Ritchie Valens #145/234 February 2009
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RHYTHM & BLUES...63 Order Terms
5 COUNTRY .......................6 BEAT, 60s/70s ..................71 AMERICANA/ROOTS/ALT. .............22 SURF .............................83 OUTLAWS/SINGER-SONGWRITER .......23 REVIVAL/NEO ROCKABILLY ............85 WESTERN..........................27 PSYCHOBILLY ......................89 WESTERN SWING....................30 BRITISH R&R ........................90 TRUCKS & TRAINS ...................30 SKIFFLE ...........................94 C&W SOUNDTRACKS.................31 AUSTRALIAN R&R ....................95 C&W SPECIAL COLLECTIONS...........31 INSTRUMENTAL R&R/BEAT .............96 COUNTRY AUSTRALIA/NEW ZEALAND....31 COUNTRY DEUTSCHLAND/EUROPE......32 POP.............................103 COUNTRY CHRISTMAS................33 POP INSTRUMENTAL .................136 BLUEGRASS ........................33 LATIN ............................148 NEWGRASS ........................35 JAZZ .............................150 INSTRUMENTAL .....................36 SOUNDTRACKS .....................157 OLDTIME ..........................37 EISENBAHNROMANTIK ...............161 HAWAII ...........................38 CAJUN/ZYDECO ....................39 DEUTSCHE OLDIES ..............162 TEX-MEX ..........................39 KLEINKUNST / KABARETT ..............167 FOLK .............................39 Deutschland - Special Interest ..........167 WORLD ...........................41 BOOKS .........................168 ROCK & ROLL ...................43 BOOKS ...........................168 REGIONAL R&R .....................56 DISCOGRAPHIES ....................174 LABEL R&R -
Lone Star Region NL211.Pub
Featured Lincoln of the Month Lincoln Lingo A publication of the LCOC Lone Star Region 27 Years for Lincoln, Since 1984 Published Quarterly: This issue; April, May, June , 2011 Danny Langston’s ‘48 Hot-Rod Lincoln. Vol. 11, Issue 2 “Fun with Lincoln.” Director’s Message—Pat Corbett Table of Contents Director’s Message - Page 1 It occurred to me, as I was preparing some of the copy for Lincoln of the Month - Page 2 this newsletter, that after twenty-seven years there is one The Charlie Ryan, Hot-Rod Lincoln Story - Page 3 common thread that makes the Lone Star Region the suc- Other News Around the Region - Page 4 thru 7 cess it is. Doc Ellis, in his effort to make the regional club a Officials Winner’s List - Page 8 success, focused on one thing; having fun with Lincoln. In the Beginning, A Story about Lone Star Region - Page 9 Pat’s Garage - Page 10 Fine dining, fine driving, and fine people were the simple Membership, Lincoln Sightings, Classifieds - Page 11 formula for success. Really, no effort required. I mean, how Words of Advice and Encouragement - Page 12-13 hard is it to find a good meal in San Antonio, or a pleasant Lone Star Region, Roster of Events - Page 13 drive around the hill country? The charter members were Member Classified Ads - Page14 Roster of Events - Page 15 fun loving people, so that was a no-brainer. LCOC Membership Application - Page 16 When I joined LCOC four years ago, I was the quintes- sential newbie as a car club member. -
Barbara L. Johnson Chair, Pro Bono and Community Employment Law
Chair's Corner PBN Features Atlanta Beijing London Los Angeles Barbara L. Johnson Chair, Pro Bono and Community Milan Employment Law Partner New York Welcome to the current issue of Pro Bono News. I am pleased to report that in 2008, our attorneys dedicated more than Orange County 68,000 hours of pro bono and community service work, a 58% increase from the previous year. San Diego Inspired by the Paul Hastings Pro Bono Challenge (a firmwide San Francisco initiative aimed at increasing the number of pro bono hours per attorney from 25 to 75 annually), lawyers at all levels Shanghai increased their pro bono participation, with 83.1 hours logged on average per attorney. Washington, D.C. At the Firm’s recent Partner’s Retreat, Paris partner Dominique Borde was named the recipient of the 2009 Resources Hastings Award for Community Service, an honor given to a firm partner who demonstrates sustained leadership in Office Contacts: community and pro bono service. A long-time board member Pro Bono & of Doctors Without Borders, Dominique has devoted hundreds Community of pro bono work hours to support causes as diverse as helping Committee visual artists to obtain licensing agreements to assisting Afghan women in their pursuit of education and equal rights. Congratulations to Dominique for his pro bono commitment! This year, we are challenging every Paul Hastings attorney to increase his/her commitment to pro bono legal services and have created the Global Pro Bono Hours Recognition Program to recognize attorneys for their local and global efforts. Award winners will be announced in a special edition of Pro Bono News. -
University Microfilms International 300 North Zeeb Road Ann Arbor, Michigan 48106 USA St
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand marking: or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
FOR IMMEDIATE RELEASE Monday, July 12, 2021 Contact: Ellen
7/12/2021 Kauffman Center View in browser FOR IMMEDIATE RELEASE Monday, July 12, 2021 Contact: Ellen McDonald, Publicist Kauffman Center for the Performing Arts (816) 213-4335 | [email protected] Bess Wallerstein Huff, Director of Marketing and Community Outreach Kauffman Center for the Performing Arts (816) 994-7229 | [email protected] TWO PERFORMANCES ADDED TO KAUFFMAN CENTER PRESENTS FALL 2021 CALENDAR Pink Martini featuring China Forbes coming Tuesday, Oct. 26; Asleep at the Wheel coming Saturday, Oct. 30. Kansas City, MO – This October on Muriel Kauffman Theatre stage, audiences can revel in two exciting Kauffman Center Presents performances: Pink Martini featuring China Forbes on Oct. 26 and Asleep at the Wheel on Oct. 30. Kauffman Center Presents is made possible by the John N. and Marilyn P. McConnell Foundation. Tickets for Pink Martini featuring China Forbes range from $39 to $79 plus applicable fees. Tickets for Asleep at the Wheel range from $39 to $59 plus applicable fees. Both shows go on sale to the public at 10 a.m. Friday, July 16. Tickets will be available through the Kauffman Center Box Office at (816) 994-7222 or online at kauffmancenter.org. ABOUT PINK MARTINI “Pink Martini is a rollicking around-the-world musical adventure… if the United Nations had a house band in 1962, hopefully we’d be that band.” – Thomas Lauderdale, bandleader/pianist. Featuring a dozen musicians, with songs in 25 languages, Pink Martini performs its multilingual repertoire on concert stages on six continents. After making its European debut at the Cannes Film Festival in 1997 and its orchestral debut with the Oregon Symphony in 1998, the band has gone on to play with more than 50 orchestras around the world. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot. -
48592-Memory-Folder.Pdf
Dean A. “Deano” Johnson always found the fun in everything. A simple man who never asked for much, he was giving of himself, and would do anything for anyone. Although quiet by nature, Deano appreciated a good joke, and found joy in sharing a good laugh. He loved his family more than anything, and possessed the heart of a loving teddy bear. Although life brought forth its share of diffi culties for Dean, he had eventually found an inner peace. He left us too soon, yet his caring and loving ways will live on in the hearts of all who knew him. Just as the winter snows were laying a foundation for a long Michigan winter ahead, Deano’s story began in 1959 as the nation celebrated Alaska and Hawaii joining the United States. Disney introduced its classic Sleeping Beauty, and Barbie made her debut. During these days of innocence, the fabric of America was dampened by growing tensions overseas as the U.S. prepared for its involvement in Vietnam, along with what was known as, “the day the music died”, when beloved musicians Buddy Holly, Ritchie Valens and the Big Bopper were killed in a fateful plane crash. Even in the midst of these changing times, along the lakeshore town of Muskegon, Michigan, Robert Arnold and Mary Alice (Tobey) Johnson had joyous reasons for celebration with the birth of their son Dean Arnold Johnson on December 12, 1959. Dean, or Deano as he was affectionately called, grew up with siblings Linda, Rick, Dale, Sue and Dawn. His father, who called him Peanut early on, supported his family as a laborer at Muskegon Piston Ring, while his mother was a homemaker; sadly, she died when Deano was 12 years old. -
Samantha Fish Homemade Jamz Jarekus Singleton
Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Benefit It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs. -
Winter Dance Party Scholarship Program
WINTER DANCE PARTY SCHOLARSHIP PROGRAM FEBRUARY 3, 1959 - THE DAY THE MUSIC DIED Three young musicians soared to the heights of show business on the rock ‘n’ roll craze that swept the 1950’s. JP (Big Bopper) Richardson, Ritchie Valens, and Buddy Holly were major performers on what was termed the 1959 Winter Dance Party tour. Following a performance at the Surf Ballroom in Clear Lake, Iowa, the three performers left on a charter plane for their next engagement in Fargo, N.D. On February 3, 1959, their small airplane crashed in a farm field about 15 miles northwest of Clear Lake, Iowa, killing all three performers and their pilot, Roger Peterson of Storm Lake, Iowa. Each year, near the anniversary date of that final performance, a tribute show is held at the Surf Ballroom and thousands of fans from all over the world come to remember rock ‘n’ roll legends Ritchie Valens, JP(Big Bopper) Richardson, and Buddy Holly. To commemorate the 40th anniversary of the Winter Dance Party, a 1999 tribute touring show was staged by Dennis Farland of Newton, Iowa. The eleven cities of the original tour were visited on exactly the same dates as the 1959 Winter Dance Party. Following the completion of that tour, fans of these musicians established a scholarship program commemorating the lives and musical contributions of these artists, the pilot, and the late Darrel Hein, manager of the Surf Ballroom, who originated the winter dance party tribute shows in 1979. All net proceeds from the 1999 Winter Dance Party tour have been used to establish this scholarship fund. -
Florence Tribune October 7 1910
~-:~:-r:-:-:+:-t~:"':-H-:-:~{-:-t"';'j.¥ 5: ThUi!lWII!JWfils~ers tllIwn 2 well {: :.t AboIlt111agoal!s be has in sel!, ~ 5: WOIl' reap the g1ealll1og, gardan aol/ars :~: :t !.Ike ODt who ~lmbs· a Iree' anI! boilers. :~: .~ ~~-..+.-4:"r:--:.-~.--.... ..... .. .... " .. -+ .. • .. ..~.:• lortnce (itribune ...... ..- ..-..-.- -.:...;....:... - VOL. It PUBLISHED BY E.t.-. PLATZ FLORENCE, NEBRASKA. FRIDAY/ OCTOBER 7/ 1910 SUbscription, $1.00 a Year. No. 22 REPORT OF CITY TREASURER FLORENCE TO HAVE A FIGHT NEW BASKET BEGINNING TO BOIL PROCEEDINGS Ge.oge Slrert Shows How the Affairs I Jack Fitzgerald of South Omaha and of the Office Prospered During Kid Jenson of Omaha Booked for -----------J Go Tuesday Night. FACTORY Month of September. OF COUNCil Ponca Improvement 'Club Takes Up a George Siert, city treasurer SUb. In a Bright, Clean, Well.Scrubbed At the Eagles haH Tuesday evening ProjeCt That Should fnterest all mits his monthly report showing col- Room the Council Holds Its Jack Fitzgerald, the prine of South the People of Florence and En. lections of $880.31' of which $57.40 is Regular Bi-Monthly Meeting Omaha and Kid Jensen, the fighting list Their Support. The Livest on the new paving fund. Which is Noted Chiefly by the Dan~ of Omaha, and champion light- . t' . Th' S' Dur.-lng the month warrants to the Ab y.'eight of Nebraska will meet to see Orgal'llza Ion In IS· ectlon of sence of Mayor "tucker and the Which is the best man. the Country Hold a Rousing Meet- amount of $1,058~93·were taken up Presence of Councilman' Robert Early in' his career Jensen won a ing at Fairview School /:louse I which is a pretty gooP, showing. -
Ritchie Valens (Elementary School Version)
Ritchie Valens (Elementary School Version) OVERVIEW ESSENTIAL QUESTION How did Ritchie Valens meld traditional Mexican music and Rock and Roll? OVERVIEW Ritchie Valens has become one of the most celebrated Rock and Roll musicians of the 1950s. His recording career lasted less than a year, cut short in February 1959, when he was killed in the same plane crash that took the lives of Rock and Roll star Buddy Holly and disc jockey/musician J.P. Richardson (better known as “The Big Bopper”). Valens released only two singles during his lifetime. The second, featuring the love ballad “Donna,” soared to No. 2 on the Billboard Pop singles chart and established Valens as a rising star. Newspaper accounts of his death referred to him as “a young sensation… rapidly becoming one of the hottest singing talents in the country,” and even “the next Elvis Presley.” But it was the B-side of that single, featuring the traditional Mexican wedding song “La Bamba,” that secured Valens’ legacy. The lyrics of the song were entirely in Spanish, sung over a tune that would have been immediately recognizable to most Mexican-Americans. Born Richard Valenzuela to a Mexican family in Southern California, Valens had played the song growing up and with various bands at school. His biographer reports that he may have been reluctant to record a Rock and Roll version of the song, both because he thought it might be disrespectful to the original and because he didn’t speak Spanish very well. But his recording, driven by Latin percussion, enjoyed commercial success—particularly for a single’s B-side— cracking the Top 40 and peaking at no. -
12-17-20 Rockabilly Auction Ad
John Tefteller’s World’s Rarest Records Address: P. O. Box 1727, Grants Pass, OR 97528-0200 USA Phone: (541) 476–1326 or (800) 955–1326 • FAX: (541) 476–3523 E-mail: [email protected] • Website: www.tefteller.com Auction closes Thursday, December 17, 2020 at 7:00 p.m. PT See #33 See #44 Original 1950’s Rockabilly / Country Boppers / Teen Rockers 45’s Auction 1. The Anderson Sisters — “The Wolf 17. Boyd Bennett — “The Brain/Coffee 31. Gene Brown — “Big Door/Playing 43. Johnny Burnette — “Me And The Hop/Empty Arms And A Broken Break” MERCURY 71813 M- WHITE With My Heart” 4 STAR 1717 MINT Bear/Gumbo” FREEDOM 44011 M- Heart” FORTUNE 202 (SEE INSERT LABEL PROMO MB $20 FIrst label, true first pressing before it WHITE LABEL PROMO with date of 4/2/59 BELOW) 18. Rod Bernard — “Pardon, Mr. Gordon/ went nationwide on Dot MB $30 written neatly on the label MB $20 2. Angie & The Citations — “I Wanna This Should Go On Forever” ARGO 32. Gene Brown — “Big Door/Playing 44. Mel Calvin And The Kokonuts — Dance/Salt & Pepper” ANGELA NO # 5327 M- MB $20 With My Heart Again” DOT 15709 “My Mummy/I Love You” BERTRAM VG Wol and slight storage warp with NO 19. Bob And The Rockbillies — “Your M- MB $20 INTERNATIONAL 215 M- MB $50 effect on play. Super obscure one from Kind Of Love/Baby Why Did You Have 33. Tom Brown And The Tom Toms — (See picture at top of page) Tamaqua, Pennsylvania MB $20 To Go” BLUE-CHIP 011 M- TWO- “Kentucky Waltz/Tomahawk” JARO 45.