Tannhäuser at Bayreuth

Total Page:16

File Type:pdf, Size:1020Kb

Tannhäuser at Bayreuth Tannhäuser at Bayreuth 1891, 1892, 1894, 1904 1930, 1931 Conductor Felix Mottl (1891, 1892) Arturo Toscanini (1930, 1931) Richard Strauss (1894) Karl Elmendorff (1930) Siegfried Wagner (1904) Director Cosima Wagner Siegfried Wagner Stage design Costumes Choreography Choral Conducting Julius Kniese Hugo Rüdel Landgraf Hermann Georg Döring Ivar Andresen Heinrich Wiegand Alexander Kipnis Tannhäuser Max Alvary Sigismund Pilinszky Hermann Winkelmann Rudolf Ritter Heinrich Zeller Wolfram von Eschenbach Theodor Reichmann Gerhard Huesch Carl Scheidemantel Herbert Janssen Walther von der Vogelweide Wilhelm Grüning Geza Belti-Pilinszky Biterolf Emil Liepe Georg von Tschurtschenthaler Heinrich der Schreiber Heinrich Zeller Joachim Sattler August Wachtel Reinmar von Zweter Franz Schlosser Carl Stralendorf Carl Bucha Elisabeth Elisa Wiborg Maria Müller Pauline de Ahna Venus Rosa Sucher Ruth Jost-Arden Pauline Mailhac Ein junger Hirt Emilie Herzog Erna Berger Luise Mulder NP: New Production Wagner Society of New York, 2011 Compiled by Bill Williams Sources: Bayreuther Festspiele website and Wagneropera.net This chart will also be available on the website of the Wagner Society of New York under Special Topics: www.wagnersocietyny.org Page 1 of 6 Tannhäuser at Bayreuth 1954 (NP) 1955 1961 (NP) Conductor Joseph Keilberth André Cluytens Wolfgang Sawallisch Eugen Jochum Joseph Keilberth Director Wieland Wagner Wieland Wagner Wieland Wagner Stage design Wieland Wagner Wieland Wagner Wieland Wagner Costumes Kurt Palm Kurt Palm Kurt Palm Choreography Gertrud Wagner Gertrud Wagner Choral Conducting Wilhelm Pitz Wilhelm Pitz Wilhelm Pitz Landgraf Hermann Josef Greindl Josef Greindl Josef Greindl Tannhäuser Ramon Vinay Wolfgang Windgassen Wolfgang Windgassen Hans Beirer Wolfram von Eschenbach Dietrich Fischer-Dieskau Dietrich Fischer-Dieskau Dietrich Fischer-Dieskau Walther von der Vogelweide Josef Traxel Josef Traxel Gerhard Stolze Biterolf Toni Blankenheim Toni Blankenheim Franz Crass Heinrich der Schreiber Gerhard Stolze Gerhard Stolze Georg Paskuda Reinmar von Zweter Theo Adam Alfons Herwig Theo Adam Elisabeth Gré van Brouwenstijn Gré van Brouwenstijn Victoria de los Angeles Venus Herta Wilfert Herta Wilfert Grace Bumbry Ein junger Hirt Volker Horn Volker Horn Else-Margrete Gardelli 1962 1964 1965 Conductor Wolfgang Sawallisch Otmar Suitner André Cluytens Director Wieland Wagner Wieland Wagner Wieland Wagner Stage design Wieland Wagner Wieland Wagner Wieland Wagner Costumes Kurt Palm Kurt Palm Kurt Palm Choreography Gertrud Wagner Choral Conducting Wilhelm Pitz Wilhelm Pitz Wilhelm Pitz Landgraf Hermann Josef Greindl Martti Talvela Martti Talvela Tannhäuser Wolfgang Windgassen Wolfgang Windgassen Wolfgang Windgassen Hans Hopf Wolfram von Eschenbach Eberhard Waechter Eberhard Waechter Hermann Prey Barry McDaniel Walther von der Vogelweide Gerhard Stolze Arturo Sergi Willi Hartmann Biterolf Franz Crass Hubert Hofmann Gerd Nienstedt Heinrich der Schreiber Georg Paskuda Hermann Winkler Hermann Winkler Reinmar von Zweter Gerd Nienstedt Gerd Nienstedt Dieter Slembeck Elisabeth Victoria de los Angeles Leonie Rysanek Leonie Rysanek Anja Silja Gré van Brouwenstijn Venus Grace Bumbry Barbro Ericson Ludmila Dvoráková Anja Silja Anja Silja Ein junger Hirt Else-Margrete Gardelli Else-Margrete Gardelli Olivera Miljakovic Page 2 of 6 Tannhäuser at Bayreuth 1966 1967 1972 (NP) Conductor Carl Melles Berislav Klobucar Erich LeinsdorfHorst Stein Director Wieland Wagner Wieland Wagner Götz Friedrich Hans-Peter Lehmann (Szenische Einstudierung) Stage design Wieland Wagner Wieland Wagner Jürgen Rose Costumes Kurt Palm Kurt Palm Jürgen Rose Choreography Choral Conducting Wilhelm Pitz Wilhelm Pitz Norbert Balatsch Landgraf Hermann Martti Talvela Tugomir Franc Hans Sotin Josef Greindl Tannhäuser Jess Thomas Jess Thomas Hugh Beresford Hans Hopf Wolfgang Windgassen Hermin Esser Wolfram von Eschenbach Hermann Prey Hermann Prey Bernd Weikl Thomas Stewart Thomas Stewart Eberhard Waechter Thomas Tipton Walther von der Vogelweide Willi Hartmann Hermin Esser Harald Ek Biterolf Gerd Nienstedt Gerd Nienstedt Franz Mazura Heinrich der Schreiber Hermann Winkler Horst Hoffmann Heribert Steinbach Reinmar von Zweter Dieter Slembeck Dieter Slembeck Heinz Feldhoff Elisabeth Leonie Rysanek Anja Silja Gwyneth Jones Anja Silja Helga Dernesch Venus Anja Silja Berit Lindholm Gwyneth Jones Ludmila Dvoráková Ein junger Hirt Lily Sauter Lily Sauter Walter Gampert Peter Hinterreiter 1973 1974 1977 Conductor Heinrich Hollreiser Heinrich Hollreiser Sir Colin Davis Director Götz Friedrich Götz Friedrich Götz Friedrich Stage design Jürgen Rose Jürgen Rose Jürgen Rose Costumes Jürgen Rose Jürgen Rose Jürgen Rose Choreography Choral Conducting Norbert Balatsch Norbert Balatsch Norbert Balatsch Landgraf Hermann Hans Sotin Hans Sotin Hans Sotin Tannhäuser Hugh Beresford Hermin Esser Hermin Esser Hermin Esser Wolfram von Eschenbach Bernd Weikl Bernd Weikl Bernd Weikl Walther von der Vogelweide Gerd Brenneis Gerd Brenneis Robert Schunk Biterolf Franz Mazura Franz Mazura Franz Mazura Heinrich der Schreiber Heribert Steinbach Heribert Steinbach John Pickering Reinmar von Zweter Heinz Feldhoff Heinz Feldhoff Heinz Feldhoff Elisabeth Gwyneth Jones Gwyneth Jones Gwyneth Jones Eva Marton Venus Gwyneth Jones Gwyneth Jones Gwyneth Jones Eva Marton Ein junger Hirt Harald Queisser Karli Seidler Klaus Brettschneider Hansi Buchhierl Christian Pade Christian Siferlinger Page 3 of 6 Tannhäuser at Bayreuth 1978 1985 (NP) 1986 Conductor Sir Colin Davis Giuseppe Sinopoli Giuseppe Sinopoli Director Götz Friedrich Wolfgang Wagner Wolfgang Wagner Stage design Jürgen Rose Wolfgang Wagner Wolfgang Wagner Costumes Jürgen Rose Reinhard Heinrich Reinhard Heinrich Choreography Iván Markó Iván Markó Choral Conducting Norbert Balatsch Norbert Balatsch Norbert Balatsch Landgraf Hermann Hans Sotin Hans Sotin Hans Sotin Matti Salminen Tannhäuser Spas Wenkoff Richard Versalle Richard Versalle Reiner Goldberg Wolfram von Eschenbach Bernd Weikl Wolfgang Brendel Wolfgang Brendel Walther von der Vogelweide Robert Schunk Robert Schunk Robert Schunk Biterolf Franz Mazura Siegfried Vogel Siegfried Vogel Heinrich der Schreiber John Pickering András Molnár Kurt Schreibmayer Reinmar von Zweter Heinz Feldhoff Sándor Sólyom-Nagy Sándor Sólyom-Nagy Elisabeth Eva Marton Cheryl Studer Cheryl Studer Venus Eva Marton Gabriele Schnaut Gabriele Schnaut Ein junger Hirt Christian Siferlinger Brigitte Lindner Brigitte Lindner Klaus Brettschneider 1987 1989 1992 Conductor Giuseppe Sinopoli Giuseppe Sinopoli Donald C. Runnicles Director Wolfgang Wagner Wolfgang Wagner Wolfgang Wagner Stage design Wolfgang Wagner Wolfgang Wagner Wolfgang Wagner Costumes Reinhard Heinrich Reinhard Heinrich Reinhard Heinrich Choreography Iván Markó Iván Markó Iván Markó Choral Conducting Norbert Balatsch Norbert Balatsch Norbert Balatsch Landgraf Hermann Hans Sotin Hans Sotin Manfred Schenk Manfred Schenk Tannhäuser Richard Versalle Richard Versalle Wolfgang Schmidt Reiner Goldberg Wolfram von Eschenbach Wolfgang Brendel Wolfgang Brendel Eike-Wilm Schulte Walther von der Vogelweide Kurt Schreibmayer William Pell Richard Brunner Biterolf Siegfried Vogel Siegfried Vogel Ekkehard Wlaschiha Heinrich der Schreiber Clemens Bieber Clemens Bieber Clemens Bieber Reinmar von Zweter Sándor Sólyom-Nagy Sándor Sólyom-Nagy Sándor Sólyom-Nagy Elisabeth Cheryl Studer Cheryl Studer Tina Kiberg Venus Sophia Larson Ruthild Engert-Ely Uta Priew Gabriele Schnaut Ein junger Hirt Brigitte Lindner Joy Robinson Christiane Hossfeld Page 4 of 6 Tannhäuser at Bayreuth 1993 1995 2002 (NP) Conductor Donald C. Runnicles Donald C. Runnicles Christian Thielemann Director Wolfgang Wagner Wolfgang Wagner Philippe Arlaud Stage design Wolfgang Wagner Wolfgang Wagner Philippe Arlaud Costumes Reinhard Heinrich Reinhard Heinrich Carin Bartels Choreography Iván Markó Iván Markó Choral Conducting Norbert Balatsch Norbert Balatsch Eberhard Friedrich Landgraf Hermann Hans Sotin Hans Sotin Kwangchul Youn Manfred Schenk Tannhäuser Wolfgang Schmidt Wolfgang Neumann Glenn Winslade Wolfgang Schmidt Wolfgang Millgramm Wolfram von Eschenbach Eike-Wilm Schulte Eike-Wilm Schulte Roman Trekel Walther von der Vogelweide Richard Brunner Richard Brunner Clemens Bieber Biterolf Ekkehard Wlaschiha Ekkehard Wlaschiha John Wegner Heinrich der Schreiber Clemens Bieber Clemens Bieber Arnold Bezuyen Reinmar von Zweter Sándor Sólyom-Nagy Sándor Sólyom-Nagy Alexander Marco-Buhrmester Elisabeth Tina Kiberg Tina Kiberg Ricarda Merbeth Venus Uta Priew Ulla Sippola Barbara Schneider-Hofstetter Uta Priew Ein junger Hirt Christiane Hossfeld Christiane Hossfeld Evgenia Grekova 2003 2004 2005 Conductor Christian Thielemann Christian Thielemann Christian Thielemann Director Philippe Arlaud Philippe Arlaud Philippe Arlaud Stage design Philippe Arlaud Philippe Arlaud Philippe Arlaud Costumes Carin Bartels Carin Bartels Carin Bartels Choreography Choral Conducting Eberhard Friedrich Eberhard Friedrich Eberhard Friedrich Landgraf Hermann Kwangchul Youn Kwangchul Youn Guido Jentjens Tannhäuser Glenn Winslade Stephen Gould Stephen Gould Wolfram von Eschenbach Roman Trekel Roman Trekel Roman Trekel Walther von der Vogelweide Clemens Bieber Clemens Bieber Clemens Bieber Biterolf John Wegner John Wegner John Wegner Heinrich der Schreiber Arnold Bezuyen Arnold Bezuyen Arnold Bezuyen Reinmar von Zweter Alexander Marco-Buhrmester Alexander Marco-Buhrmester Samuel Youn Elisabeth Ricarda Merbeth Ricarda Merbeth Ricarda Merbeth Venus Barbara Schneider-Hofstetter
Recommended publications
  • Mozart Magic Philharmoniker
    THE T A R S Mass, in C minor, K 427 (Grosse Messe) Barbara Hendricks, Janet Perry, sopranos; Peter Schreier, tenor; Benjamin Luxon, bass; David Bell, organ; Wiener Singverein; Herbert von Karajan, conductor; Berliner Mozart magic Philharmoniker. Mass, in C major, K 317 (Kronungsmesse) (Coronation) Edith Mathis, soprano; Norma Procter, contralto...[et al.]; Rafael Kubelik, Bernhard Klee, conductors; Symphonie-Orchester des on CD Bayerischen Rundfunks. Vocal: Opera Così fan tutte. Complete Montserrat Caballé, Ileana Cotrubas, so- DALENA LE ROUX pranos; Janet Baker, mezzo-soprano; Nicolai Librarian, Central Reference Vocal: Vespers Vesparae solennes de confessore, K 339 Gedda, tenor; Wladimiro Ganzarolli, baritone; Kiri te Kanawa, soprano; Elizabeth Bainbridge, Richard van Allan, bass; Sir Colin Davis, con- or a composer whose life was as contralto; Ryland Davies, tenor; Gwynne ductor; Chorus and Orchestra of the Royal pathetically brief as Mozart’s, it is Howell, bass; Sir Colin Davis, conductor; Opera House, Covent Garden. astonishing what a colossal legacy F London Symphony Orchestra and Chorus. Idomeneo, K 366. Complete of musical art he has produced in a fever Anthony Rolfe Johnson, tenor; Anne of unremitting work. So much music was Sofie von Otter, contralto; Sylvia McNair, crowded into his young life that, dead at just Vocal: Masses/requiem Requiem mass, K 626 soprano...[et al.]; Monteverdi Choir; John less than thirty-six, he has bequeathed an Barbara Bonney, soprano; Anne Sofie von Eliot Gardiner, conductor; English Baroque eternal legacy, the full wealth of which the Otter, contralto; Hans Peter Blochwitz, tenor; soloists. world has yet to assess. Willard White, bass; Monteverdi Choir; John Le nozze di Figaro (The marriage of Figaro).
    [Show full text]
  • ARSC Journal
    A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 27,1907-1908, Trip
    CARNEGIE HALL - - NEW YORK Twenty-second Season in New York DR. KARL MUCK, Conductor fnigrammra of % FIRST CONCERT THURSDAY EVENING, NOVEMBER 7 AT 8.15 PRECISELY AND THK FIRST MATINEE SATURDAY AFTERNOON, NOVEMBER 9 AT 2.30 PRECISELY WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE PUBLISHED BY C. A. ELLIS, MANAGER : Piano. Used and indorsed by Reisenauer, Neitzel, Burmeister, Gabrilowitsch, Nordica, Campanari, Bispham, and many other noted artists, will be used by TERESA CARRENO during her tour of the United States this season. The Everett piano has been played recently under the baton of the following famous conductors Theodore Thomas Franz Kneisel Dr. Karl Muck Fritz Scheel Walter Damrosch Frank Damrosch Frederick Stock F. Van Der Stucken Wassily Safonoff Emil Oberhoffer Wilhelm Gericke Emil Paur Felix Weingartner REPRESENTED BY THE JOHN CHURCH COMPANY . 37 West 32d Street, New York Boston Symphony Orchestra PERSONNEL TWENTY-SEVENTH SEASON, 1907-1908 Dr. KARL MUCK, Conductor First Violins. Wendling, Carl, Roth, O. Hoffmann, J. Krafft, W. Concert-master. Kuntz, D. Fiedler, E. Theodorowicz, J. Czerwonky, R. Mahn, F. Eichheim, H. Bak, A. Mullaly, J. Strube, G. Rissland, K. Ribarsch, A. Traupe, W. < Second Violins. • Barleben, K. Akeroyd, J. Fiedler, B. Berger, H. Fiumara, P. Currier, F. Rennert, B. Eichler, J. Tischer-Zeitz, H Kuntz, A. Swornsbourne, W. Goldstein, S. Kurth, R. Goldstein, H. Violas. Ferir, E. Heindl, H. Zahn, F. Kolster, A. Krauss, H. Scheurer, K. Hoyer, H. Kluge, M. Sauer, G. Gietzen, A. t Violoncellos. Warnke, H. Nagel, R. Barth, C. Loefner, E. Heberlein, H. Keller, J. Kautzenbach, A. Nast, L.
    [Show full text]
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • Strauss Elektra Solti SC
    Richard Strauss Elektra Elektra: Birgit Nilsson; Klytemnestra: Regina Resnik; Chrysothemis: Marie Collier; Oreste: Tom Krause; Aegistheus: Gerhard Stolze Vienna State Opera Chorus and Vienna Philharmonic Orchestra Georg Solti Recorded June, September and November 1966 at the Sofiensaal, Vienna Recording Engineers: Gordon Parry and James Brown Producers: John Culshaw and Christopher Raeburn Remastered at Air Studios London by Tony Hawkins and Ray Staff Speakers Corner 2LPs Decca SET 354/5 Performance: 5 Strauss's Elektra was premièred in 1909 and marks the highpoint of the composers operatic career. Never again would he compose such searingly dramatic, concise music, replete with startlingly vivid orchestration, and a wealth of highly chromatic (and often atonal) thematic material, centred around decidedly Wagnerian sounding leitmotifs. It is isn't easy to cast. The title role needs a true dramatic soprano who is happy above the stave, and that of Klytemnestra a big-voiced mezzo- soprano. Chrysothemis is written for a lyric soprano, and Oreste for an heroic baritone. Elektra's don't come any better than Birgit Nilsson. She was 48 when the recording was made, and even the most exposed leaps and murderously high tessitura don't bother her. As the greatest Wagnerian soprano since Frieda Leider, she can effortlessly ride the orchestra, while still using a wide dynamic range in quieter passages. There are occasions when her intonation falters in the Recognition Scene, but this is a classic, thrillingly savage performance. Regina Resnik scales the same dramatic heights as Nilsson in her confrontation with Elektra, and her laughter at the end of the scene is gloriously OTT.
    [Show full text]
  • Beata Kornatowska Wspomnienia Głosem Pisane : O Autobiografiach Śpiewaków
    Beata Kornatowska Wspomnienia głosem pisane : o autobiografiach śpiewaków Acta Universitatis Lodziensis. Folia Litteraria Polonica 16, 140-154 2012 140 | FOLIA LITTERARIA POLONICA 2 (16) 2012 Beata Kornatowska Wspomnienia głosem pisane. O autobiografiach śpiewaków W literackim eseju Güntera de Bruyna poświęconym autobiografii czytamy: Opowiadający dokonuje pewnego okiełznania tego, co zamierza opowiedzieć, wtłacza to w formę, której wcześniej nie miało; decyduje o początku i zakończeniu, układa szczegóły [...] w wybranych przez siebie związkach, tak że nie są już tylko szczegółami, ale nabierają znaczenia, i określa punkty ciężkości1. Przy lekturze wspomnień znanych śpiewaków trudno oprzeć się wrażeniu, że przyszli na świat po to, żeby śpiewać. Już dobór wspomnień z dzieciństwa ma coś z myślenia magicznego: wydarzenia, sploty okoliczności, spotkania — wszystko to prowadzi do rozwoju kariery muzycznej. Dalsze powtarzalne elementy tych wspomnień to: odkrycie predyspozycji wokalnych i woli podję- cia zawodu śpiewaka, rola nauczycieli śpiewu i mentorów (najczęściej dyrygen- tów), największe sukcesy i zdobywanie kolejnych szczytów — scen kluczowych dla świata muzycznego, pamiętne wpadki, kryzysy wokalne, podszyte rywali- zacją relacje z kolegami, ciągłe podleganie ocenie publiczności, krytyków i dy- rygentów, myśli o konieczności zakończenia kariery, refleksje na temat doboru repertuaru, wykonawstwa i — generalnie — muzyki. W tle pojawiają się rów- nież wydarzenia z historii najnowszej, losy kraju i rodziny, kondycja instytucji muzycznych, uwarunkowania personalne. Te uogólnione na podstawie sporej liczby tekstów z niemieckiego kręgu ję- zykowego2 prawidłowości w organizowaniu wspomnień „głosem pisanych” chciałabym przedstawić na przykładzie wyróżniających się w mojej ocenie ja- kością autobiografii autorstwa ikon powojennej wokalistyki niemieckiej — Christy Ludwig ...und ich wäre so gern Primadonna gewesen. Erinnerungen („...a tak chciałam być primadonną. Wspomnienia”)3 i Dietricha Fischer-Dies- kaua Zeit eines Lebens.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1974, Tanglewood
    Artistic Directors SEIII OZAWA Berkshire Festival GUNTHER SCHILLER Berkshire Music Center LEONARD BERNSTEIN Adviser Ian ewood 1974 BERKSHIRE FESTIVAL ' » I. \ 3£ tA fi!tWtJ-3mA~%^-u my*9^V r 1 t '," ' r ' ' T nfii , rum'*' / -'^ ])Jiit»~ }fil<'fj>it >'W BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA Music Director 3 ***** M , * <• v * > •« 3H a place to think An established, planned community designed to preserve the ecostruc- ture of the original forest-dirt roads, hiking paths, lakes and ponds, clean air, 4 to 6 acres all by yourself, neigh- boring on a 15,000 acre forest. Strong protective covenants. Restricted to 180 lots. ' J RECENT RECORD RELEASES BY THE BOSTON SYMPHONY ORCHESTRA conducted by SEIJI OZAWA BERLIOZ Symphonie fantastique DG/2530 358 THE GREAT STRAVINSKY BALLETS album includes Petrushka and Suite from The firebird RCA VCS 7099 i ) conducted by EUGEN JOCHUM MOZART & SCHUBERT (October release) Symphony no. 41 in C K. 551 'Jupiter' Symphony no. 8 in B minor 'Unfinished' DG/2530 357 conducted by WILLIAM STEINBERG HINDEMITH Symphony 'Mathis der Maler' ) DG/2530 246 Concert music for strings and brass S conducted by MICHAEL TILSON THOMAS \ STRAVINSKY Le sacre du printemps Le roi d'etoiles DG/2530 252 conducted by CHARLES MUNCH THE WORLD'S FAVORITE CONCERTOS album includes Mendelssohn's Violin concerto with Jascha Heifetz RCA LSC 3304 THE WORLD'S FAVORITE CONCERTOS album includes Beethoven's Violin concerto with Jascha Heifetz RCA LSC 3317 conducted by ERICH LEINSDORF V THE WORLD'S FAVORITE CONCERTOS album includes Tchaikovsky's Piano concerto no. 1 with Artur Rubinstein RCA LSC 3305 conducted by ARTHUR FIEDLER THE WORLD'S FAVORITE SYMPHONIES album includes the 'New World' symphony of Dvorak RCA LSC 3315 THE BOSTON SYMPHONY ORCHESTRA ON and DUCBZJD Variations on a Theme by Palaset.
    [Show full text]
  • The Wagner Society Members Who Were Lucky Enough to Get Tickets Was a Group I Met Who Had Come from Yorkshire
    HARMONY No 264 Spring 2019 HARMONY 264: March 2019 CONTENTS 3 From the Chairman Michael Bousfield 4 AGM and “No Wedding for Franz Liszt” Robert Mansell 5 Cover Story: Project Salome Rachel Nicholls 9 Music Club of London Programme: Spring / Summer 2019 Marjorie Wilkins Ann Archbold 18 Music Club of London Christmas Dinner 2018 Katie Barnes 23 Visit to Merchant Taylors’ Hall Sally Ramshaw 25 Dame Gwyneth Jones’ Masterclasses at Villa Wahnfried Roger Lee 28 Sir John Tomlinson’s masterclasses with Opera Prelude Katie Barnes 30 Verdi in London: Midsummer Opera and Fulham Opera Katie Barnes 33 Mastersingers: The Road to Valhalla (1) with Sir John Tomlinson Katie Barnes 37 Mastersingers: The Road to Valhalla (2) with Dame Felicity Palmer 38 Music Club of London Contacts Cover picture: Mastersingers alumna Rachel Nicholls by David Shoukry 2 FROM THE CHAIRMAN We are delighted to present the second issue of our “online” Harmony magazine and I would like to extend a very big thank you to Roger Lee who has produced it, as well as to Ann Archbold who will be editing our Newsletter which is more specifically aimed at members who do not have a computer. The Newsletter package will include the booking forms for the concerts and visits whose details appear on pages 9 to 17. Overseas Tours These have provided a major benefit to many of our members for as long as any us can recall – and it was a source of great disappointment when we had to suspend these. Your committee have been exploring every possible option to offer an alternative and our Club Secretary, Ian Slater, has done a great deal of work in this regard.
    [Show full text]
  • Programm 2019 2020
    Programm 2019 2020 Verbandsreisen 02.09. – 06.09.2019 Von Zürich bis Triebschen Mit dem Richard-Wagner-Verband Leipzig in die Schweiz Informationen und Anmeldung: Polster & Pohl Reisen – Franziska Pötzsch, Tel.: 0341 26 17 325, [email protected] 09.11.2019, Tagesfahrt Abfahrt 08.30 Uhr, Leipzig Hbf., Bahnsteig 2-5, Abfahrtsstelle Bus Polster & Pohl Reisen Mit Richard Wagner ins Land der Askanier Neo Rauch in Aschersleben und »Der fliegende Holländer« in Halberstadt Preis: 68,50 € für Verbandsmitglieder, 88,50 € für Nichtmitglieder Reservierung und Buchung: Polster & Pohl Reisen – Franziska Poetzsch, Tel.: 0341 26 17 325, [email protected] Der fliegende Holländer, Oper Leipzig 15.01.2020, 20.05.2020 Das Rheingold Anhaltisches Theater Dessau Vorabend zum Bühnenfestspiel »Der Ring des Nibelungen« 20.10.2019 Musikalische Leitung: Ulf Schirmer Katja und der Teufel Inszenierung: Rosamund Gilmore Oper von Antonín Dvorákˇ 16.01.2020, 21.05.2020 28.03.2019 Die Walküre Die Dreigroschenoper Erster Tag des Bühnenfestspiels Theaterstück von Bertolt Brecht, Musik von Kurt Weill »Der Ring des Nibelungen« Musikalische Leitung: Ulf Schirmer 19.04.2020 Die Sache Makropulos Inszenierung: Rosamund Gilmore Oper von Leoš Janáˇekc 20.06.2020 (mit Bus) Violett Bühnenkomposition von Wassily Kandinsky, Musik von Ali N. Askin (Uraufführung am 13.09.2019 im Rahmen des Der fliegende Holländer, Festivals Bühne TOTAL der Stiftung Bauhaus Dessau) Nordharzer Städtebundtheater, Halberstadt 28.11. – 02.12.2019 Venedig – Zum Internationalen Semperoper Dresden Richard-Wagner-Kongress Informationen und Anmeldung: 04.07.2020 RAIFFEISEN- und VOLKSBANKEN TOURISTIK – Vier letzte Lieder – Dreiteiliger Ballettabend Susann Krause, Tel.: 0341 96 27 91 13 Igor Strawinski – Henryk M.
    [Show full text]
  • Contents: 1000 South Denver Avenue Suite 2104  Biography Tulsa, OK 74119  Critical Acclaim
    Conductor Jack Price Managing Director 1 (310) 254-7149 Skype: pricerubin [email protected] Rebecca Petersen Executive Administrator 1 (916) 539-0266 Skype: rebeccajoylove [email protected] Olivia Stanford Marketing Operations Manager [email protected] Karrah O’Daniel-Cambry Opera and Marketing Manager [email protected] Mailing Address: Contents: 1000 South Denver Avenue Suite 2104 Biography Tulsa, OK 74119 Critical Acclaim Website: DIscography http://www.pricerubin.com Testimonials Indiana University Review Video LInks Complete artist information including video, audio and interviews are available at www.pricerubin.com Grzegorz Nowak – Biography Grzegorz Nowak is the Principal Associate Conductor of the Royal Philharmonic Orchestra in London. He has led the Orchestra on tours to Switzerland, Turkey and Armenia, as well as giving numerous concerts throughout the UK. His RPO recordings include Mendelssohn’s ‘Scottish’ and ‘Italian’ Symphonies, Shostakovich’s Symphony No.5, Dvořák’s Symphonies Nos. 6–9, all the symphonies of Schumann and complete symphonies and major orchestral works of Brahms and Tchaikovsky. He is also the Music Director & Conductor of the Orquesta Clásica Santa Cecilia and Orquesta Sinfonica de España in Madrid. Recordings of Grzegorz Nowak have been highly acclaimed by the press and public alike, winning many awards. Diapason in Paris praised his KOS live recording with Martha Argerich and Sinfonia Varsovia as ”indispensable…un must”, and its second edition won the Fryderyk Award. His recording of The Polish Symphonic Music of the XIX Century with Sinfonia Varsovia won the CD of the Year Award, the Bronze Bell Award in Singapore and Fryderyk Award nomination; the American Record Guide praised it as “uncommonly rewarding… 67 minutes of pure gold” and hailed his Gallo disc of Frank Martin with Biel Symphony as “by far the best”.
    [Show full text]
  • A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher Diana Carol Amos University of South Carolina
    University of South Carolina Scholar Commons Theses and Dissertations 2015 A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher Diana Carol Amos University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Performance Commons Recommended Citation Amos, D. C.(2015). A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3642 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. A SURVEY OF THE CAREER OF BARITONE, JOSEF METTERNICH: ARTIST AND TEACHER by Diana Carol Amos Bachelor of Music Oberlin Conservatory of Music, 1982 Master of Music University of South Carolina, 2011 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Musical Arts in Performance School of Music University of South Carolina 2015 Accepted by: Walter Cuttino, Major Professor Donald Gray, Committee Member Sarah Williams, Committee Member Janet E. Hopkins, Committee Member Lacy Ford, Senior Vice Provost and Dean of Graduate Studies ©Copyright by Diana Carol Amos, 2015 All Rights Reserved. ii ACKNOWLEDGEMENTS I gratefully acknowledge the help of my professor, Walter Cuttino, for his direction and encouragement throughout this project. His support has been tremendous. My sincere gratitude goes to my entire committee, Professor Walter Cuttino, Dr. Donald Gray, Professor Janet E. Hopkins, and Dr. Sarah Williams for their perseverance and dedication in assisting me.
    [Show full text]
  • Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
    (De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification.
    [Show full text]