MACKENZIE ART GALLERY ANNUAL REPORT 2017/18 01 3 PRESIDENT’S MESSAGE 4 EXECUTIVE DIRECTOR AND CEO’S MESSAGE 5 YEAR IN REVIEW 7 EXHIBITIONS 21 COMMUNITY OUTREACH, EDUCATION & PUBLIC PROGRAMS 27 NEW PROGRAM SPACE AND CAFÉ 29 COMMUNITY SUPPORT 31 DONORS & SPONSORS 35 PERMANENT COLLECTION ACQUISITIONS 45 MEMBERS & VOLUNTEERS

CORE FUNDING PROVIDED BY:

William Kurelek (Canadian, 1927–1977), No Grass Grows on the Beaten Path, 1975, mixed media on masonite, 101.6 x 71.1 cm., Collection of the MacKenzie Art Gallery, 01 gift of Av Isaacs and Donnalu Wigmore. Photo: Don Hall. 02 Message from the President The exhibition Re: Celebrating the Body investigated cultural Message from the Executive Director and CEO stereotypes of the body with a special focus on questions of In my first year as President of the ability. Individuals who experience abilities-based challenges The MacKenzie Art Gallery is working A recently released survey of Canadian audiences indicated MacKenzie Art Gallery’s Board of developed and led the public on tours of Re: Celebrating the towards a new vision of what an art that the top three reasons we participate in culture are: Trustees, I am pleased to share the Body, transforming expectations of an exhibition tour. (See museum of the 21st century can be. I community, connection and discovery.1 These three reasons achievements of the past year. In page 11 for details.) have written and spoken in the past align with culture’s greatest potential impact. They also align 2017/18, the MacKenzie embodied its about museums and galleries being with the MacKenzie’s Strategic Plan (2018-23) developed vision to become an immersive centre The MacKenzie continues to fulfill our mandate to build our uniquely positioned at this moment in during the period of this report, and adopted by the Board for art focusing on visitors and artists, permanent collection. This included collecting Saskatchewan Western societies. We have seen the of Trustees at the first meeting of 2018-19. The three core Indigenous culture and diversity and Prairie artwork and being a world leader in the proliferation of digital technologies in objectives outlined in the plan are: while remaining grounded in history, recognition and presentation of Indigenous artworks. To this almost every aspect of our lives. While education, and sustainability. end, over 200 Indigenous works were promised to the Gallery people adapt to new ways of gathering 1. Create Outstanding Visitor and Participant Experiences Over 84,000 visitors experienced this past year and the MacKenzie continues to place emphasis and sharing information and ideas, 2. Strengthen Organizational Resilience the MacKenzie’s public programs and on the addition of new works to its permanent collection as we have also seen a simultaneous 3. Foster our Core Identity exhibitions on topics ranging from we move into a new year. revitalization and interest in analogue national commemoration, public art, technologies and hand-crafted art and objects. This includes I believe you will see these directions reflected in the program inter-cultural relations, reconciliation, and much more. This Thank you to the many individuals and businesses who a range of popular examples — from vinyl records, to knitting, outlined in this report. report includes details on the many ways that the MacKenzie sustain the MacKenzie through donations and participation to locally crafted beer. Even as we are catapulted into an has been playful, creative and experimental in fostering in fundraising events. Together, we raised over $120,000 in increasingly digital — and image-based — world, we hold close We continue to get closer to realizing our potential transformative experiences. support of the Gallery through fundraising events such as Bazaart, Holiday Bazaart, and the MacKenzie Gala. We also those things that seem to involve “real” people, or suggest through the objectives outlined above. We have begun the construction of a new area for meeting and public programs As a playful examination of national identity, the MacKenzie extend deep gratitude to our members, donors, and corporate some form of authenticity. at the gallery. Adjoining it will be a café and bar, centred on enjoyed Jacqueline Hoàng Nguyen’s Space Fiction & the sponsors for their ongoing support. an art installation, the details of which will be announced Archives, which detailed the small town of St. Albert’s We have also seen the rise of so-called “fake news.” Perhaps in the near future. We are entering the new year by gaining construction of a spaceship landing pad as a welcome to It is people who animate the Gallery as a vital community this is another indicator of why people are hungry for momentum through planned artwork commissions, exhibitions extraterrestrials against the backdrop of Canada’s 1967 hub where encounters with art enrich the lives of countless information, and seek it in a broad variety of forms and media. and programs, facility and technological enhancements and Centennial and changes to immigration regulations. visitors. I extend a personal thank you to staff and volunteers As well-established keepers of our culture through a collection organizational development. (See page 13 for details.) for their passionate and dedicated activation of the Gallery as of works — and all the ideas they contain — art museums an exciting space for new experiences. are poised to assert a more crucial role in society. Through The MacKenzie was a creative hub in 2017/18. The BMO art galleries visitors come into contact with vital objects, The MacKenzie is full of potential in the coming year with Learning Centre bustled with parents and children creating While it is satisfying to reflect on treasured experiences information and experiences. To build upon the material further exciting announcements and developments. Don’t art together on Family Sundays. Gallery visitors of all ages over the past year, it is thrilling to look forward to new content of our collection, the MacKenzie is re-articulating miss a thing by purchasing or renewing your membership discovered major exhibitions during Thursday Lates. The developments on the horizon, including the transformation of itself as a place where people and ideas meet, and where today. We look forward to sharing with you and hearing REALI (Recreation, Life Skills, Story Telling and Art Activity) the Gallery’s public spaces. knowledge is created. The MacKenzie is becoming a place of from you! program, in partnership with the Regina Immigrant Women Welcome area improvements are underway, including more interactive, experiential and immersive experiences. It Centre, served immigrant and refugee women and their the development of public gathering spaces, a café, and is becoming a place where one can not only see, but also feel, children on Saturdays. integrated artworks. At this critical juncture for construction taste, listen, and interact with the world through art. Even as we expand our reach through virtual and online experiences, Youth from several Regina schools took experimental projects and public monuments in the province, the MacKenzie has launched a public artwork that honours the we are becoming more than ever a place for tangible approaches to learning, story-telling and creation through experiences for all our senses. the Enbridge Young Artists Program. Workshops included treaty legacy of our area and brands the MacKenzie as a Anthony Kiendl translating an ancient tale of How the Loon Got its Walk from beacon of inclusive, challenging and beautiful experiences. Executive Director and CEO oral traditions into video games and machinima, led by artist Skawenatti Fragnito and her AbTec team. (See page 23 & 24 for details.)

Johanna Salloum President, MacKenzie Art Gallery Board of Trustees 03 1. Culture Track Canada at http://www.businessandarts.org/culturetrack/assets/reports/CT%20Canada%20Summary.pdf 04 YEAR IN REVIEW 2017/18 Attendance Community and Public Tours and In-House 68,323 Programs Out-of-House 16,142 Tours and Programs 342 Total 84,465 Attendance 10,239

Attendance Highlights Exhibition Openings Special Events 7,354 Number of Openings 8 Facility Rentals 9,204 Attendance 1,557

School and Youth Project Development Highlights Tours 238 Cash and in-kind contributions Attendance 4,625 from organizations $1,583,025 Cash and in-kind contributions Enbridge Young Artists Project from individuals $518,090 Tours 22 Net result of three fundraising events $122,684 Workshops and Programs 186 Gallery Shop net proceeds $35,363 Attendance 3,543 Total $2,254,162

Provincial Touring Artists and Exhibition Membership Program Program Membership proceeds (minus donation portion) $18,687 Tours 216 Active Gallery Memberships 562 Communities Visited 25 Attendance 6,395 Volunteers Volunteers 111 REALI Program (Recreation, life skills, Hours donated by Volunteers 3,142 storytelling and art activities) Workshops 49 Attendance 925

05 Ruth Cuthand (Canadian, born 1954), Cardston, Alberta 1959–1967 #5, 2005, acrylic on canvas, 182.9 x 121.9 cm., Collection of the MacKenzie Art Gallery, gift of the artist. Photo: courtesy of 05 Remai Modern. 06 EXHIBITIONS Alex Janvier May 20 to September 10, 2017

As the first stop on the exhibition’s national Audiences were given the opportunity to tour, the MacKenzie was honoured to host immerse themselves in Janvier’s work Alex Janvier, a major retrospective of one through a variety of public programs. To of Canada’s foremost Indigenous artists. coincide with the exhibition, the MacKenzie Organized by the National Gallery of Canada, hosted two extraordinary conversations. The the exhibition highlighted Janvier’s unique first was a discussion with MacKenzie Curator approach to representing a Dene geocultural Michelle LaVallee and Greg Hill, Audain Senior landscape through a highly personalized Curator of Indigenous Art for the National abstracted modernist aesthetic and offered Gallery of Canada, which focused on Janvier’s Regina audiences a rare opportunity to achievements and his role within Indigenous engage with more than 100 works spanning and Canadian art history. On June 29, Alex the artist’s career from the 1960s to present Janvier, Mary Ann Barkhouse and Wally Dion day. joined Michelle LaVallee in a discussion about public art and monuments. The exhibition was A long-time resident of Cold Lake First also the focus of the Gallery’s educational Nations in northern Alberta, Janvier’s programming, and was booked to full paintings are characterized by the artist’s use capacity for school tours. The MacKenzie was of precise, expressive lines and vivid colours thrilled to present this exhibition to so many that combine references to Denesuline audiences, and to celebrate the extraordinary

iconography, Indigenous culture and history, achievements of one of the country’s most modern art influences, and his own personal acclaimed contemporary artists. worldview. Drawn from public and private collections across Canada, the exhibition included many of the artist’s best-known pieces, as well as lesser known works that have rarely been seen before. The exhibition saw a total of 20,960 visitors, making it one of the most popular exhibitions of the year.

Opposite (top): Alex Janvier, Untitled, 1986, acrylic on canvas, 165.1 x 266.7 cm. National Gallery of Canada, Ottawa (42867)© Alex Janvier. Photo: NGC. Opposite (bottom): Visitors engage 07 with the exhibition Alex Janvier at the MacKenzie Art Gallery, 2017. 08 Dana Claxton: The Sioux Project — Tatanka Oyate September 30, 2017 to January 7, 2018

Dana Claxton: The Sioux Project — Tatanka Oyate, guest curated and culture today that thoughtfully considers beauty in relation by Dr. Carmen Robertson, was the first art exhibition to explore to intergenerational knowledge and the dispersal of Tatanka contemporary Sioux aesthetics in Saskatchewan. In this new Oyate — the Buffalo People — throughout Saskatchewan. work, Hunkpapa Lakota artist Dana Claxton claims the term Sioux for Lakota, Dakota, and Nakota peoples as she dedicates The MacKenzie played host to a variety of public events herself to a careful analysis of contemporary Sioux relationships throughout its opening weekend, which welcomed 585 visitors. to the land. The weekend started with a community barbeque in the meadow behind the T.C. Douglas building that featured a compelling At the centre of this exhibition was a glowing circular video performance by InfoRed. A one-day symposium on Dakota, installation that enveloped the viewer in a constantly moving Lakota, and Nakota culture explored in-depth how knowledge pattern of artistic and cultural ideas. To create this work, has been preserved, taught, and celebrated within this dynamic Claxton and her collaborators held a series of workshops with community. A highlight was a keynote by distinguished American Sioux youth from Standing Buffalo and White Cap First Nations. scholar Dr. Janet Berlo from the University of Rochester. The With the help of these students, Claxton gathered hours of weekend came to a creative close with a Studio Sunday parfleche digital video footage and still photography featuring interviews workshop led by Buffalo People Arts Institute for Studio Sunday. with artists, cultural practitioners, and elders. The artist then assembled this footage to create a dynamic dialogue on Sioux art

09 Opposite: Installation view of Dana Claxton: The Sioux Project — Tatanka Oyate, MacKenzie Art Gallery, 2017. Photo: Don Hall. 10 Re: Celebrating the Body January 27 to June 3, 2018

This winter, the MacKenzie Art Gallery was pleased to continue Émilie Parendeau, KVM—Ju Hyun Lee & Ludovic Burel, jes its commitment to interdisciplinary practices through the sachse, and Erwin Wurm activated the space by inviting visitor presentation of Re: Celebrating the Body, a platform that participation, while video installations by Kader Attia, Hannah encompassed a diverse program of visual art, dance, athletics, Dubois and Ingrid Baxter, Camille Llobet, and Jeannie Mah and other body-based practices. This project revisited the investigated a range of somatic practices and resilient bodies. groundbreaking exhibition Celebration of the Body (1976) by This physical and psychological engagement was contextualized Canada’s leading conceptual artist collective N.E. Thing Company historically by selected casts of Greco-Roman sculpture from Ltd. (NETCO). Re: Celebrating the Body was the most recent in the Museum of Antiquities (University of Saskatchewan). The a series of projects initiated by French curator Fabien Pinaroli exhibition was the focal point for a program of educational tours, that probes the current relevance of NETCO’s deconstruction community-sensitive lectures, screenings and activities that of cultural stereotypes of the body. For its latest iteration at the critically engaged with themes of diversity, access, and ability. MacKenzie, Pinaroli teamed up with MacKenzie Head Curator A new initiative saw facilitated tours co-led by participants from Timothy Long, and Robin Poitras, Artistic Director of Regina’s Sask Abilities. acclaimed contemporary dance company New Dance Horizons. Central to the exhibition was the installation of a portable dance A reactivation rather than a historical reconstruction, floor in the MacKenzie’s main gallery space, which served as the Re: Celebrating the Body channeled the original spirit of NETCO’s site of a residency by New Dance Horizons. Using the gallery 1976 exhibition with a special focus on questions of ability and to create a dynamic space of convergence between visual art the development of a “soma-esthetic.” The exhibition featured and contemporary dance, the residency extended the length of new and historical works by NETCO co-presidents Iain Baxter& the exhibition under the shared title Re: Celebrating the Body, and Ingrid Baxter, as well as work by an international contingent inviting visitors to reflect on multiple connections between art, of artists. Interactive installations by La Machine à performer, dance, and life.

Top: Installation view of Re: Celebrating the Body, MacKenzie Art Gallery, 2018. Photos: Don Hall. Bottom (left to right): Ingrid Baxter and Hannah Dubois, The Crane Revisited . . . Again, 2015; Iain Baxter&, Ego vs. Eco, 2013 - 2017; KVM - Korean Vulnerability Movement 11 (Ludovic Burel and Ju Hyun Lee), Tofu-skin Care: A Fatigue Study, 2017. 12 Transformative Landscapes Engagement Space — Contemplating Space, Time, and Connection June 1, 2017 to January 7, 2018

Now is a time of transformation in which we contemplate A summer film series supplemented the discussion, presenting the past, examine the present, and visualize the future. In a multitude of perspectives on the themes of Transformative conjunction with the commission of a public artwork by an Landscapes. Screenings included the titles Little Caughnawaga: Indigenous artist on the grounds of the MacKenzie and on To Brooklyn and Back, Cree Inuit Reconciliation, In the Monument, Treaty Four Territory, the MacKenzie Art Gallery launched and Through the Repellent Fence. Raven Chacon of Post- Transformative Landscapes: Contemplating Space, Time and Commodity, the interdisciplinary arts collective whose creation Connection in 2017. of the largest bi-national land art installation in history is the subject of Through the Repellent Fence, travelled to Regina to Encompassing exhibitions, workshops, screenings, panel attend the screening and join the audience in conversation. discussions, and artist talks, Transformative Landscapes situated the public artwork within a thoughtful discourse around issues Interwoven with formal opportunities for discussion, an of national commemoration, reconciliation and intercultural exhibition of small-scale maquettes of the works proposed by relations in Saskatchewan. Mary Anne Barkhouse, Wally Dion, and Duane Linklater was mounted in the Transformative Landscapes Engagement Space. Regina-based filmmaker Janine Windolph, finalists in the This exhibition provided the MacKenzie with the opportunity to competition to create the public artwork, and acclaimed Dene integrate public feedback into the selection process prior to the artist Alex Janvier thoughtfully addressed the issues of public installation of the chosen public artwork. art and monuments in a panel discussion moderated by Curator Michelle LaVallee in June 2017. Other activities encompassed by Transformative Landscapes included Animating the Grandfather Stones, a four-day community workshop led by Janine Windolph, and associated exhibitions Notes from the Inquest by Winnipeg artist Jeff Funnel and Pioneer by New Zealand artist Brett Graham.

Top: Installation views of Transformative Landscapes Engagement Space, MacKenzie Art Gallery, 2017. Photos: Don Hall. Bottom (left to right): Site walk-through with artist Duane Linklater; Duane Linklater, Kâkikê / Forever (proposal drawing for MacKenzie Art Gallery), 2017. Image courtesy of the artist and Catriona Jeffries Gallery. Technical support: Carvel Creative; Artist Talk responding to the screening of Through the Repellent Fence with artist Raven Chacon. 13 14 Transformative Landscapes — Jeff Funnell: Notes from the Inquest Transformative Landscapes — Brett Graham: Pioneer September 30, 2017 to February 4, 2018 September 2, 2017 to February 4, 2018

Jeff Funnell: Notes from the Inquest highlighted one of the most When internationally acclaimed artist Brett Graham first arrived important bodies of work by senior Winnipeg artist Jeff Funnell. in Regina from New Zealand, he was fascinated by descriptions Recently donated in its entirely to the MacKenzie, the installation of “prairie schooners,” those settler wagons which traversed the featured 90 drawings based on the inquest into the death of John landscape like ships on a tide that overwhelmed and devastated Joseph Harper, a Wasagamack Cree leader shot by Winnipeg police the Plains First Nations. Upon reading James Daschuk’s book constable Robert Cross. The inquest and controversy surrounding Clearing the Plains, the artist was struck by the irony of the the tragic fatal shooting of an innocent man prompted widespread concept of the Canadian Prairies as “bread basket” in light of the allegations and denials of racist prejudice within the legal system, deliberate starvation of Indigenous peoples that occurred in this and corresponded with an internal corruption scandal that publicly territory during the settlement period. In response to this history, exposed wrongdoings within the Winnipeg police force. Graham created Pioneer, a major sculptural installation that gives form to the lingering racism and misunderstanding that In April 1988, Funnell documented the two-week inquest as a permeates the national consciousness to this day. Donated by concerned member of the general public. Funnell’s courtroom the artist to the MacKenzie in 2017, the sculpture was presented drawings tell the story of the inquest through quickly executed by curator Michelle LaVallee as a centrepiece of the series sketches, personal notes and commentary. They bring the theatre Transformative Landscapes: Contemplating Space, Time and Connection. of the courtroom vividly to life, capturing gestures and relationships and visualizing the trial narrative for the public. For the installation, the drawings were presented unframed on a long table alongside Brett Graham is an artist from the sub-tribe Ngati Koroki Kahukura, Aotearoa (New Zealand) whose work explores his dual Maori and a grainy video of the re-enactment of the shooting, and a copy of the Inquiry’s Report by the Provincial Judge. Funnell’s account European heritage and the issues affecting Pacific and Indigenous peoples today through installations that distill complex histories is marked by an authenticity missing in court and media reports and raises questions about the so-called objectivity of the inquest into striking sculptural forms. He originally created Pioneer for the Neutral Ground exhibition WANTED: An Exhibition of Objects of which exonerated Cross. The presentation offers a stark testament to the role racial prejudice plays in everyday encounters, a reality Dread and Desire (2015), curated by Elizabeth Matheson, but returned to reconfigure and complete the sculpture for the MacKenzie which continues to play out in our headlines. in 2017. For his sculpture, Brett Graham considered the colonization of both Turtle Island and Aotearoa — the Maori term for his home country of New Zealand. As Graham explains, “Pioneer is a kind of hybrid block house fortress and grain wagon, that speaks of this Curated by Michelle LaVallee for the MacKenzie’s Transformative Landscapes series, the installation resonated with themes in Brett history.” The name of the work also refers to the first warship to be purpose built for the New Zealand government, a gunboat that Graham: Pioneer, further enriching important dialogues on the historical impacts and present realities of colonialism in Canada. Notes was used in action against the Maori in the 1860s. The sculpture was presented alongside other works from the Gallery’s permanent from the Inquest serves as a reminder that justice can come, but it also reminds us that it can be selective and that indifference, collection that confront the history and impact of colonialism, including a selection of paintings, drawings, and photographs by K.C. worse than ignorance, is culpable. Adams, Rebecca Belmore, Bob Boyer, Ruth Cuthand, and Wally Dion.

15 Installation view of Jeff Funnel: Notes from the Inquest, MacKenzie Art Gallery, 2017. Photo: Don Hall. Installation view of Brett Graham: Pioneer, MacKenzie Art Gallery, 2017. Photo: Don Hall. 16 Collection Insight Series — Jeanne Randolph: My Claustrophobic Happiness Collection Insight Series — Shary Boyle: Scarecrow October 21, 2017 to May 6, 2018 October 20, 2017 to January 1, 2018

My Claustrophobic Happiness is an exhibition that extended art In the fall of 2017, the exhibition Shary Boyle: Scarecrow, introduced writer Dr. Jeanne Randolph’s interpretation of North American us to an unlikely couple perched atop bales of golden straw. Frozen consumer culture into a Freudian hallucinogenic realm. Randolph in a “sad but strangely sexy” embrace — as the artist described it — created an exhibition incorporating creative and critical writing a homely life-size scarecrow sank limply into the outstretched arms — called “ficto-criticism” — inspired by, and alongside, works from of a woman encrusted in celadon ceramic tiles. Recently donated by the MacKenzie Art Gallery permanent collection. The exhibition Boyle to the MacKenzie Art Gallery, the work was the centerpiece disembarked from a text written by Randolph during a one-month of an installation designed by the artist as part of the Collection residency at the MacKenzie Art Gallery in the summer of 2017: a Insight Series. The result was a fresh reading of one of her most 21st century version of The Temptations of St. Anthony (Athanasius, provocative sculptural installations of the past decade. 4th c. CE). Like the sparkling white cave of her 2013 Venice Biennale In 1879 Gustave Flaubert had written his version of The Temptations installation, Scarecrow’s golden pile of straw transported us of St. Anthony, illustrated by James Ensor. For hundreds of years to a secluded spot that is both out-of-place and out-of-time. artists have depicted scenes from Athanasius’s The Temptations of Boyle’s father was born and raised on a small farm near Melville, St. Anthony, among them Hieronymus Bosch, Matthias Grünewald, Saskatchewan. According to the artist, the sculpture was Félicien Rops, Martin Schongauer and Salvador Dali. Their works are “influenced in part by the haylofts of the region,” spaces she voluptuous, grand and complex. In Randolph’s version, instead of a Christian desert hermit beset by the Devil in a myriad of hideous imagined when thinking of the daily lives of her paternal grandparents. From this unlikely starting place, the installation invited a disguises, the central character will be the irredeemable consumer beset by artists, philosophers, activists, poets, musicians, Zen consideration of how we value art. In her talk at the exhibition opening, Boyle asked: “What is [art] worth to you? . . . What is it worth Buddhists, architects and others. to the artist that made it? What is it worth to the person who might have had their portrait done, or to the family of the artist who saw that artist take these subjects so seriously?” Sixteen artworks, selected by Randolph from the MacKenzie’s permanent collection, were accompanied by written passages composed by Randolph telling the story of the central character — an inveterate consumer ensconced in a Vancouver condo tower. To explore these questions, the artist chose groupings of artworks from the MacKenzie’s permanent collection to flank the sculpture The exhibition featured the work of a range of artists including Andy Warhol, Jan Wyers, Wilf Perreault, 17th century Dutch painter on facing walls. On one side was a selection of academically sanctioned treasures and antiquities that spoke of Europe’s multi-layered Frans Van Mieris, Evergon, and the unattributed creator of a terracotta figurine from the ancient Near East. artistic inheritance. On the other side was a varied assortment of Saskatchewan “folk art” produced by self-taught artists W.C. McCargar, Fred Moulding, Dmytro Stryjek, Jan Wyers, and Jack Zepp. As in the recent exhibition Earthlings at the Esker Foundation, which featured Boyle’s collaboration with several Inuit artists, the installation asked how artworks function without the layers of irony and sophistication in which they have been wrapped for centuries. What was revealed in the process was the secret of the bond between the mismatched couple at the centre of the installation — that our relationship to art is most profoundly based on an unnamed longing for connection.

Image: Shary Boyle, Scarecrow, 2010, plaster, porcelain, textile, straw, horse hair, 152 x183 x183 cm. Collection of the MacKenzie Art Gallery, gift of the artist. Photo: David 17 Installation view of Jeanne Randolph: My Claustrophobic Happiness, MacKenzie Art Gallery, 2017. Photo: Don Hall. Jacques. Copyright Galerie de l’UQAM and Shary Boyle. 18 Exhibitions Organized by the Collection Insight Series University of Regina Faculty and MacKenzie Jeanne Randolph: Student Exhibitions My Claustrophobic Happiness All exhibitions organized by the MacKenzie October 20, 2017 – May 6, 2018 Exhibitions produced in partnership between Art Gallery are supported by the South the MacKenzie Art Gallery and the Faculty of Saskatchewan Community Foundation, Shary Boyle: Scarecrow Fine Arts at the University of Regina. Canada Council for the Arts, SaskCulture, October 20, 2017 – January 1, 2018 City of Regina, University of Regina, and Monstrosities | Sarah Ferguson Saskatchewan Arts Board. Re: Celebrating the Body MFA Graduating Exhibition January 27 – June 3, 2018 April 21 – 30, 2017 Jacqueline Hoang Nguyen: Re: Celebrating the Body is a platform Space Fiction and the Archives encompassing an exhibition, public and school Brian Hoad: Handrails April 8 – October 1, 2017 programs, and dance residency organized by MFA Graduating Exhibition the MacKenzie Art Gallery and New Dance September 9 – 17, 2017 A Canadian Dream: 1965–1970 Horizons, presented with the support of Canada June 10 – August 13, 2017 Council for the Arts, SaskCulture, Saskatchewan Garry Wasliw Arts Board, City of Regina, University of Regina, MFA Graduating Exhibition Pascal Grandmaison: Soleil différé South Saskatchewan Community Foundation, November 4 –13, 2017 June 10 – August 20, 2017 Government of Canada, CanDance, Community Initiatives Fund, Dance Saskatchewan Inc., TEN | X The Dream Space and Business for the Arts. Program partners BFA Graduating Exhibition June 10 – August 20, 2017 include Le Conseil culturel fransaskois, Regina March 17 – April 1, 2018 Musical Club, and Regina Symphony Orchestra. Dana Claxton: The MacKenzie and New Dance Horizons MacKenzie Touring Exhibitions – The Sioux Project — Tatanka Oyate acknowledge and thank our members, donors, September 30, 2017 – January 7, 2018 and volunteers. Provincial Outreach Organized by MacKenzie Art Gallery with Each year, a MacKenzie Educator takes support from Canada Council for the Arts, Mixing Stars and Sand: exhibitions from the Permanent Collection on SaskCulture, Saskatchewan Arts Board, City The Art & Legacy of Sarain Stump tour to schools, community centres, and local of Regina, University of Regina, and South March 3 – June 24, 2018 galleries across the province. Saskatchewan Community Foundation. This project has been made possible in part Additional support from Social Sciences and by the Government of Canada. The MacKenzie Rosalie Favell Humanities Research Council of Canada and Art Gallery acknowledges with appreciation May 3, 2016 – October 19, 2017 University of British Columbia Department of the support of the Department of Canadian Art History, Visual Art & Theory. Heritage, the South Saskatchewan Community Lesser-known Saskatchewan Landscapes Foundation, the University of Regina, October 25, 2016 – June 30, 2018 Transformative Landscapes: SaskCulture, the City of Regina, and the Contemplating Space, Time and Connection Saskatchewan Arts Board. Across the Turtle’s Back Series: The Brett Graham: Pioneer Kampelmacher Memorial Collection September 2, 2017 – February 4, 2018 of Indigenous Art Hosted Exhibitions September 26, 2017 – June 30, 2018 Jeff Funnell: Notes from the Inquest Alex Janvier September 30, 2017 – February 4, 2018 May 20, 2017 – September 10, 2017 Transformative Landscapes Organized by the National Gallery of Canada. Engagement Space Presented by the MacKenzie Art Gallery with September 9, 2017 – January 7, 2018 the support of Canada Council for the Arts, SaskCulture, Saskatchewan Arts Board, City of Regina, and University of Regina.

Ernest Luthi (Canadian, 1906–1983), Kendal from the Southeast, no date, oil on board, 28.4 x 36.5 cm., Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout. Photo: Don Hall. 19 20 OUTREACH COMMUNITY Provincial Touring Artists and Exhibition Program

The Provincial Touring Artists and Exhibition In 1971, then-MacKenzie Art Gallery Director, Program shared exhibitions of original art in Nancy Dillow, raised funds to create a one- 25 communities throughout Saskatchewan, year pilot project to serve communities providing exhibition-related programs for throughout the province. Under the 6,395 students in 216 workshops and serving leadership of Paul Fudge, the Community a broad cross-section of community members Programme, as it was known then, secured as viewers. stable funding, and Bob Boyer joined the team in 1973. Together Paul and Bob expanded the This year’s Provincial Touring Artists program and created landmark exhibitions and Exhibition Program featured the like Boyer’s, 100 Years of Saskatchewan Kampelmacher Collection of Indigenous Indian Art 1830-1930. It is from these Art. We appreciate Thomas Druyen and “grassroots” that the MacKenzie has brought Alice Ladiner for allowing us to share their transformative and intimate experiences of incredible collection with people of all ages art to hundreds of thousands of people in our throughout the province. province.

Through the generous support of people “I have deep gratitude and respect for all of like Thomas and Alice, this program has those who have contributed to this program enjoyed a long and successful history of over the years; it is a privilege to represent weaving art into the fabric of our province the Gallery in this role,” says Ken Duczek, over the past 47 years. The Provincial Touring Coordinator of Learning Initiatives, MacKenzie Artists and Exhibition Program arose from Art Gallery. community requests to bring the MacKenzie’s celebrated exhibitions to communities around Saskatchewan; the MacKenzie Art Gallery Volunteers (MGV) responded, loading their vehicles with works from the permanent collection to share in towns across Southern Saskatchewan.

21 22 EDUCATION

AND PUBLIC PROGRAMS Enbridge Young Artists Project Initiative for Indigenous Futures

Students in the Enbridge Young Artists The Initiative for Indigenous Futures (IIF) imagines, explores Project explore issues of identity and and actualizes Indigenous Peoples’ futures through youth culture through creating and experiencing workshops and symposia delivered in partnership with artworks. MacKenzie Art Gallery instructors universities and community organizations. lead in-class workshops, after-school programs, and tours of MacKenzie Art Over Spring Break 2018 local youth learned about machinima, Gallery exhibitions with our partner a genre of film that uses graphics created by video game schools, Kitchener Community School, engines in place of live actors and real settings. In a week- Mother Teresa Middle School, St. Michael’s long workshop led by artist Skawennati Fragnito and her Community School, Seven Stones AbTeC team, Maize Longboat and Nancy Townstead, youth Community School, Albert Community participants retold the traditional tale How the Loon Got It’s School, Sacred Heart Community School Walk in the digital medium. and Scott Collegiate. Subsequent workshops led by selected artists from the local community establish a legacy of creative education built on the Through the Enbridge Young Artists Project inner-city youth learn about the influences and foundation of the machinima workshop. While working alongside leading professional artists, youth acquire the skills, access to methods of professional artists, as well as the messages they convey with their works of production tools and knowledge of the film production workflow. art. For example, in May and June of 2017, students explored birch bark biting, automatic tendencies in art making and personalized abstraction in hands-on workshops relating to Artworks produced in IIF workshops provide entry points for discussing Indigenous Futures. Youth-created artworks provide direction guided tours of Alex Janvier’s body of work. and inspiration for invited artists, academics, youth and elders to collectively envision their future at the IIF Symposium scheduled for November 2019. In fall of 2017, internationally-acclaimed Canadian (Inuk) musician and throat singer Tanya Tagaq visited student participants at Scott Collegiate in conjunction with a writing workshop, facilitated by MacKenzie Art Gallery art instructors, that asked students to reflect on the role of women in their lives.

The Enbridge Young Artists Project demonstrates the transformative power of art: students are empowered as creators within the workshops and find new role models in their art instructors, and the artists exhibited at the MacKenzie.

23 Participants from the Enbridge Young Artists Project, Photo: Candy Fox How the Loon Got its Walk, Initiative for Indigenous Futures, MacKenzie Art Gallery, 2018. 24 Community Programs and Thursday, July 20, 2017: Transformative Sunday, October 1, 2017: Studio Sunday — Thursday, January 4, 2018: Interactive Gallery Thursday, March 1, 2018: Thursday Lates — This initial visit began a dialogue that both Landscapes Film Screening: In the Monument Parfleche Workshop, presented in collaboration Tour of Brett Graham: Pioneer Sketching in the Galleries artist and institution wish to expand and Interdisciplinary Presentations with the Buffalo Peoples Arts Institute. build on. The MacKenzie invited Carmen to Thursday, July 27, 2017: Transformative Thursday, January 11, 2018: Studio Workshop Friday - Sunday, March 2 - 4, 2018: Regina return to the gallery in January 2018, in the Thursday, April 6, 2017: Sylvia Ziemann Landscapes Film Screening: Through the Thursday, October 5, 2017: Sketching in the Hands-on studio workshop for adults Symphony Orchestra Forward Currents Festival context of the exhibition Re: Celebrating the Workshop — Naughty Puppets, Part 2 Repellent Fence, with artist talk by Raven Galleries presentations by Gerald McMaster, Anthony Body. Re: Celebrating the Body provided a Chacon from Postcommodity. Thursday, January 18, 2018: Interactive Gallery Kiendl, Robin Poitras, and Edward Poitras dynamic framework for exploration of the Thursday, April 13, 2017: Interactive Gallery Tour Thursday, October 12, 2017: Interactive Gallery Tour of Jeanne Randolph: My Claustrophobic body, movement, and access from a variety of — Motion and John Akomfrah: The Last Angel of Thursday, August 3, 2017: Sculpture Garden Tour of Dana Claxton: The Sioux Project — Happiness Thursday, March 8, 2018: Psyche Somatic Yoga perspectives and disciplines, including visual History Sketching Tatanka Oyate Workshop with Jenelle Finch, Yoga Therapist art, video, dance, athletics, somatics and other Saturday, January 20, 2018: Artist Conversation body-based practices. The artist explored Thursday, April 20, 2017: Vertigo Series — Thursday, August 10 - 13, 2017: MacKenzie at Thursday, October 19, 2017: Shary Boyle and — Artists jes sachse and Carmen Papalia discuss Friday, March 9 and Saturday, Mary 10, strategies for access that go beyond physical Saskatchewan Book Awards Presentation the Regina Folk Festival. Community workshop Jeanne Randolph Opening Reception art, accessibility, and the institution 2018: New Dance Horizons, Marie Chouinard consideration of public space and examine featuring Janine Windolph for Transformative Performance how organizations also expand social and Thursday, April 27, 2017: Sara Raza Presentation Landscapes Saturday, October 21, 2017: Disability and the Thursday, January 25, 2018: Artist Talk and conceptual space, demonstrating new practices — Site and Specificity: The Cross Circulation of Arts Panel/Workshop, as part of the Disability exhibition tour with Jeff Funnell Sunday, March 11, 2018: International Women’s and methodologies for engagement. During Art & Ideas Thursday, August 17, 2017: Transformative and the Arts Festival Day Program his three-day visit, Carmen continued his Landscapes — Brett Graham, Artist Talk Friday, January 26, 2018: Iain Baxter& talk at work at an institutional level through a half- Thursday, May 4, 2017: Sketching in the Thursday, October 26, 2017: Art as Consolation Art For Lunch — University of Regina Sunday, March 18, 2018: Studio Sundays — day workshop on the tenants of Open Access, Galleries Thursday, August 24, 2017: Sculpture Garden — Looking at the life and work of Emily Drop-in gymnastics workshop led by Julie presented for MacKenzie staff and partners. Sketching Dickinson. Presented in partnership with Cindy Friday, January 26, 2018: Opening reception of Lavasseur, presented in partnership with Sask Participants explored strategies for a more open Thursday, May 11, 2017: Interactive Gallery Tour McKenzie, with a performance by Barbara Dana. Re: Celebrating the Body Gymnastics Association. and accessible institution, while embedding — Space Fiction and the Archives Saturday, August 26, 2017: Artist Trading Cards practice within the strategic framework of the at the MacKenzie Saturday, October 28, 2017: Artist Trading Cards Saturday, January 27, 2018: Iain Baxter& Thursday, March 22, 2018: Somatic Workshop — organization. Carmen also presented a public Thursday, May 25, 2017: Make and Trade Session Walkthrough and Artist Talk led by Bill Coleman artist talk exploring his social practice while Anne Campbell Book Launch — Fabric of Day Sunday, August 27: Transformative Landscapes encouraging community dialogue related to — Community Workshop in Harbour Landing Thursday, November 2, 2017: Interactive Gallery Saturday and Sunday, January 27 and 28, 2018: Thursday, March 29, 2018: Psyche Somatic Yoga accessibility and engagement. Thursday, June 1 and June 8, 2017: Interactive Tour of Dana Claxton: The Sioux Project — New Dance Horizons Performance — Frederic Workshop with Jenelle Finch, Yoga Therapist Gallery Tour — Alex Janvier Thursday, August 31, 2017: Sculpture Garden Tatanke Oyate Gravel Sketching Carmen Papalia Open Access Project, Partnership with Saskatchewan Abilities Thursday, June 15, 2017: Interactive Gallery Thursday, November 9, 2017: Studio Workshop — Tuesday, January 30, 2018: Educator Workshop Winter 2018: In January 2017, Carmen Council (SAC) Tour — Pascal Grandmaison and A Canadian Thursday, September 7, 2017: Sketching in the Buffalo Peoples Arts Institute for Re: Celebrating the Body Papalia visited Regina for a week of research The mission of the SAC is to build inclusive Dream Gallery and presentations with partner institutions. communities for people of all abilities. SAC Thursday, November 16, 2017: Vertigo Series — Thursday, February 1, 2018: Black History During his visit, Carmen met with MacKenzie offers support and services for individuals Thursday, June 22, 2017: Sketching in the Thursday, September 14, 2017: Art Conversation Fred Wah and open stage Month Launch presented in partnership with program development staff and conducted with intellectual and physical special needs Galleries Series: Emmanuel Eduma Saskatchewan African Canadian Heritage a See for Yourself workshop at the gallery in the areas of daily living and rehabilitation Thursday, November 23, 2017: Tanya Tagaq Museum in the Across the Turtle’s Back exhibition for services, quality of life, and employment. The Saturday, June 24, 2017: Queer City Cinema Thursday, September 21, 2017: Artist Trading Artist Talk, in partnership with RSO and invited colleagues. The meeting with program MacKenzie engaged and trained SAC volunteers Film Screening and Discussion — Flushing Filth Cards Workshop, presented by Sharon Sâkêwêwak Thursday, February 8, 2018: Living Performance development staff began a vibrant dialogue, as gallery hosts in the context of the Re: in Canada Eisbrenner and Cindy Dorr. Course Workshop exploring concepts of relational accessibility, Celebrating the Body exhibition, with the goal Thursday, November 30, 2017: Sketching in the institutional privileging of the visual, and to develop and sustain relationships that last Thursday, June 29, 2017: Panel Discussion Thursday, September 28, 2017: Sketching in the Galleries Thursday, February 15, 2018: Black History Carmen’s Open Access model for engagement. beyond Re: Celebrating the Body and continue with Alex Janvier, Mary Anne Barkhouse and Galleries Month Performances presented in partnership The See for Yourself workshop offered an through future exhibition development and Wally Dion Sunday, December 3, 2017: Holiday Celebration with Saskatchewan African Canadian Heritage opportunity for those involved to practice programming. Volunteers worked directly with Friday, September 29, 2017: Dana Claxton, Museum creative and collaborative process-based Gallery Facilitators to greet and engage visitors Saturday, July 1, 2017: Transformative Transformative Landscapes, and Jeff Funnell Thursday, December 7, 2017: Studio Workshop systems of access from a non-visual vantage with exhibition themes and artworks, offering Landscapes Workshop at Canada Day Opening Reception Thursday, February 22, 2018: Living point. The project established a pedagogical a diversity of perspectives and interpretive celebrations in Wascana Park Thursday, December 14, 2017: Sketching in the Performance Course Workshop space where workshop participants could re- strategies for visitors of all ages and abilities. Saturday, September 30, 2017: Dana Claxton Galleries establish their access to the museum platform Thursday, July 6, 2017: Transformative Symposium Saturday, February 24, 2018: Artist Trading through embodied movement, group problem Landscapes Film Screening: Little Caughnawaga: Thursday, December 21, 2017: Interactive Gallery Cards Make and Trade Session solving and exploration guided by one’s own To Brooklyn and Back Saturday, September 30, 2017: art{outside} Tour of Shary Boyle: Scarecrow subjectivity. The engagement culminated in an Launch at Government House, including a talk Sunday, February 25, 2018: Studio Sundays exercise in which participants took turns leading Thursday, July 13, 2017: Transformative by Timothy Long and Gallery Facilitator-led Thursday, December 28, 2017: Sketching in the — Drop-in Métis Jigging workshop led by the one-on-one eyes-closed gallery tours while Landscapes Film Screening: Cree Inuit drawing activity in the gardens. Galleries Seven Stones Steppers describing art objects, architectural details and Reconciliation other gallery visitors in their own words.

25 26 NEW PROGRAM SPACE AND CAFÉ

The MacKenzie’s modernized Welcome Area seamlessly connected to a variety of media will incorporate a fully accessible Program platforms for projections, digital screens, Space and Café, reimagines the gallery as a zoned in-ceiling speakers, video conferencing, social and creative hub, reconfiguring existing and more. meeting rooms as flexible public engagement spaces programmed with activities. We are excited to share the development of this project, which aims to create a Responding to requests from gallery patrons welcoming, accessible, multi-use place and the community at large, the MacKenzie for everyone in our community. Jointly is creating an accessible, family-friendly, funded by The Government of Canada’s culturally-engaged Café serving a full range Community Infrastructure Program and of meals and specialty espresso beverages. South Saskatchewan Community Foundation, Incorporating the ecologically-focused the project is proceeding in cooperation artwork of Regina-born artist Bill Burns, the with the Ministry of Central Services. PCL Café emphasizes high-quality, nutritious, leads construction with assistance from locally-sourced products at a reasonable 1080 Architecture Planning + Interiors price. (formerly Cite360 Studio), Alfa Engineering, MacPherson Engineering, and JC Kenyon The 60-seat Café will accommodate up to 350 Engineering. standing patrons for free public programs such as artist talks, readings, performances, We look forward to welcoming you this fall and discussion forums. The meeting spaces to experience this inviting space that will utilize folding walls offering a range of enhance your dining and meeting experiences configurations to accommodate everything at the Mackenzie. from private meetings to large public events. These flexible, multi-use spaces will feature fully-integrated, wireless audio/visual systems

Renderings of the Café and Program space, Cite 360 designs.

27 28 COMMUNITY SUPPORT Lyn Goldman makes Transformational Gift to the MacKenzie Art Gallery

Instead, Goldman flourished in numerous communications roles including television producer, arts officer, and radio host, which took her from Hollywood to Toronto and finally back to Regina and a career at the University of Regina, first as public relations director and finally as an associate professor. After relinquishing her paint set to her brother, who became an internationally- recognized painter under the name of Anthony Thorn, Goldman redirected her passion to acting. She performed onstage and onscreen both as an amateur and a professional for 50 years.

Photo: Don Hall This life-long devotion to the arts coupled with a Lyn Goldman first became involved with the desire to honour her brother’s legacy motivated MacKenzie Art Gallery when Izumi, Arnott and Goldman to make a transformational gift to the Sugiyama constructed modernist buildings to MacKenzie. “I’m involved in supporting the arts, house the MacKenzie on the University of Regina’s but my brother’s passion for art fed my passion for College Avenue Campus. “That was when my art. I chose to make a gift to the gallery because brother was a young artist in the city, and my he was from Regina and I respect the work that the mother was a devoted supporter of the arts.” A Gallery does.” responsibility to champion public arts institutions was instilled in Goldman then, but her involvement The purpose of this transformational gift, which with visual art goes back much further. “When I includes a bequest, is twofold. First, to contribute was a little kid,” she recalls, “I took art classes, and to the MacKenzie Art Gallery Acquisitions fund my big brother was going to be a poet. He went to to make a purchase of art for the Gallery’s Chicago for his Master’s Degree and met an artist permanent collection. Secondly, to contribute who encouraged him to paint. So, he came home to the programming and organizational needs and found my old oil paints, and,” she adds, “I of the Gallery. In all, Goldman’s gift enables the never painted again.” MacKenzie to tell Saskatchewan’s story and to share our unique artistic voices with the world.

Anthony Thorn (Canadian, 1927–2014), Jacob’s Dream, 1983, enamel and 24K gold leaf on canvas, Photo: Don Hall.

29 30 DONATIONS Lynn & Jim Tomkins Amanda Baker Don Pell, Wingnut Enterprizes Kathy Bradshaw Rod Mochoruk Brenda Smith Foundation at the South Ambassador Coffee Boutiques Donald & Janet Barber Kelly Welder Samantha Duffy, Samantha Brysen Bert, Steady Through their vital support of the MacKenzie’s renowned Saskatchewan Community Ring Artist Metalworks Andrew Raczynski Donnie Parker Ken Rasmussen exhibitions and innovative public programs, donors impact Foundation SEED Sustainable Style B-Sparkled Handmade the lives of countless individuals throughout our province. Mark & Janice Stefan Anonymous (10) Doug Yaremko Lacia Vogel Shirley Higgs Calvin Burns & Alyssa Becker- Thank you to our donors! Miranda Jones Arthur & Mary Opseth Dr. Diana Monea Laur’Lei Silzer Sinfully Sweet Cathedral Burns Ashlee Langlois E. Toupich Laura-Anne Rusnak Olson Goldsmiths Bakery Carolyn Fay Eros Ashley Johnson & Tom Perron Ella E. Denzin Leanne Sumners Risa Horowitz Steve Karch & Gerri-Ann Siwek Carolynn Meginbir Astrid Lloyd Eric Johnson Leslie Quennell Robert Byers SUDS Full Service Car Wash Charley Farrero, Farrero DONATIONS OF Jefferson Little Auralee & Murdoch Escape Manor Lindsay Humphries Terrence Osborne Sweet Ambrosia Bakeshoppe Clayworks & Rosanne Wood MacPherson ART – PERMANENT Evan Quick Lorne Beug Thomas Bredohl & Tara Garratt, Rock’n Jewellery Chelsey Rudd-McPherson Ken & Bette Sexton Bailey Kasko, Rogue COLLECTION Elizabeth Toporowski Faith B. Logan Lorraine Young & Don Laing Chris Richards, FourSquared Kimberly Kiel Jewelry Designs Terrie Dunand The Estate Betty Beaglehole University of Regina Faculty of Gerald Heinrichs & Lynn & Jim Tomkins Designs Mary Ference Media, Art, & Performance and Bernard Zaharik, ZZ Tim Maw & Martin Noel-Maw Betty Trout Therese Kenny Lynne Bayne Christine Ramsay UR International Colored Porcelains The Wren - Contemporary Bill Burns Neil G. Devitt & Lynn Crook Gerri-Ann Siwek & Steve Karch Claude Morin, ArtAncestral Wee Lee Bib & Tucker Clothing Maddy Lepage Handmade Denis & Diane Hanson Robert Perry Gord & Laurie Webster Colette Schlamp Jewelry Zachari Logan Brittany Yang Margaret Wigmore Thelfa Yee-Toi Rosemarie Burgess Gordon Wicijowski Covet Designs Donald & Claire Kramer Bravo Tango Marc Buchholz Vera Wasiuta South Saskatchewan Handcrafted Home Comforts Dale Lowe, Woodturner Marsha Kennedy GIFTS $500 - $999 Brown Communications Group Marion Chase Community Foundation Just for You Deborah Wallace, Coney Island Wanda Koop Anonymous (2) Bruce & Judy Mccuskee Marjorie Badham GIFTS UP TO $99 Ward Schell Hans & Merle Gaastra Glass & Stoneware Ben & Johanna Salloum Caliber Coffee Roasters Mary & Cliff Baylak Abby Schnaider, Design Build GIFTS $2,000+ Holly Preston, Always Plants Don & Jill McDougall GIFTS $1,000 - $1,999 Catherine Blackburn Carmen Robertson Books Ltd. Melody Armstrong Jewellery Ann & Roger Phillips Ahmed Malik Donald Meikle Andrea Wagner & Don Hall Cindy & Don Ogilvie Charles & Sharon Eisbrenner Hotel Saskatchewan Merle & Hans Gaastra Foundation Al Fitzpatrick Duane & Winnifred Barber Anne Parker Doug & Cindy Johnson Christina Attard Radisson Plaza Michelle Purchase Anne Brochu Lambert Albert Benoit E. Christine Fraser Pottery Barbara Keirnes-Young Gerald & Vivian Norbraten Christine Tell Hugh Wagner & Kelly Miner Nancy E. Croll Anonymous (2) Alexander Dyck E. Magee Brendan Schick Maria Trebuss Cicely Pritchard Jackie Martin Peter Flynn Anthony Kiendl & Elizabeth Knowles, Ladybug Jason Robins Alexandra King Joanne Bristol Dave & Joann Pettigrew Maurice & Jan Delage Cloudesley Rook-Hobbs & Practical Art, Steve Pietens Designs Leah Cojocar Jennifer Chami & Michael McNell Ammy Murray, Glittersaurus The Estate of Betty David & Veronica Thauberger NWL Contemporary Dresses Rex Jewels Eric Rowe, Framemasters Lorraine Barootes Colette Perras Photography Jennifer Matotek Quan’s Hot Yoga Gallery & Art Supplies Dorothy Knowles Peggy Wakeling Angie & Dave Arndt, Country Bigoudi Gabriela Garcia-Luna Pin-Up Girls Lash Shoppe Colin & Mae Smith Jeremy & Mary Weimer R.G. Harvey Angel Rustic Decor Erin Kembel Bill & Gaye Taylor Jan M. Campbell Regina Beach Yacht Club Crave Kitchen & Wine Bar John & Louise Sutherland Rae Staseson Anonymous (27) Erin Pell David Garneau John & Linda Nilson Robert Croft David & Anne Millar John & Tessa Whyte Regina Community Clinic Art by Fiona Duffy Fairy Godmother’s Creations Deloitte Larry & Elva Kyle Dean Renwick Design Josh MacFadden Regina Symphony Orchestra Barb Quinney Faye Globa Donald & Nancy Hipperson GIFTS $100 - $499 Studio Inc Laura Payne Kara Neuls Rochelle Smith Beata Rutkowska Flora MacDonald Waller Drs. E.P. & L.W. Brandt Fund Aaron & Lenore Fox Debbie Lee Jewellery Designs Lyn Goldman Fund at Karen & Michael O’Brien Rock Creek Tap & Grill, Bhupinder Singh, Bhupi.ca Frank & Maureen Ottenbreit at the South Saskatchewan Alex MacDonald & Catherine Deborah Potter Quance St Community Foundation the South Saskatchewan Kathleen O’Grady Design - Bob & Jane Braun Friends of the Museum Community Foundation Arthur MacDonald Denise Werker grady bleu Apparel Rock’n Jewellery Dr. Jacqui Shumiatcher Bonnie Gilmour Pottery Allan & Shelley McDougall Diana Monea 31 32 Gail Penner, Through Kelli Meeres Ruth Smillie Wyatt Heiberg, FLAT Clothing CORPORATE SPONSORS Glass Images Kevin Sanders Ruthy Penner, Nooks Design Zach Dietrich, Parsons Dietrich Transformational Partners $25,000+ Pottery Garnet Hall, Rocky Top Crafts Kimberley & James Fyfe Sandee Moore Enbridge Pipelines Inc. Zane Wilcox Gary Boyle, Name Your Nuts Kirsten Matthies Sandra Stretten Zee-Bee Honey Gaye Smith, g.a.s. art Laura Hamilton Art Sara Robertson, Naked Kitty Gold $10,000 - $24,999 Naturals Zsuzsa Papp ISC Genevieve Fafard, Your Lena Woolley Aunties Panties Sarah Galvin, FoodCraft Great-West Life, London Life & Canada Life Leslie & Shirley Warden Geof Heselton & Jody Stewart, by Sarah PLANNED GIVING Louise Hoffert Creative Fixx Sarah Neville Studios Silver $5,000 - $9,999 Lucy Reimer, Lucy Designs Mark & Janice Stefan Geordie & Liz Smith Saskatchewan Roughrider Harvard Western Insurance Gloria Parker Malty National Football Club Inc. MLT Aikins LLP Heather Fitzsimmons Marian Sciplack Saskatchewan Science Centre TRIBUTE DONATIONS James Doan & Judy Russell Marilyn Nelson Scott Morgan Ada Lou Watson in memory of Bronze $1,400 - $4,999 Doan Mark Budd, Roundhill Pottery Sharon Moore Patricia Elizabeth Wiens Bill & Gaye Taylor Janice Stefan, Sisters Stones DGC, Drummond Group of Companies Mark Wihak & Shaun Leach Allison Price in honour of & Glass Wanda Schmöckel Frame & Wheel Alignment Co. Shauna Hugg, Cheertreats Heidi & Bob Phillips Janice Stratychuk Marlys Bateman, Greystone Managed Investments Inc. Shelley Mackenzie, Anonymous in honour of Government House Jaymin Stewart, ShadesofJay Zephoria Designs Sattva Jewelry Delia Bourne Johnston Maaco Jerry Flegel Mavis Tremblay Sherry Stewart, Stewarts Joan Dudley Mayvis Goranson Scenic Signs & Metal Art Donald & Claire Kramer in IN-KIND SUPPORTERS John & Jean Macfarlane Mel Malinowski, Hippo Pottery Steve Seiferling memory of Patricia Elizabeth A1 Rent-Alls JoJo Beads, Jolene Dusyk Metal Majesty, Jennifer Briere Susan Whitney Wiens Advantage Sign & Display Laurel Boone in memory of Joyce Stadnick Michelle Hunter, Sylvia & Vince Aitken Assiniboia Gallery Metamorphosis Glass Works John Blenkinsop Judith Wera, Authentic Tabitha Clayson, Sparrow Creative Touch Wedding & Event Designs African Craft Michelle Longman, Gardens Pottery & Designs Longman Apiaries Lyn Goldman in memory Don Hall Photography Judy Kosloski, JLK Designs Tania Nault, Artist of Anthony Thorn Impact Printers Monica DeCampo, Judy Verbeke Ted Uchacz Monicats Studio MacKenzie Gallery Volunteers Hillman AV Kama J. Leier The Beaded Chickadee Nick Saville in memory of Douglas Martin Mallee Rock Karen Henders Tyler Kilkenny, Tinhouse Nokomis Craft Ales Pam Bristol Designs Palma Schick & Mervyn Karina LaMont Play Creative Patricia Sinclair Val Doke, Two Bags & More Currie in memory of Patricia Kate Mckinley, Weaselware Pro AV Prairie Pottery, Ron & Elizabeth Wiens Pottery Valerie Munch Susan Whitney Art Appraisals Inc. Rusty Kurenda Katerina Pappas, Valinda Lawson, Bevels & Rosemary Burgess, The Estate Wascana Florists Rae-Nel Trogi Monicats Studio Blooms Glass Art of Randy Mackrill Violet Cooke Kathleen Wandler Vivian May Bruce in memory MEDIA PARTNERS Roland Daum Artist CTV Kathie Maher-Wolbaum, W.F. & Fran Ready of Eleanor Long Handcrafted Home Comforts Ronda Schmalenberg, Whitney Pingert, Rinne Leader-Post Just for You Fabric Creations Apparel Pattison Outdoor

Rawlco Radio Gala 2017 33 34 PERMANENT CLETO ACQUISITIONS COLLECTION Joe Fafard: Poundmaker

Poundmaker (1979) by Saskatchewan artist respect — holding a stone and wearing pants Joe Fafard offers a penetrating portrait with black and white legs. Fafard’s sculpture of Pitikwahanapiwiyin, an important Cree depicts a farsighted leader who, though leader and participant in the North-West stripped of power, defiantly stands his ground. Resistance of 1885. This work was recently The sculpture was one of six First Nations received as part of a significant donation portraits by Fafard that were included in the by Regina collectors Dr. Lyle and Eileen ground-breaking exhibition Pluralities at the Moore and reflects Fafard’s long interest in National Gallery of Canada in 1980. Canada’s Indigenous peoples and history. Pitikwahanapiwiyin (Poundmaker) (1842-1886) The addition of this important sculpture, was a negotiator of Treaty Six and chief of along with three other works by Fafard and the Poundmaker Cree Nation located 70 km a major early painting by Wilf Perreault, will west of North Battleford. Pitwahanapiwiyin’s offer important insight into Saskatchewan art participation in the North-West Resistance of from the 1970s and 1980s, and strengthen 1885 ended with his voluntary surrender to the MacKenzie’s extensive holdings of these Major-General Middleton. Despite his record nationally-celebrated artists. of averting violence while pursuing just treatment for his people, he was convicted of treason and sentenced to three years at Stony Mountain Penitentiary in Manitoba. Fafard’s remarkable portrait is based on a photograph taken during a visit by French journalists to the penitentiary in 1886. The photograph shows the leader in braids— these had not been shaved off as a mark of

35 Joe Fafard (Canadian, born 1942), Poundmaker, 1979 , ceramic, 61 x 17.8 x 19.1 cm., Collection of the MacKenzie Art Gallery, gift of Dr. Lyall and Eileen Moore. Photo: Don Hall. 36 New Acquisitions Noah Arragutainaq IP20 #1, 1999 D. Emilgona Garnet Hazard George Kayakok Kadyulik Joe Adlaka Aculiak Canadian [Inuit, Sanikiluaq], 1914–1985 photocopy and acrylic on mylar Canadian [Inuit] Canadian, 1903–1987 Canadian [Inuit, Salluit], 1927–1990 Canadian [Inuit, Inukjuak], born 1936 Untitled (seal), no date 91.4 x 68.6 cm Untitled (bird), no date Valley Landscape, no date Untitled (woman working on a kamik), no date Untitled (Inuk holding a bird), no date stone Collection of the MacKenzie Art Gallery, stone etching on paper stone stone 9.5 x 17.3 x 6.5 cm gift of the artist 9 x 4 x 21.5 cm 12.7 x 15.6 cm 12.5 x 9 x 15.5 cm 19.5 x 14.5 x 9 cm Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout IP20 #2, 1999 gift of Henry and Betty Trout gift of Henry and Betty Trout gift of Henry and Betty Trout gift of Henry and Betty Trout photocopy and acrylic on mylar Mary Cookie 91.4 x 68.6 cm Lazarusie Epoo Jimmy Hikok (attributed to) Yassie Kakee Asaina Adamee Canadian [Inuit, Kuujjuaraapik], born 1934 Collection of the MacKenzie Art Gallery, Canadian [Inuit, Inukjuak], born 1932 Canadian [Inuit] Canadian [Inuit, Iqaluit], born 1947 Canadian [Inuit, Iqaluit] Untitled (bird), no date gift of the artist Untitled (Inuk cutting up a seal), no date Untitled (kayaker with seals), no date Untitled (walrus head), no date Untitled (bird), no date stone stone, rope stone, wood, sinew, copper stone, ivory stone 6 x 17 x 3.5 cm IP20 #3, 1999 19 x 27.5 x 14 cm 11 x 54.5 x 29 cm 3.5 x 6.3 x 3 cm 15.5 x 14.5 x 8 cm Collection of the MacKenzie Art Gallery, photocopy and acrylic on mylar Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout 91.4 x 68.6 cm gift of Henry and Betty Trout gift of Henry and Betty Trout gift of Henry and Betty Trout gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, Reta Cowley gift of the artist Joe Fafard Huang Zhong-Yang Pauloosie Karpik Johnny Alashuak Canadian, 1910–2004 Canadian, born 1942 Canadian [Chinese], born 1949 Canadian [Inuit, Pangnirtung], 1911–1988 Canadian [Inuit] St. Mary’s Church, Alvena, Saskatchewan, 1974 IP20 #4, 1999 Goya, 1989 Untitled, no date Untitled (Bust Depicting Mother and Child), Untitled (Inuk building an igloo), no date watercolour on Green’s paper photocopy and acrylic on mylar bronze, edition 3/5 watercolour on paper no date stone 36.7 x 50.8 cm 91.4 x 68.6 cm 32.5 x 38 x 12 cm 55.6 x 30.2 cm stone 12.5 x 8.5 x 6 cm Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, 5.5 x 7.5 x 7 cm Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout gift of the artist gift of Dr. Lyall and Eileen Moore gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout gift of Henry and Betty Trout Untitled, 1973 IP20 #5, 1999 Poundmaker, 1979 Jayco Ikillik Davidialuk Alasua Amittu watercolour on paper photocopy and acrylic on mylar ceramic Canadian [Inuit, Taloyoak] Paul Kavik Canadian [Inuit, Puvirnituq], 1910–1976 54.5 x 72.5 cm 91.4 x 68.6 cm 61 x 17.8 x 19.1 cm Untitled (drum dancer), no date Canadian [Inuit, Sanikiluaq], born 1948 Untitled (seal), no date Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, stone Untitled (Bird), no date stone gift of Henry and Betty Trout gift of the artist gift of Dr. Lyall and Eileen Moore 23 x 7.5 x 17 cm stone 6.5 x 24 x 9.5 cm Collection of the MacKenzie Art Gallery, 25 x 26 x 11 cm Collection of the MacKenzie Art Gallery, Ruth Cuthand Just Another Dead Indian, 1986 Untitled, 1977 gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout Canadian, born 1954 acrylic on canvas ceramic gift of Henry and Betty Trout Cardston, Alberta 1959–1967 #1, 2005 132.2 x 109.3 cm 23 x 56 x 35 cm Samwillie Iqaluq Augustin Anaittuq acrylic on canvas Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Canadian, [Inuit, Sanikiluaq], 1925–1993 Yvonne Kayotak Canadian [Inuit, Kugaaruk], 1935–1994 182.9 x 121.9 cm gift of the artist gift of Dr. Lyall and Eileen Moore Untitled (walrus), no date Canadian [Inuit, Igloolik], born 1952 Untitled (seal-bear transformation), no date Collection of the MacKenzie Art Gallery, stone, ivory Untitled (bird), no date stone gift of the artist Kokum Goes To Get Her Boy, 1984 Untitled, 1978 6 x 12 x 6.3 cm stone, ivory 9 x 15.5 x 4 cm acrylic on canvas ceramic Collection of the MacKenzie Art Gallery, 6 x 11.5 x 9 cm Collection of the MacKenzie Art Gallery, Cardston, Alberta 1959–1967 #2, 2005 134.8 x 116.2 cm 28.5 x 50 x 13.5 cm gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout acrylic on canvas Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout 182.9 x 121.9 cm gift of the artist gift of Dr. Lyall and Eileen Moore Solomon Iqquiyuituq Sam Anavilok Collection of the MacKenzie Art Gallery, Canadian [Inuit, Kugaaruk], born 1946 Illingworth Kerr Canadian [Inuit, Kugluktuk], born 1936 gift of the artist Remember Your Feminine Wiles, 1986 Untitled, 1979 Untitled (dog sledding scene with bird flying Canadian, 1905–1989 Untitled (two birds), no date acrylic on canvas ceramic, glaze, paint overhead), no date Qu’Appelle Valley Near Craven, 1984 stone Cardston, Alberta 1959–1967 #4, 2005 147 x 167 cm 24.7 x 18.7 x 18 cm walrus tusk ivory, caribou antler, sinew, bone oil or acrylic on board 8 x 15 x 9 cm acrylic on canvas Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, 14.5 x 44 x 14.5 cm 29 x 39.2 cm Collection of the MacKenzie Art Gallery, 182.9 x 121.9 cm gift of the artist gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout gift of Henry and Betty Trout gift of the artist A.W. Davey Sanford Fisher Mary Apik Canadian [English], 1907–1986 Canadian [Cree], 1927–1988 Untitled (dog sledding scene), no date Annie Kilaleuk Canadian [Inuit] Cardston, Alberta 1959–1967 #5, 2005 Untitled, no date Untitled, no date antler, ivory, sinew, wood Canadian [Inuit, Pangnirtung] Untitled (bird), no date acrylic on canvas ink on card oil on canvas board 11.5 x 42 x 12 cm Untitled (Sedna), no date stone 182.9 x 121.9 cm 27.5 x 35 cm 22.8 x 30.3 cm Collection of the MacKenzie Art Gallery, stone 13.5 x 14 x 7 cm Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout 17 x 26.5 x 10 cm Collection of the MacKenzie Art Gallery, gift of the artist gift of Henry and Betty Trout gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout Elisapee Ishulutak gift of Henry and Betty Trout Cardston, Alberta 1959–1967 #6, 2005 Wally Dion Brett Graham Canadian [Inuit, Pannirtuq], born 1925 Nellie Appaqaq acrylic on canvas Canadian, born 1976 New Zealand, born 1967 Untitled (Sedna), no date Alice Kilikavioyak Canadian [Inuit, Sanikiluaq], born 1936 182.9 x 121.9 cm Armour Set, 2008 Pioneer, 2015 stone Canadian [Inuit, Kugluktuk], born 1911 Untitled (bird), no date Collection of the MacKenzie Art Gallery, computer circuit boards, enamel paint, wood, mixed media 9 x 19.5 x 4 cm Untitled (four seals), no date stone gift of the artist fabric, steel plates, composite riot helmet, 234 x 164.5 x 330.9 cm Collection of the MacKenzie Art Gallery, stone 7.5 x 15.5 x 4.5 cm various materials Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout 4 x 17.5 x 9.5 cm Collection of the MacKenzie Art Gallery, 182.9 x 88.9 x 50.8 cm gift of the artist Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout gift of an anonymous donor 37 38 Kavavak King Collection of the MacKenzie Art Gallery, Martins’ Tourist Hotel, Manitou Beach, no date Souris River South of Halbrite, 1965 Untitled, no date William Marshall Canadian [Inuit] gift of Henry and Betty Trout watercolour on paper watercolour on watercolor board pastel on paper British, 1923–2007 Untitled (bird), no date 14.2 x 19.4 cm 24.2 x 33.8 cm 30.4 x 45.6 cm Gourd Vase, no date stone Ken Lonechild Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, gift of glazed ceramic 6.5 x 5.5 x 3.5 cm Canadian, 1960–2017 gift of Henry and Betty Trout gift of Henry and Betty Trout Henry and Betty Trout 13 x 13.5 x 13.5 cm Collection of the MacKenzie Art Gallery, Untitled, 1984 Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout oil or acrylic on canvas Memory Sketch of 10 Mile Hill from Ellisboro, Sports Day, Golden Jubilee, 1955 Untitled, no date gift of Claire Kramer 25.5 x 30.5 cm 1957 graphite and coloured pencil on paper watercolour on paper Dorothy Knowles Collection of the MacKenzie Art Gallery, coloured pencil on paper 12.8 x 20.3 cm 6.6 x 8 cm Silatik Meeko Canadian, born 1927 gift of Henry and Betty Trout 12.7 x 20.1 cm Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Canadian [Inuit, Sanikiluaq], born 1930 Untitled, 1974 Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout gift of Henry and Betty Trout Untitled (loon), no date mixed media on canvas Ernest Luthi gift of Henry and Betty Trout stone 44.8 x 60.2 cm Canadian, 1906–1983 Untitled, 1932 Untitled, 1967 6 x 15.5 x 4.5 cm Collection of the MacKenzie Art Gallery, At Semans after the Rain, 1969 Memory Sketches of Warfs [sic] at Waskesiu at watercolour on paper watercolour on paper Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout graphite on paper Evening, no date 12.2 x 17.4 cm 19.2 x 23.3 cm gift of Henry and Betty Trout 20.4 x 25.5 cm graphite and coloured pencil on paper Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Wanda Koop Collection of the MacKenzie Art Gallery, 6.9 x 13.6 cm gift of Henry and Betty Trout gift of Henry and Betty Trout Rudy Minilgak Canadian, born 1951 gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, Canadian [Inuit] Untitled #2 from Sightlines, 2000 gift of Henry and Betty Trout Untitled, no date Untitled, 1932 Untitled (owl/hawk), no date acrylic on canvas C.O.S. Looking S.E., 1948 pastel on paper ink and watercolour on paper stone 274.2 x 396.2 cm watercolour on paper Pelican, Canada Goose, Condor, no date 29.1 x 44.8 cm 10 x 15.4 cm 24 x 19 x 11 cm Collection of the MacKenzie Art Gallery, 9.4 x 17 cm graphite, ink on paper Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, gift of Wanda Koop Collection of the MacKenzie Art Gallery, 20.2 x 11.4 cm gift of Henry and Betty Trout gift of Henry and Betty Trout gift of Henry and Betty Trout gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, Madeleine Isserkut Kringayark gift of Henry and Betty Trout Untitled, no date Untitled, no date Tomasita Montoya Canadian [Inuit, Naujaat], 1928–1986 C.P.R. Dam and McLeod’s Barn at Highway 47, graphite, coloured ink, and ink on paper watercolour on paper American [Pueblo, San Juan], 1899–1978 Untitled (two bears with a seal), no date no date Rain Dance Site, no date 10.2 x 7.7 cm 26.8 x 37 cm Bowl, no date stone, ivory, resin (or wax) watercolour on paper watercolour and graphite on paper Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, ceramic 3.5 x 12.5 x 5.5 cm 22.7 x 28.4 cm 7.6 x 12.5 cm gift of Henry and Betty Trout gift of Henry and Betty Trout 17 x 22 x 22 cm Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout gift of Henry and Betty Trout gift of Henry and Betty Trout Untitled, 1978 Untitled, no date gift of Henry and Betty Trout graphite on paper pencil on paper William Kurelek Edward Fox, no date Red Clover, no date 19 x 24 cm 25.3 x 20 cm Simeonie Ohaituk Canadian, 1927–1977 coloured pencil on paper graphite, coloured pencil, and ink on paper Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Canadian [Inuit, Inukjuak], born 1941 No Grass Grows on the Beaten Path, 1975 22 x 16.8 cm 10 x 10.2 cm gift of Henry and Betty Trout gift of Henry and Betty Trout Untitled (Inuk putting a collar on a dog), no date mixed media on masonite Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, stone 101.6 x 71.1 cm gift of Henry and Betty Trout gift of Henry and Betty Trout Untitled, 1956 Untitled, no date 23 x 18 x 12 cm Collection of the MacKenzie Art Gallery, watercolour on paper oil on canvas board Collection of the MacKenzie Art Gallery, gift of Av Isaacs and Donnalu Wigmore For Use with J. Gardiner Picture, 1956 Scarth Street, Regina, 1955 21.7 x 28 cm 26.7 x 34.2 cm gift of Henry and Betty Trout graphite on paper graphite and pencil crayon on paper Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Laura A. Lamont 12.2 x 20.2 cm 11.5 x 16.4 cm gift of Henry and Betty Trout gift of Henry and Betty Trout Sorosoluto Onalik Canadian, 1880–1970 Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Canadian [Inuit, Iqaluit], born 1943 Regina Beach, no date gift of Henry and Betty Trout gift of Henry and Betty Trout Untitled, no date Wild Geese, no date Untitled (fish), no date watercolour on paper graphite and watercolour on paper graphite and ink on paper stone 12.8 x 17.9 cm Harvest at Tuffnell, no date Self-portrait, 1963 20.2 x 25.3 cm 11.2 x 17.6 cm 5 x 16.75 x 13 cm Collection of the MacKenzie Art Gallery, watercolour on paper pastel on paper Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout 36.8 x 52 cm 25.3 x 20.2 cm gift of Henry and Betty Trout gift of Henry and Betty Trout gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Untitled, no date gift of Henry and Betty Trout gift of Henry and Betty Trout Untitled, no date Mina Mannuk Untitled (pair of beluga whales), no date watercolour on paper acrylic on paper Canadian [Inuit, Sanikiluaq], born 1934 ivory, stone 19 x 26.7 cm Kendal from the Southeast, no date Self-portrait, no date 20.3 x 25.4 cm Untitled (woman with kudlik), no date 6.5 x 14 x 4.5 cm Collection of the MacKenzie Art Gallery, oil on board graphite on paper Collection of the MacKenzie Art Gallery, stone, wood Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout 28.4 x 36.5 cm 25.9 x 16.1 cm gift of Henry and Betty Trout 10 x 17.5 x 10.5 cm gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Untitled, no date gift of Henry and Betty Trout gift of Henry and Betty Trout Untitled, 1944 gift of Henry and Betty Trout Isa Oomayoualook watercolour on paper graphite and ink on paper Canadian [Inuit, Inukjuak], 1915–1976 12.3 x 17.6 cm Looking N.E. to Spalding, 1971 Sketchbook, 1958 12.2 x 20.3 cm Enook Manomie Untitled (Inuk ice fishing), no date Collection of the MacKenzie Art Gallery, graphite and coloured pencil on paper graphite and coloured pencil on paper Collection of the MacKenzie Art Gallery, Canadian [Inuit, Iqaluit], born 1941 stone gift of Henry and Betty Trout 12.7 x 17.9 cm 26 x 20 x 0.5 cm gift of Henry and Betty Trout Untitled (standing Inuk), no date 15 x 13.5 x 9 cm Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, stone Collection of the MacKenzie Art Gallery, Untitled, no date gift of Henry and Betty Trout gift of Henry and Betty Trout Untitled, no date 15 x 12 x 5 cm gift of Henry and Betty Trout watercolour on paper watercolour on paper mounted on card Collection of the MacKenzie Art Gallery, 12.2 x 17.7 cm 23.9 x 28.8 cm gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout 39 40 Joanassie Oomayoualook Swimmer C, no date Untitled (Old Anglican Church, Raymore, Canadian [Inuit, Inukjuak], born 1934 plexiglas, silver foil, edition 21/100 Saskatchewan), no date Markoosie Tunnillie Untitled (bird), no date Untitled (dog sledding scene), no date Untitled (Inuk with seal), no date 31.9 x 33.4 x 5.6 cm (approx.) watercolour on paper Canadian [Inuit] stone bone, sinew, leather stone Collection of the MacKenzie Art Gallery, gift in 29.6 x 22.1 cm Untitled (small bird), no date 2.5 x 13.5 x 3 cm 8.5 x 44 x 7.5 cm 25 x 22.5 x 9.5 cm memory of Betty Beaglehole Collection of the MacKenzie Art Gallery, stone Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout 5 x 8 x 3 cm gift of Henry and Betty Trout gift of Henry and Betty Trout gift of Henry and Betty Trout Carmel Romero Collection of the MacKenzie Art Gallery, American [Pueblo, Santa Clara], 1909–2004 Roy Thomas gift of Henry and Betty Trout Untitled (bird), no date Untitled (face of an Inuk), no date Daniel Oweetaluktuk Bowl, no date Canadian [Anishinaabe/Ojibway], 1949–2004 bone stone Canadian [Inuit, Inukjuak], born 1934 ceramic Brother seeing moose and wolves, 1977 Unidentified 6 x 6 x 2.75 cm 2.5 x 4.75 x 7 cm Untitled (Inuk fishing/sealing), no date 5 x 11 x 9.5 cm screenprint on paper, edition 26/75 American [Pueblo, San Juan] Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, stone Collection of the MacKenzie Art Gallery, 49.2 x 63.7 cm (sight) Bowl, no date gift of Henry and Betty Trout gift of Henry and Betty Trout 22.5 x 21 x 25 cm gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, ceramic Collection of the MacKenzie Art Gallery, gift of Diane and Denis Hanson 6 x 15.5 x 15.5 cm Untitled (bird), no date Untitled (fat seal), no date gift of Henry and Betty Trout Rhoda Sala Collection of the MacKenzie Art Gallery, stone ivory, stone Canadian [Inuit, Sanikiluaq], born 1943 Dog being welcomed into man’s home, 1977 gift of Henry and Betty Trout 6.5 x 11.5 x 4.25 cm 3.5 x 10 x 4.25 cm Wilf Perreault Untitled (walrus), no date screenprint on paper, edition 26/75 Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Canadian, born 1947 stone 49.2 x 63.7 cm (sight) Unidentified gift of Henry and Betty Trout gift of Henry and Betty Trout Blue Morocco, 1989 10 x 25 x 6.5 cm Collection of the MacKenzie Art Gallery, Canadian [Inuit] acrylic on canvas Collection of the MacKenzie Art Gallery, gift of Diane and Denis Hanson Untitled (bird), no date Untitled (fish), no date 152.4 x 152.4 cm gift of Henry and Betty Trout Untitled (basking seals), no date stone stone Collection of the MacKenzie Art Gallery, Leaving brother on island, 1977 ivory, antler 6 x 13.5 x 4 cm 9.5 x 21 x 4.5 cm gift of Don and Claire Kramer Charlie Sappa screenprint on paper, edition 26/75 4 x 14.5 x 10 cm Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Canadian [Inuit, Kuujjuarapik], born 1923 49.2 x 63.7 cm (sight) Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout gift of Henry and Betty Trout Looking Towards Broad Street, 1977 Untitled (kayaker with seal), no date Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout acrylic on canvas stone, wood, leather gift of Diane and Denis Hanson Untitled (bird), no date Untitled (fish), no date 203.8 x 144.8 cm 8 x 25.5 x 10.5 cm Untitled (bird head), no date stone stone Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Paddling away to the Hunting Grounds, 1977 stone 4.5 x 7 x 4 cm 6.5 x 10 x 2.5 cm gift of Dr. Lyall and Eileen Moore gift of Henry and Betty Trout screenprint on paper, edition 26/75 8.5 x 12.5 x 6 cm Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, 49.2 x 63.7 cm (sight) Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout gift of Henry and Betty Trout Walter J. Phillips Untitled (kayaker hunting walrus), no date Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout Canadian [British], 1884–1963 stone, bone, antler, sinew gift of Diane and Denis Hanson Untitled (bird), no date Untitled (fox/wolf with catch), no date A Winnipeg Street, Snow Bound from Ten 9.5 x 25 x 8.5 cm Untitled (bird with catch), no date stone stone Canadian Colour Prints portfolio, 1927 Collection of the MacKenzie Art Gallery, Sibis turning into a wolf, 1977 stone 15.5 x 15 x 9 cm 4.5 x 10.5 x 3.5 cm woodcut on japanese paper, edition of 250 gift of Henry and Betty Trout screenprint on paper, edition 26/75 11.5 x 20 x 5.5 cm Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, 12.5 x 17 cm 49.2 x 63.7 cm (sight) Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, Inglis Sheldon-Williams Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout gift of Henry and Betty Trout Canadian [British], 1870–1940 gift of Diane and Denis Hanson Untitled (bird), no date Untitled (goose), no date Untitled (View of Moulins, France), 1926 Untitled (bird), no date stone, bone stone Taqialuk Qayaq ink on paper Transport to mainland, 1977 stone 4.5 x 6 x 6.2 cm 8 x 13.5 x 4.5 cm Canadian [Inuit], born 1923 7 x 16.2 cm screenprint on paper, edition 26/75 18 x 18 x 20 cm Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Untitled (Inuk with a bear), no date Collection of the MacKenzie Art Gallery, 49.2 x 63.7 cm (sight) Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout gift of Henry and Betty Trout stone gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout 21.5 x 14.5 x 8 cm gift of Diane and Denis Hanson Untitled (bird), no date Untitled (head of walrus), no date Collection of the MacKenzie Art Gallery, Davidee Sheromik Untitled (bird), no date stone stone, ivory gift of Henry and Betty Trout Canadian [Inuit, Kuujjuarapik] Abraham Tigullaraq (attributed to) stone 9 x 13 x 4 cm 6.5 x 8 x 4.5 cm Untitled (river otter with fish), no date Canadian [Inuit, Kangiqtugaapik], born 1951 12 x 12 x 5.5 cm Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Makusikalla Aliqu Qullialu stone Untitled (Seal), no date Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout gift of Henry and Betty Trout Canadian [Inuit], 1930–1989 17 x 37 x 12 cm stone gift of Henry and Betty Trout Untitled (river otter), no date Collection of the MacKenzie Art Gallery, 5.25 x 16.5 x 6.5 cm Untitled (bird), no date Untitled (hunter carrying seal), no date stone gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, Untitled (bird), no date stone stone, rope 7.5 x 6 x 13.5 gift of Henry and Betty Trout stone 7.75 x 9.5 x 3.5 cm 21 x 5 x 10 cm Collection of the MacKenzie Art Gallery, Robert D. Symons 10 x 11.5 x 3.5 cm Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout Canadian [British], 1898–1973 Pinnie Tuki Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout gift of Henry and Betty Trout El Eden, Sierra Madre, Mexico, 1962 Canadian [Inuit, Inukjuak], deceased gift of Henry and Betty Trout Larry Rivers watercolour on paper Untitled (walrus), no date Untitled (composition of birds flying over fish), Untitled (hunter with spear), no date American, 1923–2002 21.5 x 28.5 cm stone Untitled (bird), no date no date stone, leather, wood Swimmer B, no date Collection of the MacKenzie Art Gallery, 8 x 11 x 6 cm stone stone inlay, antler 16 x 11.5 x 11 cm plexiglas, silver foil, edition 4/100 gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, 4.5 x 10.5 x 4 cm 14 x 24 x 5 cm Collection of the MacKenzie Art Gallery, 30.9 x 31.9 x 5.8 cm gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, Untitled, no date gift of Henry and Betty Trout gift of Henry and Betty Trout gift in memory of Betty Beaglehole watercolour on paper Untitled (Inuit hunting scene), no date 26.6 x 22.8 cm ivory Collection of the MacKenzie Art Gallery, 1.5 x 15.5 x 3 cm gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout 41 42 Untitled (Inuit scene), no date Untitled (Inuk sealing), no date Untitled (pair of river otters), no date Untitled (standing Inuk), no date Works on Loan McMichael Canadian Art Collection horn stone, leather stone stone 2 x 15.7 x 3 cm 11 x 12 x 12.5 cm 5 x 10.5 x 3 cm 11 x 4.5 x 3.25 cm Passion Over Reason: Tom Thomson and Joyce Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Musée des beaux-arts de Montréal Wieland gift of Henry and Betty Trout gift of Henry and Betty Trout gift of Henry and Betty Trout gift of Henry and Betty Trout July 1 – November 19, 2017 (Kleinburg, ON) Metamorphosis: The Studio of Rodin Untitled (Inuk blowing up a napartuk), no date Untitled (Inuk with a seal), no date Untitled (river otter), no date Untitled (standing Inuk), no date Tour Schedule: Joyce Wieland (Canadian, 1931–1998) stone stone stone stone Montreal Museum of Fine Arts (Montreal, QC), 16 x 9.5 x 15 cm 33 x 15 x 9 cm 14 x 7 x 6 cm 8.5 x 4.25 x 3.5 cm O Canada, 1971 Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, May 25 – October 25, 2015; gift of Henry and Betty Trout gift of Henry and Betty Trout gift of Henry and Betty Trout gift of Henry and Betty Trout Virginia Museum of Fine Arts (Richmond, Winnipeg Art Gallery Virginia), December 12, 2015 – April 3, 2016; Untitled (Inuk carving), no date Untitled (Inuk with seal), no date Untitled (scene with bird and arctic hares), no Untitled (whale), no date Peabody Essex Museum (Salem, Picasso in Canada stone stone date ivory Massachusetts), May 14 – September 5, 2016 May 13 – August 13, 2017 (Winnipeg, MB) 12 x 16.5 x 8 cm 11 x 12 x 5.5 cm stone, bone, 2 x 12.5 x 2.5 cm (presented as Rodin: Transforming Sculpture); Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, 5 x 14 x 8.25 cm Collection of the MacKenzie Art Gallery, Groningen Museum (Netherlands), November Pablo Picasso (Spanish, 1881–1973) gift of Henry and Betty Trout gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout 19, 2016 – April 30, 2017 (presented as Rodin — gift of Henry and Betty Trout Nature morte, bouteille, 1912 Untitled (Inuk head with metamorphosis in Untitled (kneeling mother and child), no date Jackoposie Upaka Genius at Work). process), no date stone Untitled (scrimshaw cribbage board), no date Canadian [Inuit] Auguste Rodin (French, 1840–1917) Dulwich Picture Gallery whalebone vertebra 14 x 11 x 11 cm ivory Untitled (bird), no date Eternal Spring, pre 1917 13.5 x 7 x 6 cm Collection of the MacKenzie Art Gallery, 5.2 x 48 x 8.5 cm stone, bone base The Kiss, pre 1917 Aftermath: War and Peace in the Art of David Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, 9 x 13 x 7 cm Milne gift of Henry and Betty Trout gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, Beaverbrook Gallery Tour Schedule: Untitled (loon), no date gift of Henry and Betty Trout Dulwich Picture Gallery (London, UK), Untitled (Inuk head), no date stone Untitled (seal), no date Marlene Creates: Places, Paths, and Pauses February 14 – May 7, 2018 whalebone 5.5 x 13.5 x 2 cm stone Robert Vincent Tour Schedule: 9.5 x 7 x 7.5 cm Collection of the MacKenzie Art Gallery, 2.5 x 11 x 3.5 cm Canadian, 1908–1984 Vancouver Art Gallery (Vancouver, BC), Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, Co-op Feed Mill Saskatoon, 1964 Beaverbrook Art Gallery (Fredericton, NB), June 16 – September 16, 2018; gift of Henry and Betty Trout gift of Henry and Betty Trout watercolour on paper September 23, 2017 – January 21, 2018; McMichael Canadian Art Collection (Kleinburg, Untitled (musk-ox), no date 26 x 37.5 cm Dalhousie Art Gallery (Halifax, NS), February ON), October 4, 2018 – January 13, 2019. Untitled (Inuk hunter with walrus), no date stone Untitled (seal), no date Collection of the MacKenzie Art Gallery, 15 – May 9, 2018; stone 14.5 x 24 x 9 cm stone gift of Henry and Betty Trout Confederation Centre Art Gallery David Milne (Canadian, 1882–1953) 20 x 17.5 x 13 cm Collection of the MacKenzie Art Gallery, 5 x 6.5 x 16 cm (Charlottetown, PE), June 9 – September 30, Lightning, 1936 Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, Lucy Weetaluktuk 2018; gift of Henry and Betty Trout gift of Henry and Betty Trout Canadian [Inuit, Inukjuak], born 1923 The Rooms Provincial Art Gallery (St. Johns, Contemporary Calgary Untitled (narwhal), no date Untitled (fish), no date NL), October 11, 2019 – January 19, 2020. Untitled (Inuk hunter), no date stone Untitled (seal), no date stone extratextual stone 10 x 10.5 x 24 cm stone, antler 6 x 13.5 x 5 cm Marlene Creates (Canadian, born 1952) 14 x 6.5 x 4 cm Collection of the MacKenzie Art Gallery, 8 x 14 x 13 cm Collection of the MacKenzie Art Gallery, September 1, 2017 – January 21, 2018 Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout Chesley Webb, Labrador, from the series The (Calgary, AB) gift of Henry and Betty Trout gift of Henry and Betty Trout Distance Between Two Points is Measured in Untitled (owl), no date Purchases Memories, 1988 Cheryl L’Hirondelle (Canadian [Metis/Cree Untitled (Inuk hunting seals), no date stone Untitled (small bird), no date and German/Polish]) stone, ivory 11 x 10 x 7 cm stone Zachari Logan Rosie Webb, Labrador 1988, from the series uronndnland (wapahta ôma iskonikan askiy), 10 x 20.5 x 19 cm Collection of the MacKenzie Art Gallery, 6 x 10 x 3.5 cm Canadian, born 1980 The Distance Between Two Points is Measured 2004 Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, Moon Flowers (My Father’s Skin), 2017 in Memories, 1988 gift of Henry and Betty Trout gift of Henry and Betty Trout chalk pastel and graphite on black paper Glenbow Museum Untitled (owl), no date 243.8 x 152.4 cm Esker Foundation Untitled (Inuk making a kudlik), no date stone Untitled (standing bear), no date Collection of the MacKenzie Art Gallery stone 15 x 8 x 7 cm stone One New Work: John Will: Photography R.I.P. 31 x 25 x 9 cm Collection of the MacKenzie Art Gallery, 29.5 x 10.5 x 11 cm Mary Anne Barkhouse: Le Rêve aux Loups February 3 – May 21, 2018 (Calgary, AB) Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, September 16 – December 22, 2017 gift of Henry and Betty Trout gift of Henry and Betty Trout (Calgary, AB) John Will (Canadian [American], born 1939) Untitled (owl), no date Untitled (Prayer - Hot Line), 1987 Untitled (Inuk sealing), no date stone Untitled (standing Inuk), no date Mary Anne Barkhouse (Canadian, born 1961) stone, leather 17 x 9 x 12 cm stone The Skins of Our Fathers II, 2007 National Gallery of Canada 12.5 x 16 x 16 cm Collection of the MacKenzie Art Gallery, 7.5 x 5 x 3 cm Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout Collection of the MacKenzie Art Gallery, The Governor General’s Awards in Visual and gift of Henry and Betty Trout gift of Henry and Betty Trout Media Arts 2018 March 29 – August 5, 2018 (Ottawa, ON)

Jack Sures (Canadian, born 1934) Untitled, 1985 43 44 Brenda Martin Cloudesley Rook-Hobbs Why become a MacKenzie Member? Brenda Saunders & Leah Cojocar

FUNDRAISING The MacKenzie is your gallery. Your membership is EVENTS Brenda Smith Colin & Mae Smith Last year the MacKenzie welcomed over most compelling public art gallery. Those in an investment in art education, award-winning public Brenda Valiaho Colleen Murphy & Henri 7,400 supporters to its fundraising and attendance enjoyed complimentary bubbly, programming and landmark exhibitions for all citizens of Brenda Zdunich Chabanole friendraising events: Bazaart, Holiday R&B grooves and soulful sounds provided Regina and beyond. Brent Ghiglione Collette Robertson Bazaart and the MacKenzie Gala. by musicians Mackenzie Jackson – along Brian & Susan Haacke Connie Gault with stunning art installations by Ontario’s MEMBERS Aziz Farah Brigitte Hagues Craig & Judi Francis Bazaart is Saskatchewan’s most unique Fastwürms artist collective, and Regina’s Faith Aaron & Lenore Fox Barb Quinney Brittany Krivoshein Curtis Mazur outdoor shopping experience featuring hand- B. Logan. Ada Lou Watson Barbara Anderson Bruce & Carolyn Preston Cynthia Bates made creations from over 140 local artisans, Al Fitzpatrick Barbara Barootes Bryan Dimen & Melody Olson Dale & Cathie Kryzanowski live musical performances presented in The Live Auction and Silent Auction were Alex MacDonald & Catherine Barbara Church-Staudt Byron & Frances Werry Dale & Johanne Beck partnership with the Regina Folk Festival and the highlights of the evening, featuring a Arthur MacDonald Barbara Keirnes-Young Caitlin Mullan Dale Folstad & family art activities. Celebrating 44 years in spectacular line up of original artworks by Alexander & Linda Paul Barbara Willows Carla Harris Denise Jenkins Folstad 2017, Bazaart attracts over 6,000 art-lovers artists from across Canada, and exciting Alice & Jack Huber Barrie & Edie Cubbon Carmen Robertson Dan & Barbara de Vlieger annually. prizes generously donated by many local Alicia Szabo & Theo Litowski Barry & Lyn Swift Carol Fluter Darlene Armstrong individuals and businesses. Ben & Johanna Salloum Darren Foster On Saturday, November 25, 2017, more Alison Lohans Carol Gay Bell Ben & Leah Brodie Dave & Joann Pettigrew than 2,100 people made this the best- Together we raised over $120,000 in Allan East & Sandra Zilles Carol Klassen & Wendy Dean Bernard & Rosalie Zagorin Dave & Marilyn Hedlund attended Holiday Bazaart yet. Sixty artisans support of the MacKenzie’s innovative public Amanda Baker Carol Tremblay Bernard Flaman Dave & Mary Hornung from across Western Canada created an programs and acclaimed exhibitions – all of Amber MacLeod Carolyn Fay Eros Beti Randall Dave & Susan Exner unparalleled shopping experience for those which are free! Andrea Wagner & Don Hall Caron & Elaine Hopfner Betty Beaglehole David & Anne Millar on the hunt for one-of-a-kind gifts just in time Andrew Raczynski Caron Wilson Bev Anderson David & Elizabeth Calam for the holidays. Thank you to everyone who attended these Angela Fornelli Casey Wood & Zoe Gelech events! Your participation is an investment Angie Holsten Bill & Gaye Taylor Catherine Robertson David & Laura Rusnak Held on October 13th, the 2017 MacKenzie in the people of our community, supporting Angus & Devona Juckes Bill Bolstad Cathy, Lauren & Julia Uhersky David & Sharol Evans Gala gathered nearly 200 guests in the transformative experiences of the world Ankit Kapur Biswa Ranjan Datta & Celeste York David & Sharon Solheim Indra Datta beautiful T.C. Douglas Atrium to support through art and ensuring that art is a valued Ann Phillips Charles & Sharon Eisbrenner David & Wilma Wessel Björn Wissel and celebrate Saskatchewan’s oldest and form of communication in our society. Anne Campbell Cheryl Barber David Brock Blaine & Beryl Ledingham Anne Parker Chitra Sridhar David Gehl Bob & Barb Ellard Anne Viravong Chris & Karen Pasterfield David John & Bob & Jane Braun Twyla Dawn Owens Anonymous (33) Chris Stephens Bob & Jean Cameron Dawn Butz Anthony Kiendl & Christine Ramsay & Ken Wilson Bob & Lee Rea Dawn Henry Joanne Bristol Christine Sali Bob Croft Deborah Jordan & Arthur & Mary Opseth Christopher Gust Bonnie Chapman & David Stewart Ashlee Langlois Cicely Pritchard Phillip Cameron Deborah Lee Ashley Johnson & Tom Perron Cindy & Don Ogilvie Bravo Tango Debra Burnett Audrey Henderson Cindy Newkirk Brenda & Warren Arnold Deidre Baird Auralee & Murdoch Claire Watson MacPherson Brenda Brautigam Delee Cameron & Ted Quade Clay & Kathy Winslow 45 46 Della Howe Elizabeth Kalmakoff Graeme Mitchell Janice Stratychuk Judy Verbeke Lesly Lasby & Helen Timm Margaret Baker Nancy E. Croll Denise Werker Elizabeth Kazymyra Grant & Donna Welke Janine Windolph June Crowe Linda Alberts Margaret Bessai & Gerald Saul Nancy Farrell Dennis Garreck Elizabeth Verrall Greg Carr Janis Smith & Donald Tingle Karen Marchuk Linda Dewhirst Margaret Wigmore Nancy Talsness Hordern Diana Adams Ella E. Denzin Gregory & Dianne Swanson Jason Ziegler Karen Page & Don Chatwin Linda Guest Maria Hendirke Natasha Blaisdell Dianne Stann Ella Mikkola Gursh & David Barnard Jeanne Shami Karl Skierszkan Linda Jean Karst Maria Trebuss Nathan Schissel & Don & Arlene Kuntz Ellie Jones Hally Levesque Jerry Coppens Kate Cushon Linda Lane Backman Marianne Greer Alison Campbell Don & Jill McDougall Emmaline Hill & Allen Warren Harriet Ross Jerry Jordan & Ielene Kathryn White Linda Lennea Marianne Wilkinson Neil & Carol Gardner Donald & Claire Kramer Eric Larson Hart Godden Chamberlin Kathy & Brent Hancock Linda Marchtaler Marilyn I. Lee Neil G. Devitt & Lynn Crook Donald & Janet Barber Erik Norbraten Harvey Linnen Jill Collins Kathy & Randy Pearpoint Linda Miller-Wenman & Marilyn Nelson Olivia Brennan & Donald & Nancy Hipperson Erika Folnovic Hawker Jonsson Jim & Donna Holmes Kathy McNutt Dean Wenman Marina Cain Andrew Perrault Donna Bannman Evelynn Gaucher Heather Collins Jim & Mary Seiferling Katrine McKenzie Linda Smith Marj Weiss Paige Mortensen Donna Braun Flora MacDonald Waller & Hugh Gabruch Jim Putz Kellie Garrett & John Henryk Livia Castellanos Marjorie Badham Pamela Allen Donna McCudden Frances & Donald Zerr Heather Phipps Joan Baron & Terry Toharsky Kelly Deis Liz Dusyk Mark & Pat Mulatz Pamela Olson Donnie Parker Frances Olson Heather Quale Joan Dudley Kelly Kummerfield Lloyd Wilson Mark Hanley Pat Sargent & Wayne Goranson Doug & Cindy Johnson Francine D’Aoust & Joan Humphries Ken & Bette Sexton Lois Griffin Mark Wihak Pat Wilson Heather van der Breggen Doug Faller Norm Pantel Joan Kruger Ken & Patricia MacKay Loraine Lysak Marlene Wirachowsky Patrice Elson Helen Yum Douglas & Betty Anne Sinclair Frank & Maureen Ottenbreit Joan M Roy Ken Bray Lori Baiton Marnie Gladwell Patricia Middleton Helena Demchuk Douglas Roe & Wynese Nielsen Fred Clipsham Joan Patterson Ken McCaw Lori Evert Martha & Ralph Ottenbreit Patricia Sinclair Helga Hein Dr. Alice Goodfellow & Gail Chin Joan Wagner Kevin Sanders Lorraine Bethell Mary & Chris Ference Patrick McFarlane Herb & Fran Haidl Margaret Anne Hodges Gail Murton Jo-Anne Distasi Kevin Tell & Donna Kabaluk Lorraine Weidner Mary & Cliff Baylak Paul & Eleanor Podl Hilda Cheesman Dr. Ann Grahame Garry & Sheryl Simons Joanne Yeo Kim & Loreen Mock Lorraine Young & Don Laing Mary & Duncan Wallace Paul & Rose-Marie Dornstauder Hugh & Lois MacKenzie Dr. Brenda Beckman-Long & Gary & Elizabeth Lane Joe Milligan Kim Ryan Louise Hoffert Mary Jane Potvin Paul Coulson Timothy Long Hugh Wagner & Kelly Miner Gary & Laura Redhead John & Jean Macfarlane Kimberley & James Fyfe Louise Kelly Mary Leach Paul Radigan Dr. Jacqui Shumiatcher Irene Boss Gay R. Patrick John & Linda Nilson Kiran Kashyap Louise Kenyon Maurice & Jan Delage Paulete Poitras Dr. Jarol Boan Isaac & Kathryn Sneath Gayl Hipperson John & Marlene Gordon Lacia Vogel Louise Tessier Mavis Tremblay Paulette Dull Drs. Lynn & Jim Tomkins Isabel Dolman Georgina Sobchyshyn John & Susan Whittick Ladd Fogarty Louise Walker Megan Griffin Paulette Ells Duane & Winnifred Barber Jack Ito & Janet Campbell Gerald & Linda Fox John & Tessa Whyte Larry & Elva Kyle Lousie Handford Meghan McCreary Pearl Yuzicappi Duane Lavoy Jackie Martin Gerald & Vivian Norbraten John Tsechelidis Larry & Patricia Hesterman Lucille Sirois-Donnelly Melva Towne Peggy Wakeling Dympna Gallet Jackie Schmidt Gerald Kraus & Susan Whitney Jonathan Hines Laura Matz Lyall & Eileen Moore Merle & Hans Gaastra Penny & Ted Malone E. Magee Jacqueline Messer-Lepage Geri Berenbaum Jonathan Potts Laverne & Morgan Williams Lydia Bramham Mervin & Diane Phillips Peter Douglas & Lynne Murphy E. Toupich Jade Gritzfeld Gerry Thompson Josephine Brcic Lavonne Melle Lyn Goldman Michelle Allard-Johnson Pharmacy Association of Elaine Britton James Doan Gertrud Bessai Josh MacFadden Leah Conteh Lynn Lane Michelle Krueger & Brian Baker Saskatchewan Elaine Hannah & Judy Russell Doan Gillian Forrester Joyce A. Leier Leanne Fischer Lynne Bayne Miranda Reid Preschool Fine Arts Elaine Hilsden James Reed Glendine Gogel Joyce Stadnick Lee Reid Madeline Lepage Mo Bundon & Michelle Carr Cooperative Elayne Bennett Fox Jan Besse Gloria Reeder Judith McLennan Lena Woolley Malcolm & Ellen Lindeburgh Molly Moss & David Rosenbluth R. Bradley & Michelle Hunter Eleanor Cardoza & Jan M. Campbell Gord Barnes Judith Westerlund Leonard Markewich Marcelle leBlanc Mr. & Mrs. Gordon Neill R. Guy Fortier & Jeremy Morgan Jane Newton Dianna Leong Fortier Gordon Wicijowski Judy Bradley & Leslie & Shirley Warden Marcia Frid Mr. Doug Durst Elizabeth Brandsgard Janet McMurtry & R.G. Harvey Gordon & Marlene Pullar Bernard Churko Leslie Quennell Marg Van Alstine Murray & Debby Dollard Elizabeth Glendinning Ross MacNab Gordon & Rhonda Hipperson Judy Ryan 47 48 MacKenzie Volunteers The energy, dedication, and talents of volunteers make Johanna Salloum Michael Fahlman Rabbi Avrohom Simmonds Ross & Susan Keith Sylvia Gendreau Wayne Tunison & Julia Krueger the gallery the bustling hub of community and creativity that it is John Ackerly Nancy Hipperson Rae Reid & Ruth & Bert Adema Tammie Ashton-Morrison Wendy Allard & Earl Bean today. Volunteers give their time to everything from fundraising Joyce Stadnyk Nathan Schissel Anna Crugnale-Reid Ruth Blaser & Tanya Derksen Willem & Sharon De Lint and running the Gallery Shop to presenting the MacKenzie’s Kara Neuls Nicolle Nugent Rae Staseson Brenda MacLauchlan Terence & Sheila McKague exceptional exhibitions, we thank you all! Karen Cartmell Norma Quinn Ralph & Carol Skanes Ruth Taylor Terry & Louise Julé LIFE MEMBERS Katherine Stedwill Olivia Brennan VOLUNTEERS Denise Jenkins Folstad Randy Semenchuck & Sally Pasterfield Orr Terry Downie Ken Duczek Pat Sargent All living artists with a work Adeline Ullrich Dhara Duchêne Michele Roland Semenchuck Samira McCarthy Terry Saen Larissa Wahpooseyan Peter Brass of art in the Permanent Allie Folk Dhivya Rajumar Rani Bilku Sandee Moore Thelfa Yee-Toi Laura Schaan Preetma Manohar Collection are Life Members of Amanda Baker Doug Johnson Rashmi Bhargava Sandra Gunnlaugson Theresa Bradel Leah Brodie Priscila Couto the MacKenzie Art Gallery. Amber MacLeod Dympna Gallet Rebecca Gibbons Sandra Stretten Theresa Girardin Leevon Delorme Rachelle Grabarczyk Andie Chernoff Edie Cubbon Regina Hotel Association Sandy Baumgartner Thomas Bredohl & Leona Burkhart Rae Staseson Anita Bhatia Ekta Timilshina Rhonda Farley Sarina & Sheldon Clarke Elizabeth Toporowski Linda Alberts Rani Bilkhu Anne Parker Elaine Hopfner Rhonda Smysniuk Savaria Public Relations Thomas Chase Linda Guest Riley Munro Antoinette Pelletier Elayne Bennett Fox Rich & Bernadette McIntyre Scott Nicholson Fine Arts Tim Maw & Martin Noel-Maw Lisa Mitchell Robert Perry Ashlee Langlois Elizabeth Toporowski Richard & Schelina Julé Sharon & Jim Klemke Timothy Murphy & Lise Lundlie Robert Stedwill Robin Poitras Asma Gehlen Fran Clarke Riley Munro Sharon Bender Lois MacKenzie Rose Ahuja Tom Bradley & Audrey Henderson Frances Olson Robert & Katherine Stedwill Shaun Leach Lydia Miliokas Sally Orr Dawn Redmond-Bradley Ava Ference Gayl Hipperson Robert & Pat McEwen Shayleen Middelkoop Lynn Tomkins Sam Bolianitz Trevor & Norma Quinn Barbara Farr Gayle Keple Robert & Sandra Johnson Sheila & Joseph Roberts Maja Starovi Samira McCarthy University of Regina Faculty of Ben Tingley Gerri Ann Siwek Robert Beug & Sheila Fraser Margaret Wakeling Sandee Moore Brenda Schuster Media, Art, & Performance Beryl Ledingham Gillian Robison Shelley Hannah Marge Badham Savannah Belitski Robert Byers Val Johnson Beth Babcock Hani Rukh E Qamar Sherry Klatt Maria Trebuss Shane Grand Robert Hawkins & Val Morrissey Bette Sexton Hargunjot Kaur Raja Sherry Wolf Marie Olinik Sherry Wolf Marie-France Menc Valerie Bayer Beverly O’Shea Heather Collins Shirley Bonic Marilyn Hedlund Shirley Bonic Robert Jarvis Vera Wasiuta Bill Bolstad Heather McCaslin Shirley Higgs Marilyn I. Lee Shirley Higgs Robert Perry Vicky Gillies Bob Brownridge Ingeborg Schlichtmann Shirley Sagan Marjorie Badham Shirley Warden Robert Wm. Friedrich Vicky Kangles Blair Fornwald Irene Boss Sophia Raczynski Mark Stefan Stephanie Varsanyi Rod Tyler & Victor Sawa Brenda Smith Isabel Dolman Stephen & Francoise Kenny Mark Vajcner Sue Olson Mary Ann Czekanski Victoria R. Whitmore Brian Hoad Jackie Martin Stephen Powell & Pam Klein Mary Baylak Tessa Whyte Roger & Jean Mitchell Violet Cooke Brittany Yang Jacquie Messer-Lepage Stephen Trott & Jan Purnis Mary Ference Thelfa Yee-Toi Roger Carriere Virginia Hendrickson Bruce Russell Jacqueline Guinette Steve & Penny Wolfson Mary Hornung Thomas Chase Roger Cotterill Vonda Tessier Caitlin Mullan Jaimie Fedorak Steve Karch & Gerri-Ann Siwek Mary Jane Potvin Timothy Long Roger Lepage & Sylvie W.F. & Fran Ready Capriann Ross Jane Chen Sue Cherland Mary Opseth Uma Rawat Bergeron Wanda Gronhovd Carol Tremblay Janine Windolph Susan & Bryce Schurr Mary Saso Vera Wasiuta Ron Okumura Wanda Schmöckel Catherine Arthur-Macdonald Jaya Mallu Susan McKay Maureen Hawley Vicky Gillies Ronald Gates & Sherri Cybulski Ward Schell Catherine Boyle Jeannie Mah Susan Moore & Mark Novak Maureen Ottenbreit Virginia Hendrickson Ronna McIvor Warren Markwart Chris Yang Jeremy Swystun Susan Yee Maya Sharma Vivian Norbraten Rose Marie Gilks Wayne Thrasher Christy Ross Jessica Leeper Susanne Arndt Mel Folk Wanda Schmöckel Rose Wynnyk Cindy Ogilvie Jigna Naik Suzanne Mitten Melva Towne Zachari Logan Cicely Pritchard Jim Tomkins 49 Mia Ference 50 Dave Pettigrew Joan Humphries OF TRUSTEES AND STAFF BOARD BOARD OF TRUSTEES

Members Governance Committee Robert Byers Nathan Schissel, Chair Thomas Chase Jacquie Messer-Lepage Robert Perry (Past President) Robert Perry Doug Johnson Robert Byers Johanna Salloum(President) Ashlee Langlois Nathan Schissel (Vice President) Gerri Ann Siwek Rae Staseson Ben Tingley Nominating Committee Lynn Tomkins Johanna Salloum, Chair Mary Ference Nathan Schissel Ashlee Langlois Robert Perry Cindy Ogilvie

Gerri Ann Siwek Photo: Don Hall Lisa Mitchell Administration Education MacKenzie Gallery Volunteers Anthony Kiendl, Executive Director & CEO Ken Duczek, Coordinator of Learning Initiatives Lynn Carter, Volunteer Coordinator Jackie Martin, Director of Finance & Operations Nicolle Nugent, Coordinator of Public Programs Audit & Finance Committee Caitlin Mullan, Executive Administrator and Community Engagement Gallery Shop Clerks, Gallery Doug Johnson, Chair Jason Ziegler, Manager of Business and Janine Windolph, Curator of Public Programs Facilitators, Term Employees and Visitor Experience Robert Perry Summer Students Jeremy Swystun Krysta Mitchell, Administrative Assistant Development & Communications Rania Al-Harthi, Colton Bates, Stephanie Cindy Ogilvie Larissa Wahpooseyan, Administrative Assistant Leah Brodie, Director of Development Bobetsis, Laura Buchan, Lynn Carter, Shane Mary Ference (to December 17) & Communications (to July 2017) Crerar, Jeremy Diewold-Brenner, Alya Dmytenko, Shane Grand, Accountant Brittany Yang, Development Associate Lorraine Gosselin, Josh Goff, Madeleine Sandee Moore, Development Associate Greenway, Michael Hamann, Brian Hoad, Curatorial Olivia Brennan, Communications Assistant Allyson Kew, Hally Levesque, Nicole Little, Timothy Long, Head Curator (to July 2017) Jeremella MacPherson, Angela Marchtaler, Michelle LaVallee, Curator (to October 17) Kara Neuls, Graphic Designer Linda Marchtaler, Meensaskshi Manocha, Marie Olinik, Collections Coordinator Christy Ross, Events & Rentals Coordinator Crystal Massier, Bolutife Ogunseye Sunday, Brenda Smith, Conservator Wanda Schmöckel, Communications Coordinator Sarah Oneschuk, Rowan Pantel, Melanie Rose, Leevon Delorme, Preparator (to March 2018) Beata Rutkowska, Nicola Saunders, Laura Ralph Skanes, Installation Officer (to June 17) Maya Sharma, Development Assistant Schaan, Brendan Schick, Kayla Schmaus, Erin Peter Brass, Assistant Preparator (to March 18) (to March 2018) Stankewich. Larissa Berschley MacLellan, Assistant Preparator Gallery Shop Security Lydia Miliokas, Curatorial Assistant Michael Fahlman, Gallery Shop Assistant Ernie Boehnert, Marcia Dormuth, Debbie Duck, Manager Mel Gramchuk, Lorraine Oleskiw, Rick Pockett, Susan Ackerman, Rita Schuck, Georgina Sobcshyshyn 51 52 SUMMARY Financial Statements Management Responsibility Report of the Independent Auditor on the Summary Financial Statements

Management of the MacKenzie Art Gallery is responsible for the integrity of the financial data To the Members of MacKenzie Art Gallery Incorporated reported by the Gallery. Copies of full audited financial statements are available by contacting Jackie Martin, Director of Finance & Operations at (306)584-4250 ext. 4275 or by visiting our website at mackenzieartgallery.ca. The accompanying summary financial statements, which comprise the summary balance sheet as at March 31, 2018 and the summary statement of revenue and expenses for the year then ended, and a summary of significant accounting policies and other explanatory information, are derived from the audited financial statements of MacKenzie Art Gallery Incorporated for the year ended March 31, 2018. We expressed an unmodified audit opinion on those financial statements in our report dated June 6, 2018. Those financial statements, and the summary financial statements, do not reflect the effects of events that occurred subsequent to the date of our report on those financial statements.

Anthony Kiendl Jackie Martin The summary financial statements do not contain all the disclosures required by Canadian accounting standards for not-for-profit Executive Director & CEO Director of Finance & Operations June 25, 2018 June 25, 2018 organizations. Reading the summary financial statements, therefore, is not a substitute for reading the audited financial statements of MacKenzie Art Gallery Incorporated.

Management’s Responsibility for the Summary Financial Statements Management is responsible for the preparation of a summary of the audited financial statements on the basis described in Note 1.

Auditor’s Responsibility Our responsibility is to express an opinion on the summary financial statements based on our procedures, which were conducted in accordance with Canadian Auditing Standard 810, Engagements to Report on Summary Financial Statements.

Opinion In our opinion, the summary financial statements derived from the audited financial statements of MacKenzie Art Gallery Incorporated for the year ended March 31, 2018 are a fair summary of those financial statements on the basis described in Note 1.

Chartered Professional Accountants Licensed Professional Accountants

June 6, 2018 Regina, Saskatchewan

53 54 MACKENZIE ART GALLERY SUMMARY STATEMENT OF REVENUES & EXPENSES MACKENZIE ART GALLERY SUMMARY BALANCE SHEET FOR THE YEAR ENDED MARCH 31, 2018 | IN CDN DOLLARS AS AT MARCH 31, 2018 | IN CDN DOLLARS

March 31, 2018 March 31, 2018 March 31, 2018 March 31, 2017 Assets Revenue Current assets Operating grants $ 1,549,946 $ 1,443,475 Cash $ 1,747,110 $ 253,292 Programming grants 446,419 157,432 Short-term investments 1,598,107 2,606,968 Fund raising 1,996,238 2,004,692 Accounts receivable 143,403 35,889 Earned 215,342 343,272 Government remittances receivable 21,317 2,835 Gallery shop 35,363 32,799 Grants receivable 417,616 50,000 Other - 41,085 Inventories 87,578 97,158 Prepaid expenses 6,642 21,318 $ 4,243,308 $ 4,022,755 4,021,773 Expenses 3,067,460 Administration Objects of art 1 1 Salaries and benefits $ 1,540,281 $ 1,626,364 Capital assets tangible 549,762 99,564 Administrative 280,842 233,995 Capital assets intangible 6,729 8 ,741 Amortization 96,392 39,633 Long-term investments 284,554 263,181 1,917,515 1,899,992 841,046 371,487 Marketing & Development Marketing and communications 56,506 60,539 $ 4,862,819 $ 3,438,947 Development 15,370 15,168 71,876 75,707 Liabilities Current liabilities Programming Accounts payable and accrued liabilities $ 588,318 $ 329,777 107,439 79,686 Education Deferred revenue 367,443 368,972 350,180 Exhibitions 624,998 16,456 8,149 Outreach program 955,761 698 ,749 748,893 438,015 Equity Unrestricted 73,702 54,963 Externally restricted in long-term investments 50,000 50,000 Internally restricted 3,783,356 Collection Management 2,635,235 35,135 General 32,126 8,487 3,907,058 Acquisition shipping and appraisal 19,392 2,740,198 93,423 Permanent collection 286,646 $ 4,862,819 $ 3,438,947 338,164 137,045

$ 3,076,448 $ 2,550,759 1. Basis of preparation The summary financial statements are derived from the audited financial statements for the year ended March 31, 2018 prepared in accordance with Canadian accounting standards for not-for-profits organizations.

Excess of revenue over expenses before the following 1,166,860 1,471,996 The preparation of the summary financial statements requires management to determine the information that needs to be reflected in the summary financial statements so that they are consistent, in all material respects, with or represent a fair summary of the audited financial statements. 228,845 382,200 Donations of Art The summary financial statements have been prepared by management using the following criteria: Permanent Collection Donations (228,845) (382,200) i) Whether information in the summary financial statements is in agreement with the related information in the audited statements, and ii) Whether, in all material respects, the summary financial statements contain the information necessary to avoid obscuring matters disclosed in the related financial statements, including Excess of revenue over expenses for the year $ 1,166,860 $ 1,471,996 the notes thereto. 55 The audited financial statements of MacKenzie Art Gallery Incorporated are available at www.mackenzieartgallery.ca. 56 Illingworth Kerr (Canadian, 1905–1989), Qu’Appelle Valley Near Craven, 1984, oil or acrylic on board, Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout, Photo credit: Don Hall, Ernest Luthi (Canadian, 1906–1983), Untitled, no date, pastel on paper, Collection of the MacKenzie Art Gallery, gift of Henry and Betty Trout, Photo credit: Don Hall, courtesy of the MacKenzie Art courtesy of the MacKenzie Art Gallery. Gallery On The Cover: Installation view of Dana Claxton: The Sioux Project — Tatanka Oyate, MacKenzie Art Gallery, 2017. Photo: Don Hall

MacKenzie Art Gallery 3475 Albert Street | S4S 6X6 Regina, SK T: (306) 584-4250 F: (306) 569-8191

@atTheMag mackenzieartgallery.ca