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Major Lazer Essential Mix Free Download
Major lazer essential mix free download Stream Diplo & Switch aka Major Lazer - Essential Mix - July by A.M.B.O. from desktop or your mobile device. Stream Major Lazer [Switch & Diplo] - Essential Mix by A Ketch from desktop or your Krafty Kuts - Red Bull Thre3style Podcast (Free Download). Download major-lazer- essential-mix free mp3, listen and download free mp3 songs, major-lazer-essential-mix song download. Convert Youtube Major Lazer Essential Mix to MP3 instantly. Listen to Major Lazer - Diplo & Friends by Core News Join free & follow Core News Uploads to be the first to hear it. Join & Download the set here: Diplo & Friends Diplo in the mix!added 2d ago. Free download Major Lazer Essential Mix mp3 for free. Major Lazer on Diplo and Friends on BBC 1Xtra (01 12 ) [FULL MIX DOWNLOAD]. Duration: Grab your free download of Major Lazer Essential Mix by CRUCAST on Hypeddit. Diplo FriendsFlux Pavillion one Hour Mix on BBC Radio free 3 Essential Mix - Switch & Diplo (aka Major Lazer) Essential MixSwitch. DJ Snake has put up his awesome 2 hour Essential Mix up for free You can stream DJ Snake's Essential Mix below and grab that free download so you can . Major Lazer, Travis Scott, Camila Cabello, Quavo, SLANDER. Essential Mix:: Major Lazer:: & Scanner by Scanner Publication date Topics Essential Mix. DOWNLOAD FULL MIX HERE: ?showtopic= Essential Mix. Track List: Diplo Mix: Shut Up And Dance 'Ravin I'm Ravin' Barrington Levy 'Reggae Music Dub. No Comments. See Tracklist & Download the Mix! Diplo and Switch (original Major Lazer) – BBC Essential Mix – Posted in: , BBC Essential. -
Exploring Structural Sections in EDM DJ-Created Radio Mixes with the Help of Automatic Music Descriptors
Exploring structural sections in EDM DJ-created radio mixes with the help of automatic music descriptors Vincent Zurita Turk Supervised by Perfecto Herrera and Giuseppe Bandiera Sound & Music Computing Music Technology Group - Universitat Pompeu Fabra Abstract Disc Jockeys are the most likely the ultimate experts at mixing music to “move the crowd”. In this work, structural sections based on “levels of emotional experience” in electronic dance music (EDM) are investigated by analyzing DJ-created radio mixes using automatic music descriptors in order to get audio content information. Mixes are first manually annotated to categorise structural sections and then, their characteristics and patterns between them are investigated. Finally, various evaluations are performed to explore the accuracy with which a system could automatically detect, with the given information, the different sections within randomly chosen independent ten seconds excerpts. Results prove the reliability of the chosen descriptors to achieve a successful classification with moderate number of errors. Moreover, a solution for improving the prediction’s accuracy by taking in account patterns between structural sections is proposed. Table of contents 1. INTRODUCTION ......................................................................................................................................... 1 BACKGROUND ................................................................................................................................................. 1 1.1 Basic -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
MITS Pete Tong PR
Under embargo until 00.01 Wednesday 21 July MUSIC INDUSTRY TRUSTS AWARD 2021: PETE TONG HONOURED IN THE AWARD’S 30TH YEAR Music legend, DJ, pioneer and national treasure Pete Tong MBE is to be honoured with this year’s prestigious Music Industry Trusts Award (MITS), in recognition of his outstanding contribution to the music and broadcast industries. Over a thirty plus year career, Tong's tireless commitment to championing the music he loves has seen him earn the role of ‘the global ambassador of dance music’. David Munns OBE, chairman of the MITS Award committee, said: “I am delighted that the MITS has decided to honour Pete Tong and his pre-eminent reputation in the dance music scene. For over 30 years he has been a pioneer in his field and is known worldwide for his commitment to build recognition for his music genre. Congratulations, Pete!” The award will be presented on 1st November at a gala ceremony held in aid of the BRIT Trust and Nordoff Robbins in The Great Room, Grosvenor House Hotel, and this year marks the 30th year of the MITS. Pete follows 2019 MITS honourees, Harry Magee and Richard Griffiths of Modest! Management, and joins the ranks of previous recipients including Emma Banks, Rob Stringer, Sir Lucian Grainge, Ahmet Ertegun, Michael Eavis CBE, and Roger Daltrey CBE. There are few individuals in the world of dance music who can claim the kind of influence Pete Tong MBE has had over the last three decades, publicly and behind the scenes: revered as an arena-selling artist, DJ, music producer, A&R, and the voice of Radio 1’s prestigious dance programming. -
Karaoke Version Song Book
Karaoke Version Songs by Artist Karaoke Shack Song Books Title DiscID Title DiscID (Hed) Planet Earth 50 Cent Blackout KVD-29484 In Da Club KVD-12410 Other Side KVD-29955 A Fine Frenzy £1 Fish Man Almost Lover KVD-19809 One Pound Fish KVD-42513 Ashes And Wine KVD-44399 10000 Maniacs Near To You KVD-38544 Because The Night KVD-11395 A$AP Rocky & Skrillex & Birdy Nam Nam (Duet) 10CC Wild For The Night (Explicit) KVD-43188 I'm Not In Love KVD-13798 Wild For The Night (Explicit) (R) KVD-43188 Things We Do For Love KVD-31793 AaRON 1930s Standards U-Turn (Lili) KVD-13097 Santa Claus Is Coming To Town KVD-41041 Aaron Goodvin 1940s Standards Lonely Drum KVD-53640 I'll Be Home For Christmas KVD-26862 Aaron Lewis Let It Snow, Let It Snow, Let It Snow KVD-26867 That Ain't Country KVD-51936 Old Lamplighter KVD-32784 Aaron Watson 1950's Standard Outta Style KVD-55022 An Affair To Remember KVD-34148 That Look KVD-50535 1950s Standards ABBA Crawdad Song KVD-25657 Gimme Gimme Gimme KVD-09159 It's Beginning To Look A Lot Like Christmas KVD-24881 My Love, My Life KVD-39233 1950s Standards (Male) One Man, One Woman KVD-39228 I Saw Mommy Kissing Santa Claus KVD-29934 Under Attack KVD-20693 1960s Standard (Female) Way Old Friends Do KVD-32498 We Need A Little Christmas KVD-31474 When All Is Said And Done KVD-30097 1960s Standard (Male) When I Kissed The Teacher KVD-17525 We Need A Little Christmas KVD-31475 ABBA (Duet) 1970s Standards He Is Your Brother KVD-20508 After You've Gone KVD-27684 ABC 2Pac & Digital Underground When Smokey Sings KVD-27958 I Get Around KVD-29046 AC-DC 2Pac & Dr. -
Berry, Richard (2013) Radio with Pictures: Radio Visualization in BBC National Radio
Berry, Richard (2013) Radio with pictures: Radio visualization in BBC national radio. The Radio Journal, 11 (2). pp. 169-184. ISSN 1476-4504 Downloaded from: http://sure.sunderland.ac.uk/id/eprint/5210/ Usage guidelines Please refer to the usage guidelines at http://sure.sunderland.ac.uk/policies.html or alternatively contact [email protected]. Radio with Pictures: Radio Visualisation in BBC National Radio Richard Berry University of Sunderland Abstract. Radio has always had pictures. The ones the listener created in their own minds and this is, most of us agree, one of the medium's greatest strengths. However, radio is increasingly consumed on a digital platform (such as DAB Radio, Digital TV, a mobile device or a computer) on devices with screens, rather than a dial. This creates a problem for radio because when we look at the device we are listening to we see a screen that often lacks rich content. The process of Radio Visualisation is about filling this space. This papers focus, though, is the other ways in which radio is visualising itself online in a process that deploys transmedia storytelling techniques that build relationships with the audience, builds brands and helps broadcasters to tell stories in ways never before possible. In the spring of 2011 2.84 million British TV viewers watched a radio programme on their Televisions. They were tuning in via interactive television (or the 'red button') services to watch the BBC Radio One breakfast presenter Chris Moyles attempt to break a world record for the longest radio programme. The BBC installed a series of fixed cameras in the programme’s regular studio at the BBC's Yalding House studios, with added 'roving' cameras to allow the presenters to broadcast from other parts of the building and a cafe across the street. -
La Fleur Biography One of the Industry's Most Exciting Breakout
La Fleur Biography One of the industry’s most exciting breakout talents, La Fleur is blazing a trail impossible to ignore. From her highly lauded collaboration with Sasha ‘Förbindelse’ that scored an Essential New Tune, to her stunning debut on Kompakt’s Speicher series ‘Tears’ and the relaunch of her Power Plant label with the exquisite ‘Aphelion’ EP, her elegant take on house and techno continues to captivate. Creative freedom and a deep connection to her environment have fuelled the artistic endeavours of Sanna La Fleur Engdahl stretching back to childhood. Born in the Swedish city of Örebro, weekends were spent playing and exploring the forests surrounding her home, alongside lessons in piano, flute, ballet and later singing. In the years following, she graduated with a Master in Pharmaceutical Science but eschewed a career in pharmacy to focus on music full-time. Later Power Plant was launched with the incandescent classic ‘Flowerhead’ with the project becoming a multi-disciplinary breeding ground for different creative pursuits, with music always at the core. She begun the Power Plant ‘Elements’ fashion line, collaborating with designer Stacey DeVoe to create an eight- piece capsule collection focusing on androgynous design and geometric cuts. While her passion for the visual arts has seen her source talented painters and illustrators for the label’s cover slicks, including Olaf Hajek, Dan Hillier, David Karcenti and the iconic Swedish artist Hans Arnold, a process she revels in. The late Arnold famously illustrated ABBA’s Greatest Hits album, and the Swedish fairytale series Bland tomtar och troll, so it was with considerable pride that La Fleur got the opportunity to curate and exhibit his work at a gallery in Stockholm, introducing his art to a new generation of Swedes. -
The Official Gumball 3000 After Party with Sharam
The Official Gumball 3000 After Party with Sharam Sharam to take part in gumball 3000 rally DJ/producer will also host 4 club events throughout the North American leg. April 27, 2010 (FPRC) -- US dance music icon, Sharam, has announced he’ll be taking part in this year’s Gumball 3000 Rally. By day, he’ll be taking the wheel of a 1970’s Dodge Coronet Super Bee, powered with a Hemi engine; by night he’ll be hosting a Gumball 3000 Rally club event at each of the North American stages of the rally, spinning a DJ set for the drivers and those clubbers looking for the biggest party of the year. Sharam kicks off proceedings in Boston, with a show at Venu (4 May); he’ll then hit the road and drive to Quebec City with an event at Dagobert (5 May) joined by Jade Jagger’s Jezebel and their resident DJ, D.R.W. Sharam’s next stage is a 500 mile trip to Toronto, throwing a party at the city’s Ultra club that night (6 May) (also joined by Jezebel). The final leg will then take him to New York City, with an almighty closing party at QUO Nightclub (7 May). Grammy-winner Sharam has kicked off 2010 in inimitable fashion. Having won the coveted BBC Radio 1 Essential Mix Of The Year title at the end of last year he claimed the first Buzz Chart No.1 of this year with his haunting single ‘Don’t Say A Word’. His forthcoming release, the ‘MACH 1 EP’, is out 7 April on Beatport, featuring two new tracks: ‘Love Love Love’ and ‘Hemi’. -
Diversity of Output Broadcast by BBC Radio One and BBC 1Xtra Between 2000-2004
Lisa Moult Student Number: 0416806D MA Art and Culture Management 2004 Course code: GRAD 519 The Effect of Management and Policy Change on the Diversity of Output Broadcast By BBC Radio One and BBC 1xtra Between 2000-2004. Submitted in partial fulfillment for the degree of Masters of Arts in Arts and Culture Management at the University of the Witwatersrand. Supervisor: Dr Lara Allen Home School: Humanities DECLARATION I declare that this research is my own, unaided work. It is submitted in partial fulfillment for the degree of Masters of Arts in Arts and Culture Management at the University of the Witwatersrand, Johannesburg. It has not been submitted before for any degree or examination at any other university. ………………………………… Lisa Moult The ……… day of ………………. 2005 i ACKNOWLEDGEMENTS This research would not have been completed without the knowledge, guidance, and assistance of a number of exceptional individuals. Sincere gratitude to my supervisor, Dr Lara Allen, who provided support, and guidance throughout the research, and without whose help it would not have been completed. Her advice with regard to recommended reading materials, and writing style were particularly invaluable. Thank you to everyone at Somethin’ Else, especially: Jez Nelson, whose knowledge revealed insightful opinion and debate; Sam Bryant, without whom I would not have been able to secure a number of the interviews used in this research; and Karen Pearson, Huw Owen, and Marcus Charalambos for agreeing to be interviewed as part of this research. Thank you to all 1xtra and Radio One personnel who talked to me about their work at each station, but who requested that their names and comments not be mentioned directly in the research. -
BBC Annual Report 2020/11 Part
PART 2 THE BBC EXECUTIVE’S REVIEW AND ASSESSMENT Overview Delivering our strategy Managing the business Governance Managing our finances Part 2 BBC Executive Overview Managing the business 2-1 Director-General’s introduction 2-38 Chief Operating Officer’s review 2-2 Understanding the BBC’s finances 2-39 Increasing value 2-4 Performance by service 2-50 Looking forward 2-8 Television Governance 2-9 Radio 2-52 Executive Board 2-10 News 2-54 Risks and opportunities 2-11 Future Media 2-56 Governance report 2-12 Nations and Regions Managing our finances Delivering our strategy 2-68 Chief Financial Officer’s review 2-14 Meeting the BBC’s Purposes 2-69 Summary financial performance 2-16 The best journalism in the world 2-70 Financial overview 2-20 Inspiring knowledge, culture and music 2-79 Looking forward 2-24 Ambitious UK drama and comedy 2-80 Beyond broadcasting 2-28 Outstanding children’s content 2-82 Glossary 2-32 Bringing the nation together 2-83 Contact us/More information 2-36 Delivering Quality First objectives Subject index Part 1 Part 2 Appreciation index by service 2-4 to 2-7 Audience approval – KPI 1-6 2-23 Board remuneration from 2011/12 2-61 Board remuneration 2010/11 1-20 2-60 Commercial companies 1-19 2-46/2-69 Content spend by service 1-19 2-4 to 2-7 Delivering Quality First 1-7 2-36 Digital switchover 1-9 2-40 Distinctiveness – KPI 1-6/1-25 2-31 Efficiencies 1-7 2-69/2-71 Innovation 2-45 Licence fee 1-24 2-3 Licence fee spend 1-17 2-69/2-73 News audiences 1-8/1-13 2-19 Public purposes 1-8 2-14 Quality – KPI 1-6 2-27 Radio from -
Broadcast Bulletin Issue Number 199 06/02/12
Ofcom Broadcast Bulletin Issue number 199 6 February 2012 1 Ofcom Broadcast Bulletin, Issue 199 6 February 2012 Contents Introduction 3 Standards cases In Breach To the Stage: Eminem Flava, 7 December 2011, 18:00 4 Eyewitness Ahlulbayt TV, 27 September 2011, 18:30 6 Advertising Scheduling cases In Breach Advertising minutage ARY Qtv, 9 October 2011, 06:00 12 Advertising minutage Channel I, 30 September 2011, 22:00, and 1 October 2011, 21:00 to 23:00 14 Breach findings table Code on the Scheduling of Television Advertising compliance reports 16 Fairness and Privacy cases Not Upheld Complaint by Mr Barry Dungey The Pet Detectives, Channel 4, 22 August 2011 17 Complaint by The Reverend Colin Coward Straight Talk, Voice of Africa Radio, 21 August 2011 27 Complaint by Mr Robert Bennett Road Wars, Pick TV, 26 September 2011 36 Other Programmes Not in Breach 40 Complaints Assessed, Not Investigated 41 Investigations List 50 2 Ofcom Broadcast Bulletin, Issue 199 6 February 2012 Introduction Under the Communications Act 2003, Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1, Ofcom must include these standards in a code or codes. These are listed below. The Broadcast Bulletin reports on the outcome of investigations into alleged breaches of those Ofcom codes, as well as licence conditions with which broadcasters regulated by Ofcom are required to comply. These include: a) Ofcom’s Broadcasting Code (“the Code”), which, can be found at: http://stakeholders.ofcom.org.uk/broadcasting/broadcast-codes/broadcast-code/. -
A Chat with the DJ MB.. You Have Very Kindly Agreed to Do a Mix For
www.melodicbeatspodcast.com [email protected] A Chat with the DJ MB.. You Have very kindly agreed to do a mix for the podcast but I feel it’s always good for listeners to get to know you a little with a 5 step Q & A.. So we know that you play the deep, melodic and progressive style but when did you start to DJ and what made you take the step from punter to player ?? (as in the DJ kind) DJ Joma: So how did I get here? Well, 25 years ago (1995) a friend put into my hands on a Sasha BBC Radio One Essential Mix-tape, and that’s when it all started to change. I started to take a real keen interest in what DJ’s like Sasha, Digweed and the Renaissance DJ’s were playing at this time; and started to buy records each week and it sort of progressed from there. Really the main reason was simply to play good tunes to friends; I used to make weekly mix-tapes for my mates and it became something I really enjoyed even though it was an expensive hobby for a student! I didn't want to be a DJ to avoid dancing in public, to attract girls and get free drinks, I just liked playing good tunes to friends. In the years since I've DJ'd out and about occasionally and had the best night ever each and every time, but I'm honest enough to know I'm not really a high talented DJ and I really have been lucky to see a few at work and I’m glad for that.