Fondation Beyeler Granted Building Permit for Extension Project with Atelier Peter Zumthor

Total Page:16

File Type:pdf, Size:1020Kb

Fondation Beyeler Granted Building Permit for Extension Project with Atelier Peter Zumthor Media release, 25 June 2021 Fondation Beyeler granted building permit for extension project with Atelier Peter Zumthor On 2 June, the Beyeler-Stiftung was granted the building permit for its extension project with Atelier Peter Zumthor by the Canton of Basel-Stadt Buildings Inspectorate (BGI). The path is now clear for construction to begin. In the summer of 2020, the Beyeler-Stiftung Board of Trustees had decided to proceed with the planning application despite the coronavirus pandemic, wishing to send a positive signal to the arts and the economy in Basel and Switzerland in these difficult times. The extension project is of great importance to the long-term development of Switzerland’s most visited art museum and will decisively shape the years to come. Construction is scheduled to start in late summer 2021. The extension will create a unique ensemble of museum buildings and almost double the park area open to the public. As Switzerland’s most visited art museum, the Fondation Beyeler wants to keep meeting the expectations of visitors and regional residents alike well into the twenty-first century. Hansjörg Wyss, long-time patron of the Fondation Beyeler and initiator of the project, is delighted: “The project has already received a favourable welcome from the public, so it is gratifying that we have now also obtained the consent of all relevant agencies and authorities.” Sam Keller, Director of the Fondation Beyeler, adds: “We are happy to have reached this milestone and to soon be able to start with the construction work.” The extension designed by Atelier Peter Zumthor comprises three buildings: the House for Art, a service building providing administrative and logistics facilities, and an events pavilion. The first two are being built in Iselin-Weber Park, which adjoins the current museum grounds to the south; the single-story pavilion will be situated in Berower Park, next to the existing boundary wall. The pavilion’s location endows it with a key role among the new buildings in Iselin-Weber Park, the historic architecture of the Berower estate, and the existing Renzo Piano building. The new museum building, which offers 1,500 square metres of exhibition space, is intended for collection displays and small-scale shows. The service building houses offices and technical facilities, dedicated among others to the delivery of artworks. Demolition work on the houses at Bachtelenweg 5–9 can begin in August 2021 at the earliest. Construction work is scheduled to start in the late summer of 2021 and is expected to last two years. Access from Riehen’s town centre to the Wiese and the Lange Erlen will be maintained for pedestrians and cyclists. Building work in Berower Park will take less time and will thus begin at a later date. Over the past months and years, Atelier Peter Zumthor’s extension project has been detailed and refined by the architect in collaboration with specialist planners, public authorities and the project’s owners. In the summer of 2019, the project was granted preliminary planning permission by cantonal authorities. In the fall of 2019, Riehen’s Municipal Parliament also gave the construction project its approval. Funding for the extension project is 90% secured thanks to generous donations by the Wyss Foundation established by Hansjörg Wyss, the Daros Collection owned by the Stephan Schmidheiny family, as well as other private donors together with the Beyeler-Stiftung. It covers the purchase of land and property, construction costs for the new building, as well as operating, maintenance and programming costs for the first ten years. Peter Zumthor Winner of the Pritzker Architecture Prize, the Praemium Imperiale and many other awards, Peter Zumthor was born in Basel in 1943. He brings extensive experience in the design of museum buildings, including the Kunsthaus Bregenz, the Kolumba Museum in Cologne, and currently LACMA (Los Angeles County Museum of Art). Peter Zumthor became known to a wider public with the Therme Vals spa complex and the Swiss pavilion at Expo 2000 in Hanover. As a native of Basel, he is particularly delighted to be creating the Fondation Beyeler’s new building in the adjacent Iselin-Weber Park. Fondation Beyeler The Fondation Beyeler in Riehen/Basel is an international success story and has established itself as the most visited art museum in Switzerland. Since opening its doors in 1997, it has welcomed over 7.5 million visitors from around the globe. Designed by Italian architect Renzo Piano, the multi-award-winning museum building set in the idyllic grounds of Berower Park is considered one of the most beautiful art spaces worldwide. Its famed collection of modern and contemporary art has doubled in size since it was started by Ernst and Hildy Beyeler, having expanded through acquisitions as well as valuable gifts and long-term loans from private collections and renowned artists. Press images are available at www.fondationbeyeler.ch/en/media/press-images Further information: Jan Sollberger Team Extension Project / PR & Media Relations Tel. + 41 (0)61 645 97 29, [email protected], www.fondationbeyeler.ch Fondation Beyeler, Beyeler Museum AG, Baselstrasse 77, CH-4125 Riehen, Switzerland .
Recommended publications
  • Renzo Piano Building Workshop
    Renzo Piano Building Workshop Renzo Piano Antonio Belvedere Founding Partner, Chairman Partner-director In charge of the V-A-C Cultural Space, Moscow Company Profile Renzo Piano was born in Genoa in 1937 Born in 1969, Antonio Belvedere graduated into a family of builders. in architecture from the University of The Renzo Piano Building Workshop While studying at Politecnico of Milan Florence. He joined RPBW’s Paris (RPBW) is an international architectural University, he worked in the office of office in 1999, working on phase three practice with offices in Paris and Genoa. Franco Albini. of the Fiat Lingotto factory conversion In 1971, he set up the “Piano & Rogers” project, particularly on the design of the The Workshop is led by eight partner- office in London together with Richard Polytechnic and the Pinacoteca Agnelli. directors, including the founder and Pritzker Rogers, with whom he won the competition He was subsequently lead architect on Prize laureate, architect Renzo Piano, and for the Centre Pompidou. He subsequently the masterplan for Columbia University’s 3 partners. The company permanently moved to Paris. Manhattanville development in New York. employs nearly 130 people. Our 90- From the early 1970s to the 1990s, he Following promotion to Associate in 2004, plus architects are from all around the worked with the engineer Peter Rice, he worked on the masterplan for the ex- world, each selected for their experience, sharing the Atelier Piano & Rice from 1977 Falck area in Milan. enthusiasm and calibre. to 1981. He became a Partner in 2011. Recently The company’s staff has the expertise to In 1981, the “Renzo Piano Building completed projects include the Valletta City provide full architectural design services, Workshop” was established, with 150 staff Gate in Malta.
    [Show full text]
  • Canton of Basel-Stadt
    Canton of Basel-Stadt Welcome. VARIED CITY OF THE ARTS Basel’s innumerable historical buildings form a picturesque setting for its vibrant cultural scene, which is surprisingly rich for THRIVING BUSINESS LOCATION CENTRE OF EUROPE, TRINATIONAL such a small canton: around 40 museums, AND COSMOPOLITAN some of them world-renowned, such as the Basel is Switzerland’s most dynamic busi- Fondation Beyeler and the Kunstmuseum ness centre. The city built its success on There is a point in Basel, in the Swiss Rhine Basel, the Theater Basel, where opera, the global achievements of its pharmaceut- Ports, where the borders of Switzerland, drama and ballet are performed, as well as ical and chemical companies. Roche, No- France and Germany meet. Basel works 25 smaller theatres, a musical stage, and vartis, Syngenta, Lonza Group, Clariant and closely together with its neighbours Ger- countless galleries and cinemas. The city others have raised Basel’s profile around many and France in the fields of educa- ranks with the European elite in the field of the world. Thanks to the extensive logis- tion, culture, transport and the environment. fine arts, and hosts the world’s leading con- tics know-how that has been established Residents of Basel enjoy the superb recre- temporary art fair, Art Basel. In addition to over the centuries, a number of leading in- ational opportunities in French Alsace as its prominent classical orchestras and over ternational logistics service providers are well as in Germany’s Black Forest. And the 1000 concerts per year, numerous high- also based here. Basel is a successful ex- trinational EuroAirport Basel-Mulhouse- profile events make Basel a veritable city hibition and congress city, profiting from an Freiburg is a key transport hub, linking the of the arts.
    [Show full text]
  • World Council of Churches
    World Council of Churches Financial Report 2018 World Council of Churches 150 Route de Ferney P.O. Box 2100 1211 Geneva 2 Switzerland Contents page Report to the Member Churches on the 2018 Financial Report 5 Report of the Statutory Auditor to the Executive Committee 8 and to the Member Churches Schedule I: Consolidated Balance Sheet 10 Schedule II: Consolidated Income & Expenditure Account 11 Schedule III: Consolidated Statement of Movements in Funds & Reserves 12 Schedule IV: Consolidated Cash Flow Statement 14 Notes to the Consolidated Financial Statements 15 Schedule V: Restricted Funds 34 Schedule VI (a) and (b): Restricted Funds Programmes 35 Schedule VII: Unrestricted and Designated Funds 37 Schedule VIII: Unrestricted Operating Funds 38 Annual Summary of Contributions 39 Non-financial Contributions 48 Note on Membership Contributions 52 Financial Report 2018 5 REPORT TO MEMBER CHURCHES ON THE 2018 FINANCIAL REPORT We present with pleasure the financial report of the World Council of Churches for 2018. The year marked the start of the second four-year planning period since the 10th Assembly, with work shaped by the WCC Strategic Plan 2018-2021, and the accompanying financial strategy, approved by the central committee in June 2018. The 10th Assembly, Busan 2013, called the churches and ecumenical partners to join in a “Pilgrimage of Justice and Peace.” In 2018, the regional focus of the pilgrimage turned to Latin America and the Caribbean, and the WCC celebrated its 70th anniversary, with meetings with church leaders from around the world, including Pope Francis. In the year’s Annual Review, the general secretary affirmed that “our fellowship has taken concrete steps in the ecumenical quest for unity, precisely by walking, working and praying together.” Financial results 2018 In 2018, the WCC reported total income of CHF 24.8 million, total expenditure and transfers of CHF 29.3 million and a resultant net decrease in funds and reserves of CHF 4.5 million.
    [Show full text]
  • Iceland, Scandinavia, England & Scotland
    OUR 15TH ARCHITECTURE TOUR JOIN MALCOLM CARVER’S ARCHITECTURE TOUR OF ICELAND, SCANDINAVIA, ENGLAND & SCOTLAND London, Manchester, Glasgow, Reykjavik, Oslo, Aalborg & Copenhagen 4 -24 August 2018 A tour for architects and everybody that enjoys beautiful buildings ARCHITECTURE TOUR OF The tour at a glance… Three previous architecture tours to this delightful part of the world were limited ICELAND, to the work of the renowned modernist architect, Alvar Aalto in Finland. This grand tour of Scandinavia extends beyond Finland and begins in the City of London where many may wish to explore before we begin our northern hemisphere SCANDINAVIA, journey. Scandinavia has long been on our horizon particularly with enthusiastic ENGLAND & SCOTLAND encouragement from our many friends and previous eminent guests who we hope will again join another grand architectural pilgrimage. This region of the world has long shown exceptional, original leading modernist trends in architecture, art and Recent contemporary design that continues to inspire the whole world. architecture coupled with Our itinerary includes exciting and outstanding buildings with orientation tours of iconic modern buildings, by the gems in each city, providing a balance of old and new. We have also allowed outstanding award-winning free time for participants to individually enjoy particular buildings and landmarks of their choice, or time to enjoy galleries and museums and share the sheer pleasures and internationally renowned these beautiful cities traditionally have to offer. architects including Norman Foster, Renzo Piano, Jorn Utzon, Santiago Calatrava, Charles Rennie Mackintosh Daniel Libeskind, Denton, Corker Marshall, Stephen Holl and Zaha Hadid. TOUR ITINERARY DAY 7 Friday 10 August 2018 Glasgow Today begins with one of Zaha Hadid’s recent buildings before her sad DAY 1 Saturday 4 August 2018 Departure passing last year, Maggies Centre Kircaldy, then Glasgow School of Art Tour members depart Australian for London.
    [Show full text]
  • The Pritzker Architecture Prize1998[1]. RENZO PIANO 2
    Photo by M. Denancé Reconstruction of the Atelier Brancusi, Paris, France — 1997 Photo by C. Richters Photo by M. Denancé The Beyeler Foundation Museum Basel, Switzerland 1997 Ushibuka Bridge linking three islands of the Amakusa Archipelago, Japan — 1997 Photo by Paul Hester The Menil Collection Museum Houston, Texas — 1987 Photo by Paul Hester Drawing illustrating the roof system of “leaves” for adjusting the amount of light admitted to the galleries. Photo by Hickey Robertson The Cy Twombly Gallery at the Menil Collection Museum Houston, Texas — 1995 Photo by Hickey Robertson THE ARCHITECTURE OF RENZO PIANO — A T RIUMPH OF CONTINUING CREATIVITY BY COLIN AMERY AUTHOR AND ARCHITECTURAL CRITIC, THE FINANCIAL TIMES SPECIAL ADVISOR TO THE WORLD MONUMENTS FUND It was modern architecture itself that was honored at the White House in Washington, D.C. on June 17, 1998. The twentieth anniversary of the Pritzker Prize and the presentation of the prestigious award to Renzo Piano made for an extraordinary event. Piano’s quiet character and almost solemn, bearded appearance brought an atmosphere of serious, contemporary creativity to the glamorous event. The great gardens and the classical salons of the White House were filled with the flower of the world’s architectural talent including the majority of the laureates of the previous twenty years. But perhaps the most significant aspect of the splendid event was the opportunity it gave for an overview of the recent past of architecture at the very heart of the capital of the world’s most powerful country. It was rather as though King Louis XIV had invited all the greatest creative architects of the day to a grand dinner at Versailles.
    [Show full text]
  • Renzo Piano 1998 Laureate Essay
    Renzo Piano 1998 Laureate Essay The Architecture of Renzo Piano—A Triumph of Continuing Creativity By Colin Amery Author and Architectural Critic, The Financial Times Special Advisor to the World Monuments Fund It was modern architecture itself that was honored at the White House in Washington, D.C. on June 17, 1998. The twentieth anniversary of the Pritzker Prize and the presentation of the prestigious award to Renzo Piano made for an extraordinary event. Piano’s quiet character and almost solemn, bearded appearance brought an atmosphere of serious, contemporary creativity to the glamorous event. The great gardens and the classical salons of the White House were filled with the flower of the world’s architectural talent including the majority of the laureates of the previous twenty years. But perhaps the most significant aspect of the splendid event was the opportunity it gave for an overview of the recent past of architecture at the very heart of the capital of the world’s most powerful country. It was rather as though King Louis XIV had invited all the greatest creative architects of the day to a grand dinner at Versailles. In Imperial Washington the entire globe gathered to pay tribute to the very art of architecture itself. Renzo Piano was not overwhelmed by the brilliance of the occasion, on the contrary he seized his opportunity to tell the world about the nature of his work. In his own words, he firmly explained that architecture is a serious business being both art and a service. Those are perhaps two of the best words to describe Renzo Piano’s work.
    [Show full text]
  • “Shall We Compete?”
    5th International Conference on Competitions 2014 Delft “Shall We Compete?” Pedro Guilherme 35 5th International Conference on Competitions 2014 Delft “Shall we compete?” Author Pedro Miguel Hernandez Salvador Guilherme1 CHAIA (Centre for Art History and Artistic Research), Universidade de Évora, Portugal http://uevora.academia.edu/PedroGuilherme (+351) 962556435 [email protected] Abstract Following previous research on competitions from Portuguese architects abroad we propose to show a risomatic string of politic, economic and sociologic events that show why competitions are so much appealing. We will follow Álvaro Siza Vieira and Eduardo Souto de Moura as the former opens the first doors to competitions and the latter follows the master with renewed strength and research vigour. The European convergence provides the opportunity to develop and confirm other architects whose competences and aesthetics are internationally known and recognized. Competitions become an opportunity to other work, different scales and strategies. By 2000, the downfall of the golden initial European years makes competitions not only an opportunity but the only opportunity for young architects. From the early tentative, explorative years of Siza’s firs competitions to the current massive participation of Portuguese architects in foreign competitions there is a long, cumulative effort of competence and visibility that gives international competitions a symbolic, unquestioned value. Keywords International Architectural Competitions, Portugal, Souto de Moura, Siza Vieira, research, decision making Introduction Architects have for long been competing among themselves in competitions. They have done so because they believed competitions are worth it, despite all its negative aspects. There are immense resources allocated in competitions: human labour, time, competences, stamina, expertizes, costs, energy and materials.
    [Show full text]
  • C O M P a N Y P R O F I
    company profile whotectoo is a creative hub of architects whose partners’ background experience spans across many countries and continents: Europe, North America, Middle East and Far East, Australia and Africa. Our people We trust in what we do and how it is conceived selecting the right people with different attitudes, expertise and ambitions but with common qualities: trust, motivation and knowledge. 1 Tectoo is an architectural design firm established by the Architect Susanna Scarabicchi, former partner of Renzo Piano Building Workshop (RPBW). Her expertise, sensitivity and competence have been highly recognized around the world throughout the projects she led and designed over the past 30 years. She developed a commendable portfolio of projects that prompted community regeneration, sense of place and design quality. Tectoo’s cutting-edge approach is also enhanced by the expertise of Architect Andrea Peschiera, with whom Architect Scarabicchi has had a close and productive collaboration during the last five years at RPBW and who joined the firm as partner and director since the early stages, sharing the common focus on technical excellence and experimentation developed through his international experience. Tectoo is deeply rooted by architectural, environmental and social convictions for what designing for the future means. Creating something new in a world everyday more fragile requires the profound awareness that the best building concepts grow by means of a rigorous and innovative approach. Our view is that creating good architecture involves developing and implementing competencies in collaboration with an extensive network of experts from many fields and disciplines whilst engaging in a strong relationship with our clients in order to define common goals.
    [Show full text]
  • Download Welcome Brochure Basel
    WELCOME Basel. Business, life, culture. MULTIFACETTED CITY OF THE ARTS Basel’s innumerable historical buildings form a picturesque setting for its vibrant cultural scene, which is surprisingly rich for such a small canton: around 40 mu- THRIVING BUSINESS LOCATION CENTRE OF EUROPE, TRINATIONAL seums, some of them world-renowned, such as the Fondation Beyeler and the Basel is Switzerland’s most dynamic busi- AND COSMOPOLITAN Kunstmuseum Basel, the Theater Basel, ness centre. The city built its success on There is a point in Basel, in the Swiss where opera, drama and ballet are per- the global achievements of its pharma- Rhine Ports, where the borders of Switzer- formed, as well as 25 smaller theatres, a ceutical and chemical companies. Roche, land, France and Germany meet. Basel theatre that stages musicals, and count- Novartis, Syngenta, Lonza Group, Clari- works closely together with its neigh- less galleries and cinemas. The city ranks ant and others have raised Basel’s pro- bours Germany and France in the fields of with the European elite in the field of fine file around the world. Thanks to the ex- education, culture, transport and the envi- arts, and hosts the world’s leading con- tensive logistics know-how that has been ronment. Residents of Basel enjoy the su- temporary-art fair, Art Basel. In addition established over the centuries, a number perb recreational opportunities in French to its prominent classical orchestras and of leading international logistics service Alsace as well as in Germany’s Black For- over 1,000 concerts per year, numerous providers are also based here.
    [Show full text]
  • Local and Regional Democracy in Switzerland
    33 SESSION Report CG33(2017)14final 20 October 2017 Local and regional democracy in Switzerland Monitoring Committee Rapporteurs:1 Marc COOLS, Belgium (L, ILDG) Dorin CHIRTOACA, Republic of Moldova (R, EPP/CCE) Recommendation 407 (2017) .................................................................................................................2 Explanatory memorandum .....................................................................................................................5 Summary This particularly positive report is based on the second monitoring visit to Switzerland since the country ratified the European Charter of Local Self-Government in 2005. It shows that municipal self- government is particularly deeply rooted in Switzerland. All municipalities possess a wide range of powers and responsibilities and substantial rights of self-government. The financial situation of Swiss municipalities appears generally healthy, with a relatively low debt ratio. Direct-democracy procedures are highly developed at all levels of governance. Furthermore, the rapporteurs very much welcome the Swiss parliament’s decision to authorise the ratification of the Additional Protocol to the European Charter of Local Self-Government on the right to participate in the affairs of a local authority. The report draws attention to the need for improved direct involvement of municipalities, especially the large cities, in decision-making procedures and with regard to the question of the sustainability of resources in connection with the needs of municipalities to enable them to discharge their growing responsibilities. Finally, it highlights the importance of determining, through legislation, a framework and arrangements regarding financing for the city of Bern, taking due account of its specific situation. The Congress encourages the authorities to guarantee that the administrative bodies belonging to intermunicipal structures are made up of a minimum percentage of directly elected representatives so as to safeguard their democratic nature.
    [Show full text]
  • Timber Construction in Switzerland – Example 1: Shed for Historical Rolling Stock of the Rhaetian Railway at Samedan
    Federal Department of the Environment, Transport, Energy and Communications DETEC Federal Office for the Environment FOEN International Affairs Division Schafer, Achim 03.10.2017 2017 Market Statement for Switzerland Developments in Forest Product Markets Reference: Q375-0558 Shed for historical rolling stock of the Rhaetian Railway at Samedan (image source: Brasse Architekten, Samedan) 1/23 061.2-03-08-00251/00006/00002/Q375-0558 Reference: Q375-0558 Contents Inhaltsverzeichnis 2017 Market Statement for Switzerland .................................................................................................. 1 Developments in Forest Product Markets ............................................................................................... 1 General economic trends ................................................................................................................. 3 Developments in forest products markets ........................................................................................ 3 Overview and general trends .................................................................................................. 3 Excellence in Swiss timber construction ................................................................................. 4 Timber construction in Switzerland – example 1: Shed for historical rolling stock of the Rhaetian Railway at Samedan ......................................................................................................... 5 Timber construction in Switzerland – example 2: «FachWerk»
    [Show full text]
  • Introduction to Modern Literature David Spurr, Fall 2020 11 Nov
    Introduction to Modern Literature David Spurr, Fall 2020 11 Nov. Architectural form and representation: Some principles American beginnings of modernism: The Chicago School Louis Sullivan, “The Tall Office Building Artistically Considered,” 1896 https://ocw.mit.edu/courses/architecture/4-205-analysis-of-contemporary- architecture-fall-2009/readings/MIT4_205F09_Sullivan.pdf 18 Nov. Organic architecture: Frank Lloyd Wright Wright, “In the Cause of Architecture,” 1908 https://www.architecturalrecord.com/ext/resources/news/2016/01- Jan/InTheCause/Frank-Lloyd-Wright-In-the-Cause-of-Architecture-March- 1908.pdf “Frank Lloyd Wright: American Architect,” Museum of Modern Art, 1940: https://www.moma.org/calendar/exhibitions/2992 Architectural Forum, special issue on Wright, January 1938: https://usmodernist.org/AF/AF-1938-01.pdf 25 Nov. European beginnings of modernism: Walter Gropius Gropius, “Bauhaus Manifesto and Programme,” 1919 http://mariabuszek.com/mariabuszek/kcai/ConstrBau/Readings/GropBau19.p df Gropius, “Principles of Bauhaus Production,” 1926 http://mariabuszek.com/mariabuszek/kcai/ConstrBau/Readings/GropPrdctn.p df Gropius, ”The Theory and Organization of the Bauhaus,” 1923, in Herbert Bayer, Bauhaus 1919-1928, Museum of Modern Art: https://www.moma.org/documents/moma_catalogue_2735_300190238.pdf De Stijl: Gerrit Rietveld Theo van Doesburg, First De Stijl Manifesto, 1918 https://www.readingdesign.org/de-stijl-manifesto Rietveld, “The New Functionalism in Dutch Architecture,“ 1932 https://modernistarchitecture.wordpress.com/2010/10/20/gerrit-rietveld- %E2%80%9Cnew-functionalism-in-dutch-architecture%E2%80%9D-1932/ Machines for Living: Le Corbusier Le Corbusier, “Five Points Towards a New Architecture,” 1926 https://www.spaceintime.eu/docs/corbusier_five_points_toward_new_archit ecture.pdf Le Corbusier, “Towards a New Architecture,” 1927 https://archive.org/details/TowardsANewArchitectureCorbusierLe/page/n91/ mode/2up E1027: Eileen Gray Joseph Rykwert, “Eileen Gray, Design Pioneer,” 1968.
    [Show full text]