DOCSLIB.ORG

Jeffrey Snider-Baritone, Voice Teacher

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jeffrey Snider-Baritone, Voice Teacher Jeffrey Snider, DMA EDUCATION 1996 Doctor of Musical Arts in Voice Performance, University of North Texas Lecture Recital: “The Songs of Sidney Homer” related field: Musicology other area of study: Choral Conducting 1985 Master of Music (with distinction) in Voice Performance, Indiana University cognate field: Opera Workshop 1983 Bachelor of Music in Voice Performance, Indiana University TEACHING EXPERIENCE 1998 – present University of North Texas (Denton, Texas) Associate Professor (Tenured, 2000) Chair, Division of Vocal Studies (Fall, 1999-Summer, 2013) • Studio Voice • Vocal Literature (Undergraduate, Master’s, Doctoral) • Major Professor for Master of Music and Doctor of Musical Arts students 1991 - 1998 Wartburg College (Waverly, Iowa) Assistant/Associate Professor (Tenured, 1997) • Studio Voice • Voice Literature and Materials • Diction for Singers • Opera Workshop/Musical Theatre • Advising • Coordinator for Voice Area 1988 - 91 University of Texas at Arlington Visiting Assistant Professor/Guest Lecturer • Studio Voice • Opera Workshop/Musical Theatre • Supervision of Senior projects in Music/Theatre and Music/Business 1985 - 88 University of North Texas Teaching Fellow • Studio Voice (ten-twelve contact hours/week) 505 West Parkway Street 940-206-2468 Denton, TX 76201 [email protected] Snider, 2 SELECTED RECENT CONCERT SOLOS (Complete list available upon request) Abilene Opera Association (David Itkin, conductor) 2016, 2017 Handel - Messiah Choral Artists of Fort Worth (Ryan Chatteron, conductor) 2017 Lloyd – Christus (world premiere) Abilene (TX) Philharmonic (David Itkin, conductor) 2017 Brahms-Ein Deutsches Requiem 2016 “Opera Masterworks” 2014 Orff-Carmina Burana University of North Texas (Various ensembles and conductors) 2017 Beaser – The End of Knowing 2015 Vaughan Williams – Five Mystical Songs 2015 Brahms-Ein Deutsches Requiem 2013 Opera Gala Schola Cantorum of Fort Worth (Jerry McCoy, conductor) 2016 Duruflé-Requiem Irving (TX) Symphony (Hector Guzman, conductor) 2016 Beethoven-Ninth Symphony Binnerri Church, Richardson, Texas (Hoon Choi, conductor) 2015 Beethoven-Ninth Symphony North Central Texas Chorale (Clint Kelley, conductor) 2015 Handel - Messiah 2014 Mozart-Solemn Vespers, K. 339 Hall Ensemble [Fort Worth] (Gregory Sullivan Isaacs, conductor) 2014 Isaacs-Undelivered (World Premiere) Rapides Symphony Orchestra [Alexandria, LA] (Joshua Zona, conductor) 2014 Orff-Carmina Burana Preston Hollow Presbyterian Church (Mack Wilberg, conductor) 2014 Wilberg-Requiem Plano Civic Chorus, Plano, TX (Ralph Stannard, conductor) 2013 Vaughan Williams - Hodie 2012 Vaughan Williams-Dona Nobis Pacem Richardson (TX) Symphony Orchestra (Ansel Brusilow, conductor) 2012 Beethoven-Ninth Symphony Various organizations (Graeme Jenkins, cond.) performances in Denton, Dallas, and/or Fort Worth, TX 2012 Handel-Theodora (Valens) 2009 Handel-Saul (Saul) 2006 Handel-Samson (Manoa) 2004 Handel-Jeptha (Zebul) 2001 Handel-Israel in Egypt Snider, 3 RECENT OPERA ROLES University of North Texas Symphony Orchestra and Grand Chorus 2017 Ping Turandot Puccini Utah Festival Opera and Musical Theatre 2012 Scarpia Tosca Puccini “Voices of Change” (Dallas, TX and Santa Fe, NM) 2009 “Number Eight” Transformations Susa El Paso Opera 2008 Di Luna Il Trovatore Verdi Masterworks Festival (Winona Lake, IN) 2007 Germont La Traviata Verdi “The Living Opera” (Richardson, TX) 2007 Father (Peter) Hansel and Gretel Humperdinck Amarillo Opera 2006 Falstaff Falstaff Verdi 2004 Tonio Pagliacci Leoncavallo University of North Texas Opera Theatre 2005 Falstaff Falstaff Verdi Fort Worth Opera 2005 Gideon March Little Women Adamo 2004 1st Nazarene Salome Strauss 2003 Duc de Verona Romeo et Juliette Gounod Dallas Opera 2004 Manuel La Vida Breve De Falla RECORDINGS 2012 The Door Standing Open- Joelle Wallach: 4Tay Records (CD 4034) 2005 Masses for Celebration (Francisco Courcelle) Orchestra of New Spain, Grover Wilkins, cond.: Dorian 90903 2003 Baritone Solo in Orff-Carmina Burana, (Wind Ensemble Version by Juan Vicente Mas Quiles) North Texas Wind Symphony-Eugene Corporon, cond. Klavier Music (Catalog number K 11136) ARTICLE “In Search of the Soprano Sfogato” (Guest column for Dr. Stephen Austin’s “Provenance” column) Journal of Singing, January/February 2012 MEMBERSHIPS National Association of Teachers of Singing (NATS) College Music Society Opera America National Opera Association Presbyterian Association of Musicians Church Music Institute Mu Phi Epsilon (Music Fraternity) OTHER Music Director-St. Andrew Presbyterian Church – Denton “Co-managing Divo”-Opera on Tap – North Texas Chapter NATS, North Texas District Governor .
Load more

Recommended publications
  • Kristin K. Vogel "The Title Role Was Radiantly Sung and Played by Soprano Kristin K
    Kristin K. Vogel "The title role was radiantly sung and played by soprano Kristin K. Vogel” American Record Guide Roles Donna Anna Don Giovanni Asheville Lyric Opera April 2014 Marguerite Faust Boheme Opera New Jersey 2013 Rosalinda Die Fledermaus Meany Studio Opera UW 2012 Donna Elvira Don Giovanni Natchez Festival of Music 2012 Pamina The Magic Flute Boheme Opera New Jersey 2012 Lady Billows Albert Herring Meany Studio Opera UW 2012 Old Sally (speaking role) Oliver! Utah Festival Opera & Mus. Th. 2011 Donna Elvira cv. Don Giovanni Utah Festival Opera & Mus. Th. 2011 Filippa Piazza Navona Opera Manhattan 2011 Katherine The Vagabond King Light Opera of New York 2011 Mimì cv. La Boheme Natchez Festival of Music 2010 Marietta Naughty Marietta Light Opera of New York 2010 Fifi Mlle. Modiste Light Opera of New York 2010 Micaёla cv. Carmen Natchez Festival of Music 2009 Mimì cv. La Boheme Opera Manhattan 2009 Donna Elvira Don Giovanni Opera Manhattan 2008 Birdie cv./ Featured Dancer Regina Des Moines Metro Opera 2008 Grisette/ cv. Hanna The Merry Widow Liederkranz Opera Theater 2008 Cecile de Volanges The Dangerous Liaisons Dicapo Opera Theater 2008 First Lady/ cv. Pamina Die Zauberflöte Eugene Opera 2007 Frasquita Carmen (outreach) Dicapo Opera Theater 2007 Edith/ cv. Mabel The Pirates of Penzance Eugene Opera 2006 Suor Genovieffa Suor Angelica Dicapo Opera Theater 2006 Valencienne The Merry Widow Village Light Opera Group 2006 Frasquita Carmen (BYOB Opera) Opera Company of Brooklyn 2006 Ida Princess Ida Village Light Opera Group 2005 Concerts & Oratorio Soloist Ravel’s Shéhérazade Southeastern Pennsylvania SO 2014 Featured Soloist “Pace, pace” & “Dich, teure Halle” AIMS Symphony Orchestra 2013 Soprano Soloist Mahler’s 2nd Symphony UW Symphony Orchestra 2013 Soprano Soloist Beethoven’s 9th Symphony Tacoma Symphony & UWSO 2013 Soloist Copland’s 8 Poems of Emily Dickinson, Seattle Chamber Orch.
    [Show full text]
  • Opera/Musical Theatre
    Jonathan Walker-VanKuren curriculum vitae www.jonathanwvankuren.com [email protected] / 570.250.8700 education Artist Diploma in Voice Texas Christian University / Fort Worth, TX / 2020 Master of Music in Vocal Performance Michigan State University / East Lansing, MI / 201 Bachelor of Fine Arts in Vocal Performance Indiana University of Pennsylvania / Indiana, PA / 2015 academic employment & teaching Lebanon Valley College ASSISTANT PROFESSOR OF VOICE (ARTIST TEACHER OF MUSIC THEATRE & STUDIO VOICE) Present • Teach Applied Voice Lessons (MUI 121 & 221); which involves assigning repertoire, weekly lessons, developing vocal technique in varying genres, informing lyric diction and preparing for jury evaluations. • Teach Song Interpretation (MSC 225); which involves analyzing texts of songs of varying genres and workshopping how to perform them on the stage whether in concert, production, or in an individualized lesson. Southwestern Baptist Theological Seminary ADJUNCT PROFESSOR OF VOICE August 2019 – May 2020 • Teach English, Italian, and Latin Diction (VOI 1602A): which involves teaching students the basics of the International Phonetic Alphabet as it pertains to the English, Italian, and Latin languages. • Teach German, Italian Song Literature (VOI 3412A); which involves giving the students the tools to listen to certain repertoire and distinguish the differences between the standard eras of music and composers all while exposing them to literature/poetry of the greats in the respective languages. • Teach English, French, Spanish Song Literature (VOI 3422A); which involves giving the students the tools to listen to certain repertoire and distinguish the differences between the standard eras of music and composers all while exposing them to literature/poetry of the greats in the respective languages.
    [Show full text]
  • 2016 Year in Review
    2016 YEAR IN REVIEW “WE HAVE DIFFERENT LIVES AND FACES, BUT OUR HEARTS HAVE COMMON PLACES” RAGTIME SHOWBOAT PORGY & BESS PUCCINI’S TRILOGY PETER PAN Dear Friends We are already gearing up for an Zions Bank for their unselfish devotion outstanding 2017 season this coming and support in making the renovation of summer as we celebrate 25 years of this historic theater possible. presenting world-class opera and musical theater here in Logan! We hope you We need your help as we begin our enjoyed the wonderful performances and celebration! Our year-end appeal for special events during our bigger-than- donations is now in full force. Will life 2016 festival this past summer that you partner with us as we enter the generated rave reviews and reminded us next quarter of a century of providing that “all men are created equal.” We are world-class productions on the stage, so grateful to you, our sponsors, patrons, ground-breaking education programs for and donors, for the leading roles you play students, and year-round programs in in our success. THANK YOU! We simply the Utah Theatre? Your donation of any could not do it without you! amount has the power to change lives and help us fulfill our mission: bringing The beautiful Utah Theatre will play a people together to share ennobling artistic major role this coming year, with classic experiences. films, special productions, concerts, and events featuring the Mighty Wurlitzer Gratefully, Organ. With our summer productions now being housed in both the Ellen Eccles and the Utah Theatres, we BOARD OF DIRECTORS are pleased to be able to expand our MICHAEL BALLAM Founding General Director programming.
    [Show full text]
  • Education Cutter/Draper Stitcher Milliner Costume Crafts Wardrobe References
    Danielle Jordan Costume Technologist [email protected] (914) 443-0141 Education State University of New York (SUNY) at New Paltz/ BA Theatre Arts Design & Technology 2012 University of Illinois at Urbana-Champaign (UIUC) /MFA Costume Technology 2015 Cutter/Draper UIUC • 44 Plays for 44 Presidents 2012, Florencia en el Amazonas 2012 Central City Opera/Central City, CO • The Turn of the Screw 2012 Utah Festival Opera/Logan, UT • Boris Gudonov 2011, South Pacific 2011, Oliver! 2011, Park Playhouse/Albany, NY • Annie Get Your Gun 2010 SUNY New Paltz • Cabaret 2012, Eugenia 2012, Three Sisters 2011, The W ho’s TOMMY 2011, Twelfth Night 2010, Babes in Arms 2010, Fresh Dance 2010, Metamorphoses 2009, Stitcher UIUC • 44 Plays for 44 Presidents 2012, Dracula 2012, A Dream Play2012, Florencia en el Amazonas 2012 Central City Opera/Central City, CO • Oklahoma! 2012, La Boheme 2012, The Turn of the Screw 2012 Utah Festival Opera/Logan, UT • Boris Gudonov 2011, South Pacific 2011, Oliver! 2011, Park Playhouse/Albany, NY • Annie Get Your Gun 2010 SUNY New Paltz • Fresh Dance 2010, As Bees in Honey Drown 2009, Blood Wedding 2009 Milliner Utah Festival Opera/Logan, UT • Boris Gudonov 2011, Oliver! 2011 Costume Crafts UIUC • 44 Plays for 44 Presidents 2012, Florencia en el Amazonas 2012 Central City Opera/ Central City, CO • Oklahoma! 2012, La Boheme 2012 Utah Festival Opera/Logan, UT • South Pacific 2011 SUNY New Paltz • Fat Ram 2011 Wardrobe Central City Opera/Central City, CO • Oklahoma! 2012, La Boheme 2012, The Turn of the Screw 2012 Utah Festival Opera/Logan/UT • Don Giovanni 2011, Boris Gudonov 2011, South Pacific 2011, Oliver! 2011 Special Skills: Basic Leatherworking, Basic Metalworking, Basic Millinery, Distressing, Jewelry, Crafts, Stage Makeup, Scenic Painting, Carpentry.
    [Show full text]
  • E Z E K I E L a N D R
    E Z E K I E L A N D R E W [email protected] | 513.720.6382 EMC HEIGHT: 6’2” EYES: BROWN HAIR: BLACK MUSICAL THEATER Big River Jim Utah Shakespeare Festival 2018 Ragtime Coalhouse Walker Jr. Revival Theatre Co. 2018 Hunchback of Notre Dame Quasimodo Meridian Community College Professional Artist 2017 Phantom of the Opera Phantom Southern Mississippi Opera and Musical Theatre Co. 2017 Hunchback of Notre Dame Quasimodo Utah Festival Opera and Musical Theater 2017 Pirates of Penzance The Pirate King Utah Festival Opera and Musical Theater 2017 Camelot Sir Lancelot u/s Natchez Festival of Music 2017 Disney’s Tarzan Kerchak Lubbock Moonlight Musicals 2017 Ragtime Coalhouse Walker Jr. Utah Festival Opera and Musical Theater 2016 West Side Story Bernardo Southern Mississippi Opera and Musical Theatre Co. 2015 Disney’s The Little Mermaid King Triton La Comedia Dinner Theater 2015 Fugitive Songs Joshua Short North Stage 2014 OPERA/OPERETTA Turandot Timur Mississippi Opera 2018 Rigoletto Rigoletto (cover) Mississippi Opera Young Artist 2017 Rigoletto Rigoletto Southern Mississippi Opera and Musical Theatre Co. 2017 Porgy and Bess Jake Utah Festival Opera and Musical Theater 2016 Carmen Escamillo (cover) Mississippi Opera Young Artist 2016 The Tortoise and The Hare Hare Mobile Opera 2016 La Cenerentola Alidoro Cincinnati Conservatory 2013 Street Scene Dr. Wilson Cincinnati Conservatory 2012 THEATER Henry VI, Part 1 Master Gunner Utah Shakespeare Festival 2018 Merry Wives of Windsor Master Page u/s Utah Shakespeare Festival 2018 TEACHERS CONDUCTORS COACHES DIRECTORS Maryann Kyle Jay Dean Tibby Plyler Monroe Moore Thomas Barasel Barbara Day Turner Richard Nechamkin Mike Lopinto Jamie Meaders James Michael Bankhead Stephen Carey Valerie Rachelle Patton Rice Nathan Tysen EDUCATION M.M.
    [Show full text]
  • Into the Woods
    Otterbein University Digital Commons @ Otterbein 2014-2015 Season Productions 2011-2020 4-9-2015 Into the Woods Otterbein University Theatre and Dance Department Follow this and additional works at: https://digitalcommons.otterbein.edu/production_2014-2015 Part of the Acting Commons, Dance Commons, and the Theatre History Commons Recommended Citation Otterbein University Theatre and Dance Department, "Into the Woods" (2015). 2014-2015 Season. 2. https://digitalcommons.otterbein.edu/production_2014-2015/2 This Book is brought to you for free and open access by the Productions 2011-2020 at Digital Commons @ Otterbein. It has been accepted for inclusion in 2014-2015 Season by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. ^fMOTTERBEIN VJ UNIVERSITY Department of p Theatre & Dance SoKDG sounds io lifG arG too good to miss. D Hearing Health Solutions from Ohio Elir ColutDbus • Dublin - Delaware- Westerville - London 6M-538-d327 ocs.coir) Columbus - Dublin - Delaware - Westerville - London - Newark 6W-273-2230 Otterbein University Department of Theatre & Dance and Department of Music present Into the Woods Music & Lyrics by Book by Stephen Sondheim James Lapine Originally directed on Broadway by James Lapine Orchestrations by Jonathan Tunick Original Broadway production by Heidi Landesman Rocco Landesman Rick Steiner M. Anthony Fisher Frederic H. Mayerson Jujamcyn Theaters Originally produced by the Old Globe Theater, San Diego, CA Directed by LENNY LEIBOWITZ Music Direction by Choreography by LORI KAY HARVEY TAMMY PLAXICO Scenic Design by Lighting Design by ROB JOHNSON TJ GERCKENS Costume Design by Sound Design by REBECCA WHITE DOC DAVIS Stage Managed by GRACE K.
    [Show full text]
  • Joe Res 2021
    JOE OGREN EMC HAIR: RED / EYES: BLUE / HT: 6 ’ 0 ” / WT: 180 LBS NATIONAL / INTERNATIONAL TOURS MEMPHIS ENSEMBLE / HUEY (u/s perf.) PRATHER / APEX TOURING ELF ON THE SHELF: THE MUSICAL ELF JOE 1ST NAT’L (Dir. Sam Scalamoni) USO SHOW TROUPE VOCALIST (2014 - present) UNITED SERVICE ORG. DUBLIN’S IRISH TENORS VOCALIST DUBLIN WORLDWIDE / SPIRIT NEW YORK CITY SWEENEY TODD ENS / BEADLE (cover) LINCOLN CENTER / NY PHIL w/ Emma Thompson & Bryn Terfel (Dir. Lonny Price) REGIONAL THEATER LEND ME A TENOR: THE MUSICAL MAX PCPA (PACIFIC CONSERVATORY THEATRE) NEWSIES CRUTCHIE PCPA (PACIFIC CONSERVATORY THEATRE) THE SECRET GARDEN DICKON UTAH FESTIVAL OPERA YOU’RE A GOOD MAN… CHARLIE BROWN UTAH FESTIVAL OPERA FOOTLOOSE WILLARD BROADWAY PALM DINNER THEATRE FOREVER PLAID JINX BROADWAY PALM DINNER THEATRE ALTAR BOYZ MARK ARIZONA BROADWAY THEATRE ROCK OF AGES STACEE JAXX ARIZONA BROADWAY THEATRE ROCK OF AGES JOEY PRIMO THE PALACE THEATRE (NH) THE BRITISH ROCK EXPERIENCE LEAD TENOR THE PALACE THEATRE (NH) WONDERFUL TOWN FRANK LIPPENCOTT QUISISANA MUSIC RESORT A GRAND NIGHT FOR SINGING JASON (THE TENOR) QUISISANA MUSIC RESORT LYSISTRATA JONES CINESIAS PACE UNIVERSITY (Dir. Jacob Brent) THE WHO’S TOMMY CAPTAIN WALKER PACE UNIVERSITY (Dir. Bob Cline) MERRILY WE ROLL ALONG TYLER PACE UNIVERSITY (Dir. Amy Rogers) WORKSHOPS / READINGS THE VISIT LOUIS (THE EUNICH) KANDER & EBB (Dir. John Doyle) TUMBLEWEED CONNECTION BEANPOLE ELTON JOHN / BERNIE TAUPIN DARLING FLUKE RYAN SCOTT OLIVER EDUCATION / TRAINING BFA IN MUSICAL THEATRE, MINOR IN ARTS & ENTERTAINMENT MANAGEMENT PACE UNIVERSITY, NEW YORK CITY (DIR. AMY ROGERS / ROBERT MEFFE) SPECIAL SKILLS TENOR BELT / MIX (HIGH C & BEYOND), STRONG MOVER, GUITAR, SONGWRITING, BASKETBALL, TENNIS, PASSPORT, LICENSED DRIVER, FULL BEARD, DOG LOVER, PROFESSIONAL MANNY, NICE GUY..
    [Show full text]
  • Lyric Repertory Company
    Utah State University DigitalCommons@USU The Caine College of the Arts Music Program All Music Department Programs Archives 2017 Lyric Repertory Company Lyric Repertory Company Follow this and additional works at: https://digitalcommons.usu.edu/music_programs Part of the Music Commons Recommended Citation Lyric Repertory Company, "Lyric Repertory Company" (2017). All Music Department Programs. 119. https://digitalcommons.usu.edu/music_programs/119 This Lyric Repertory Company is brought to you for free and open access by the The Caine College of the Arts Music Program Archives at DigitalCommons@USU. It has been accepted for inclusion in All Music Department Programs by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. LYRIC R[P[RT@RY COMP+:l NY UtahStateU n ive rs ity® FROM THE PRODUCERS DENNIS HASSAN, CRAIG JESSOP, ADRIENNE MOORE, RICHIE CALL Welcome to the 49th season of the Lyric Repertory Company! As we approach our golden anniversary we are thrilled to present what we feel will be one of our best seasons yet . This summer we present two shows that have never been seen on the Caine Lyric Theatre stage. Baskerville is a farcical take on Sir Arthur Conan Doyle's classic thriller, The Hound of the Baskervilles , and Singin ' in the Rain is based on one of the most popular movie musicals of all time . These Lyric Rep firsts are joined by two classics . Watch a different actor each night narrowly escape the charity of the Brewster sisters in Arsenic and Old Lace, and Lee Daily is back as Mr. De Pinna in the Pulitzer Prize-w inning play You Can't Take it With You.
    [Show full text]
  • PAUL HINDEMITH, D.M.A. BARITONE 3905 11Th Street South [email protected] Moorhead MN 56560 952-237-6279 (Cell)
    PAUL HINDEMITH, D.M.A. BARITONE 3905 11th Street South [email protected] Moorhead MN 56560 952-237-6279 (Cell) CURRICULUM VITAE Profile I am committed to inspiring love and growth in myself and others by sharing music, knowledge, and truth. I have taught voice privately since 1996 and am comfortable teaching all voice types. I give my students a strong technical foundation upon which they can build their art by finding intense, personal points of connection with the music and text. I empathize with my students and ensure a safe and respectful atmosphere in which growth can occur. I have taught class voice, diction, vocal literature and pedagogy, and opera workshop. I continue to hone my craft as a performer so I can help my students prepare for lives in music, whether as a vocation or as an avocation. Education University of Minnesota – Twin Cities 2004 – 2009 Doctor of Musical Arts in Voice Performance Thesis: The Singer as Communicator • Graduate Instructor • University Graduate Fellow • Berneking & Bemis Scholar • Phi Kappa Phi Honor Society University of Maryland – College Park 2002 – 2004 Master of Music in Voice / Opera Performance • Academic Advisor / Graduate Assistant – College of Arts and Humanities University of Nebraska at Omaha 2000 – 2001 Teacher Certification: K-12 Music (Vocal/Instrumental/General) • Member of the initial Teacher Academy Project (TAP) cohort Southern Methodist University (Dallas, Texas) 1994 – 1999 Bachelor of Music in Voice Performance Minors in German, Mathematics, and Chemistry Summa cum laude with
    [Show full text]
  • Bridging the Gap Between Opera and Musical Theatre
    The Crossover Opera Singer: Bridging the Gap Between Opera and Musical Theatre D.M.A. DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Keyona Willis-Lynam, M.M Graduate Program in Music The Ohio State University 2015 D.M.A. Document Committee: J. Robin Rice, Advisor Joe Duchi Kristine Kearney Copyright by Keyona Willis-Lynam 2015 Abstract For decades, a divide has existed between opera and musical theatre, with the lesser value being placed upon the latter. Singers, from the start of their training, are told to choose a genre if one wants to achieve any type of singing success. This type of division creates a chasm of isolation and misunderstanding between the musical styles. From academia, to the stage, to the concert goer, one’s allegiance to opera versus musical theatre has been built upon a firm foundation of contrast, without acknowledging that both genres have ties to one another. As a result, most teaching of singing is done from the perspective of the classical singing style, with little to no mention of how to efficiently and healthily sing in a musical theatre style. In today’s social and economic climate, opera houses across the United States and abroad are seeing a decline in ticket sales; some have been able to restructure to survive, while others are shutting down. Companies are seeking a variety of ways to stay connected to the community; one avenue that has produced an area of contention is the addition of musical theatre productions to the season’s billing.
    [Show full text]
  • Michael Colman Bass-Baritone [email protected] Michaelcolman.Com (843) 291-2009 AGMA Member
    Michael Colman Bass-Baritone [email protected] MichaelColman.com (843) 291-2009 AGMA Member Opera *Basilio Il barbiere di Siviglia Chautauqua Opera 2019 *5th Jew Salome Dayton Opera 2019 Dottore Grenvil La traviata Opera on the James 2019 Balthazar Amahl and the Night Visitors Epiphany Lutheran 2019 Friar Laurence Star-Crossed Lovers (workshop) Indianapolis Opera 2018 Schaunard La bohème Indianapolis Opera 2018 Bartolo (cover) Le nozze di Figaro Charlottesville Opera 2018 Ceprano Rigoletto Toledo Opera 2018 Sparafucile (cover) Rigoletto Toledo Opera 2018 Basilio (perf. cover) Il barbiere di Siviglia Virginia Opera 2016 Mother (cover) Seven Deadly Sins Virginia Opera 2016 Don Alfonso (perf. cover) Così fan tutte Ash Lawn Opera (Charlottesville Opera) 2016 Butler The Picture of Dorian Gray Opera Fayetteville 2016 Figaro Le nozze di Figaro University of Kansas Opera 2015 Leporello Don Giovanni Janiec Opera Company 2014 Collatinus The Rape of Lucretia University of Kansas Opera 2014 Commissioner Madama Butterfly Lyric Opera of Kansas City 2012 Sorceress Dido and Aeneas Baylor Opera Theater 2012 Music Theater & Operetta Sergeant of Police Pirates of Penzance Dayton Opera 2019 Pirate King (cover) Pirates of Penzance Dayton Opera 2019 Emile de Becque (cover) South Pacific Indianapolis Opera 2018 Olin Britt The Music Man Utah Festival Opera 2017 Wickersham/Yertle Seussical the Musical Utah Festival Opera 2017 Sergeant (cover) Pirates of Penzance Utah Festival Opera 2017 Judge Frollo (cover) The Hunchback of Notre Dame Utah Festival Opera 2017 The Judge Trial by Jury University of Kansas Opera 2014 Judge Turpin (cover) Sweeney Todd Janiec Opera Company 2014 Concert Bass Soloist Messiah Dayton Philharmonic 2018 Bass Soloist Mozart Requiem The Virginia Consort 2018 Bass Soloist (cover) Verdi Requiem Utah Festival Opera 2017 Bass Soloist Faure Requiem St.
    [Show full text]
  • Cheryl Ann Blackley 1
    Cheryl Ann Blackley 1 Cheryl Ann Blackley 1985 South 800 West Woods Cross, UT 84087 801-295-1466 Occupation: Owner/Music Coach/Performer S & D Music Studio 796 West 2000 South Woods Cross, UT 84087 801-292-8707 [email protected] www.sdmusicstudio.com Providing private instruction since 1988 for students ages ten to adult on clarinet, saxophone, oboe and bassoon; including optional twice-yearly recitals and additional music activities including computer work. Also providing professional music engraving/copying and arranging services; and professional performances, both individual and group. Instruments Played: Clarinet – Eb, Bb, A, & Bass Saxophone – Soprano, Alto, Tenor, Baritone Oboe & English Horn Bassoon Hand Percussion Education: Matriculation cum laude and phi kappa phi: Utah State University, Logan, Utah 1988 Bachelor of Science: Secondary Education. Bachelor of Music: Secondary Education with Emphasis in Winds and Percussion. Minor: Music Composition. Graduation with Honors: Viewmont High School, Bountiful, Utah 1978 Professional Organizations: Who's Who Publications Listings including Who's Who in America, Who's Who in American 2004-pres. Education, Who's Who of American Women, Who's Who in the World. Utah Music Teacher's Association, Davis Chapter; Music Teacher's National Association. 1989-pres. Utah Music Educator's Association, State Chapter; NAfME: The National Association 1988-pres. for Music Education Golden Key and Phi Kappa Phi National Honor Societies 1988 Academic All-American and National Dean's List 1986 Cheryl Ann Blackley 2 Solo Experience: Freelance Musician performing as Wyldwood, providing Lecture/Demonstrations, 2006-pres. Mini-Concerts, and Sophisticated Background Music on Clarinets, Saxophones, Oboe/English Horn and Bassoon Coach Soloist, S & D Music Semiannual Studio Recitals; 1988-pres.
    [Show full text]