MTS Series. 4 Valve Dynamic Series. 20 XL Series . 26 Dan Donegan Bass Series . 28 DISTURBED G3 Series. 30 Tube Series . 34 RX Series. 35 Ty Tabor Accessories & Apparel . 38 KINGS X Jump in and buckle up Randall fans, It’s going to be a fun year! First, I want to personally welcome Mr. Kirk Hammett to our proud Randall family as well as thank each of our valued endorsees and customers for their continued support. It’s the relationship that we have with each of our artists and customers that makes what we do so rewarding while at the same time Brad Delson motivating us to develop and build the best amps in the world. It’s your LINKIN PARK valuable feedback and input that makes us better at what we do, so please keep those e-mails, phone calls and new forum posts coming. Andy Sneap PRODUCER With that said, we’re proud to introduce the 2008 Randall catalog and product line. This catalog includes some of the best and most innovative products that we’ve ever offered. From the ever-growing MTS Series that continues to revolutionize the industry as the most flexible all-tube amplifiers ever developed, to the cutting edge power amp technology of Valve-Dynamic™, we’re committed to providing you the best tone and most flexible gain in the world. Enjoy!! Doug Reynolds Director 2 3 TWEED BLACKFACE DLX KH-1 KH-2 KIRK HAMMETT SIGNATURE PREAMP KIRK HAMMETT SIGNATURE PREAMP Based on the preamp circuit of a ‘59 Fender® Based on the preamp circuit of a Fender® Blackface Based on the preamp circuit of a Fender® Blackface Based on Kirk’s classic clean tones, the voicing of this preamp is Based on Kirk’s signature rhythm tone, the KH2 instantly becomes Bassman™. A classic Fender tone with huge bottom Twin™. Legendary Fender clean with biting mid-range Deluxe™. Tone that bleeds country music. Great mid- based on various clean amps that Kirk has used throughout his a classic because of its extreme wide-range of tones. This mid to end and a nice amount of grit. Great for any Blues and sparkling highs. The standard for any style of range and top end spank with more bite than the illustrious career. A great clean tone for any style, but tailored for hi-gain preamp is perfect for any classic rock and metal tone and and Country tone. clean tone. Blackface preamp. rock and metal because it stays clean at higher volumes even with for that early Metallica rhythm tone. active pickups. SL+ PLEXI JTM Based on the preamp circuit of a hot rodded Based on the preamp circuit of a classic Marshall® Based on the preamp circuit of a classic Marshall® KH-3 1086 Marshall® Super Lead. The classic Super Lead circuit Plexi. Anything from Page to Angus to Gibbons. The JTM45. Classic mid-gain tone with huge bottom end with more gain and punch. Covers any classic amp that defines the 70’s rock and punk tone. and smooth overdrive. KIRK HAMMETT SIGNATURE PREAMP DAN DONEGAN SIGNATURE PREAMP Zeppelin to modern Zakk tone. Based on Kirk’s legendary hi-gain rhythm tone, this preamp takes A revolutionary modern hi-gain tone with additional gain & voicing the KH2 to a higher level of gain and sustain. Utilizing the same options. This extremely versatile module has a tight pick attack and tone circuit as the KH2, the KH3 is tailored more for the modern focused low end. The exclusive Gain and Voicing switches allow rock and metal guitarist who demands a high level of gain. this module to cover any classic Plexi to modern Rectifier tones. TREADPLATE ULTRA CLEAN The tone that defines the modern Nu-Metal sound. Extreme hi-gain with tight low end & liquid sustain. An extremely warm & fat clean tone. Perfect for the Cutting tone with strong low end punch, biting mid- This one exemplifies the classic Randall hi-gain tone. jazz and blues guitarist or any player looking for a range & sizzling hi-end definition. Covers any modern Perfect for any classic to modern metal rhythm or smooth, robust, clean sound. Stays clean even at rock tone. lead tone. high volumes. MR. SCARY SUPER V GEORGE LYNCH SIGNATURE PREAMP GEORGE LYNCH SIGNATURE PREAMP The trademark Lynch heavy rhythm & lead tone of the famed A clean module with Vox like characteristics. Nice chime on the Dokken era. A bit tighter with more gain & punch than the Brahma highs with warm low bottom end producing a great electric preamp. acoustic like tone. Breaks up nice at higher volumes. TOP BOOST XTC ULTRA XL Based on the preamp circuit of a Vox® AC30TB with a Based on the preamp circuit of a Bogner® Ecstasy A modern version of our trademark hi-gain tone with kicked up gain circuit. Smooth bottom end with red channel. A great all-around hi-gain tone with extreme gain, focused lows and highs, plus a boosted shimmering highs. Handles anything from classic good low end and cutting mid-range. This screaming mid-range to really cut through the mix. Perfect for Petty & Brian May to modern Kravitz & STP. preamp covers any rock & metal tone with ease. any modern metal rhythm & lead tone. BRAHMA GRAIL GEORGE LYNCH SIGNATURE PREAMP GEORGE LYNCH SIGNATURE PREAMP The true holy grail of mid to classic hi-gain tone has the classic Lynch’s modern lead & rhythm tone. A true Rectifier feel with tight British roar with signature American tone mods. This is Lynch’s low end and cutting mid-range. Great for all Lynch Mob and flavor of the classic Plexi tone. modern Lynch tones. 4 5 RM4 PREAMP CHANNELS 4 Modular Channels FEATURES 3 12AX7 Tubes Take tone Versatility..............................to the next level Tube Buffered Parallel EFX Loop with Front Panel Mix Controls Series EFX Loop Pre/Post Outputs Ground Lift MIDI In/Thru World Voltage Selector RM4 PREAMP RF4 MIDI Footswitch (Optional) THE ULTIMATE RACK & RECORDING TOOL! RT2-50 The RM4 4-Channel preamp provides all the tonal flexibility POWER AMP 2 Channel Mono/Stereo of any digital modeling amp or software program, but does CH. 1: 2 x 6L6 it with 100% all-tube circuitry for tracking and playing with CH. 2: 2 x E34L MASTER CONTROLS real tone. The RM4 also allows you to hot swap and Volume • Presence • Density customize any combination of the available classic on Channels 1 & 2 FEATURES to modern real tube tones. Don’t dream of having Front Panel Tube Bias Section your ultimate collection of tube amps, it’s all 50/50 Mono Mode 100 Watt Stereo Mode available in the RM4 modular tube preamp MIDI In/Thru World Voltage Selector RF4 Optional MIDI Footswitch RT2/50 Mono/Stereo Operation RT2/50 POWER AMP THE STANDARD IN TUBE POWER AMPLIFICATION! Designed to compliment the RM4 or any MIDI capable guitar preamp, this MIDI switching all tube stereo power amp provides unmatched flexibility by allowing you to choose and switch between different power tubes, then match them to your favorite preamp tone. Channel 1 comes standard with two 6L6GC power tubes, and Channel 2 is stocked with a pair of E34L’s. Choose between the 50W Channel switching MONO mode or full 100W STEREO mode. The RT2/50 also works RM4 & RT2/50 MIDI In/Thru perfectly with any MIDI switching digital guitar preamp by providing warm & punchy tube power to any tone. RT2/50 Tube Bias Section 6 7 RM100M PREAMP CHANNELS 3 Modular Channels A HEAD WITH NO RIVAL MASTER CONTROLS Volume • Presence • Density POWER AMP All Tube • 4 x JJ6L6GC POWER OUTPUT 100 Watts FEATURES Series EFX Loop Parallel EFX Loop Front Panel Mix Control RM100M MIDI In/Thru Rear Panel Tube Bias Section Shown with Clean, Plexi, & Ultra Preamps World Voltage Selector RF3 MIDI FootswitchRM100M1 Included Same as RM100M loaded with Clean, Treadplate,RM100M2 & Ultra Preamps Same as RM100M loaded with Blackface, PlexiRM100M3 & XTC Preamps Same as RM100M loaded with Blackface, SL+ & Ultra XL Preamps RM100 Tube Bias Section RM100M Our flagship sets the standard and will forever revolutionize how future tube heads are designed. The RM100 is both MIDI CHANNEL SWITCHING CAPABILITY! Connect your RM100 to any traditional & modern technology rolled into one amplifier. First you have 3 independent modular channels that can be MIDI capable effects processor and program individual effects to each channel. loaded with your choice and combination of the available tube preamp modules. Load each channel with a preamp tone With the MIDI in/thru jacks simply select your channel and external effect using the RM100 MIDI In/Thru that fits only your needs with the ability to expand your arsenal anytime a new tone is needed. Don’t purchase an included RF3 MIDI footswitch, press and hold the channel switch button on the head amplifier because you like just the clean or hi-gain tone. Build this amp with your for 2 seconds and hit the store button of the clean, your rhythm, and your hi-gain tone for a complete custom set-up. With more effects processor to save the preset. The than a dozen tube preamps always available, chances are you’ll have a hard time included footswitch will then select both the picking just three. RM100 channel and effect you want at the same CHANGE AND BIAS YOUR OWN POWER TUBES! time. Enjoy the ease of replacing your power tubes anytime you like with the very user friendly power tube bias section found on each MTS amplifier. If a tube fails, no problem, the amp will kick that tube out of the circuit and a small LED will light by the tube that fails.