 Intolerance, directed by D. W. Griffith 1919 The Cabinet of Dr. Callgarl 1921 The Four Horsemen of the Apocalypse 1924 Greed, directed by von Strohelm 1924 The Last Laugh, directed by Murnau 1925 Variety directed by Dupont 1925 Potemkln, directed by Elsenstein , 1927 T3ie Italian Straw Hat, directed by Rene Clair 1928 Storm over Asia, directed by Pudovkin 1929 Blackmail, directed by Hitchcock 1930 Juno and the Paycock, directed by Hitchcock 1930 Anna Christie with Garbo and Marie Dressier 1932 A Nous la Llberte, directed by Rene' Clair 1938 Alexander Nevsky, directed by Elsenstein 1938 Pepe Le Moko, the famous French film from which the American Algiers was taken. In the introductory note to the schedule Arthur Rosenheimer, Jr., of the Museum of Modern Art Film Library writes in part as follows: "It is impossible to present correctly the developing art of motion pictures through a chronological study of the motion picture in any one country. -
Jeanie Macpherson
Jeanie Macpherson Also Known As: Columbia University Academic Commons Jeanie MacPherson,provided by Jeannie MacPherson View metadata, citation and similar papers at core.ac.uk CORE brought to you by Lived: May 18, 1888 - August 26, 1946 Worked as: director, film actress, screenwriter Worked In: United States by Jane Gaines Jeanie Macpherson is best known as Cecil B. DeMille’s screenwriter since she collaborated exclusively with the director-producer from 1915 through the silent era and into the sound era, in a working relationship lasting fifteen years. Like many other women who became established as screenwriters, she began her career as a performer, first as a dancer and then as an actress. Her numerous acting screen credits begin in 1908, and nearly thirty of the short films she appeared in for the Biograph Company, most directed by D. W. Griffith, are extant. At Universal Pictures, Macpherson began to write, but due to a fluke she also directed the one film that she wrote there— a one-reel Western, The Tarantula (1913), according to a 1916 Photoplay article (95). Although Anthony Slide cannot confirm the success of the film, both he and Charles Higham retell the story that when the film negative was destroyed by accident, the actress was asked to reshoot the entire motion picture just as she recalled it since the original director was unavailable (Slide 1977, 60; Higham 1973, 38). There are several versions of how Jeanie Macpherson, out of work after The Tarantula, was hired by DeMille at the Jesse L. Lasky Feature Play Company. The most elaborate version is from Higham, who describes Macpherson’s attempt to get an acting job as involving a series of battles between the two while the director was shooting Rose of the Rancho (1914) (38–40). -
Download File
Marion Leonard Lived: June 9, 1881 - January 9, 1956 Worked as: film actress, producer, screenwriter Worked In: United States by Sarah Delahousse It is well known that Florence Lawrence, the first “Biograph Girl,” was frustrated in her desire to exploit her fame by the company that did not, in those years, advertise their players’ names. Lawrence is thought to have been made the first motion picture star by an ingenious ploy on the part of IMP, the studio that hired her after she left the Biograph Company. But the emphasis on the “first star” eclipses the number of popular female players who vied for stardom and the publicity gambles they took to achieve it. Eileen Bowser has argued that Lawrence was “tied with” the “Vitagraph Girl,” Florence Turner, for the honorific, “first movie star” (1990, 112). In 1909, the year after Lawrence left Biograph, Marion Leonard replaced her as the “Biograph Girl.” At the end of 1911, Leonard would be part of the trend in which favorite players began to find ways to exploit their popularity, but she went further, establishing the first “star company,” according to Karen Mahar (62). Leonard had joined the Biograph Company in 1908 after leaving the Kalem Company, where she had briefly replaced Gene Gauntier as its leading lady. Her Kalem films no longer exist nor are they included in any published filmography, and few sources touch on her pre-Biograph career. Thus it is difficult to assess her total career. However, Marion Leonard was most likely a talented player as indicated by her rapid ascension to the larger and more prominent studio. -
SHOWING of SECOND PROGRAM of FILMS January 28, 1936
TIGHT BINDING /SO The Museum of Modern Art 11 Weat SSrd Street New York N. Y. T*lmphon«: Circle 7-7470 Cable Address: Modernart Please reply to: The Film Library, 485 Madison Avenue, New York, N. Y. ijrmr Trustee Committee: John Hay Whitney, Chairman, A. Conger Goodyear, Edward M. M. Warburg |p# HockeM***' Jr- Director, John E. Abbott Curator, Iris Barry Telephone: PLaza 3-1981 January 31, 1936 [ Clark |Uw1»°,,n TO MOTION PICTUR3 EDITORS TO CITY EDITORS .BHM > Woods BHM Dear Sirs: array Crane DiiTeen of MHlbank The PRESS VIEW of the second program, The Rise of the American field Film, given by the Museum of Modern Art Film Library will be held at the BALTON SCHOOL AUDITORIUM, 168 East 89th Street, New |J. Fo«lii k York City, TUESDAY February 4 at 8:30 P.M. Bwta kit S. Payaon The four motion pictures which comprise the program are: Ly ltesor Rockefeller jha The New York Hat (1912) directed by D. W. Griffith, with Mary IS. Sheppard Pickford and Lionel Barrymore IM. Warburg The Fugitive (1915) directed by Thomas K. Ince, with Wm.S.Hart iltney The Clever Dummy (1917) a Mack Sennett comedy with Ben Turpin A Fool There Was (1914) directed by Frank Powell, with Theda Bara Program notes will explain the significance of these films and r,Jr. they will be accompanied by music appropriate to the day in which each was produced. Stills from each of the films may be obtained now 'irector: bney Mabry, Jr. at the Museum or at the Dalton School Tuesday evening. -
National Gallery of Art Film Fall 19
National Gallery of Art Film Fall 19 Special Events 11 Basilio Martín Patino 21 Woman with a Movie Camera: Shirley Clarke at 100 25 Film Noir: New 35mm Restorations 29 ArteCinema 33 Welcome to Absurdistan: Eastern European Cinema 1950 to 1989 35 We Tell: Fifty Years of Community Media 41 ArtFIFA: International Festival of Films on Art 45 Trapped p29 The fall season opens with works by Spanish mas- ter Basilio Martín Patino, a luminary of the Nuevo Cine Español of the 1960s, presented on the occa- sion of the eightieth anniversary of the Spanish Republican exile and the end of the Spanish Civil War in 1939. Avant-garde American artist Shirley Clarke is also celebrated during the fall season in the series Woman with a Movie Camera: Shirley Clarke at 100. Welcome to Absurdistan: Eastern European Cinema 1950 to 1989 recalls the theatrical and literary traditions of the absurd — a major influ- ence in the ultimate downfall of Soviet-dominated regimes in Eastern Europe in 1989. We Tell: Fifty Years of Community Media explores in a five-part program the importance of participatory community media in the United States. Tributes to two major international festivals devoted to the art documen- tary — ArteCinema in Naples, Italy, and ArtFIFA in Montreal, Quebec — present recent interpretations of contemporary art on screen. Other special events include Animation Beyond Cinema, with work by emerging artists from The Anìmator Festival in Poznań, Poland; new 35mm print restorations of films noirs; ciné-concerts; Washington premieres; and three films that are part of a city-wide festival, Films Across Borders: Stories of Water. -
1 Jeanie Macpherson May 18, 1888
Jeanie Macpherson May 18, 1888 - August 26, 1946 Also: Jeanie MacPherson Worked as : director, film actress, screenwriter The United States Jeanie Macpherson is best known as Cecil B. DeMille’s screenwriter since she collaborated exclusively with the director-producer from 1915, through the silent era and into the sound era, in a working relationship lasting fifteen years. Like many other women who became established as screenwriters, she began her career as a performer, first as a dancer and then as an actress. [Fig. 1 Jeanie Macpherson, early screen role BYU. WFP-MAC16 ] Her numerous acting screen credits begin in 1908, and nearly thirty of the short films she appeared in for the Biograph Company, most directed by D.W. Griffith, are extant. At Universal Pictures, Macpherson began to write, but due to a fluke she also directed the one film that she wrote there—a one-reel western, The Tarantula (1913), according to a 1916 Photoplay article (95). Although Anthony Slide cannot confirm the success of the film, both he and Charles Higham retell the story that when the film negative was destroyed by accident the actress was asked to reshoot the entire motion picture just as she recalled it since the original director was unavailable (Slide 1977, 60; Higham 1973, 38). [Fig. 2 Jeanie Macpherson d/w/a The Tarantula (1913) AMPAS. WFP-MAC18] There are several versions of how after Jeanie Macpherson, out of work after The Tarantula, was hired by DeMille at the Jesse L. Lasky Feature Play Company. The most elaborate version is from Higham who describes Macpherson’s attempt to get an acting job as involving a series of battles between the two while the director was shooting Rose of the Rancho (1914) (38 – 40).