Carlo Fontana a and Bohemia

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Carlo Fontana and Bohemia Architect´s Vision and Builder´s Reality Around 1700 Pavel Kaalina CTU Prague Conference Carlo Fontana 1638 1714 Celebrato Arrchitetto Roma, 23rd Octtober 2014 Liec htens tei n Pa lace, Ru do ltice near Lankroun/Landskron (1696, not realized) Sternberg Palace, Prague (not realized) Martinitz Palace, Prague (by 1700, realized with alterations) designed for Karel Ignaz of Sternberg (died 6. 3. 1700) or Jan Josef of Sternberg who drowned in the Inn river 13. 6. 1700 (on return from Rome, accompanied by Domenico Martinelli) the existing Sternberg Palace in Hrad any designed by Domenico Martinelli for Václav Adalbert of Sternberg ca. 1697, realized by Giov. Bat. Alliprandi 1700 08 anonymous site plan WHO WAS GEORG (JI Í) ADAM II OF MARTINITZ (1650 1714)? nitz house = a pier of Habsburg power in Bohemia = one of the four count families in Bohemia, who were the title Hoch und Wohlgeborene G. A. II = grandson of Jaroslav Bo ita of Martinitz (co governor of Bohemia, defenestrated in 1618) ephew of Bernard Ignaz of Martinitz, governor of Bohemia ( 1685, 1st marriage with Veronika Polyxena Sternberg) 1671 imatriculated in Siena as a second born son unified family´s properties after the deathofhis uncle and after an unexpected de his brother (both 1685) double identity: landlord and diplomat first Italian mission: 1682 83 (on the eve of the Siege of Vienna) second Italian mission: 1695 1700: Imperial ambassador to Papal court 1697 2nd marriage with Maria Josepha of Sternberg third Italian mission: 1707: Imperial plenipotentiarius and vice king in Naples men, sharing a community of interests, came to form something like party, and lent a decisive new impu the exciting tr iangu llar relati tions hip be tween the Hab s burgs, Bo hem ia, and the Ho ly Roman Emp ire. ( R. J. W. Evans, Austria, Hungary, and the Habsburgs: Central Europe c. 1683 1867) A rlo Fontana´s project for the Martinitz Palace in Prague was a completely alizable and functional design s original proj ect was re worked by Domenico Martinelli in 1700 e structural changes of the original prooject were not dictated by economic mitations, as Martinelli´s changes could only enlarge the overall expenditure e main reason of design changes was the need of family representation Grazie! .

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Revised Final MASTERS THESIS
UNIVERSITY OF CALIFORNIA RIVERSIDE Carlo Fontana and the Origins of the Architectural Monograph A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Juliann Rose Walker June 2016 Thesis Committee: Dr. Kristoffer Neville, Chairperson Dr. Jeanette Kohl Dr. Conrad Rudolph Copyright by Juliann Walker 2016 The Thesis of Juliann Rose Walker is approved: Committee Chairperson University of California, Riverside Acknowledgements I would first like to start by thanking my committee members. Thank you to my advisor, Kristoffer Neville, who has worked with me for almost four years now as both an undergrad and graduate student; this project was possible because of you. To Jeanette Kohl, who was integral in helping me to outline and finish my first chapter, which made the rest of my thesis writing much easier in comparison. Your constructive comments were instrumental to the clarity and depth of my research, so thank you. And thank you to Conrad Rudolph, for your stern, yet fair, critiques of my writing, which were an invaluable reminder that you can never proofread enough. A special thank you to Malcolm Baker, who offered so much of his time and energy to me in my undergraduate career, and for being a valuable and vast resource of knowledge on early modern European artwork as I researched possible thesis topics. And the warmest of thanks to Alesha Jeanette, who has always left her door open for me to come and talk about anything that was on my mind. I would also like to thank Leigh Gleason at the California Museum of Photography, for giving me the opportunity to intern in collections.
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Rome Architecture Guide 2020
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