Les Radios-Jeunes

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D é c o u v e r t e s 2 INFOBOX LEÇON 6 Les radios-jeunes Die Radiosender für Jugendliche und junge Leute In Frankreich gibt es viele Radios für Jugendliche 900 000 Jugendliche hören diese Sendung zwischen und junge Leute. Die beliebtesten sind NRJ, Montag und Freitag. Skyrock, Fun Radio und Le Mouv’. Darüberhinaus haben einige etablierte Sender wie Europe 2 oder Die Sendung Le monde selon Wam mit Isabelle France Inter Sendungen, die speziell auf junge Giordano auf France Inter behandelt Themen für Hörer zugeschnitten sind. Ein Beispiel hierfür ist Jugendliche wie zum Beispiel «Warum sind die die Sendung Le monde selon Wam auf France Inter. Schulkantinen schlecht?» oder «Gibt es die perfekte Gemäß einer Umfrage hören 94% der Jugendlichen weiterführende Schule?». zwischen 13 und 18 Jahren täglich größtenteils Jugendsender. Die Sender sind nicht auf eine be- In der NRJ-Sendung Maurad contre le reste du stimmte Musikrichtung festgelegt, sondern senden monde (Maurad gegen den Rest der Welt) moderiert eine Auswahl der aktuell erfolgreichen Titel mit von Maurad sprechen Jugendliche häuﬁ g über Ausnahme der Richtung Le Mouv’ die speziell auf Themen aus dem Bereich der Sexualität. Les ﬁ lles l’esprit du rock zu hören ist. du Mouv’, moderiert von Emilie auf Le Mouv’, behandelt alle Themenbereich für Jugendliche Die beliebtesten Sender sind bei den Mädchen NRJ von Schulproblemen bis hin zur Sexualität. und bei den Jungen Skyrock. Die Jugendlichen sind vor allem interessiert an Musiksendungen Der CSA (Conseil Supérieur de l’audiovisuel – und Sendungen, bei denen die Zuhörer anrufen vergleichbar der FSK – Freiwillige Selbstkontrolle können, um über Themen wie z.B. Musik, in Deutschland), ein Kontrollorgan für Medien, Sexualität und Jugendszene zu diskutieren. Eine sieht eine Gefahr in der Überschreitung gewisser nicht unerhebliche Zahl der Moderatoren dieser Grenzen durch die Moderatoren dieser Sendungen. Sendungen haben nahezu Starstatus. Zum Beispiel Anlass hierzu geben vulgäre oder sexistische Difool, der Moderator der Sendung Radio libre, Äußerungen sowie fragwürdige Bemerkungen die auf Skyrock täglich zwischen 21 Uhr und zum Thema Drogenmissbrauch. Infolgedessen Mitternacht läuft und eine Art „reality-radio“ ist, werden einige der Sendungen inzwischen nur bei dem die jungendlichen Zuhörer anrufen, und nach 22.30 Uhr ausgestrahlt. über ihre intimsten Probleme sprechen. Mehr als © Ernst Klett Verlag GmbH, Stuttgart 2006 | www.klett.de Autorin: Sabine Prudent, Berlin Von dieser Kopiervorlage ist die Vervielfältigung für den eigenen Redakteurin: Friederike Maria Keck, Stuttgart 1/1 Unterrichtsgebrauch gestattet. Die Kopiergebühren sind abgegolten..

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Positive Current Operating Profit(1) Thanks to Cost Savings • €40 Million Net Profit Group Share, an Increase of 84.3%
Paris, March 31, 2021 - 6.15 pm 2020 annual results – NRJ Group Positive Current Operating Profit(1) thanks to cost savings €40 million net profit Group share, an increase of 84.3% Group share equity strengthened at €644.7 million Proposed dividend of €0.21 per share On 31 March 2021, the NRJ Group Board of Directors met and approved the consolidated and annual accounts for the 2020 financial year. In millions of euros 2020 2019 Change Revenue excluding barters 324.8 386.2 -15.9% EBITDAii excluding barters 36.5 61.8 -40.9% Current operating profit excluding barters 3.0 30.5 -90.2% Operating profit 3.0 28.2 -89.4% Financial result 41.1 2.2 N.A Net profit Group share 40.0 21.7 +84.3% As at Dec 31, As at Dec 31, In millions of euros Change 2020 2019 Net cash surplusiii 248.9 179.8 +38.4% Shareholders'equity Group share 644.7 604.8 +6.6% In 2020, set back by the health crisis and its economic consequences, the Group recorded a €59.0 million (-18.4%) drop in revenue(1) for its media activities, reaching a low point in the second quarter of 2020 (-44.4%). In this exceptional and unprecedented context, from March 2020, NRJ Group: • implemented new ways of working which, whilst first and foremost preserving its employees’ health, provided listeners, viewers and clients with the services they expected; • offered advertisers solutions tailored to their specific communication needs for that period; • implemented a plan to reduce the Group’s expenses and investments in response to the brutal drop in revenue.
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ALEXANDRE SABOUNDJIAN CEO et fondateur SEBASTIEN VELDEMAN Directeur Administratif & Financier AudioValley, un Groupe 100% audio digital (71 % - 2019) (29 % - 2019) ABC TV COFIDIS GROUPM FRANCE LOUER SOLIDAIRE ROBINSON GERMANY VODAFONE GERMANY ACE HARDWARE COI (CENTRAL OFFICE INFORMATION) GUERLAIN FR LUFTHANSA GERMANY ROC VODAFONE SPAIN ACHMEA CONGSTAR GERMANY HAYA REAL ESTATE MAHOU SPAIN RTL GERMANY VOLKSWAGEN ACHMEA HOLDING NL 181.FM - ALPHA MEDIA - ATUNWA DIGITAL - AUDIOBOOM - AUDIOMOB COVESTRO GERMANY HEFTY MAPP MEDIA BLOCK SAN MIGUEL SPAIN VOLKSWAGEN FR ACHMEA NL CRI HP MCDONALDS SCTDA WAGRAM MUSIC FR ALDI CT DEPARTMENT OF HEALTH HPH FR MEDIAMARKT BELGIUM SEAT - BIGR - BLOGTALKRADIO – BONNEVILLE PODCAST – BONNEVILLE - WALGREENS APPNEXUS NL DARTY HUAWEI GERMANY MEDIASAPIENS SFR WALIBI ARAL GERMANY DAX HUITRES DE NORMANDIE MEETIC SHELL GERMANY WELLESLEY COLLEGE AREHUCAS DECATHLON HUK GERMANY MERCEDES BENZ SIG ZALANDO ATTITUDE PRÉVENTION DELHAIZE HYUNDAI GERMANY MONOPRIX SKY GERMANY AUDI BRIGHTCOM - CALMRADIO - EDITIONS NUIT ET JOUR - EMMIS - EMMIS DELIVEROO IBERDROLA MOZZENO SLEEP NUMBER AUTOHAUS KATH KIEL DIESEL EMISSION JUSTICE FOUNDATION US IBM NESPRESSO SNCF AUTOZONE DIGI MOBIL IKEA FRANCE NEWSQUEST S'OLIVER GERMANY AVEVE DTAG GERMANY INDEPENDENT PET PARTNERS NONE SPARK THERAPEUTICS AVIANCA EASYJET DE INDEPENDER NL NUEVO PODCASTS - FOX NEWS - RADIO FRANCE - GRUPO KISS MEDIA - GRUPO GROS SPRINT BASIC FIT EBAY GERMANY ING BELGIQUE NUMBERLY MATIRO 1000 MERCIS FR STAGE ENTERTAINMENT SPAIN BASIC FIT NL ECO SYSTEMES INTERCONTINENTAL HOTELS
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NRJ GROUP Completes the Sale of Its Minority Interest in Euro-Information Telecom
Paris, June 23, 2020 – 6:00pm NRJ GROUP completes the sale of its minority interest in Euro-Information Telecom NRJ Group announces that it has completed the sale to Euro-Information of its 5% remaining interest in Euro- Information Telecom, a company which has licensed the brand NRJ Mobile, for an amount of EUR 50 million. Euro- Information, a company of Crédit Mutuel group, now holds all the shares and voting rights of Euro-Information Telecom. Together with this sale, NRJ and Euro-Information Telecom have extended the NRJ Mobile brand licensing contract until December 31, 2025. This sale of minority interest will be effective in NRJ Group’s consolidated accounts as at June 30, 2020. NRJ Group intends to use the proceeds for corporate purposes. **************** About NRJ GROUP NRJ GROUP is one of France’s leading private media groups in the publishing, production and broadcasting sectors and also markets its own media spaces. In France, the Group tops the private radio market with its four brands (NRJ, CHERIE FM, NOSTALGIE and RIRE & CHANSONS), is a significant player on the television market where it operates and develops two free national channels (NRJ 12 and CHERIE 25) and a paid channel (NRJ HITS, the number 1 cable-satellite-ADSL music channel) and, through its subsidiary towerCast, ranks number two on the French broadcasting market. Backed by its strong brands, marketing expertise and commercial performance, in recent years the Group has also developed a digital ecosystem enabling it to monitor and anticipate changes in the consumption of media via new delivery mechanisms, expanding its original brand portfolio through websites, mobile and voice apps, multi-channel networks and nearly 240 Internet radio stations.
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Music consumption in a changing ecosystem Dandan Niu To cite this version: Dandan Niu. Music consumption in a changing ecosystem. Economics and Finance. Université Paris sciences et lettres, 2018. English. NNT : 2018PSLEM008. tel-01848731 HAL Id: tel-01848731 https://pastel.archives-ouvertes.fr/tel-01848731 Submitted on 25 Jul 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. THÈSE DE DOCTORAT de l’Université de recherche Paris Sciences et Lettres PSL Research University Préparée à MINES ParisTech La consummation de musique dans un écosystème Music consumption in a changing ecosystem École doctorale no396 ÉCONOMIE, ORGANISATION, SOCIÉTÉ Spécialité ÉCONOMIE ET FINANCE COMPOSITION DU JURY : M. Marc BOURREAU Telecom ParisTech Rapporteur M. Thomas PARIS HEC Paris Rapporteur Mme. Margaret KYLE Mines ParisTech Soutenue par Dandan Niu Présidente le 27 Juin 2018 M. Olivier BOMSEL Mines ParisTech Directeur de thèse Dirigée par Olivier BOMSEL Acknowledgment Acknowledgment This thesis was conducted under the direction of Professor Olivier Bomsel at Mines ParisTech, I want to thank him for giving me the opportunity to carry out this thesis in such an insightful environment, and for introducing me to the fascinating topic of the economics of the music industry.
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1 La Bande Fm Actuellement Utilisee Dans Le Ressort Du
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Strategic responses to cultural quotas: evidence from French radio Margaret Kyle£and Dandan Niuy February 21, 2017 Abstract This paper empirically examines the strategic responses of French radio stations to “cultural quotas” that promote Francophone music. Using detailed data on playlists of major radio stations in France from 2013-2016, we show that stations vary in their compliance with the law. In addition, stations have some scope for adjusting their playlists subject to the quota constraints. For many stations, the realized audience for Francophone music is lower than would be the case in the absence of these adjustments. We then estimate a regression model to show how French stations adjust content in response to the size of their audience, using instrumental variables to address the endogeneity of demand. The results show that although quotas increase the diffusion of Francophone music, stations reduce Francophone play during times of peak demand, which has a countervailing effect on the exposure of French music. We further show that these strategic responses are more pronounced for stations that gained audience during our sample period than for stations that lost audience. Our early results suggest that strategic responses to cultural quotas have a statistically and economically significant effect on the exposure of Francophone music. Keywords: Cultural economics, regulation, media. £MINES ParisTech (CERNA), PSL Research University and CEPR ([email protected]) yMINES ParisTech (CERNA) and PSL Research University ([email protected]). The Chaire ParisTech d’Economie des Médias et des Marques financed this research. We thank Yacast for providing the data used in the analysis, and Olivier Bomsel as well as participants at the 2016 SERCI conference for comments and suggestions.
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