Indian Art & Culture

Total Page:16

File Type:pdf, Size:1020Kb

Indian Art & Culture INDIAN ART & CULTURE 3 INDIAN ART & CULTURE 8. Which of the following language 2. Le Corbusier, the architect of TYPE-I has been given the status of clas- Chandigarh was a national of sical language by Central Govern- 1. In which of the following dialects (1) The Netherlands ment? Kabir wrote ? (2) Portugal (1) Avadhi (2) Bhojpuri (1) Gujarati (2) Tamil (3) U.K. (3) Brijbhasa (4) Maithili (3) Marathi (4) Malayalam (4) France (SSC Stenographer (Grade 'C' & 'D') (SSC Section Officer (Audit) (SSC Section Officer (Audit) Exam. year 1997) Exam. 09.01.2011) Exam. 09.09.2001) 2. Where is “Pushkar Fair” held ? 9. ‘Rath Yatra’ at Puri is celebrated 3. In which field of Art Jamini Roy (1) Jodhpur (2) Ajmer in honour of make his name ? (3) Jaipur (4) Udaipur (1) Lord Rama (1) Sculpture (2) Music (SSC Combined Graduate Level (2) Lord Shiva (3) Painting (4) Drama Prelim Exam. 24.02.2002 (3) Lord Jagannath (First Sitting) (SSC Combined Graduate Level 3. Which of the following is called (4) Lord Vishnu Prelim Exam. 24.02.2002 the storehouse of world-art col- (SSC (10+2) Level Data Entry (First Sitting) lections ? Operator & LCD Exam. 04.12.2011 (Ist 4. Where is the Swami Narayan tem- (1) National Archives of India Sitting (East Zone) ple, Akshar-dham located ? (2) National Museum 10. The most popular festival in Tamil (1) Dwaraka, Gujarat (3) National Modren Art Gallery Nadu is : (2) Puri, Orissa (4) Salarjung Museum (1) Gudipadwa (2) Onam (3) Mathura, Uttar Pradesh (SSC Combined Graduate Level (3) Bihu (4) Pongal (4) Gandhinagar, Gujarat Prelim Exam. 24.02.2002 (SSC (10+2) Level Data Entry (SSC CPO Sub-Inspector (Middle Zone) and SSC CPO Operator & LDC Exam. 21.10.2012 Exam. 12.01.2003) Sub-Inspector Exam. 12.01.2003) (2nd Sitting)) 4. Who introduced the famous Per- 5. What do the paintings of Ajanta 11. Papeti is the festival of depict? sian Festival of Nauroz ? (1) Parsis (2) Jains (1) Alauddin Khalji (1) Ramayana (2) Mahabharata (3) Sikhs (4) Buddhists (2) Iltutmish (3) Jatakas (4) Panchatantra (SSC Multi-Tasking Staff Exam. (3) Firoz Tughlaq (SSC Combined Graduate Level (4) Balban 17.03.2013, Kolkata Region) Prelim Exam. 11.05.2003 (SSC CPO Sub-Inspector 12. Which among the following city (Second Sitting) Exam. 03.09.2006) was given as guru dakshina by 6. Where did the miniature paint- 5. Which of the following is a famous Pandavas to Guru Dronacharya? ings of Indian heritage develop? Assamese festival ? (1) Rawalpindi (2) Nainital (1) Guler (2) Mewar (1) Makar Sakranti (3) Hastinapur (4) Gurgaon (3) Bundi (4) Kishengarh (2) Yugadi (SSC CAPFs (CPO) SI & ASI,Delhi (SSC CPO Sub-Inspector (3) Onam Police SI Exam. 05.06.2016 (Ist Sitting)) Exam. 07.09.2003) (4) Rongali Bihu 13. Jalikattu is associated with which (FCI Assistant Grade-III Indian festival? 7. In which State is the folk paint- Exam. 5.02.2012 (Paper-1) (1) Onam (2) Pongal ing ‘Madhubani’ popular ? 6. Which language is spoken by the (3) Bihu (4) Hornbill (1) West Bengal (2) Orissa people of Lakshadweep? (SSC CGL Tier-I (CBE) Exam. (3) Bihar (4) Assam (1) Malayalam (2) Kannada 01.09.2016 (2nd Sitting)) (SSC Combined Graduate Level (3) Tamil (4) Telugu Prelim Exam. 08.02.2004 (SSC Combined Matric Level (PRE) TYPE-II (First Sitting) Exam. 12.05.2002 (IInd Sitting) 8. Who was the painter of the fa- 7. In which State is the religious 1. Who amongst the following is re- mous painting called - ‘Bharatma- festival ‘Ganesh Chaturthi’ Cele- nowned in the field of painting? ta’ ? brated with gusto ? (1) Parveen Sultana (1) Gaganendranath Tagore (1) Rajasthan (2) Prof. T.N. Krishnan (2) Abanindranath Tagore (2) Gujarat (3) Ram Kinkar (3) Nandalal Bose (3) Maharashtra (4) Raja Ravi Varma (4) Madhya Pradesh (4) Jamini Roy (SSC Combined Graduate Level (SSC Combined Matric Level (PRE) (SSC CHSL (10+2) DEO & LDC Prelim Exam. 27.02.2000 Exam. 30.07.2006 (IInd Sitting) Exam. 16.11.2014) (First Sitting) (Central Zone) SGAE–190 INDIAN ART & CULTURE 9. The Gandhara Art flourished 16. Who amidst the following is re- 23. The Lalita Kala Akademi is devot- during the period of nowned in the field of sculpture? ed to the promotion of : (1) Guptas (2) Mauryas (1) Manjit Bawa (1) Fine Arts (3) Satavahanas (4) Kushans (2) Saroja Vaidyanathan (2) Literature (SSC CPO Sub- Inspector (3) Ram Kinkar (3) Music Exam. 05.09.2004) (4) Raja Ravi Varma (4) Dance and Drama 10. Match the Artistes and their Art (SSC Combined Matric Level (PRE) (SSC CHSL (10+2) LDC, DEO form. Exam. 21.05.2000 (Ist Sitting) & PA/SA Exam, 15.11.2015 (Riapur, Madhya Pradesh) Artiste (IInd Sitting) TF No. 7203752) A. Amrita Shergill 17. Who, amidst the following is a dis- 24. Kalarippayatt is the martial art tinguished painter? B. T. Swaminathan Pillai of State of C. Kalamandalam Krishnan Nair (1) Amrita Shergill (1) Madhya Pradesh D. Padmasubramaniam (2) N. Rajam (2) Mizoram (3) Nagaland Art Form (3) Kamala Dasgupta (4) Kerala 1. Flute (4) U. Srinivas (SSC CGL Tier-I (CBE) Exam. 2. Kathakali (SSC Combined Matric Level (PRE) 3. Painting Exam. 21.05.2000 (Ist Sitting) 09.09.2016 (Ist Sitting)) 4. Bharathanatyam (Middle Zone) 25. The famous Dilwara temples of (A) (B) (C) (D) 18. What is the field in which Pra- Mount Abu are a sacred pilgrim- (1)3124 dosh Dasgupta distinguished him- age place for the (2)2314 self ? (1) Buddhists (2) Jains (3)4231 (1) Sculpture (3) Sikhs (4) Parsis (4)1423 (2) Painting (SSC CGL Tier-I (CBE) Exam. (SSC Tax Assistant (Income Tax & (3) Instrumental music 01.09.2016 (Ist Sitting)) Central Excise) Exam. 05.12.2004) (4) Hindustanic music (vocal) 26. Which monument is known as 11. Who was the pioneer of the Ben- (SSC Combined Matric Level (PRE) “The National Monument of In- gal School of Art ? Exam. 30.07.2006 (Ist Sitting) dia”? (1) Nandlal Bose (East Zone) (1) India Gate (2) B.C. Sanyal 19. Raja Ravi Verma of Kerala was a (2) Gateway of India (3) Jamini Roy distinguished (3) Raj Ghat (4) Red fort (4) Abanindranath Tagore (1) dancer (2) painter (SSC CPO Sub-Inspector (SSC CGL Tier-I (CBE) Exam. (3) poet (4) singer 02.09.2016 (Ist Sitting)) Exam. 26.05.2005) (SSC Multi-Tasking Staff Exam. 27. Sun temple is situated in which 12. Rajasthani and Pahari schools of 10.03.2013, Ist Sitting : Patna and SSC of the following states? art froms are famous for Combined Matric Level (PRE) (1) Odisha (2) Gujarat (1) Music (2) Dance Exam. 05.05.2002 (Ist Sitting) (3) Karnataka (3) Sculpture (4) Painting (Eastern Zone, Guwahati) (SSC Section Officer (Commercial 20. A semi-circular structure with a (4) Tamil Nadu Audit) Exam. 25.09.2005) dome shape roof erected over (SSC CGL Tier-I (CBE) Exam. 13. Who painted the master piece the sacred relics of Buddha is 02.09.2016 (2nd Sitting) 28. Which of the following is not cor- “Hamsa Damayanti” ? known as rectly matched? (1) Anjolie Ela Menon (1) Stupas (2) Edicts (1) The Mahakaal temple Ujjain (2) Abanindranath Tagore (3) Pillars (4) Monoliths (2) Sringeri Matha Chikkman- (3) Amrita Shergill (SSC Multi-Tasking Staff glur district (4) Raja Ravi Varma (Patna) Exam. 16.02.2014) (3) The Sun Temple Konark (SSC Section Officer (Audit) 21. The birth place of an iconic per- (4) Jain temples Khajuraho Exam. 10.12.2006) sonality, Amrita Sher–Gil, is (SSC CGL Tier-I (CBE) Exam. 14. Jamini Roy distinguished himself (1) Hungary (2) India 08.09.2016 (IIIrd Sitting)) in the field of (3) Austria (4) Poland 29. Kalamkari painting refers to (1) Badminton (2) Painting (1) A hand painted cotton tex- (3) Theatre (4) Sculpture (SSC CHSL (10+2) DEO & LDC Exam. 16.11.2014, IInd Sitting tile in SouthIndia (SSC CPO Sub-Inspector TF No. 545 QP 6) (2) A handmade drawing on Exam. 16.12.2007) 22. ‘Madhubani’, a style of folk paint- bamboo handicrafts in North- 15. Which of the following places of ings is popular in which of the East India Sikh religion heritage is not in In- following states in India ? (3) A block painted woollen cloth dia? (1) Bihar in Western Himalayan region (1) Nanded (2) Madhya Pradesh of India (2) Keshgarh Saheb (4) A hand painted decorative (3) Paonta Saheb (3) Uttar Pradesh silk cloth in North Western (4) Nankana Saheb (4) West Bengal India (SSC Combined Matric Level (PRE) (SSC CHSL (10+2) LDC, DEO (SSC CGL Tier-I (CBE) Exam. Exam. 24.10.1999 (Ist Sitting) & PA/SA Exam, 15.11.2015 (Ist Sitting) TF No. 6636838) 10.09.2016 (IIIrd Sitting)) SGAE–191 INDIAN ART & CULTURE 30. Raja Ravi Varma was a great (1) Shovana Narayan 12. Match the artists with their art- painter of which of the following ? (2) M. S. Subbalakshmi form : (1) Bengal (2) Bihar (3) Pt. Jasraj Artist Art-form (3) Punjab (4) Kerala (4) M. S. Gopalakrishnan a. Pannalal 1. Painting (SSC CGL Tier-I (CBE) Exam. (SSC Combined Graduate Level Ghosh 08.09.2016 (IInd Sitting)) Prelim Exam. 27.02.2000 b. Pt. Bhimsen 2. Carnatic 31. Who among the following is a fa- Joshi music (vocal) (Second Sitting) mous Indian painter ? c. Anjolie Ela 3. Flute Menon 6. Who among the following is not d. Madurai 4. Hindustani (1) Balamuralikrishna known for popularising ‘Thumri’ (2) Yaminni Krishnamurthy form of Indian music ? Mani Iyer music (vocal) (3) M.F. Hussain (1) Tansen abcd (4) Ravi Shankar (2) Amir Khusaro (1)1324 (SSC Multi-Tasking Staff (3) Nawab Vajid Ali Shah (2)2143 Exam.
Recommended publications
  • Famous Indian Classical Musicians and Vocalists Free Static GK E-Book
    oliveboard FREE eBooks FAMOUS INDIAN CLASSICAL MUSICIANS & VOCALISTS For All Banking and Government Exams Famous Indian Classical Musicians and Vocalists Free static GK e-book Current Affairs and General Awareness section is one of the most important and high scoring sections of any competitive exam like SBI PO, SSC-CGL, IBPS Clerk, IBPS SO, etc. Therefore, we regularly provide you with Free Static GK and Current Affairs related E-books for your preparation. In this section, questions related to Famous Indian Classical Musicians and Vocalists have been asked. Hence it becomes very important for all the candidates to be aware about all the Famous Indian Classical Musicians and Vocalists. In all the Bank and Government exams, every mark counts and even 1 mark can be the difference between success and failure. Therefore, to help you get these important marks we have created a Free E-book on Famous Indian Classical Musicians and Vocalists. The list of all the Famous Indian Classical Musicians and Vocalists is given in the following pages of this Free E-book on Famous Indian Classical Musicians and Vocalists. Sample Questions - Q. Ustad Allah Rakha played which of the following Musical Instrument? (a) Sitar (b) Sarod (c) Surbahar (d) Tabla Answer: Option D – Tabla Q. L. Subramaniam is famous for playing _________. (a) Saxophone (b) Violin (c) Mridangam (d) Flute Answer: Option B – Violin Famous Indian Classical Musicians and Vocalists Free static GK e-book Famous Indian Classical Musicians and Vocalists. Name Instrument Music Style Hindustani
    [Show full text]
  • Śāntiniketan and Modern Southeast Asian
    Artl@s Bulletin Volume 5 Article 2 Issue 2 South - South Axes of Global Art 2016 Śāntiniketan and Modern Southeast Asian Art: From Rabindranath Tagore to Bagyi Aung Soe and Beyond YIN KER School of Art, Design & Media, Nanyang Technological University, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/artlas Part of the Art Education Commons, Art Practice Commons, Asian Art and Architecture Commons, Modern Art and Architecture Commons, Other History of Art, Architecture, and Archaeology Commons, Other International and Area Studies Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation KER, YIN. "Śāntiniketan and Modern Southeast Asian Art: From Rabindranath Tagore to Bagyi Aung Soe and Beyond." Artl@s Bulletin 5, no. 2 (2016): Article 2. This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. This is an Open Access journal. This means that it uses a funding model that does not charge readers or their institutions for access. Readers may freely read, download, copy, distribute, print, search, or link to the full texts of articles. This journal is covered under the CC BY-NC-ND license. South-South Śāntiniketan and Modern Southeast Asian Art: From Rabindranath Tagore to Bagyi Aung Soe and Beyond Yin Ker * Nanyang Technological University Abstract Through the example of Bagyi Aung Soe, Myanmar’s leader of modern art in the twentieth century, this essay examines the potential of Śāntiniketan’s pentatonic pedagogical program embodying Rabindranath Tagore’s universalist and humanist vision of an autonomous modernity in revitalizing the prevailing unilateral and nation- centric narrative of modern Southeast Asian art.
    [Show full text]
  • J 1607 PAPER II.P65
    Signature and Name of Invigilator Answer Sheet No. : ...................................................... (To be filled by the Candidate) 1. (Signature) Roll No. (Name) (In figures as per admission card) 2. (Signature) Roll No. (In words) (Name) Test Booklet No. J1 6 0 7 PAPERII Time : 1¼ hours]MUSIC [Maximum Marks : 100 Number of Pages in this Booklet : 48 Number of Questions in this Booklet : 50 Instructions for the Candidates ÂÚUèÿææçÍüØô¢ ·ð¤ çܰ çÙÎðüàæ 1. Write your roll number in the space provided on the top of this 1. ÂãÜðU ÂëDU ·ð¤ ª¤ÂÚU çÙØÌ SÍæÙ ÂÚU ¥ÂÙæ ÚUôÜU ÙÕÚU çÜç¹°Ð page. 2. §â ÂýàÙ-Âæ ×𢠿æâ Õãéçß·¤ËÂèØ ÂýàÙ ãñ¢Ð 2. This paper consists of fifty multiple-choice type of questions. 3. ÂÚUèÿææ ÂýæÚUÖ ãôÙð ÂÚU, ÂýàÙ-ÂéçSÌ·¤æ ¥æÂ·¤ô Îð Îè ÁæØð»èÐ ÂãÜðU ÂUæ¡¿ ç×ÙÅU 3. At the commencement of examination, the question booklet ¥æÂ·¤ô ÂýàÙ-ÂéçSÌ·¤æ ¹ôÜÙð ÌÍæ ©â·¤è çÙÙçÜç¹Ì Áæ¡¿ ·ð¤ çܰ çÎØð will be given to you. In the first 5 minutes, you are requested ÁæØð¢»ð çÁâ·¤è Áæ¡¿ ¥æÂ·¤ô ¥ßàØ ·¤ÚUÙè ãñ Ñ to open the booklet and compulsorily examine it as below : (i) ÂýàÙ-ÂéçSÌ·¤æ ¹ôÜÙð ·ð¤ çܰ ©â·ð¤ ·¤ßÚU ÂðÁ¤ÂÚU Ü»è ·¤æ»Á ·¤è (i) To have access to the Question Booklet, tear off the paper âèÜ ·¤ô ȤæÇ¸U Üð¢UÐ ¹éÜè ãé§ü Øæ çÕÙæ SÅUè·¤ÚU-âèÜU ·¤è ÂéçSÌ·¤æ seal on the edge of this cover page. Do not accept a Sßè·¤æÚU Ù ·¤Úð¢UÐ booklet without sticker-seal and do not accept an open booklet.
    [Show full text]
  • (Public Section) Padma Awards Directory (1954-2009) Year-Wise List Sl
    MINISTRY OF HOME AFFAIRS (Public Section) Padma Awards Directory (1954-2009) Year-Wise List Sl. Prefix First Name Last Name Award State Field Remarks 1954 1 Dr. Sarvapalli Radhakrishnan BR TN Public Affairs Expired 2 Shri Chakravarti Rajagopalachari BR TN Public Affairs Expired 3 Dr. Chandrasekhara Raman BR TN Science & Eng. Expired Venkata 4 Shri Nand Lal Bose PV WB Art Expired 5 Dr. Satyendra Nath Bose PV WB Litt. & Edu. 6 Dr. Zakir Hussain PV AP Public Affairs Expired 7 Shri B.G. Kher PV MAH Public Affairs Expired 8 Shri V.K. Krishna Menon PV KER Public Affairs Expired 9 Shri Jigme Dorji Wangchuk PV BHU Public Affairs 10 Dr. Homi Jehangir Bhabha PB MAH Science & Eng. Expired 11 Dr. Shanti Swarup Bhatnagar PB UP Science & Eng. Expired 12 Shri Mahadeva Iyer Ganapati PB OR Civil Service 13 Dr. J.C. Ghosh PB WB Science & Eng. Expired 14 Shri Maithilisharan Gupta PB UP Litt. & Edu. Expired 15 Shri Radha Krishan Gupta PB DEL Civil Service Expired 16 Shri R.R. Handa PB PUN Civil Service Expired 17 Shri Amar Nath Jha PB UP Litt. & Edu. Expired 18 Shri Malihabadi Josh PB DEL Litt. & Edu. 19 Dr. Ajudhia Nath Khosla PB DEL Science & Eng. Expired 20 Shri K.S. Krishnan PB TN Science & Eng. Expired 21 Shri Moulana Hussain Madni PB PUN Litt. & Edu. Ahmed 22 Shri V.L. Mehta PB GUJ Public Affairs Expired 23 Shri Vallathol Narayana Menon PB KER Litt. & Edu. Expired Wednesday, July 22, 2009 Page 1 of 133 Sl. Prefix First Name Last Name Award State Field Remarks 24 Dr.
    [Show full text]
  • National Gallery of Modern Art New Delhi Government of India Vol 1 Issue 1 Jan 2012 Enews NGMA’S Newsletter Editorial Team From
    Newsletter JAN 2012 National Gallery of Modern Art New Delhi Government of India Vol 1 Issue 1 Jan 2012 enews NGMA’s Newsletter Editorial Team FroM Ella Datta the DIrector’s Tagore National Fellow for Cultural Research Desk Pranamita Borgohain Deputy Curator (Exhibition) Vintee Sain Update on the year’s activities Assistant Curator (Documentation) The NGMA, New Delhi has been awhirl with activities since the beginning of the year 2011. Kanika Kuthiala We decided to launch a quarterly newsletter to track the events for the friends of NGMA, Assistant Curator New Delhi, our well-wishers and patrons. The first issue however, will give an update of all the major events that took place over the year 2011. The year began with a bang with the th Monika Khanna Gulati, Sky Blue Design huge success of renowned sculptor Anish Kapoor’s exhibition. The 150 Birth Anniversary of Design Rabindranath Tagore, an outstanding creative genius, has acted as a trigger in accelerating our pace. NGMA is coordinating a major exhibition of close to hundred paintings and drawings Our very special thanks to Prof. Rajeev from the collection of NGMA as well as works from Kala Bhavana and Rabindra Bhavana of Lochan, Director NGMA without whose Visva Bharati in Santiniketan, West Bengal. The Exhibition ‘The Last Harvest: Rabindranath generous support this Newsletter would not Tagore’ is the first time that such a major exhibition of Rabindranath’s works is travelling to have been possible. Our Grateful thanks to all so many art centers in Europe and the USA as well as Seoul, Korea.
    [Show full text]
  • 4 Broadcast Sector
    MINISTRY OF INFORMATION AND BROADCASTING Annual Report 2006-2007 CONTENTS Highlights 1. Overview 1 2. Administration 3 3. Information Sector 12 4. Broadcast Sector 53 5. Films Sector 110 6. International Co-operation 169 7. Plan and Non-Plan Programmes 171 8. New Initiatives 184 Appendices I. Organisation Chart of the Ministry 190 II. Media-wise Budget for 2006-2007 and 2007-2008 192 Published by the Director, Publications Division, Ministry of Information and Broadcasting, Government of India Typeset at : Quick Prints, C-111/1, Naraina, Phase - I, New Delhi. Printed at : Overview 3 HIGHLIGHTS OF THE YEAR The 37th Edition of International Film Festival of India-2006 was organized in Goa from 23rd November to 3rd December 2006 in collaboration with State Government of Goa. Shri Shashi Kapoor was the Chief Guest for the inaugural function. Indian Film Festivals were organized under CEPs/Special Festivals abroad at Israel, Beijing, Shanghai, South Africa, Brussels and Germany. Indian films also participated in different International Film Festivals in 18 countries during the year till December, 2006. The film RAAM bagged two awards - one for the best actor and the other for the best music in the 1st Cyprus International Film Festival. The film ‘MEENAXI – A Tale of Three Cities’ also bagged two prizes—one for best cinematography and the other for best production design. Films Division participated in 6 International Film Festivals with 60 films, 4 National Film Festivals with 28 films and 21 State level film festivals with 270 films, during the period 1-04-06 to 30-11-06. Films Division Released 9791 prints of 39 films, in the theatrical circuits, from 1-4-06 to 30-11-06.
    [Show full text]
  • Contextual Modernism’ in the Silk Paintings of Maniklal Banerjee
    The Chitrolekha Journal on Art and Design (E-ISSN 2456-978X), Vol. 1, No. 2, 2017 DOI: https://dx.doi.org/10.21659/cjad.12.v1n205 PDF URL: www.chitrolekha.com/ns/v1n2/v1n205.pdf The ‘Contextual Modernism’ in the Silk Paintings of Maniklal Banerjee Ashmita Mukherjee Research Scholar, Jadavpur University. Email: [email protected] Abstract The paper tries to analyze the silk paintings of Maniklal Banerjee (1917-2002) who was greatly influenced by the artists of the so-called Bengal school of art. The school started by Abanindranath Tagore did not remain confined to its own time and space, but grew into dynamic new modernisms over a span of nearly a century. Art historian Sivakumar invoked a number of artists of Santiniketan and called it a “contextual modernism”. The paper tries to re-read the spirit of Santiniketan artists on the more recent and un- researched art of Maniklal Banerjee- who contextualized in his own way the Bengal ‘school’ that had by now turned into a ‘movement’. The spirit of freedom runs at the core of this movement and finds a new language in the late twentieth century artist’s renderings of daily life and Puranic narrations. Keywords: Bengal School, Maniklal Banerjee, Abanindranath Tagore, Nandalal Bose, Indian art, Puranic art, aesthetics Introduction: Maniklal Banerjee (1917-2002) Barely remembered beyond textbooks of art schools, Maniklal Banerjee was one of the first innovators of the technique of using water-color on silk in India. In order to engage in any critical discussion on his works, it is ironical that this painter- a recipient of the prestigious Abanindra Puraskar in 1999- needs an introduction (Plate 1 and 2).
    [Show full text]
  • The Sixth String of Vilayat Khan
    Published by Context, an imprint of Westland Publications Private Limited in 2018 61, 2nd Floor, Silverline Building, Alapakkam Main Road, Maduravoyal, Chennai 600095 Westland, the Westland logo, Context and the Context logo are the trademarks of Westland Publications Private Limited, or its affiliates. Copyright © Namita Devidayal, 2018 Interior photographs courtesy the Khan family albums unless otherwise acknowledged ISBN: 9789387578906 The views and opinions expressed in this work are the author’s own and the facts are as reported by her, and the publisher is in no way liable for the same. All rights reserved No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher. Dedicated to all music lovers Contents MAP The Players CHAPTER ZERO Who Is This Vilayat Khan? CHAPTER ONE The Early Years CHAPTER TWO The Making of a Musician CHAPTER THREE The Frenemy CHAPTER FOUR A Rock Star Is Born CHAPTER FIVE The Music CHAPTER SIX Portrait of a Young Musician CHAPTER SEVEN Life in the Hills CHAPTER EIGHT The Foreign Circuit CHAPTER NINE Small Loves, Big Loves CHAPTER TEN Roses in Dehradun CHAPTER ELEVEN Bhairavi in America CHAPTER TWELVE Portrait of an Older Musician CHAPTER THIRTEEN Princeton Walk CHAPTER FOURTEEN Fading Out CHAPTER FIFTEEN Unstruck Sound Gratitude The Players This family chart is not complete. It includes only those who feature in the book. CHAPTER ZERO Who Is This Vilayat Khan? 1952, Delhi. It had been five years since Independence and India was still in the mood for celebration.
    [Show full text]
  • Annual Report 2019-2020
    ANNUAL REPORT 2019-2020 ANNUAL Gandhi Smriti and Darshan Samiti ANNUAL REPORT 2019-2020 ­­ © ­ ­ ­ ­ Gandhi and People Gathering by Shri Upendra Maharathi Mahatma Gandhi by Shri K.V. Vaidyanath (Courtesy: http://ngmaindia.gov.in/virtual-tour-of-bapu.asp) (Courtesy: http://ngmaindia.gov.in/virtual-tour-of-bapu.asp) ANNUAL REPORT 2019-2020 Gandhi Smriti and Darshan Samiti ANNUAL REPORT - 2019-2020 Contents 1. Foreword ...................................................................................................................... 03 2. Introduction ................................................................................................................. 05 3. Structure of the Samiti.................................................................................................. 13 4. Time Line of Programmes............................................................................................. 14 5. Tributes to Mahatma Gandhi......................................................................................... 31 6. Significant Initiatives as part of Gandhi:150.................................................................. 36 7. International Programmes............................................................................................ 50 8. Cultural Exchange Programmes with Embassies as part of Gandhi:150......................... 60 9. Special Programmes..................................................................................................... 67 10. Programmes for Children.............................................................................................
    [Show full text]
  • KRAKAUER-DISSERTATION-2014.Pdf (10.23Mb)
    Copyright by Benjamin Samuel Krakauer 2014 The Dissertation Committee for Benjamin Samuel Krakauer Certifies that this is the approved version of the following dissertation: Negotiations of Modernity, Spirituality, and Bengali Identity in Contemporary Bāul-Fakir Music Committee: Stephen Slawek, Supervisor Charles Capwell Kaushik Ghosh Kathryn Hansen Robin Moore Sonia Seeman Negotiations of Modernity, Spirituality, and Bengali Identity in Contemporary Bāul-Fakir Music by Benjamin Samuel Krakauer, B.A.Music; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2014 Dedication This work is dedicated to all of the Bāul-Fakir musicians who were so kind, hospitable, and encouraging to me during my time in West Bengal. Without their friendship and generosity this work would not have been possible. জয় 巁쇁! Acknowledgements I am grateful to many friends, family members, and colleagues for their support, encouragement, and valuable input. Thanks to my parents, Henry and Sarah Krakauer for proofreading my chapter drafts, and for encouraging me to pursue my academic and artistic interests; to Laura Ogburn for her help and suggestions on innumerable proposals, abstracts, and drafts, and for cheering me up during difficult times; to Mark and Ilana Krakauer for being such supportive siblings; to Stephen Slawek for his valuable input and advice throughout my time at UT; to Kathryn Hansen
    [Show full text]
  • MUSIC (Lkaxhr) 1. the Sound Used for Music Is Technically Known As (A) Anahat Nada (B) Rava (C) Ahat Nada (D) All of the Above
    MUSIC (Lkaxhr) 1. The sound used for music is technically known as (a) Anahat nada (b) Rava (c) Ahat nada (d) All of the above 2. Experiment ‘Sarna Chatushtai’ was done to prove (a) Swara (b) Gram (c) Moorchhana (d) Shruti 3. How many Grams are mentioned by Bharat ? (a) Three (b) Two (c) Four (d) One 4. What are Udatt-Anudatt ? (a) Giti (b) Raga (c) Jati (d) Swara 5. Who defined the Raga for the first time ? (a) Bharat (b) Matang (c) Sharangdeva (d) Narad 6. For which ‘Jhumra Tala’ is used ? (a) Khyal (b) Tappa (c) Dhrupad (d) Thumri 7. Which pair of tala has similar number of Beats and Vibhagas ? (a) Jhaptala – Sultala (b) Adachartala – Deepchandi (c) Kaharva – Dadra (d) Teentala – Jattala 8. What layakari is made when one cycle of Jhaptala is played in to one cycle of Kaharva tala ? (a) Aad (b) Kuaad (c) Biaad (d) Tigun 9. How many leger lines are there in Staff notation ? (a) Five (b) Three (c) Seven (d) Six 10. How many beats are there in Dhruv Tala of Tisra Jati in Carnatak Tala System ? (a) Thirteen (b) Ten (c) Nine (d) Eleven 11. From which matra (beat) Maseetkhani Gat starts ? (a) Seventh (b) Ninth (c) Thirteenth (d) Twelfth Series-A 2 SPU-12 1. ? (a) (b) (c) (d) 2. ‘ ’ ? (a) (b) (c) (d) 3. ? (a) (b) (c) (d) 4. - ? (a) (b) (c) (d) 5. ? (a) (b) (c) (d) 6. ‘ ’ ? (a) (b) (c) (d) 7. ? (a) – (b) – (c) – (d) – 8. ? (a) (b) (c) (d) 9. ? (a) (b) (c) (d) 10.
    [Show full text]
  • The Nandalal—Gandhi—Rabindranath Connection
    The Nandalal—Gandhi—Rabindranath Connection Nandalal Bose’s ideas on art and art education were influenced to a large extent by the ideas of two of his distinguished contemporaries—Mohandas Karamchand Gandhi and Rabindranath Tagore. Gandhi is known in India today as the father of the nation as he managed to awaken almost single-handedly, the aspirations of the Indian people on a wide scale and organize them into a formidable political force. He had captured their attention even before he entered the country’s political scene by his successful use of satyagraha (non-violent political action) in South Africa to secure for its coloured people some measure of social justice from its white rulers. This was so unprecedented that it became the talk of the whole world. Gandhi moved to India in 1915; and in the next three decades used the same agitational strategy to emancipate the country from colonial rule. Nandalal was an involved witness of this process and soon became one of his great admirers. He became particularly so when Gandhi’s action programme widened its purview to include the economic independence of India and the strengthening of its wide-spread artisan traditions to achieve this. This focus on the artisan traditions had a special appeal for Nandalal. Even in his childhood years the artisan’s workshops in his home town had a great attraction for him; he often went there to watch the workers—potters, woodworkers, metal smiths, scroll-painters—ply their trades with seemingly effortless skill with open-eyed fascination. It was this fascination that fed his desire to become an artist when he grew up.
    [Show full text]