Song Dong & Yin Xiuzhen
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Jim Lockwood Song List
JIM LOCKWOOD SONG LIST 1950’s • All Shook Up-Elvis Presley • All These Things-Joe Stampley • As Time Goes By • At Last-Etta James • Auld Lang Syne-Traditional • Battle of New Orleans-Johnny Horton • Blue Suede Shoes-Elvis Presley • Blueberry Hill-Fats Domino • Chantilly Lace-Big Bopper • Deep in The Heart of Texas-Hank Thompson • Good Golly Miss Molly-Little Richard • Great Balls of Fire-Jerry Lee Lewis • Heartbreak Hotel-Elvis Presley • Hound Dog-Elvis Presley • I Got a Woman-Ray Charles • I Walk the Line-Johnny Cash • Jailhouse Rock-Elvis Presley • Jambalaya-Hank Williams • Johnny B. Goode-Chuck Berry • Kansas City-Fats Domino • Let It Be Me-Everly Brothers • Little Sister-Elvis Presley • Long Tall Sally-Little Richard • Lucille-Little Richard • Peggy Sue-Buddy Holly • Roll Over Beethoven-Chuck Berry • Save The Last Dance for Me-The Drifters • Stand by Me-Ben E. King • Somewhere Over the Rainbow-Judy Garland • Summertime-George Gershwin • That’ll Be the Day-Buddy Holly • That’s Alright Mama-Elvis Presley • Tutti Frutti-Little Richard • What I’d Say-Ray Charles • When The Saints Go Marching In-Louis Armstrong 1960’s • Abraham, Martin, and John-Dion • Across The Universe-The Beatles • Ain’t Too Proud to Beg-Temptations • Ain’t No Mountain High Enough-Marvin Gaye • Always On My Mind-Elvis Presley • And I Love Her-The Beatles • Another Saturday Night-Sam Cooke • As Tears Go By-Rolling Stones • Baby I Need Your Lovin-Four Tops • Back in The USSR-The Beatles • Bad Moon Rising-Credence Clearwater Revival • Barbara Ann-Beach Boys • Big Girls -
Sample Syllabus
Contemporary Art, Architecture and New Media in China New York University A Private University in the Public Service Class Title Contemporary Art, Architecture and New Media in China Listed as “Contemporary Art and New Media in China” ARTCR-UE 9077 4 points Instructor Contact Name: Francesca Tarocco Information Class Time Thursday, 3:00-6:00 Course Description Over the past three decades, the contemporary art scene in China has expanded fast. The massive political, economic, and social changes the country has undergone since the end of the Cultural Revolution in 1976 have dramatically altered its cultural landscape. In this seminar course, the course will survey the main development areas in Chinese contemporary art. Dedicated to responding to the new textures of China’s metropolitan culture, it will look at the relationship between visual arts, new media, architecture and performance in the mega-city of Shanghai, often regarded as the cradle of Chinese modernity. The class will be complemented by guest lectures and visits to public museums, galleries and artists’ studios in and around Shanghai. Students will have the opportunity to meet leading figures from the art world in China as well as the international art community, including artists, museum directors, curators, art critics, and art dealers. Course Objectives * To develop your understanding and appreciation of some of the major intellectual and artistic transitions in Chinese contemporary art today. * To introduce you to many of the influential artists of as well as the important works in Chinese contemporary Art. * To explore the evolving understanding of artistic correspondences between Chinese context and he rest of the world. -
Insite Art Practices in the Public Domain San Diego Lijuana
inSite Art Practices in the Public Domain San Diego lijuana N~ws Release FOR IMMEDIATE RELEASE July 2005 Contact: Papus von Saenger, Public Relations, inSite_05 (619) 230-0005 x 17; [email protected] Barbara Metz, Metz Public Relations (858) 677-0720; [email protected] in~ite_05 Announces Public Programming Beginning Aug. 26 SAN DIEGO/TIJUANA - inSite_05, the binational network of contemporary arts events and actions set in the San Diego/Tijuana region, will open its public phase Aug. 26, with public art projects and events ranging from a human cannonball being shot over the fence separating the US and Mexico, to the opening of artists' urban interventions sited on both sides of the border, to a major museum exhibition of contemporary art. Through Nov. 13, inSite_05/ Art Practices in the Public Domain presents a wide-ranging program that also includes on-line projects, dialogues, film and video installations, and performances. Four major weekends of intense activity will take place during inSite_05. Each of these focused weekends is constructed around the four components of inSite_05: 1) Interventions - commissioned artists' projects developed in a creative process of co-participation with communities on both sides of the border. These include projects that take place in physical space - such as Mark Bradford's Maleteros which requires visitors to walk through the San Ysidro border crossing, or Thomas Glassford and Jose Parral's urban park Garden Playas de Tijuana which reconfigures the extraordinary juncture of the US and Mexico where the border fence plunges into the Pacific Ocean. Other Interventions projects will take the form of performance or spectacle. -
Song Dongs's Exhibition
Exhibition review Science & Technology Studies 31(4) Song Dongs’s Exhibition ‘Collaborations’, 01.09- 31.10.2017, Kunsthal Aarhus, Denmark Kasper Ostrowski/ [email protected] In the fall of 2017 Kunsthal Aarhus presented the power relations, love relations, aesthetic relations, frst “solo” exhibition in Denmark by the contem- animal, plant and mineral relations. godinuniverse porary Chinese artist Song Dong. The non-mon- is a story about embodied semiotic relations that ographic exhibition was entitled Collaborations are causally signifcant in our thoughts and doings – hence the quotation marks – and focused on in ways both intimate and global. (Grassie, 2011: 9). collaborative forms. The title of the exhibition accentuates Song’s strong interest in artistic col- When best, engaging with Song Dong´s art feels laborations – often involving members of his like entering such a godinuniverse, including com- own family. On display was both some of the art- plex acts of kinship- and relation-makings. In this ist’s best-known works and new creations. Song’s godinuniverse a multitude of relations are becom- work often focuses on family relations and geo- ing. Relations between the artist himself and the politics. They have a powerful way of expressing vast number collaborators who participated in the efects of radical change and social transfor- the realization of the exhibition. A (somewhat mation on members of his own family. He strives dim) attempt of creating a space for ‘inter-visito- to combine the past and the present, the personal rial’ relation-makings, relations between archi- and the universal, the poetic and the political. Col- tecture, consumerism and our digestive system. -
Nature Information Re
Press Contacts: Chelsey Saatkamp, WNET: [email protected], 212.560.4905 Gab Toriello, Grand Communications for WNET: [email protected], 917-312-2832 Press Materials: pbs.org/pressroom or thirteen.org/pressroom Nature’s Favorite Spy Cam Creatures Return, Delving Deeper into the Animal Kingdom to Capture Rarely Seen Behavior in Season 38 Finale Spy in the Wild 2 Travel the globe with more than 50 animatronic spy creatures in a new four-part miniseries, premiering Wednesdays, April 29 – May 20 at 8 p.m. on PBS Nature’s spies are back undercover. Their mission? To go deeper into the animal world than ever thought possible. From the hot and humid tropics to the freezing poles, the sequel to 2017’s popular Nature: Spy in the Wild miniseries places even more spy creatures in the middle of some of nature’s greatest events. Season 38 finale, Nature: Spy in the Wild 2, premieres nationwide Wednesdays, April 29 – May 20 at 8 p.m. on PBS (check local listings), pbs.org/spyinthewild and the PBS Video app. John Downer Productions created more than 50 realistic animatronic spy creatures for the new miniseries, including a gorilla, Komodo dragon, hummingbird, King penguin, Pygmy elephant, koala, quokka, seal and polar bear. Each spy creature looks like the animals they film and behaves like them too. Accepted by animal families, these robotic lookalikes can not only film from an intimate perspective but also interact with the animals, gaining revelatory insights into their worlds as they feed, breed and fight. The spy cams even go beyond the animal kingdom, using innovative camera technology that allows a spy turtle to lay robot eggs, a spy squirrel to gather robot nuts, monkeys to play with a spy snowball and more. -
201201-Kakm-Early Morning
schedule available online: January 2012: Early Morning alaskapublic.org Midnight 12:301:00 1:30 2:00 2:303:00 3:30 4:00 4:30 Coldplay Frontline: Independent Lens: Washington Need To Sun 1/1 Live! Beale Street on New Year's Eve (start 11pm) The Undertaking These Amazing Shadows Week Know Masterpiece Classic: Great Performances: From Vienna: Live From Lincoln Center: Mon 1/2 Downton Abbey - Part 4 The New Year's Celebration 2012 Bernstein and Gershwin Martin Luther: Antiques Roadshow: Masterpiece Classic: Great Performances: Tue 1/3 Sky Island Driven to Defiance Tulsa, OK - Hour 1 Downton Abbey - Part 4 Hugh Laurie: Let Them Talk Frontline: Egypt's Golden Empire: Egypt's Golden Empire: Martin Luther: Antiques Roadshow: Wed 1/4 Opium Brides The Warrior Pharaohs Pharaohs Of The Sun Driven to Defiance Tulsa, OK - Hour 1 Nature: NOVA: NOVA: Egypt's Golden Empire: Egypt's Golden Empire: Thu 1/5 Birds of the Gods Deadliest Volcanoes Deadliest Earthquakes The Warrior Pharaohs Pharaohs Of The Sun Independent Lens: Frontline: NOVA: Nature: Fri 1/6 This Old House Hour Taking Root Opium Brides Deadliest Volcanoes Birds of the Gods Washington Need To Great Performances: Tavis Smiley Reports: Antiques Roadshow: Sat 1/7 This Old House Hour Week Know Celebrate Gershwin Dudamel Tulsa, OK - Hour 1 NOVA: Frontline: Independent Lens: Great Performances: Washington Need To Sun 1/8 Deadliest Volcanoes Opium Brides Taking Root Celebrate Gershwin Week Know Masterpiece Classic: Tavis Smiley Reports: Great Performances: Antiques Roadshow: Nature: Mon 1/9 Downton -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
The Baltimore Museum of Art Presents Mark Bradford's
THE BALTIMORE MUSEUM OF ART PRESENTS MARK BRADFORD’S TOMORROW IS ANOTHER DAY, FEATURED IN 2017 VENICE BIENNALE BALTIMORE, MD (August 9, 2018)—The Baltimore Museum of Art (BMA) announces the U.S. debut of Mark Bradford: Tomorrow Is Another Day from September 23, 2018, through March 3, 2019. First presented at the U.S. Pavilion as part of the 2017 Venice Biennale, the exhibition is co-curated by Christopher Bedford, BMA Dorothy Wagner Wallis Director and Commissioner of the U.S. Pavilion, and Katy Siegel, BMA Senior Programming and Research Curator and Thaw Chair of Modern American Art at Stony Brook University. Tomorrow Is Another Day is a complex, multi-layered narrative by Bradford using a variety of media—painting, sculpture, and video. Together, these works reflect the artist’s longstanding interest in how communities—particularly those which have been traditionally marginalized— address issues of social and economic justice, as well as his belief in art’s ability to expose contradictory histories and inspire action in the present day. An integral aspect of Bradford’s engagement in Baltimore is his partnership with Greenmount West Community Center (GWCC), a community art space for children and families two miles south of the museum. The community center provides a safe and positive environment for underserved local youth to create, learn, and share through a program of structured activities and open dialogue. Bradford provided the skills-based training and equipment needed for a silk-screening program at the GWCC with assistance from Noisy Tenants, an entrepreneurial organization that helps communities solve problems they care about by tapping into their inherent creativity, relationships, and resources. -
Song Dong Song Dong Doing Nothing
PRESS CONTACT: Sarah Goulet [email protected] / +1 212 421 8987 PRESS RELEASE Song Dong Song Dong Doing Nothing 510 & 534 West 25th Street, New York January 18 – February 16 & 23, 2013 Opening reception: Thursday, January 17, 6 to 8 PM Pace is pleased to present Song Dong Doing Nothing, a two- venue exhibition surveying twenty years of work by the Chinese artist Song Dong. The gallery at 510 West 25th Street will focus on Song's recent work, including a new installation related to his projects for Documenta 13 and the Kiev Biennial. The gallery at 534 West 25th Street will feature eighteen of Song's performances, photographs, videos, and installations made between 1994 and 2012. Song Dong Doing Nothing is on view at 510 West 25th Street, New York from January 18 through February 16, 2013, and at 534 West 25th Street from January 18 through February 23, with an opening reception for the public on Thursday, January 17, 6 to 8 pm, at both galleries. For over two decades, Song Dong has been at the forefront of Chinese contemporary art, embracing performance, installation, video, sculpture, painting, and calligraphy, and often combining mediums within a single work. Using modest, quotidian materials, Song confronts notions of impermanence, the reality of living in contemporary China, ideas of waste and consumption, the transformation of China's urban environment, and the value of self-expression, even when it leaves no trace. Simultaneously poetic and political, personal and global, his work often explores larger social and cultural issues by drawing on deeply intimate, biographical experiences. -
Contemporary Asian Art and Exhibitions Connectivities and World-Making
Contemporary Asian Art and Exhibitions Connectivities and World-making Contemporary Asian Art and Exhibitions Connectivities and World-making Michelle Antoinette and Caroline Turner ASIAN STUDIES SERIES MONOGRAPH 6 Published by ANU Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Antoinette, Michelle, author. Title: Contemporary Asian art and exhibitions : connectivities and world-making / Michelle Antoinette and Caroline Turner. ISBN: 9781925021998 (paperback) 9781925022001 (ebook) Subjects: Art, Asian. Art, Modern--21st century. Intercultural communication in art. Exhibitions. Other Authors/Contributors: Turner, Caroline, 1947- author. Dewey Number: 709.5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover illustration: N.S. Harsha, Ambitions and Dreams 2005; cloth pasted on rock, size of each shadow 6 m. Community project designed for TVS School, Tumkur, India. © N.S. Harsha; image courtesy of the artist; photograph: Sachidananda K.J. Cover design and layout by ANU Press Printed by Griffin Press This edition © 2014 ANU Press Contents Acknowledgements . vii Introduction Part 1 — Critical Themes, Geopolitical Change and Global Contexts in Contemporary Asian Art . 1 Caroline Turner Introduction Part 2 — Asia Present and Resonant: Themes of Connectivity and World-making in Contemporary Asian Art . 23 Michelle Antoinette 1 . Polytropic Philippine: Intimating the World in Pieces . 47 Patrick D. Flores 2 . The Worlding of the Asian Modern . -
Barbara Kruger Born 1945 in Newark, New Jersey
This document was updated February 26, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. Barbara Kruger Born 1945 in Newark, New Jersey. Lives and works in Los Angeles and New York. EDUCATION 1966 Art and Design, Parsons School of Design, New York 1965 Syracuse University, Syracuse, New York SELECTED SOLO EXHIBITIONS 2021-2023 Barbara Kruger: Thinking of You, I Mean Me, I Mean You, Art Institute of Chicago [itinerary: Los Angeles County Museum of Art; The Museum of Modern Art, New York] [forthcoming] [catalogue forthcoming] 2019 Barbara Kruger: Forever, Amorepacific Museum of Art (APMA), Seoul [catalogue] Barbara Kruger - Kaiserringträgerin der Stadt Goslar, Mönchehaus Museum Goslar, Goslar, Germany 2018 Barbara Kruger: 1978, Mary Boone Gallery, New York 2017 Barbara Kruger: FOREVER, Sprüth Magers, Berlin Barbara Kruger: Gluttony, Museet for Religiøs Kunst, Lemvig, Denmark Barbara Kruger: Public Service Announcements, Wexner Center for the Arts, Columbus, Ohio 2016 Barbara Kruger: Empatía, Metro Bellas Artes, Mexico City In the Tower: Barbara Kruger, National Gallery of Art, Washington, DC 2015 Barbara Kruger: Early Works, Skarstedt Gallery, London 2014 Barbara Kruger, Modern Art Oxford, England [catalogue] 2013 Barbara Kruger: Believe and Doubt, Kunsthaus Bregenz, Austria [catalogue] 2012-2014 Barbara Kruger: Belief + Doubt, Hirshhorn Museum and Sculpture Garden, Washington, DC 2012 Barbara Kruger: Questions, Arbeiterkammer Wien, Vienna 2011 Edition 46 - Barbara Kruger, Pinakothek -
Visual Narratives of Heterosexual Female Sexuality.Docx
Running Head: Visual Narratives of Heterosexual Female Sexuality Visual Narratives of Heterosexual Female Sexuality By Angie Wallace Masters in Interdisciplinary Studies Southern Oregon University 2018 Visual Narratives of Heterosexual Female Sexuality 2 Table of Contents Abstract Page 3 Introduction Page 4 Research Questions Page 6 Literature Review Page 7 Methods Page 22 IRB Page 25 Results Page 25 Figures 1, 2, and 3 Page 30 - 31 Discussion Page 31 Research based Art Piece Page 37 Figures 4, 5, 6, and 7 Page 41 - 42 References Page 43 Visual Narratives of Heterosexual Female Sexuality 3 Abstract This paper explores the social construction of heterosexual female sexuality through visual social narratives in the form of advertisements and artistic photographs. The purpose of this study it to produce an art piece based on my findings. The problems I encountered during my research include my own bias and limited subjects. Since, I am a woman who identifies as heterosexual I have my own preconceived ideas along with personal experiences. In addition, the limited data set provides its own drawbacks. If I were to broaden my scope, the data may or may not have revealed other themes. That being said, for my purposes the themes that have emerged include the following; (1) the male gaze, (2) gender performance, (3) body as a commodity, and (4) sexual harassment. Through the process of visual ethnography and methodology, my design study is to analyze these images as a heterosexual female and combine this analysis with the literature. During this process, I have concluded that heterosexual female sexuality is contingent on how we recognize and interpret visual culture.