VL Ring Crown Wall Product Info

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Project name: / Project type: / 1/3 VVLL RRiinngg CCrroowwnn WWaallll 2 / Brass/glossy opal glass / 5743913637 The wall lamp emits light directed primarily downwards. The opal glass provides a comfortable and uniform illumination of the area around the fixture. Vilhelm Lauritzen Vilhelm Lauritzen (1894–1984) is one of the most significant architects in the history of Denmark; he was the trail-blazing figurehead of Danish functionalism. A number of his buildings – Nørrebro Theatre (1931–32), Daells Varehus department store (1928–35), Radiohuset (1936-41) and the first airport built in Kastrup (1937–39) – represented the concentrated essence of contemporary life. Set location - The Silo Svinkløv Badehotel Design to Shape Light louispoulsen.com 2/3 VL Ring Crown Wall Product info Finish Glossy, handblown white opal glass. Satin polished brass, untreated. Materials Shades: Handblown, 3-layered, polished opal glass. Suspension: Untreated brass, will patinate. Mounting Surface: Mounted directly to finished surface over a 4" octagonal junction-box. Switch: On/off switch on the wall plate. Sizes and weight Width x Height x Length (in.) | 16.7 x 9.2 x 12 Max 6.1 lbs | 7.5 x 9.2 x 10.8 Max 3.4 lbs Compliance Compliance: cULus, Dry location. Information Please note that the brass surfaces are untreated. This means that the surface will change over time and develop a patina. The total weight of the fixtures are calculated with the average weight of the glass (1.5 lbs.). They vary from 1.3 to 1.8 lbs. louispoulsen.com 3/3 VL Ring Crown Wall Data specifications BUG Rating - Built-in Height - Class - CRI - Efficacy - Height 9.2 IK class - Inrush Current - IP class 20 Kelvin - L80B10 (hours) - L80B50 (hours) - Length 12 Light source - Lumen - Min. Dim Level (%) - Net Weight 6.054 Power Factor (P = 100 % / P = 50 %) - SDCM - Standby (W) - Surges - UGR Transversal / Axial - Watt - Width 16.7 Wind Load per ft2 - louispoulsen.com.

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Making a Skull Ring
Making a skull ring The first people to utilize the lost wax process is unknown as it is shrouded in history. It is well documented that it has been used for thousands of years to produce objects in metal which could not be produced any other way, due to the complexity of their design. The lost wax process allows anything that can be modeled in wax to be accurately transmuted into metal. Most fine jewelry made from gold and sterling are made using lost wax casting as it produces the highest detail The Wax Models are placed in a Plaster Mixture which then aloud to harden. Once the plaster mixture (investment) has set hard, the flasks are placed in a kiln, slowly heated to between 1000 and 1250 degrees F, and held at that temperature until all wax residues have disappeared. The place where the wax was is now a void, hence the "lost wax" designation for this process. The metal is then melted in a metal furnace and the molds are filled with liquid silver by hand while the mold is still very hot. The flask is then allowed to cool and the investment mold is broken away revealing the metal piece. This process faithfully reproduces every detail of the original wax as well as the gates and vents, which must latter be cut off with a jeweler's saw. http://davescustomskulls.com/MAKING_OF_A_SKULL_RING.html (1 of 7) [10/27/2007 8:07:45 AM] Making a skull ring After cutting away the Silver Tail-(Sprue) the Hand Finishing Process begins with the Many different Steps shown below to BRING final Details and a Mirror Finish to the RING surface.
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