Chic Take It Off Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Chic Take It Off mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Take It Off Country: US Released: 1981 Style: Funk, Disco MP3 version RAR size: 1898 mb FLAC version RAR size: 1781 mb WMA version RAR size: 1767 mb Rating: 4.2 Votes: 736 Other Formats: WAV XM MP1 DXD MPC ADX AAC Tracklist Hide Credits A1 Stage Fright 3:55 A2 Burn Hard 5:12 A3 So Fine 4:10 A4 Flash Back 4:28 A5 Telling Lies 2:28 B1 Your Love Is Cancelled 4:12 B2 Would You Be My Baby 3:34 B3 Take It Off 5:12 Just Out Of Reach B4 3:45 Soloist, Alto Saxophone – Lenny Pickett Baby Doll B5 3:10 Soloist, Alto Saxophone – Lenny Pickett Companies, etc. Pressed By – Allied Record Company Credits Art Direction – Sandi Young Baritone Saxophone – Lenny Pickett, Ronnie Cuber Bass – Bernard Edwards Coordinator [Artwork Co-ordinated By] – Eileen Roman Cover [Art] – Tony Wright Drums – Tony Thompson Engineer [Second] – Jason (And His Zany Argonuts) Corsaro* Engineer, Recorded By, Mixed By – W. G. Scheniman* Guitar – Nile Rodgers Keyboards – Ray Jones*, Rob Sabino Mastered By – Dennis King Percussion – Manolo Badreña*, Roger Squitero, Sammy Figueroa Producer – Bernard Edwards And Nile Rodgers* Tenor Saxophone – Lenny Pickett, Michael Brecker, Vinni Della Rocca* Trumpet, Flugelhorn – Randy Brecker, Ray Maldonado Vocals – Alfa Anderson, Bernard Edwards, Fonzi Thornton, Jocelyn Brown, Luci Martin, Michelle Cobbs, Nile Rodgers Written-By, Arranged By, Conductor – Bernard Edwards And Nile Rodgers* Notes Produced for the Chic Organization Ltd. Recorded and mixed at Power Station, N.Y.C. Mastered at Atlantic Studios Artwork © Tony Wright 1981 All songs published by Chic Music, Inc., BMI. All rights administered by Warner-Tamerlane Publishing Corp. Special thanks to Simo Doe and the entire Atlantic Family Mfg. by Atlantic Recording Corp. ℗ © 1981 Atlantic Recording Corporation Printed in U.S.A. ℗ 1981 Atlantic Label : AR: Allied Record Company, Los Angeles, California Track listing as on labels, track listing on back cover is random Barcode and Other Identifiers Matrix / Runout (Side A): ST-A-814817-AR Matrix / Runout (Side B): ST-A-814818-AR Other versions Category Artist Title (Format) Label Category Country Year ATL K 50 845 Chic Take It Off (LP, Album) Atlantic ATL K 50 845 Netherlands 1981 450 845 Chic Take It Off (Cass, Album, Dol) Atlantic 450 845 Europe 1981 CS 19323 Chic Take It Off (Cass, Album) Atlantic CS 19323 US 1981 20.071 Chic Take It Off (LP, Album) Atlantic 20.071 Brazil 1981 50845 Chic Take It Off (LP, Album) Atlantic 50845 Greece 1981 Related Music albums to Take It Off by Chic 1. Chic - Risqué 2. Talking Heads - Naked 3. Chic - C'est Chic 4. Chic - Tongue In Chic 5. Rod Stewart - Out Of Order 6. Debbie Harry - KooKoo 7. Mac Dowell & Krell - Echnaton's Return 8. Missing Links - Groovin' 9. Elton John - Caribou 10. Madonna - Like A Virgin.

Copy Link

Recommended publications

Chic & Nile Rodgers – Ett Rockband För
Lördagspremium: Chic & Nile Rodgers – ett rockband för discorörelsen Att kalla discomusiken för en fluga är att göra det alldeles för lätt för sig. Precis som med alla genrer som har så tydliga attribut och förtecken – hårdrock, punk, new romantic – är det lätt att göra narr av och underskatta discons inverkan på musikhistorien och populärkulturen i stort. Faktum är att alla vet hur discomusik låter och vad som kännetecknar den korta period den regerade på listorna. Och med tiden har dess simpla budskap om att dansa och ha roligt gång på gång omfamnats av det hårda, moderna samhället, lika mycket som dess musikaliska attribut gång på gång återanvänts i alla typer av dansmusik. Om man skrattar åt disco idag gör man det mer på grund av de hårresande utstyrslarna och de fåniga, om än stilbildande dansrörelserna än de de facto grymt svängiga låtarna och extremt detaljerade – och minst lika stilbildande produktionerna. Tiden har på många sätt gett discon rätt, åtminstone ur ett musikaliskt perspektiv. ”Tiden har på många sätt gett discon rätt” Precis som så många andra hårt arbetande svarta musiker i New York var Nile Rodgers, född 1952, uppvuxen med R&B, soul och jazz. Hans första betalda gig var dock någonting helt annat – som musiker i The Sesame Street Band, som gjorde musiken till barnprogrammet med samma namn. Efter att ha backat bland andra Screamin Jay Hawkins på legendariska Apollo Theatre träffade han 1970 basisten Bernard Edwards – som han för all framtid skulle komma att kalla ”min partner” – och tillsammans kompade de ett stort antal mer eller mindre kända artister innan de bildade sitt eget Big Apple Band, som hade några mindre lokala hits i början av 70-talet.
[Show full text]
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 11/09/2011 04:57 Pm
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 11/09/2011 04:57 pm WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 11/02/2011 to 11/08/2011 Last Period (TP) = 10/25/2011 to 11/01/2011 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 2 Jeff McLaughlin Quartet Blocks Owl Studios 2011 11 12 -1 2 27 Christian McBride Big The Good Feeling Mack Avenue 2011 9 3 6 Band 3 308 Pat Martino Undeniable: Live At Blues HighNote 2011 8 0 8 Alley 4 4 Dr. Michael White Adventures In New Basin Street 2011 7 9 -2 Orleans Jazz Pt. 1 4 8 Stefon Harris, David Ninety Miles Concord Picante 2011 7 8 -1 Sanchez, Christian Scott 4 14 Warren Wolf Warren Wolf Mack Avenue 2011 7 6 1 4 308 Houston Person So Nice HighNote 2011 7 0 7 8 4 Jay Ashby & Steve Davis Mistaken Identity MCG Jazz 2011 6 9 -3 8 10 Orrin Evans Freedom Posi-Tone 2011 6 7 -1 10 1 Roy Haynes Roy-Alty Dreyfus 2011 5 13 -8 10 3 Cedar Walton The Bouncer High Note 2011 5 10 -5 10 8 Afro Bop Alliance Una Mas OA2 2011 5 8 -3 10 20 Alan Leatherman Detour Ahead AJL 2011 5 4 1 10 20 Dave Valentin Pure Imagination HighNote 2011 5 4 1 10 43 Sir Roland Hanna Colors From A Giant's Kit IPO 2011 5 2 3 10 43 Denise Donatelli What Lies Within Savant 2008 5 2 3 17 4 Bill O'Connell Triple Play Plus Three Zoho 2011 4 9 -5 17 10 John Stein Hi Fly Whaling City Sound 2011 4 7 -3 17 18 Gerald Beckett Standard Flute Summit 2011 4 5 -1 17 20 Denise Donatelli When Lights Are Low Savant 2010 4 4 0 17 27 Sammy Figueroa Urban Nature
[Show full text]
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music.
[Show full text]
Kathy Sledge Press
Web Sites Website: www.kathysledge.com Website: http: www.brightersideofday.com Social Media Outlets Facebook: www.facebook.com/pages/Kathy-Sledge/134363149719 Twitter: www.twitter.com/KathySledge Contact Info Theo London, Management Team Email: [email protected] Kathy Sledge is a Renaissance woman — a singer, songwriter, author, producer, manager, and Grammy-nominated music icon whose boundless creativity and passion has garnered praise from critics and a legion of fans from all over the world. Her artistic triumphs encompass chart-topping hits, platinum albums, and successful forays into several genres of popular music. Through her multi-faceted solo career and her legacy as an original vocalist in the group Sister Sledge, which included her lead vocals on worldwide anthems like "We Are Family" and "He's the Greatest Dancer," she's inspired millions of listeners across all generations. Kathy is currently traversing new terrain with her critically acclaimed show The Brighter Side of Day: A Tribute to Billie Holiday plus studio projects that span elements of R&B, rock, and EDM. Indeed, Kathy's reached a fascinating juncture in her journey. That journey began in Philadelphia. The youngest of five daughters born to Edwin and Florez Sledge, Kathy possessed a prodigious musical talent. Her grandmother was an opera singer who taught her harmonies while her father was one-half of Fred & Sledge, the tapping duo who broke racial barriers on Broadway. "I learned the art of music from my father and my grandmother. The business part of music was instilled through my mother," she says. Schooled on an eclectic array of artists like Nancy Wilson and Mongo Santamaría, Kathy and her sisters honed their act around Philadelphia and signed a recording contract with Atco Records.
[Show full text]
Chic Good Times Mp3, Flac, Wma
Chic Good Times mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Good Times Country: Italy Released: 1979 Style: Disco MP3 version RAR size: 1974 mb FLAC version RAR size: 1711 mb WMA version RAR size: 1885 mb Rating: 4.2 Votes: 925 Other Formats: RA MMF AAC DTS MP1 AIFF VOX Tracklist A Good Times 8:13 B A Warm Summer Night 6:08 Companies, etc. Record Company – WEA Musik GmbH Made By – WEA Musik GmbH Produced For – Chic Organization Ltd. Published By – Chic Music, Inc. Phonographic Copyright (p) – Atlantic Credits Lacquer Cut By – PF* Producer – Nile Rodgers and Bernard Edwards* Written-By – Bernard Edwards & Nile Rodgers Notes Super Sound Single Made in Germany by WEA Musik GmbH Produced by Nile Rodgers and Bernard Edwards for the Chic Organization Ltd. Chic Music, Inc., BMI ℗ 1979 Atlantic _____ Bernard Edwards is incorrectly credited as "Bernhard Edwards" on the back cover. Barcode and Other Identifiers Matrix / Runout (Side One Label): ST-DK-37 156 Matrix / Runout (Side Two Label): ST-DK-37 158 Matrix / Runout (Side One Runout): WEA 20164-A² PF 45 U Matrix / Runout (Side Two Runout): WEA 20164-B² PF 45 U Rights Society (U.S.A.): BMI Rights Society (Germany): GEMA Label Code: LC 0121 Other versions Category Artist Title (Format) Label Category Country Year DK 4801 Chic Good Times (12", SP ) Atlantic DK 4801 US 1979 K 11310 (T) Chic Good Times (12") Atlantic K 11310 (T) UK 1979 Good Times / A Warm Summer Night (7", 3584 Chic Atlantic 3584 US 1979 Single) K 11310 Chic Good Times (7", Single, CBS) Atlantic K 11310 UK 1979 21.013 Chic Good Times (12", Promo) WEA 21.013 Brazil 1979 Related Music albums to Good Times by Chic 1.
[Show full text]
N(111,9 It/ Nfleih'e98
Ile is one of those rare human beings to excel in more II than one direction. He is a great musician, an inspired writer and a brilliant producer. I've had the pleasure of work- 90Prr'" ing with him on a number of occasions over the years, and Il 1 Yli he has always been a true gentleman, a good friend and 25d a il V2td most definitely a winner in all he turns his hand to. -STEVE WINWOOD One of the quirky, ironic moves of the '7os -and the least expected on my part-was the overwhelming influence of the look of glam -rock and its development on Afro -American bands of the time. From Labelle to the Jackson 5, Funkadelic to Earth, Wind & Fire, the idea of creating a different identity to that of the "normal" visual vocabulary of rock seemed almost second nature to these artists. As the variety of cos- N(111,9 Nfleih'e98 tume widened through the '7os, the band who seemed to it/ catch the idea of "visual language" in the most urbane man- ner was, undoubtedly, Chic. c-: tkiTheQbaNe Buying into the image of "buppiedom" 100%, they struck me as no less than the natural inheritors of the Modern Jazz BY KEITH CAULFIELD Quartet. Suits, champagne and shimmer, living large. With a Nile is monstrous backbeat. Live, they were phenomenal. Rodgers an artist's best friend. Through writing, Sugarhill Gang's "Rapper's Delight," which in turn bor- producing, an occasional guest performance and, late- rowed from the Chic hit "Good Times." Indeed, it's a sam- As I got to know Nile, this struck me as more than a little ly, sampling, nearly everything associated with ple of a sample.
[Show full text]
LBMO.Com - Latin Beat Magazine - Latin Music Magazine - Columns
LBMO.com - Latin Beat Magazine - Latin Music Magazine - Columns http://www.latinbeatmagazine.com/columns.html Home |Features | Columns |Hit Parades | Rev iews | Calendar |News |LB Style |Contacts | Shopping | E-Back Issues OCTOBER 2011 ISSUE QUÉ PASA IN LA By Rudy Mangual October in Los Angeles is always happening when actor/comedian John Leguizamo performs and his latest show "Ghetto Klown" runs through October 16th at the landmark Ricardo Montalban Theater in Hollywood after completing a successful season on Broadway. For tickets and more information, visit www.tix.com and/or www.ghettoklown.com. Creepy Happenings at Heritage Square Museum! Enjoy the creepy happenings of Halloween at Heritage Square Museum during Cintron Band Live the "Eighth Annual Halloween and Mourning Human Nature Tours" program. This two-day event, hosted on Saturday and Sunday, October 29 and 30, is Windows Media perfect for the whole family to enjoy. The program runs from 12 noon to 4 p.m. each day. You will Quicktime learn about death and mourning etiquette during the Victorian era and participate in a funeral inside one of the museum's historic homes. Learn about the movement of Spiritualism; what it was, who followed it and why, and perhaps have your future foretold by a fortune teller. Heritage Vanelis Square is an open-air, living history museum dedicated to telling the story of the development of Como Lo Extraño Los Angeles. The museum is located at 3800 Homer Street, Los Angeles, CA 90031. For further Windows Media information, visit www.heritagesquare.org. Quicktime Ismael "East" Carlo presents "Latin Jazz Descarga Virtuosos" at El Floridita Restaurant in Nayibe Hollywood every Thursday since September 10 (with a slamming performance by percussionist Borinquen Robertito Melendez).
[Show full text]
Chic C'est Chic Mp3, Flac, Wma
Chic C'est Chic mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: C'est Chic Country: Australia Released: 1978 Style: Disco MP3 version RAR size: 1493 mb FLAC version RAR size: 1970 mb WMA version RAR size: 1732 mb Rating: 4.5 Votes: 893 Other Formats: MIDI DXD MP2 MOD VQF AA MPC Tracklist Hide Credits A1 Chic Cheer 4:42 A2 Le Freak 5:23 A3 Savoir Faire 5:01 A4 Happy Man 4:17 B1 I Want Your Love 6:45 At Last I Am Free B2 7:08 Clavinet, Piano [Acoustic], Electric Piano – Andy Schwartz Sometimes You Win B3 4:26 Engineer – Burt Szerlip B4 (Funny) Bone 3:41 Companies, etc. Manufactured By – Warner-Pioneer Corporation Credits Art Direction – Bob Defrin Bass – Bernard Edwards Bells [Tubular] – Jose Rossy Clavinet, Piano [Acoustic], Electric Piano – Robert Sabino* Concertmaster – Gene Orloff Drums – Tony Thompson Electric Piano [Fender Rhodes] – Raymond Jones Engineer – Bob Clearmountain Engineer [Assistant] – Jeff Hendrickson, Positively No Way Ray (Willard?)* Guitar – Nile Rodgers Mastered By – Dennis King Percussion – Sammy Figueroa Photography By – Joel Brodsky Producer [Associate] – Mark Kreiner*, Tom Cossie Producer, Arranged By, Written-By, Conductor – Bernard Edwards And Nile Rodgers* Saxophone – Alex Foster, Jean Fineberg Strings – Cheryl Hong, Karen Milne, Marianne Carroll Trombone – Barry Rogers Trumpet – Ellen Seeling, Jon Faddis Vocals – Alfa Anderson, Bernard Edwards, David Lasley, Diva Gray, Luci Martin, Luther Vandross Notes ℗1978 Atlantic Recordiong Corporation Made by Warner-Pioneer Corporation, Japan Produced for The Chic Organisation Ltd. In association with MK Productions All songs mixed and recorded at Power Station Studios in New York (A lovely bunch of coconuts) Mastered at Atlantic Studios, New York City.
[Show full text]
Nile Rodgers in New York City, 1991
Nile Rodgers in New York City, 1991 68 MUSICAL EXCELLENCE Nile Rodgers HE CREATES A DISTINCTIVE SOUND ON THE RECORDS HE WRITES, PRODUCES, ARRANGES, AND PLAYS ON. BY ROB BOWMAN Nile Rodgers’ influence on popular music over the past forty years is nearly unfathomable. As a guitarist, songwriter, producer, arranger, and funkster extraordinaire, Rodgers has left his imprint on a stun- ningly wide array of genres including disco, R&B, rock, mainstream pop, hip-hop, and EDM. Looking over the breadth of his career, a case could easily be made that no single individual has had a greater impact on the sound of pop, from the late 1970s to the present day. ¶ Alongside his partner, bass player wunderkind Bernard Edwards, Rodgers wrote and produced hit after hit for Chic, Sister Sledge, and Diana Ross, tearing up both the dance floor and the radio. After Chic broke up and Rodgers and Edwards went their separate ways, Rodgers broke free of the disco moniker and reinvented himself, producing, arranging, and playing guitar on David Bowie’s come- back album, Let’s Dance (1983), and Madonna’s breakout album, 69 Like a Virgin (1984). Along the way he took INXS and Chic in their prime then Duran Duran to new heights with “Original Sin” with Rodgers and and “The Reflex,” respectively, and produced albums by Bernard Edwards Mick Jagger, Jeff Beck, the B-52s, and David Lee Roth. center stage, 1979 He played key guitar parts on Steve Winwood’s “High- er Love” and Michael Jackson’s HIStory. More recent- ly he cowrote and played guitar on Daft Punk’s “Get Lucky,” winning two Grammy Awards in the process.
[Show full text]
Amplified Lnstrumrdius
OCTOBER 1984 VOL. 1C NO. 10 $2.25 MIL KODGE , . Equalization .3 REPORT. Revox PR99 2-Trac Recorder/Reproducer S o MUSI N TEBO Pulsar Series 40 4". .r Matrix Mixing Console RECORDING TECHNIQUES:- Amplified lnstrumrDius I 71896 47947 www.americanradiohistory.com Swiss Audio: Technical Evolution VARIABLE SPEED RESET TRANS HR MIN SEC Z-LOC A-LOC RPT SET SEL STP On adding time -saving production features to a proven audio recorder design. The updated PR99 MKII, now offering vates play mode for a continuously re- To discover more about the world's a microprocessor controlled real time peating cycle. most versatile and dependable budget- counter, address locate, zero locate, Pick up the tempo? When acti- priced recorder, please contact: Studer auto repeat, and variable speed con- vated by a latching pushbutton, the Revox America, Inc., 1425 Elm Hill Pike, trol, can improve your audio produc- front -panel vari -speed control adjusts Nashville, TN 37210; (615) 254 -5651. tion efficiency. And, as before, it's built the nominal tape speed across a - 33% to meet strict Studer standards for to + 50% range. The adjustment po- long -term reliability. tentiometer is spread in the center range Welcome to real time. The PR99 for fine tuning of pitch. MKII's real time counter gives a plus Future perfect. The PR99 MKII also REVox or minus readout in hours, minutes offers a serial data port for direct ac- and seconds from - 9.59.59 to cess to all microprocessor controlled +29.59.59. Counter error is less than functions. 0.5 %, and the microprocessor auto- Much gained, nothing lost.
[Show full text]
Sammy Figueroa Full
Sammy Figueroa has long been regarded as one of the world’s great musicians. As a much-admired percussionist he provided the rhythmical framework for hundreds of hits and countless recordings. Well-known for his versatility and professionalism, he is equally comfortable in a multitude of styles, from R & B to rock to pop to electronic to bebop to Latin to Brazilian to New Age. But Sammy is much more than a mere accompanist: when Sammy plays percussion he tells a story, taking the listener on a journey, and amazing audiences with both his flamboyant technique and his subtle nuance and phrasing. Sammy Figueroa is now considered to be the most likely candidate to inherit the mantles of Mongo Santamaria and Ray Barretto as one of the world’s great congueros. Sammy Figueroa was born in the Bronx, New York, the son of the well-known romantic singer Charlie Figueroa. His first professional experience came at the age of 18, while attending the University of Puerto Rico, with the band of bassist Bobby Valentin. During this time he co-founded the innovative Brazilian/Latin group Raices, which broke ground for many of today’s fusion bands. Raices was signed to a contract with Atlantic Records and Sammy returned to New York, where he was discovered by the great flautist Herbie Mann. Sammy immediately became one of the music world’s hottest players and within a year he had appeared with John McLaughlin, the Brecker Brothers and many of the world’s most famous pop artists. Since then, in a career spanning over thirty years, Sammy has played with a
[Show full text]
Words You Should Know How to Spell by Jane Mallison.Pdf
WO defammasiont priveledgei Spell it rigHt—everY tiMe! arrouse hexagonnalOver saicred r 12,000 Ceilling. Beleive. Scissers. Do you have trouble of the most DS HOW DS HOW spelling everyday words? Is your spell check on overdrive? MiSo S Well, this easy-to-use dictionary is just what you need! acheevei trajectarypelled machinry Organized with speed and convenience in mind, it gives WordS! you instant access to the correct spellings of more than 12,500 words. YOUextrac t grimey readallyi Also provided are quick tips and memory tricks, such as: SHOUlD KNOW • Help yourself get the spelling of their right by thinking of the phrase “their heirlooms.” • Most words ending in a “seed” sound are spelled “-cede” or “-ceed,” but one word ends in “-sede.” You could say the rule for spelling this word supersedes the other rules. Words t No matter what you’re working on, you can be confident You Should Know that your good writing won’t be marred by bad spelling. O S Words You Should Know How to Spell takes away the guesswork and helps you make a good impression! PELL hoW to spell David Hatcher, MA has taught communication skills for three universities and more than twenty government and private-industry clients. He has An A to Z Guide to Perfect SPellinG written and cowritten several books on writing, vocabulary, proofreading, editing, and related subjects. He lives in Winston-Salem, NC. Jane Mallison, MA teaches at Trinity School in New York City. The author bou tique swaveu g narl fabulus or coauthor of several books, she worked for many years with the writing section of the SAT test and continues to work with the AP English examination.
[Show full text]