DOCSLIB.ORG

Morris Cyru Shumiatcher R-1543 O 1977-1986 17.2 Cm

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Morris Cyru Shumiatcher R-1543 O 1977-1986 17.2 Cm SAFA 122-1 A Guide to the Records of the Morris and Jacqui Shumiatcher fonds (F 3) Researcher Version Provincial Archives of Saskatchewan 2007 Revised 2015, 2016 THIS GUIDE HAS BEEN REDACTED AND IS INTENDED FOR RESEARCHER USE. THE ORIGINAL VERSION IS RESTRICTED (SAFA 122-2). (Client names have been redacted in F 3-1-8 "Cases I Have Tried" client files) THESE RECORDS ARE SUBJECT TO ACCESS RESTRICTIONS. PLEASE CONSULT THE LEGISLATIVE COMPLIANCE & ACCESS UNIT (LCAU) FOR ASSISTANCE. PRIVATE RECORDS AUTHORITY DESCRIPTION Provincial Archives of Saskatchewan Authority Record Individual (PA 231) Shumiatcher, Morris Cyril, 1917-2004 About this records creator: Authorized Heading Shumiatcher, Morris Cyril, 1917-2004 Brief Biographical Sketch Morris Cyril Shumiatcher was born in Calgary, Alberta on September 20, 1917. Shumiatcher moved to Regina, Saskatchewan in 1945 and served in the T.C. Douglas Government until 1949, when he entered private law practice. During his career, Shumiatcher wrote and lectured extensively and was active in numerous professional, cultural and arts organizations. Shumiatcher died in Regina on September 23, 2004. Biographical Sketch Morris Cyril Shumiatcher was born in Calgary, Alberta on September 20, 1917 to Abraham and Luba (Lubinsky) Shumiatcher. He had one sibling: Minuetta. He received his primary and secondary education in Calgary and earned Bachelor of Arts (1940) and Bachelor of Laws (1941) degrees from the University of Alberta. Shumiatcher earned a Master of Laws degree from the University of Toronto in 1942 and obtained his Doctorate of Jurisprudence from that institution in 1945. Shumiatcher was called to the Bars of Alberta and British Columbia in 1943. After serving with the Royal Canadian Air Force as an air-gunner (1943-1945), he was called to the Bar of Saskatchewan. Shumiatcher moved to Regina, Saskatchewan in 1945 and held numerous positions within the Saskatchewan Government, including legal counsel, policy adviser and personal advisor and assistant to Premier T.C. Douglas. While in these positions, he drafted many laws, including the Farm Security Act and the Trade Union Act, and authored the Saskatchewan Bill of Rights (1947). In 1948, Shumiatcher was named King's Counsel and in 1949 he was called to the Bars of Manitoba and the North-West Territories. In 1949 he left the Saskatchewan government and entered private practice, specializing in labour, taxation and corporate law. During his career, Shumiatcher lectured and wrote on a variety of subjects, including literature, the arts, philosophy, law, human rights and obligations, the monarchy, politics and international relations. He appeared regularly on television and radio including a daily radio program on current affairs, a television program entitled The World in Focus, and a national CTV lecture series entitled Civil Liberties and the Law. Shumiatcher was the author of three books: Welfare: The Hidden Backlash (1971); Assault on Freedom (1962) and Man of Law: A Model (1979). Shumiatcher was a member of many provincial, national and international organizations, including the Canadian Bar Association; the International Bar Association; and the Law Society of Saskatchewan. He was also a patron and supporter of numerous cultural organizations, galleries, theatres and artists. He served on the boards of numerous organizations in Regina, including the Norman Mackenzie Art Gallery, the Regina Symphony and Saskatchewan Centre of the Arts. Shumiatcher served as the Honorary Counsul-General for Japan and as Dean of the Consular Corps for Saskatchewan. Shumiatcher received numerous awards in recognition of his contributions, including the Order of the Sacred Treasure of Japan (1987); the Canadian Bar Association Distinguished Service Award (1995); and the Saskatchewan Award of Merit (1996). He was named an Officer of the Order of Canada in 1981. Shumiatcher died in Regina on September 23, 2004. Morris Shumiatcher married Jacqueline Fanchette Clotilde Clay on April 18, 1955. Variant Name(s) Morris C. Shumiatcher Dr. Morris C. Shumiatcher “Shumy” Rule(s) Rules for Archival Description (RAD) Source(s) Content of the fonds Various Internet sites Archival records linked to this records creator: F 3 Morris and Jacqui Shumiatcher fonds Provincial Archives of Saskatchewan Authority Record Individual (PA 565) Shumiatcher, Jacqueline , 1923- About this records creator: Authorized Heading Shumiatcher, Jacqueline , 1923- Brief Biographical Sketch Jacqueline Clay was born in 1923 in France. She came to Regina, Saskatchewan with her family in 1927. She married Regina lawyer Morris Shumiatcher in 1955 and then managed his Regina law office. Jacqui Shumiatcher has served numerous Regina cultural, arts and women's organizations as a patron, benefactor and executive member. She continues (2016) to reside in Regina. Biographical Sketch Jacqueline Fanchette Clotilde Clay was born in April 1923 in Vendin-le-Vieil, Pas de Calais, France to Archibald Franklin and Rose Jeanne (Souillart) Clay. She moved with her family, including brother, Pierre, to Regina, Saskatchewan in 1927. She attended Kitchener School and Scott Collegiate. In 1940, she was employed as a shorthand and typing teacher at Sacred Heart Academy. She worked at several different jobs before joining the Government of Saskatchewan in 1947 to work in a secretarial position for Morris C. Shumiatcher, legal counsel to Premier T.C. Douglas. Jacqueline Clay married Morris C. Shumiatcher on April 18, 1955 in Toronto, Ontario. She later established Managerial Services Ltd. to support her husband's law office in Regina. The Shumiatchers both supported numerous cultural organizations in Regina, including the MacKenzie Art Gallery; Regina Symphony Orchestra; and Globe Theatre. Jacqui Shumiatcher has had an extensive involvement with numerous cultural and women's organizations in Regina; she served as president of the Women's Canadian Club of Regina; the Regina Musical Club; the Regina Film Club and Phi Sigma Alpha – Saskatchewan Delta. She was chairman of the Legal Committee, Regina Council of Women; and served as a docent for the MacKenzie Art Gallery, lecturing to Regina school students on French Impressionism and Inuit art. Shumiatcher has been the recipient of numerous awards, including a YWCA Women of Distinction award (1996); Canadian Women's Mentor Award (1999); the Saskatchewan Order of Merit (2001); an honorary Doctor of Laws degree from the University of Regina (2002); Queen's Golden Jubilee Medal (2003); CTV Citizen of the Year (2004). Shumiatcher currently (2016) continues to reside in Regina. Variant Name(s) Jacqui Shumiatcher Jacqueline Fanchette Clotilde Clay Shumiatcher Rule(s) Rules for Archival Description (RAD). Source(s) AMICUS Authorities - no entry found. Content of the fonds. Various internet sites. Archival records linked to this records creator: F 3 Morris and Jacqui Shumiatcher fonds Provincial Archives of Saskatchewan Authority Record Family (PA 566) Archibald F. Clay Family, 1894- About this records creator: Authorized Heading Archibald F. Clay Family, 1894- Brief Biographical Sketch Archibald Franklin Clay and his wife, Rose Jeanne (Souillart) Clay, came to Saskatchewan from France with their two children, Pierre and Jacqueline, in 1927. Archibald and Rose Clay resided in Regina until their deaths. Pierre (Pat) Clay resided in Ottawa, Ontario until his death in 2012. Jacqueline Clay Shumiatcher currently (2016) continues to reside in Regina. Biographical Sketch Archibald Franklin Clay was born on March 23, 1894 in Nottingham, England. He came to Canada in 1907 and worked on constructing the railway at Prince Albert, Saskatchewan. He enlisted in the 28th North-West Battalion and served in France during World War I. Clay married Rose Jeanne Souillart on April 17, 1919 in France. The Clays lived in Paris and northern France, where their two children, Pierre and Jacqueline, were born. In 1927, the Clay family came to Regina, Saskatchewan, where Archibald Clay was employed by the Canadian Bank of Commerce and the Imperial Bank of Commerce. He retired in 1963 and died in Regina on August 11, 1965. Rose Jeanne Souillart Clay was born on December 16, 1896 in Bethune, France to Paul Alfred F.J. Souillart and Clotilde Souillart. Her siblings were Albertine, Renee, Paulette and Alfred. Rose Clay, a homemaker, enjoyed music and drama and was an active member of many organizations in Regina, including France Canada and L'Alliance Francaise. She died in Regina on August 5, 1986. Pierre (Pat) Paul Franklin Clay was born on March 28, 1920. He attended Kitchener School in Regina and graduated from Scott Collegiate in 1938. Clay joined the Canadian Army on September 1, 1939 and served in the United Kingdom and Europe during World War II. On February 2, 1946, he married Elsie May Barr, a nurse from Regina, in South Lancing, England. He returned to Regina in April, 1946 and retired from active service. Clay attended the University of Manitoba, where he obtained a Bachelor of Commerce (Honours) Degree in 1950. After graduation, he and Elsie moved to Ottawa, Ontario, where he was employed at the National Research Council as a statistician until his retirement on March 22, 1985. He died in Ottawa on December 23, 2012. See PA 565 for a complete biographical sketch of Jacqueline Clay Shumiatcher. Rule(s) Rules for Archival Description (RAD). Source(s) AMICUS Authorities - no entry found. Content of the fonds. www.legacy.com Archival records linked to this records creator: F 3 Morris and Jacqui Shumiatcher fonds FONDS DESCRIPTION Provincial Archives of Saskatchewan Records Description F 3 Morris and Jacqui Shumiatcher fonds About these records: Unique Identifier F 3 Title of Records Morris and Jacqui Shumiatcher fonds Level of Description fonds Descriptive System Private Dates of Creation 1889-2016 Physical Description ca. 50.6 m of textual records ca. 2500 photographs 1 audio compact disc 34 audio cassettes 2 audio discs 20 videocassettes 17 optical discs : DVD 2 microfilm reels : positive, negative 1 computer optical disc (118 items: .jpg, .mpg) (416.000 MB) : CD-ROM 2 plans 3 objects Link to Authority Morris Cyril Shumiatcher was born in Calgary, Alberta on September 20, 1917.
Load more

Recommended publications
  • MACKENZIE ART GALLERY Engaging People in Transformative Experiences of the World Through Art JOB POSTING Job Title: Director Of
    MACKENZIE ART GALLERY engaging people in transformative experiences of the world through art JOB POSTING Job Title: Director of Programs (DoP) Reports to: Executive Director and CEO Department: Programs Status: Full-Time, Out-of-Scope Position, Contract position (five-year term) About the MacKenzie Art Gallery The MacKenzie Art Gallery plays an important role in the Canadian and International art ecosystem. Programming primarily contemporary art from the prairies, Canada and abroad, the MacKenzie addresses an encyclopedic range of visual art and has a proud and consistent history of being an ally in exhibiting and collecting the work of Indigenous artists, with leadership from Indigenous curators. The MacKenzie is at a crucial point in our history where we are seeking to critically examine our own histories, failings, and opportunities as we redefine our role as a cultural institution within our community. We are seeking a visionary leader who can bring a spirit of care, thoughtfulness, play, experimentation, and responsibility to our artistic vision, guiding a professional team to work collaboratively with each other, with artists, and our broader community. Opening in 1953 on the University of Saskatchewan Regina Campus (now the University of Regina), in the first purpose-built art gallery building in western Canada, the MacKenzie enjoys a nationally unique partnership with the U of R. After separating in 1990, and moving to its current premises, MAG now maintains separate board governance, site and an expansive mandate and quarters in the T.C. (Tommy) Douglas Building. The MacKenzie features an outdoor sculpture garden with potential for growth through loans, acquisitions and commissions.
    [Show full text]
  • MACKENZIE ART GALLERY Engaging People in Transformative Experiences of the World Through Art
    MACKENZIE ART GALLERY engaging people in transformative experiences of the world through art Job Title: Communications Manager Department: Development & Communications Status: Full Time Out-of-Scope The Position: The MacKenzie Art Gallery is seeking a thoughtful and creative candidate to fill the role of Communications Manager. Our Mission is to provide transformative experiences through art; we aim to provoke ideas, emotions, and discussion with open-minded exploration; we are on treaty land and we are proud to be an ally in championing Indigenous artists; and we recognize that it is our responsibility to reflect our diverse communities and make the gallery a welcoming space. We encourage applicants who can help us live up to these ideals and create meaningful, reciprocal and innovate connections with our various communities. Reporting to the Director of Development, the Manager of Communications combines proven skills and experience to plan and implement the extensive communications and marketing needs of the MacKenzie. As an integral part of the senior leadership team, the Communications Manager will design, execute, and assess multi-year and annual marketing and communications strategies for the Gallery. As the leader of the Communications team at the MacKenzie Art Gallery, the Communications Manager helps build effective relationships across the organization and the community. The team gathers qualitative and quantitative data and feedback gathered through multiple communications channels, synthesizing communication impacts that can drive recommendations through the development of reports, analyses, and recommendations to the CEO and the senior leadership team. About the MacKenzie Art Gallery: The MacKenzie Art Gallery is Saskatchewan’s original and most comprehensive art museum, serving a leadership role in Western Canada.
    [Show full text]
  • MACKENZIE ART GALLERY Engaging People in Transformative Experiences of the World Through Art
    MACKENZIE ART GALLERY engaging people in transformative experiences of the world through art JOB POSTING Job Title: Education Assistant ½ time one-year term Department: Programs Status: ½ time term In-Scope (CUPE 5791) position About the MacKenzie Art Gallery: The MacKenzie Art Gallery (MAG) is Saskatchewan’s original and most comprehensive art museum, serving a leadership role in Western Canada. This is a watershed moment in the history of the Gallery, as it is undergoing a multi-phase organizational transformation. Programming primarily contemporary art from the prairies, Canada and abroad, the MAG addresses an encyclopedic range of visual art and culture and is an ally in the research and presentation of Indigenous art. Housed within an over 115,000ft2 facility, maintained to Class A Museum standards, the MAG permanent collection spans 5000 years of art with nearly 5000 works. MAG was founded on the collection of its namesake, Norman MacKenzie (1869–1936), who bequeathed his collection to the University of Saskatchewan (Regina College), now the University of Regina. Opening in 1953 in the first purpose-built art gallery building in western Canada, the MacKenzie enjoys a nationally unique partnership with the University of Regina. After separating in 1990, and moving to its current premises, MAG now maintains separate board governance, site and an expansive mandate and quarters in the T.C. (Tommy) Douglas Building. The MAG is situated in Treaty Four territory, traditional land of the Cree, Saulteaux and Metis, and home to the Dakota, Nakota and Lakota peoples. The MAG is located on the edge of the 2300-acre Wascana Centre, the largest urban park in Canada, where nature, culture and education meet.
    [Show full text]
  • Download the Teacher Resource
    TEACHER RESOURCE CURRICULUM THEMES CURRICULAR CONNECTIONS Saskatchewan Voices; Sculpture; Ceramics; GRADE 4 | CR4.2: Students will explore Saskatchewan History and Culture artist Joe Fafard’s portraits and respond by creating a visual or written work about a local person who is significant in their lives. JOE FAFARD: THE POLITICIAN Fafard’s sculpture of The Politician depicts John G. Diefenbaker, Canada ’s 13th Prime Minister. Diefenbaker was a persuasive speaker and a prairie populist who prided himself on being able to remember the names of thousands of his constituents. Fafard has skillfully captured the essence of the man who suffered election defeats for two decades before finally being elected to Parliament, achieving the leadership of his party and then the Prime Minister’s office. In The Politician Fafard presents Diefenbaker in his later years, perhaps his last campaign in 1979, striking a characteristic hands-on-hips pose. Being a man of the people was part of the Diefenbaker persona, so it would be perfectly natural for him to climb on a chair in any of the community halls in his constituency to speak to a small group of voters. With The Politician, Fafard has applied his characteristic attention to detail to the figure on the chair, which exhibits strength of character and a sense of humanity that elevates this sculpture above a portrayal of one person to become the archetypal politician. THINGS TO THINK ABOUT Do you know someone who has a pose or gesture that is unique to that person, like John Diefenbaker’s hands-on- hips pose? What does that pose or gesture say about the person? Newspaper editorial cartoonists had a wonderful time drawing Diefenbaker during his time as Prime Minister and leader of the opposition.
    [Show full text]
  • REGINA CANADA DAY | Schedule of Events COUNTDOWN TO
    REGINA CANADA DAY | Schedule of Events COUNTDOWN TO WASCANA CENTRE (8:30 A.M. - 11:30 P.M.) CBC Saskatchewan Old Time Fair (1-6 P.M.) North Side (SASKATCHEWAN LEGISLATIVE BUILDING – 2405 LEGISLATIVE DRIVE) 1-6 p.m. Tethered Balloon Ride provided by Remax Horse Drawn Carriage Main Stage area 8:30-10:30 a.m. Save-On-Foods Pancake Breakfast FREE Bright Eyes Dog Rescue Main Stage 11 a.m. Simultaneous Drumming Initiative Mackenzie Art Gallery Main Stage 11:40 a.m. OPENING CEREMONIES Old Time Photo booth by Tap Snap Studios Hide Tanning demonstration by Lorne and Joely Kequatooway Main Stage 12 p.m. 21 Gun Salute Syllabic Rock Teachings Demonstration by Instructors Darren Main Stage 12:30 p.m. CIBC Citizen Reaffirmation Program Okemaysim and Lynn Cote. West Lawn-Legislative Building 1:15 p.m. Living Flag Queen City Cosplay West Lawn-Legislative Building 1:45 p.m. Round Dance by Charging Bear Performance Family Games (Bean Bag Toss, Sack Race, Balloon Toss) Yard Jenga and Yard Yahtzee 12-11:30 p.m. Food Trucks Traditional Hand Games by Elder, Archie Weenie and family 12-5 p.m. Crafters and Exhibitors CBC Saskatchewan Old Time Fair Stage (1-6 P.M.) North Side East Lawn-Legislative Building 11 a.m. Children’s Activities 1-1:30 p.m. Watermelon Eating Contest (12 to 11:30 p.m.) Main Stage 1:45-2:10 p.m. Youth In Harmony (Barbershop Quartet) 11:40 a.m. OPENING CEREMONIES 2:30-3 p.m. Line Dancing by Dorothy Fitzer 12:30 p.m.
    [Show full text]
  • MACKENZIE ART GALLERY Engaging People in Transformative Experiences of the World Through Art
    MACKENZIE ART GALLERY engaging people in transformative experiences of the world through art Job Title: Accountant Department: Administration Status: Full Time in Scope (CUPE 5791) Position About the MacKenzie Art Gallery: The MacKenzie Art Gallery (MAG) is Saskatchewan’s original and most comprehensive art museum, serving a leadership role in Western Canada. This is a watershed moment in the history of the Gallery, as it is undergoing a multi-phase organizational transformation. Programming primarily contemporary art from the prairies, Canada and abroad, the MAG addresses an encyclopedic range of visual art and culture and is an ally in the research and presentation of Indigenous art. Housed within an over 115,000ft2 facility, maintained to Class A Museum standards, the MAG permanent collection spans 5000 years of art with nearly 5000 works. MAG was founded on the collection of its namesake, Norman MacKenzie (1869–1936), who bequeathed his collection to the University of Saskatchewan (Regina College), now the University of Regina. Opening in 1953 in the first purpose-built art gallery building in western Canada, the MacKenzie enjoys a nationally unique partnership with the University of Regina. After separating in 1990, and moving to its current premises, MAG now maintains separate board governance, site and an expansive mandate and quarters in the T.C. (Tommy) Douglas Building. The MAG is situated in Treaty Four territory, traditional land of the Cree, Saulteaux and Metis, and home to the Dakota, Nakota and Lakota peoples. The MAG is located on the edge of the 2300-acre Wascana Centre, the largest urban park in Canada, where nature, culture and education meet.
    [Show full text]
  • University of Regina Archives and Special Collections The
    UNIVERSITY OF REGINA ARCHIVES AND SPECIAL COLLECTIONS THE DR JOHN ARCHER LIBRARY 86-29 KEN LOCHHEAD SHELLEY SWEENEY JULY 31, 1986 REVISED JANUARY 2004 BY ELIZABETH SEITZ 86-29 KEN LOCHHEAD 2 / 24 Biographical Sketch Ken Lochhead was born in Ottawa in 1926. His major art training came from the Pennsylvania Academy of the Fine Arts in Philadelphia (1945-1949). At the same time Lochhead studied at the Barnes Foundation in Merlon, Philadelphia from 1946 to 1948. Several scholarships allowed him to study in England, Holland, Belgium, France, Spain, Italy, Switzerland, and western Canada. After several short assignments, Lochhead was hired by the University of Saskatchewan, Regina College in 1950 to direct the School of Art. He was also charged by Dean William Riddell to develop what became the Norman Mackenzie Art Gallery. Under Lochhead's guidance, both the School and the Gallery flourished, attracting vibrant personalities and generating excitement. At this time Lochhead developed a distinctive style, producing such notable works as "The Kite" (1952). "The Dignitary" and "The Bonspiel" (1954). As well, he began to win major commissions, completing an enormous wall mural at Gander Airport in Newfoundland in 1957-1958. It was Lochhead's creation of the Emma Lake Artists' Workshops, however, that attracted the most attention to the prairie region. With the summer series led by such New York artists as Herman Cherry, Barnett Newman, Kenneth Noland, and Jules Olitski, international attention was suddenly focused to the north. The results were tremendous: a veritable burst of excited experimentation and innovation. Lochhead himself produced such abstract works as "Blue Extension" and "Dark Green Centre" (1963).
    [Show full text]
  • Financial Statements of Mackenzie Art Gallery Incorporated
    Financial Statements of MacKenzie Art Gallery Incorporated March 31, 2021 Deloitte LLP 2103 - 11th Avenue 9th Floor Bank of Montreal Building Regina SK S4P 3Z8 Canada Tel: 306-565-5200 Fax: 306-757-4753 www.deloitte.ca Independent Auditor’s Report To the Members of MacKenzie Art Gallery Incorporated Opinion We have audited the financial statements of MacKenzie Art Gallery Incorporated (the “Gallery”), which comprise the balance sheet as at March 31, 2021, and the statements of revenues and expenses, changes in equity and cash flows for the year then ended, and notes to the financial statements, including a summary of significant accounting policies (collectively referred to as the “financial statements”). In our opinion, the accompanying financial statements present fairly, in all material respects, the financial position of the Gallery as at March 31, 2021, and the results of its operations and its cash flows for the year then ended in accordance with Canadian accounting standards for not-for-profit organizations. Basis for Opinion We conducted our audit in accordance with Canadian generally accepted auditing standards (“Canadian GAAS”). Our responsibilities under those standards are further described in the Auditor’s Responsibilities for the Audit of the Financial Statements section of our report. We are independent of the Gallery in accordance with the ethical requirements that are relevant to our audit of the financial statements in Canada, and we have fulfilled our other ethical responsibilities in accordance with these requirements. We believe that the audit evidence we have obtained is sufficient and appropriate to provide a basis for our audit opinion.
    [Show full text]
  • MACKENZIE ART GALLERY Engaging People in Transformative Experiences of the World Through Art
    MACKENZIE ART GALLERY engaging people in transformative experiences of the world through art Job Title: Curatorial Research Assistant Department: Curatorial Status: Full Time, Casual/Hourly Term June 1, 2020 – August 21, 2020 Non-Union Position (35 hours / week or 7 hours / day) Funded through Young Canada Works About the MacKenzie Art Gallery: The MacKenzie Art Gallery (MAG) is Saskatchewan’s oldest and most comprehensive art museum, serving a leadership role in Western Canada. This is a watershed moment in the history of the Gallery, as it is undergoing a multi-phase organizational transformation. Programming primarily contemporary art from the prairies, Canada and abroad, the MAG addresses an encyclopedic range of visual art and culture and is an international leader in Indigenous art. Housed within an over 115,000ft2 facility, maintained to Class A Museum standards, the MAG permanent collection spans 5000 years of art with nearly 5000 works. MAG was founded on the collection of its namesake, Norman MacKenzie (1869–1936), who bequeathed his collection to the University of Saskatchewan (Regina College), now the University of Regina. Opening in 1953 in the first purpose-built art gallery building in western Canada, the MacKenzie enjoys a nationally unique partnership with the University of Regina. After separating in 1990, and moving to its current premises, MAG now maintains separate board governance, site and an expansive mandate and quarters in the T.C. (Tommy) Douglas Building. The MAG features an outdoor sculpture garden with potential for growth through loans, acquisitions and commissions. The MAG is situated in Treaty Four territory, traditional land of the Cree, Saulteaux and Metis, and home to the Dakota, Nakota and Lakota peoples.
    [Show full text]
  • Annual Report 2020 / 2021 3 President’S Message
    ANNUAL REPORT 2020 / 2021 3 PRESIDENT’S MESSAGE 5 EXECUTIVE DIRECTOR & CEO’S MESSAGE 7 YEAR IN REVIEW 9 EXHIBITIONS & PUBLIC PROGRAMS 21 COMMUNITY SUPPORT 23 DONORS & SPONSORS 27 ACQUISITION HIGHLIGHTS 31 MEMBERS & VOLUNTEERS 37 BOARD OF TRUSTEES & STAFF 39 SUMMARY FINANCIAL STATEMENTS CORE FUNDING PROVIDED BY ADDITIONAL SUPPORT PROVIDED BY Divya Mehra, There is nothing you can possess which I cannot take away (Not Vishnu: New ways of Darsána), 2020, coffee, sand, chamois leather, leather cord, metal grommets, 2.4 lbs. Photo by Sarah Fuller. Image courtesy the artist and Georgia Scherman Projects. Collection of the MacKenzie Art Gallery. ANNUAL REPORT PRESIDENT’S MESSAGE Out of an abundance of caution we cancelled several key In July, the Gallery bid farewell to Executive Director & excited by John’s forward-thinking vision, and we are fundraising events in 2020 including Holiday Baazart, CEO Anthony Keindl. I want to acknowledge his many confident that his dynamic range of curatorial experience, the Gala Art Auction, and a new in-Gallery dinner series achievements during his six-year tenure at the Gallery. sound leadership, and community mindedness will help slated to launch in early December. Although this had He was instrumental in the realization of a number of us continue to grow and inspire as we enter a new phase a significant financial impact, the Gallery continued to strategic goals including the commissioning a major public of understanding our role as cultural caretakers in this receive support from our community. We extend our artwork, Duane Linklater’s Kâkikę / Forever, stewarding territory. I’d like to thank our volunteer search committee, deepest appreciation to our members, donors, and the donation of over 1,000 Indigenous artworks through Searchlight Recruiters, and members of the Board for corporate sponsors for their ongoing generosity.
    [Show full text]
  • MACKENZIE ART GALLERY Engaging People in Transformative Experiences of the World Through Art
    MACKENZIE ART GALLERY engaging people in transformative experiences of the world through art JOB POSTING Job Title: Preparator (casual) Click here to view the Preparator (casual) job description Department: Programs Status: Casual, In-Scope (CUPE 5791) position About the MacKenzie Art Gallery: The MacKenzie Art Gallery is Saskatchewan’s original and most comprehensive art museum, serving a leadership role in Western Canada. This is a watershed moment in the history of the Gallery, as it is undergoing a multi-phase organizational transformation. Programming primarily contemporary art from the prairies, Canada and abroad, the MacKenzie addresses an encyclopedic range of visual art and culture and is an ally in the research and presentation of Indigenous art. Housed within an over 115,000ft2 facility, maintained to Class A Museum standards, the MacKenzie permanent collection spans 5000 years of art with nearly 5000 works. The MacKenzie was founded on the collection of its namesake, Norman MacKenzie (1869–1936), who bequeathed his collection to the University of Saskatchewan (Regina College), now the University of Regina. Opening in 1953 in the first purpose-built art gallery building in western Canada, the MacKenzie enjoys a nationally unique partnership with the University of Regina. After separating in 1990, and moving to its current premises, the MacKenzie now maintains separate board governance, site and an expansive mandate and quarters in the T.C. (Tommy) Douglas Building. The MacKenzie is situated in Treaty Four territory, traditional land of the Cree, Saulteaux and Metis, and home to the Dakota, Nakota and Lakota peoples. The MacKenzie is located on the edge of the 2300-acre Wascana Centre, the largest urban park in Canada, where nature, culture, and education meet.
    [Show full text]
  • Case Study: Bob Boyer Tie Artist
    CASE STUDY: BOB BOYER TIE ARTIST BY BARBARA ELIZABETH PRITCHARD A Thesis Submitted to the Faculty of Graduate Studies in Phai Fulfdlment of the Requirements for the Degree of Interdisciplinary Master of Art Native Studies University of Manitoba Winnipeg , Manitoba Acquisions and Acquisitions et Bibliographie Services semices bibliographiques 395 Wellington Street 395. Ne wdli OUawaON KIAW OrtawaON K1AW Cariada canada The author has granted a non- L'auteur a accorde une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distriiuer ou copies of this thesis in microfoq vendre des copies de cette thèse sous paper or electronic formats. la fome de microfiche/^ de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. FACGZTY OF GRADUATE SIXPIES **fit COPYRIGET PEILMlSSION PAGE CASE STUDY: BOB BOYEB TEE ARTIST A Thesis/Pneticsm submined to the Facule of Graduate Studies of The Univeni- of Manitoba in parrial fnlfillrnent of the requinments of the dqree of HAsTEKoFAETs Barbara ELizabeth Pritchard ml998 Permission has been granted to the Library of The Univenip- of 5hitoba to Iend or sel1 copies of this chesislpncticum. to the 'iationd Libraq- of Canada to microfilm this thesis and to Leod or sel1 copies of the film.
    [Show full text]