Guide to Indigenous-Environmental Issues
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Many Voices, One Nation Booklist A
Many Voices, One Nation Booklist Many Voices, One Nation began as an initiative of past American Library Association President Carol Brey-Casiano. In 2005 ALA Chapters, Ethnic Caucuses, and other ALA groups were asked to contribute annotated book selections that best represent the uniqueness, diversity, and/or heritage of their state, region or group. Selections are featured for children, young adults, and adults. The list is a sampling that showcases the diverse voices that exist in our nation and its literature. A Alabama Library Association Title: Send Me Down a Miracle Author: Han Nolan Publisher: San Diego: Harcourt Brace Date of Publication: 1996 ISBN#: [X] Young Adults Annotation: Adrienne Dabney, a flamboyant New York City artist, returns to Casper, Alabama, the sleepy, God-fearing town of her birth, to conduct an artistic experiment. Her big-city ways and artsy ideas aren't exactly embraced by the locals, but it's her claim of having had a vision of Jesus that splits the community. Deeply affected is fourteen- year-old Charity Pittman, daughter of a local preacher. Reverend Pittman thinks Adrienne is the devil incarnate while Charity thinks she's wonderful. Believer is pitted against nonbeliever and Charity finds herself caught in the middle, questioning her father, her religion, and herself. Alabama Library Association Title: Fried Green Tomatoes at the Whistle Stop Café Author: Fannie Flagg Publisher: New York: Random House Date of Publication: 1987 ISBN#: [X] Adults Annotation: This begins as the story of two women in the 1980s, of gray-headed Mrs. Threadgoode telling her life story to Evelyn who is caught in the sad slump of middle age. -
The Chisholm Trail
From the poem “Cattle” by Berta Hart Nance In the decades following the Civil War, more than 6 million cattle—up to 10 million by some accounts—were herded out of Texas in one of the greatest migrations of animals ever known. These 19th-century cattle drives laid the foundation for Texas’ wildly successful cattle industry and helped elevate the state out of post-Civil War despair and poverty. Today, our search for an American identity often leads us back to the vision of the rugged and independent men and women of the cattle drive era. Although a number of cattle drive routes existed during this period, none captured the popular imagination like the one we know today as the Chisholm Trail. Through songs, stories, and mythical tales, the Chisholm Trail has become a vital feature of American identity. Historians have long debated aspects of the Chisholm Trail’s history, including the exact route and even its name. Although they may argue over specifics, most would agree that the decades of the cattle drives were among the most colorful periods of Texas history. The purpose of this guide is not to resolve debates, but rather to help heritage tourists explore the history and lore associated with the legendary cattle-driving route. We hope you find the historical disputes part of the intrigue, and are inspired to investigate the historic sites, museums, and attractions highlighted here to reach your own conclusions. 1835-36 The Texas Revolution 1845 The United States annexes Texas as the 28th state 1861-65 The American Civil War 1867 Joseph G. -
The Cowboy Legend : Owen Wister's Virginian and The
University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2015-11 The cowboy legend : Owen Wister’s Virginian and the Canadian-American frontier Jennings, John University of Calgary Press Jennings, J. "The cowboy legend : Owen Wister’s Virginian and the Canadian-American frontier." West series; 7. University of Calgary Press, Calgary, Alberta, 2015. http://hdl.handle.net/1880/51022 book http://creativecommons.org/licenses/by-nc-nd/4.0/ Attribution Non-Commercial No Derivatives 4.0 International Downloaded from PRISM: https://prism.ucalgary.ca THE COWBOY LEGEND: OWEN WISTER’S VIRGINIAN AND THE CANADIAN-AMERICAN FRONTIER by John Jennings ISBN 978-1-55238-869-3 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. -
Schofield R 2017.Pdf
School of Media, Culture and Creative Arts The Dissenter and Anti-authoritarian Aspects of Australian History and Character that Inform the Moral Ambiguity that Marks Australian Crime Fiction Robert James Schofield This thesis is presented for the Degree of Doctor of Philosophy of Curtin University November 2017 DECLARATION To the best of my knowledge and belief this thesis contains no material previously published by any other person except where due acknowledgment has been made. This thesis contains no material which has been accepted for the award of any other degree or diploma in any university. 2 CONTENTS DECLARATION 2 ABSTRACT 4 THE GRASS MUD HORSE: A NOVEL 7 Exegesis: The dissenter and anti-authoritarian aspects of Australian history and character that inform the moral ambiguity that marks Australian crime fiction 314 Chapter 1: Introduction 314 Chapter 2: Towards a definition of Noir 324 Chapter 3: Robbery Under Arms by Rolfe Boldrewood 334 Chapter 4: The Forger’s wife by John Lang 366 Chapter 5: Mark Brown’s wife by Charles de Boos 375 Chapter 6: Irralie’s Bushranger by E.W. Hornung 383 Chapter 7: Wanted by the Police by Henry Lawson 393 Chapter 8: Summary and Conclusion 401 References 405 END 409 3 ABSTRACT This thesis consists of two distinct but related parts: a creative component, the novel ‘The Grass Mud Horse’, and an exegesis. Both will attempt to answer the question: How has the moral ambiguity that marks both colonial and contemporary Australian crime fiction been informed and influenced by the dissenter and anti- authoritarian aspects of Australian history and character? Crime fiction has a long tradition in Australian culture, ensured by its Western origins as a penal colony. -
Theodore Roosevelt's Frontier Diplomacy Duane G
Northwestern College, Iowa NWCommons Faculty Publications History 12-2012 "Never Draw Unless You Mean to Shoot": Theodore Roosevelt's Frontier Diplomacy Duane G. Jundt Northwestern College - Orange City, [email protected] Follow this and additional works at: https://nwcommons.nwciowa.edu/history_faculty Part of the Diplomatic History Commons, Military History Commons, Political History Commons, and the United States History Commons This Article is brought to you for free and open access by the History Department at NWCommons. It has been accepted for inclusion in Faculty Publications by an authorized administrator of NWCommons. For more information, please contact [email protected]. WWHA Journal – December 2012 As President, Roosevelt was often caricatured and lampooned in the political cartoons of the day “Never Draw Unless You as a cowboy, sheriff, policeman or Rough Rider on horseback (preferably a bucking bronco) who Mean to Shoot” invariably wielded a very big stick that more than outweighed the other half of his famous maxim to Theodore Roosevelt’s “speak softly.”5 Roosevelt was seen as a man of Frontier Diplomacy action and, frequently, violent, action. But this stereotypic portrayal is at odds with the reality of Roosevelt the ranchman and Roosevelt the deputy Duane G. Jundt sheriff. Although he inhabited a sometimes violent world in the valley of the Little Missouri River, Roosevelt did not resort to violence with the ease and to the degree that many of his “[The Virginian] began far off from the contemporaries did; in fact, Roosevelt exercised point with that rooted caution of his—that considerable restraint, caution and discipline in caution which is shared alike by the primitive numerous situations in which an appeal to savage and the perfected diplomat.” 1 violence would have been wholly accepted and Owen Wister, The Virginian even condoned in his frontier community. -
The Ethel Langhorne Wister Chichester Papers, 1887-1955
The Ethel Langhorne Wister Chichester Papers, 1887-1955 COLLECTION SUMMARY Creators: Chichester, Ethel Langhorne Wister, 1881-1977 Chichester, Arthur Mason, Jr., d. 1927 Haines, Ella Wister Starr, Sarah Logan Wister, 1873-1956 Wister, Jones, 1839-1917 Dates: 1887-1955 (bulk 1953- Extent: 6 boxes (2 linear feet) Repository: La Salle University. Connelly Library. Department of Special Collections. BIOGRAPHICAL INFORMATION Ethel Langhorne Wister Chichester was born on June 12, 1881. Her father, Jones Wister (1839- 1917) was the fourth son of William Wister and Sarah Logan Fisher Wister. A detailed account of Jones Wister’s life can be read in his Reminiscences (published in Philadelphia, 1920). Ethel’s mother, Caroline de Tousard Stocker, was the granddaughter of Louis de Tousard (1749-1817) a French military officer who served in the American Revolution with Marquis de Lafayette. John and Caroline wed in 1868 and moved to Harrisburg, where he managed J. & J. Wister furnace. The couple had four children, Ella, Alice, Anne and Ethel. Ella died as a baby in 1871 and Alice at the age of nine in 1881. Sadly, Caroline herself died in 1884, when Ethel was only one year old. The family moved back to live at the Belfield Estate in the mansion at Clarkson Avenue, where they lived for ten years. In 1895 Jones Wister remarried, to Sabine J. D’Invilliers Weightman. The family lived at 1819 Walnut Street in Philadelphia, and summered at “Wister Cottage” on Beach Avenue in Cape May, New Jersey. In 1900 the Wister family took a grand tour to Europe and Egypt. Ethel was educated at Miss Porter’s Boarding School in Farmington, Connecticut. -
“Owen Wister and the Wild West” Symposium Held
“Owen Wister and the Wild West” Symposium Held he American Heritage Center recently T hosted its 11th annual symposium “Owen Wister and the Wild West.” Co-sponsored by the University of Wyoming’s American Stud- ies Program, the conference explored the legacy of Wister and his famous novel, The Virginian, first published in 1902. That famous novel is widely considered to be the prototypical American Western novel. Wister (1860-1937) was born to wealthy parents in Germantown, Pennsylvania. Between 1885 and 1895 he traveled extensively in Wyoming and the West. He kept detailed diaries during these trips. Drawing upon material collected in his travels, Wister created a tough, yet genteel, Southern born ranch hand who came to be known as the Virginian. Between 1892 and 1902 Wister wrote a series of short stories about this character which were published in Harper’s Monthly magazine. In 1902 he tied these short D.C. Thompson, arrangement and description manager for the American stories together to create his famous novel. The Heritage Center, presenting her paper “The Virginian Meets Matt book was an immediate best seller and its Shepard: Myth-Making in the West” at the AHC’s symposium “Owen influence upon the Western genre continues to Wister and the Wild West.” be felt to this day. One of the highlights of the symposium of the West, dime novels, other western writers was the talk presented by John W. Stokes, such as Mary O’Hara and Jack Schaefer, and Wister’s grandson. Stokes spoke about his other myths as presented in the paper “The personal relationship with his grandfather and Virginian Meets Matt Shepard: Myth-Making in the importance of Wister’s writings. -
Owen Wister's Paladin of the Plains: the Virginian As a Cultural Hero
Copyright © 2008 by the South Dakota State Historical Society. All Rights Reserved. Owen Wister's Paladin of the Plains: The Virginian as a Cultural Hero DAVID A. SMITH Had you left New York or San Francisco at ten o'clock this morning, by noon the day after to-morrow ... you would stand at the heart of the world that is the subject of my picture, yet you would look around you in vain for the reality. It is a vanished world. No journeys, save those which memory can take, will bring you to it now. The mountains are there, far and shining, and the sun- light, and the infinite earth, and the air that seems forever the true fountain of youth,^—but where is the buffalo, and the wild antelope, and where the horse- man with his pasturing thousands? So like its old self does the sage-brush seem when revisited, that you wait for the horseman to appear. But he will never come again. He rides in his historic yesterday. You will no more see him gallop out of the unchanging silence than you will see Colum- bus on the unchanging sea come sailing from Palos with his caravels What is become of the horseman, the cow-puncher, the last romantic figure upon our soil? For he was romantic. —From Owen Wister's address "To the Reader" in The Virginian A little more than a century ago, in 1902, Owen Wister published that year's number-one best seller, The Virginian: A Horseman of the Plains. It is possibly the most widely read novel ever written by an American.' A version of this article was presented at the annual conference of the American Historical Association-Pacific Coast Branch in Honolulu, Hawaii, 25 |uly 2007, The author extends special thanks to Brian W. -
The Cowboy Legend : Owen Wister's Virginian and the Canadian
University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2015-11 The cowboy legend : Owen Wister’s Virginian and the Canadian-American frontier Jennings, John University of Calgary Press Jennings, J. "The cowboy legend : Owen Wister’s Virginian and the Canadian-American frontier." West series; 7. University of Calgary Press, Calgary, Alberta, 2015. http://hdl.handle.net/1880/51022 book http://creativecommons.org/licenses/by-nc-nd/4.0/ Attribution Non-Commercial No Derivatives 4.0 International Downloaded from PRISM: https://prism.ucalgary.ca THE COWBOY LEGEND: OWEN WISTER’S VIRGINIAN AND THE CANADIAN-AMERICAN FRONTIER by John Jennings ISBN 978-1-55238-869-3 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. -
Papers of Owen Wister [Finding Aid]. Library of Congress
Owen Wister A Register of His Papers in the Library of Congress Published register prepared by Grover Batts with the assistance of Thelma Queen Revised and expanded by Mary Wolfskill and Nan Thompson Ernst Manuscript Division, Library of Congress Washington, D.C. 2002 Contact information: http://lcweb.loc.gov/rr/mss/address.html Finding aid encoded by Library of Congress Manuscript Division, 1997 Finding aid URL: http://hdl.loc.gov/loc.mss/eadmss.ms997008 Latest revision: 2005-02-16 Collection Summary Title: Papers of Owen Wister Span Dates: 1829-1966 Bulk Dates: (bulk 1890-1930) ID No.: MSS46177 Creator: Wister, Owen,1829-1938 Extent: 26,130 items; 103 containers; 41 linear feet Language: Collection material in English Repository: Manuscript Division, Library of Congress, Washington, D.C. Abstract: Correspondence, diaries and journals, family papers, drafts of articles, poems, novels, short stories, speeches, and other writings and papers; includes partial ms. and dramatizations of Owen Wister's The Virginian and his libretto for "Villon; a Romantic Opera in Four Acts." Family correspondents include Fanny Kemble (Wister's grandmother), Sarah Butler Wister (his mother), Mary Channing Wister (his wife), and his cousins, S. Weir Mitchell and Langdon Elwyn Mitchell. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. Names: Wister, Owen,1829-1938 Adams, Charles Francis, 1835-1915--Correspondence Adams, Henry, 1838-1918--Correspondence Bok, Edward William, 1863-1930--Correspondence Butler, Nicholas Murray, 1862-1947--Correspondence Chapman, John Jay, 1862-1933--Correspondence Coit, Joseph H. -
The Evolution Op the Hero: a Comparative Study Op the Novel in Canada
THE EVOLUTION OP THE HERO: A COMPARATIVE STUDY OP THE NOVEL IN CANADA by Thomas E. Parley Thesis presented to the Department of English, Faculty of Arts, of the University of Ottawa as partial ful fillment of the requirements for the degree of Doctor of Philosophy Ottawa, Canada, 1986 Thomas E. Farley, Ottawa, Canada, 1986. UMI Number: DC53733 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform DC53733 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT OP The Evolution of the Hero; A Comparative Study of the Novel in Canada This study examines the development of fictional heroes in Canada's founding cultures over the past century as part of a continuing search for a "national" hero-figure. Using models derived from Joseph Campbell's Primitive Myth ology and The Hero with a Thousand Faces ad a frame of ref erence, the study identifies fictional protagonists as either Preservers ol Tradition or Agents of Change, figures incorporating the elements of continuity and change in the process of evolution. -
Owen Wister : Wyoming's Influential Realist and Craftsman
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for 1990 Owen Wister : Wyoming's Influential Realist and Craftsman Leslie T. Whipp University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/greatplainsquarterly Part of the Other International and Area Studies Commons Whipp, Leslie T., "Owen Wister : Wyoming's Influential Realist and Craftsman" (1990). Great Plains Quarterly. 399. https://digitalcommons.unl.edu/greatplainsquarterly/399 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. OWEN WISTER WYOMING'S INFLUENTIAL REALIST AND CRAFTSMAN LESLIE T. WHIPP On 8 July 1885, while on his first visit to the author of one of the half dozen most influ Wyoming, Owen Wister wrote in his journal, ential texts in our culture in the twentieth cen "This existence is heavenly in its monotony and tury. He is influential partly, I will argue in this sweetness. Wish I were going to do it every article, because of the Wyoming realism in the summer. I'm beginning to be able to feel I'm novel and partly because of the technical fea-· something of an animal and not a stinking brain tures which he chose in The Virginian; his in alone. "I Wister was being very candid and very fluence on popular culture, of course, is well appreciative in this statement of just how much known, but his influence on canonical litera Wyoming had done for him, but Wyoming was ture is less well known, so I shall end the ar to be more fortunate and significant for him gument with a close look at his influence on than he knew.