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Kristin K. Vogel "The Title Role Was Radiantly Sung and Played by Soprano Kristin K
Kristin K. Vogel "The title role was radiantly sung and played by soprano Kristin K. Vogel” American Record Guide Roles Donna Anna Don Giovanni Asheville Lyric Opera April 2014 Marguerite Faust Boheme Opera New Jersey 2013 Rosalinda Die Fledermaus Meany Studio Opera UW 2012 Donna Elvira Don Giovanni Natchez Festival of Music 2012 Pamina The Magic Flute Boheme Opera New Jersey 2012 Lady Billows Albert Herring Meany Studio Opera UW 2012 Old Sally (speaking role) Oliver! Utah Festival Opera & Mus. Th. 2011 Donna Elvira cv. Don Giovanni Utah Festival Opera & Mus. Th. 2011 Filippa Piazza Navona Opera Manhattan 2011 Katherine The Vagabond King Light Opera of New York 2011 Mimì cv. La Boheme Natchez Festival of Music 2010 Marietta Naughty Marietta Light Opera of New York 2010 Fifi Mlle. Modiste Light Opera of New York 2010 Micaёla cv. Carmen Natchez Festival of Music 2009 Mimì cv. La Boheme Opera Manhattan 2009 Donna Elvira Don Giovanni Opera Manhattan 2008 Birdie cv./ Featured Dancer Regina Des Moines Metro Opera 2008 Grisette/ cv. Hanna The Merry Widow Liederkranz Opera Theater 2008 Cecile de Volanges The Dangerous Liaisons Dicapo Opera Theater 2008 First Lady/ cv. Pamina Die Zauberflöte Eugene Opera 2007 Frasquita Carmen (outreach) Dicapo Opera Theater 2007 Edith/ cv. Mabel The Pirates of Penzance Eugene Opera 2006 Suor Genovieffa Suor Angelica Dicapo Opera Theater 2006 Valencienne The Merry Widow Village Light Opera Group 2006 Frasquita Carmen (BYOB Opera) Opera Company of Brooklyn 2006 Ida Princess Ida Village Light Opera Group 2005 Concerts & Oratorio Soloist Ravel’s Shéhérazade Southeastern Pennsylvania SO 2014 Featured Soloist “Pace, pace” & “Dich, teure Halle” AIMS Symphony Orchestra 2013 Soprano Soloist Mahler’s 2nd Symphony UW Symphony Orchestra 2013 Soprano Soloist Beethoven’s 9th Symphony Tacoma Symphony & UWSO 2013 Soloist Copland’s 8 Poems of Emily Dickinson, Seattle Chamber Orch. -
JUNE 27–29, 2013 Thursday, June 27, 2013, 7:30 P.M. 15579Th
06-27 Stravinsky:Layout 1 6/19/13 12:21 PM Page 23 JUNE 2 7–29, 2013 Two Works by Stravinsky Thursday, June 27, 2013, 7:30 p.m. 15, 579th Concert Friday, June 28, 2013, 8 :00 p.m. 15,580th Concert Saturday, June 29, 2013, 8:00 p.m. 15,58 1st Concert Alan Gilbert , Conductor/Magician Global Sponsor Doug Fitch, Director/Designer Karole Armitage, Choreographer Edouard Getaz, Producer/Video Director These concerts are sponsored by Yoko Nagae Ceschina. A production created by Giants Are Small Generous support from The Andrew W. Mellon Foundation, Clifton Taylor, Lighting Designer The Susan and Elihu Rose Foun - Irina Kruzhilina, Costume Designer dation, Donna and Marvin Matt Acheson, Master Puppeteer Schwartz, the Mary and James G. Margie Durand, Make-Up Artist Wallach Family Foundation, and an anonymous donor. Featuring Sara Mearns, Principal Dancer* Filming and Digital Media distribution of this Amar Ramasar , Principal Dancer/Puppeteer* production are made possible by the generos ity of The Mary and James G. Wallach Family This concert will last approximately one and Foundation and The Rita E. and Gustave M. three-quarter hours, which includes one intermission. Hauser Recording Fund . Avery Fisher Hall at Lincoln Center Home of the New York Philharmonic June 2013 23 06-27 Stravinsky:Layout 1 6/19/13 12:21 PM Page 24 New York Philharmonic Two Works by Stravinsky Alan Gilbert, Conductor/Magician Doug Fitch, Director/Designer Karole Armitage, Choreographer Edouard Getaz, Producer/Video Director A production created by Giants Are Small Clifton Taylor, Lighting Designer Irina Kruzhilina, Costume Designer Matt Acheson, Master Puppeteer Margie Durand, Make-Up Artist Featuring Sara Mearns, Principal Dancer* Amar Ramasar, Principal Dancer/Puppeteer* STRAVINSKY Le Baiser de la fée (The Fairy’s Kiss ) (1882–1971) (1928, rev. -
New York Philharmonic
New York Philharmonic 2 3 Alan Gilbert and the New York Philharmonic New York Philharmonic 2012–13 Season Alan Gilbert has said that every concert offer with the audience in a very palpable, Alan Gilbert, Conductor should be an event, a philosophy that visceral, and potent way.” Emanuel Ax, Piano pervades the New York Philharmonic’s pro- These high-quality recordings of almost grams week after week. Twelve of these 30 works, available internationally, reflect concerts are captured live in Alan Gilbert Alan Gilbert’s wide-ranging interests and Recorded live October 4–6, 2012 and the New York Philharmonic: 2012–13 passions, from Bach’s B-minor Mass to Avery Fisher Hall at Lincoln Center for the Performing Arts Season, demonstrating the excitement sur- brand-new music by Christopher Rouse. rounding the Orchestra as the Music Direc- Bonus content includes audio record- J.S. BACH (1685–1750) tor has entered the fourth year of his tenure. ings of the Music Director's occasional Keyboard Concerto No. 1 in D minor, BWV 1052 About his rapport with the Philharmonic onstage commentaries, program notes players, Alan Gilbert has said: “The chem- published in each concert’s Playbill, and (ca. 1714–17/ca.1729–39) 21:43 istry between the Orchestra and me is encores — all in the highest audio quality Allegro 8:02 ever-evolving and deepening. It is a great available for download. Adagio 6:01 joy to make music with these incredible For more information about the series, Allegro 7:40 musicians and to share what we have to visit nyphil.org/recordings. -
Opera/Musical Theatre
Jonathan Walker-VanKuren curriculum vitae www.jonathanwvankuren.com [email protected] / 570.250.8700 education Artist Diploma in Voice Texas Christian University / Fort Worth, TX / 2020 Master of Music in Vocal Performance Michigan State University / East Lansing, MI / 201 Bachelor of Fine Arts in Vocal Performance Indiana University of Pennsylvania / Indiana, PA / 2015 academic employment & teaching Lebanon Valley College ASSISTANT PROFESSOR OF VOICE (ARTIST TEACHER OF MUSIC THEATRE & STUDIO VOICE) Present • Teach Applied Voice Lessons (MUI 121 & 221); which involves assigning repertoire, weekly lessons, developing vocal technique in varying genres, informing lyric diction and preparing for jury evaluations. • Teach Song Interpretation (MSC 225); which involves analyzing texts of songs of varying genres and workshopping how to perform them on the stage whether in concert, production, or in an individualized lesson. Southwestern Baptist Theological Seminary ADJUNCT PROFESSOR OF VOICE August 2019 – May 2020 • Teach English, Italian, and Latin Diction (VOI 1602A): which involves teaching students the basics of the International Phonetic Alphabet as it pertains to the English, Italian, and Latin languages. • Teach German, Italian Song Literature (VOI 3412A); which involves giving the students the tools to listen to certain repertoire and distinguish the differences between the standard eras of music and composers all while exposing them to literature/poetry of the greats in the respective languages. • Teach English, French, Spanish Song Literature (VOI 3422A); which involves giving the students the tools to listen to certain repertoire and distinguish the differences between the standard eras of music and composers all while exposing them to literature/poetry of the greats in the respective languages. -
2016 Year in Review
2016 YEAR IN REVIEW “WE HAVE DIFFERENT LIVES AND FACES, BUT OUR HEARTS HAVE COMMON PLACES” RAGTIME SHOWBOAT PORGY & BESS PUCCINI’S TRILOGY PETER PAN Dear Friends We are already gearing up for an Zions Bank for their unselfish devotion outstanding 2017 season this coming and support in making the renovation of summer as we celebrate 25 years of this historic theater possible. presenting world-class opera and musical theater here in Logan! We hope you We need your help as we begin our enjoyed the wonderful performances and celebration! Our year-end appeal for special events during our bigger-than- donations is now in full force. Will life 2016 festival this past summer that you partner with us as we enter the generated rave reviews and reminded us next quarter of a century of providing that “all men are created equal.” We are world-class productions on the stage, so grateful to you, our sponsors, patrons, ground-breaking education programs for and donors, for the leading roles you play students, and year-round programs in in our success. THANK YOU! We simply the Utah Theatre? Your donation of any could not do it without you! amount has the power to change lives and help us fulfill our mission: bringing The beautiful Utah Theatre will play a people together to share ennobling artistic major role this coming year, with classic experiences. films, special productions, concerts, and events featuring the Mighty Wurlitzer Gratefully, Organ. With our summer productions now being housed in both the Ellen Eccles and the Utah Theatres, we BOARD OF DIRECTORS are pleased to be able to expand our MICHAEL BALLAM Founding General Director programming. -
Education Cutter/Draper Stitcher Milliner Costume Crafts Wardrobe References
Danielle Jordan Costume Technologist [email protected] (914) 443-0141 Education State University of New York (SUNY) at New Paltz/ BA Theatre Arts Design & Technology 2012 University of Illinois at Urbana-Champaign (UIUC) /MFA Costume Technology 2015 Cutter/Draper UIUC • 44 Plays for 44 Presidents 2012, Florencia en el Amazonas 2012 Central City Opera/Central City, CO • The Turn of the Screw 2012 Utah Festival Opera/Logan, UT • Boris Gudonov 2011, South Pacific 2011, Oliver! 2011, Park Playhouse/Albany, NY • Annie Get Your Gun 2010 SUNY New Paltz • Cabaret 2012, Eugenia 2012, Three Sisters 2011, The W ho’s TOMMY 2011, Twelfth Night 2010, Babes in Arms 2010, Fresh Dance 2010, Metamorphoses 2009, Stitcher UIUC • 44 Plays for 44 Presidents 2012, Dracula 2012, A Dream Play2012, Florencia en el Amazonas 2012 Central City Opera/Central City, CO • Oklahoma! 2012, La Boheme 2012, The Turn of the Screw 2012 Utah Festival Opera/Logan, UT • Boris Gudonov 2011, South Pacific 2011, Oliver! 2011, Park Playhouse/Albany, NY • Annie Get Your Gun 2010 SUNY New Paltz • Fresh Dance 2010, As Bees in Honey Drown 2009, Blood Wedding 2009 Milliner Utah Festival Opera/Logan, UT • Boris Gudonov 2011, Oliver! 2011 Costume Crafts UIUC • 44 Plays for 44 Presidents 2012, Florencia en el Amazonas 2012 Central City Opera/ Central City, CO • Oklahoma! 2012, La Boheme 2012 Utah Festival Opera/Logan, UT • South Pacific 2011 SUNY New Paltz • Fat Ram 2011 Wardrobe Central City Opera/Central City, CO • Oklahoma! 2012, La Boheme 2012, The Turn of the Screw 2012 Utah Festival Opera/Logan/UT • Don Giovanni 2011, Boris Gudonov 2011, South Pacific 2011, Oliver! 2011 Special Skills: Basic Leatherworking, Basic Metalworking, Basic Millinery, Distressing, Jewelry, Crafts, Stage Makeup, Scenic Painting, Carpentry. -
STAGED PRODUCTION of HK GRUBER's Gloria
Contact: Katherine E. Johnson (212) 875-5718; [email protected] National Press Representative: Julia Kirchhausen (917) 453-8386; [email protected] Metropolitan Museum of Art contact: Meryl Cates (212) 650-2684; [email protected] MAY 29–30 AND JUNE 1, 2014, AT THE METROPOLITAN MUSEUM OF ART: STAGED PRODUCTION of HK GRUBER’s Gloria – A Pig Tale Juilliard’s AXIOM Ensemble To Be Conducted by ALAN GILBERT Created by DOUG FITCH and GIANTS ARE SMALL As part of the NY PHIL BIENNIAL, New York Philharmonic Music Director and The Juilliard School’s Director of Conducting and Orchestral Studies Alan Gilbert will lead a staged performance of Gloria – A Pig Tale, a two-act comic opera by HK Gruber (Austria, b. 1943), featuring vocalists affiliated with The Juilliard School — soprano Lauren Snouffer, mezzo- soprano Brenda Patterson, tenor Alexander Lewis, baritone Carlton Ford, and bass Kevin Burdette — as well as Juilliard’s AXIOM ensemble. The performances — May 29–30 and June 1, 2014, at The Metropolitan Museum of Art’s Grace Rainey Rogers Auditorium, and a co- presentation of the New York Philharmonic, The Juilliard School, and Met Museum Presents — will be directed and designed by Doug Fitch, produced by Edouard Getaz, and staged by Giants Are Small; James Smith is production manager, Kate Noll is set designer, and Jeanette Oi-Suk Yew is lighting designer. This unprecedented production will transform the Grace Rainey Rogers Auditorium with an imaginative landscape that brings farm to stage with costumes, sets, and projections. “I enjoy blurring the lines that delineate categories and this production will be no different,” says director/designer Doug Fitch. -
Art Works Grants
National Endowment for the Arts — December 2014 Grant Announcement Art Works grants Discipline/Field Listings Project details are as of November 24, 2014. For the most up to date project information, please use the NEA's online grant search system. Art Works grants supports the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and the strengthening of communities through the arts. Click the discipline/field below to jump to that area of the document. Artist Communities Arts Education Dance Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Page 1 of 168 Artist Communities Number of Grants: 35 Total Dollar Amount: $645,000 18th Street Arts Complex (aka 18th Street Arts Center) $10,000 Santa Monica, CA To support artist residencies and related activities. Artists residing at the main gallery will be given 24-hour access to the space and a stipend. Structured as both a residency and an exhibition, the works created will be on view to the public alongside narratives about the artists' creative process. Alliance of Artists Communities $40,000 Providence, RI To support research, convenings, and trainings about the field of artist communities. Priority research areas will include social change residencies, international exchanges, and the intersections of art and science. Cohort groups (teams addressing similar concerns co-chaired by at least two residency directors) will focus on best practices and develop content for trainings and workshops. -
E Z E K I E L a N D R
E Z E K I E L A N D R E W [email protected] | 513.720.6382 EMC HEIGHT: 6’2” EYES: BROWN HAIR: BLACK MUSICAL THEATER Big River Jim Utah Shakespeare Festival 2018 Ragtime Coalhouse Walker Jr. Revival Theatre Co. 2018 Hunchback of Notre Dame Quasimodo Meridian Community College Professional Artist 2017 Phantom of the Opera Phantom Southern Mississippi Opera and Musical Theatre Co. 2017 Hunchback of Notre Dame Quasimodo Utah Festival Opera and Musical Theater 2017 Pirates of Penzance The Pirate King Utah Festival Opera and Musical Theater 2017 Camelot Sir Lancelot u/s Natchez Festival of Music 2017 Disney’s Tarzan Kerchak Lubbock Moonlight Musicals 2017 Ragtime Coalhouse Walker Jr. Utah Festival Opera and Musical Theater 2016 West Side Story Bernardo Southern Mississippi Opera and Musical Theatre Co. 2015 Disney’s The Little Mermaid King Triton La Comedia Dinner Theater 2015 Fugitive Songs Joshua Short North Stage 2014 OPERA/OPERETTA Turandot Timur Mississippi Opera 2018 Rigoletto Rigoletto (cover) Mississippi Opera Young Artist 2017 Rigoletto Rigoletto Southern Mississippi Opera and Musical Theatre Co. 2017 Porgy and Bess Jake Utah Festival Opera and Musical Theater 2016 Carmen Escamillo (cover) Mississippi Opera Young Artist 2016 The Tortoise and The Hare Hare Mobile Opera 2016 La Cenerentola Alidoro Cincinnati Conservatory 2013 Street Scene Dr. Wilson Cincinnati Conservatory 2012 THEATER Henry VI, Part 1 Master Gunner Utah Shakespeare Festival 2018 Merry Wives of Windsor Master Page u/s Utah Shakespeare Festival 2018 TEACHERS CONDUCTORS COACHES DIRECTORS Maryann Kyle Jay Dean Tibby Plyler Monroe Moore Thomas Barasel Barbara Day Turner Richard Nechamkin Mike Lopinto Jamie Meaders James Michael Bankhead Stephen Carey Valerie Rachelle Patton Rice Nathan Tysen EDUCATION M.M. -
Chris Fitch Art, Design & Mechanics
CHRIS FITCH ART, DESIGN & MECHANICS ___________________________________________________________________ [email protected] www.chrisfitchsculpture.com cel: 617-335-3497 SCULPTURE EXHIBITIONS, INSTALLATIONS: (mostly group shows) 2018 A Cache of Kinetic Art, Morris Museum, Morristown, NJ. 2016 Perpetual Motion, Heron Arts, San Francisco, CA. 2015 SlideLuck Boston, IBM Center, Cambridge, MA. 2014 Machines and Mechanizations, Fuller Craft Museum, Brockton, MA. What Artists Study, Phillips Andover Academy, Andover, MA. 2013 Pedigree, New Arts Center, Newtonville, MA. 2012 Present, Boston Cyberarts Gallery, Boston, MA. La Plus Belle Poubelle -- Economy of Means in a Mean Economy, Artspace, Shreveport, LA. -- large-scale installation of an indoor swamp made from junk -- a "95% post-consumer recycled landscape." 2011 Fluid, Axiom Gallery, Boston, MA. Move Me, Axiom Gallery, Boston, MA. 2010 Findings, Axiom Gallery, Boston, MA. Great Small Works, St. Ann’s Warehouse, DUMBO, Brooklyn, NY. The Adventures of Innocence, FPAC Gallery, Boston, MA. -- (Two person show). 2009 (Ongoing) Toytem, Inventions Gallery, Hartford Science Center, Hartford, CT. -- Interactive electronic sound/light sculpture made from circuit bent electronic toys celebrates the ancestral spirits of play and invention. Point of View/Persistence of Vision, Axiom Gallery, Boston, MA. 2008 Superartificial, Axiom Gallery, Boston, MA. 2007 International Triennial, Osaka University of Arts, Osaka Japan. -- Prize winner for "This Century's Leonardo da Vinci." Technomorph, Axiom Gallery, Boston, MA. 2006 Art Interactive, Cambridge, MA Cape Cod Museum of Art, Dennis, MA. C9 Botbits, Jewett Arts Center, Wellesley College, Wellesley, MA. Collision Collective IX, Art Interactive, Cambridge, MA. 2003 Wait For Weight, Museum of Fine Arts, Boston, MA. -- Live sculpture performance/installation with David Juddelson. -
Into the Woods
Otterbein University Digital Commons @ Otterbein 2014-2015 Season Productions 2011-2020 4-9-2015 Into the Woods Otterbein University Theatre and Dance Department Follow this and additional works at: https://digitalcommons.otterbein.edu/production_2014-2015 Part of the Acting Commons, Dance Commons, and the Theatre History Commons Recommended Citation Otterbein University Theatre and Dance Department, "Into the Woods" (2015). 2014-2015 Season. 2. https://digitalcommons.otterbein.edu/production_2014-2015/2 This Book is brought to you for free and open access by the Productions 2011-2020 at Digital Commons @ Otterbein. It has been accepted for inclusion in 2014-2015 Season by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. ^fMOTTERBEIN VJ UNIVERSITY Department of p Theatre & Dance SoKDG sounds io lifG arG too good to miss. D Hearing Health Solutions from Ohio Elir ColutDbus • Dublin - Delaware- Westerville - London 6M-538-d327 ocs.coir) Columbus - Dublin - Delaware - Westerville - London - Newark 6W-273-2230 Otterbein University Department of Theatre & Dance and Department of Music present Into the Woods Music & Lyrics by Book by Stephen Sondheim James Lapine Originally directed on Broadway by James Lapine Orchestrations by Jonathan Tunick Original Broadway production by Heidi Landesman Rocco Landesman Rick Steiner M. Anthony Fisher Frederic H. Mayerson Jujamcyn Theaters Originally produced by the Old Globe Theater, San Diego, CA Directed by LENNY LEIBOWITZ Music Direction by Choreography by LORI KAY HARVEY TAMMY PLAXICO Scenic Design by Lighting Design by ROB JOHNSON TJ GERCKENS Costume Design by Sound Design by REBECCA WHITE DOC DAVIS Stage Managed by GRACE K. -
Joe Res 2021
JOE OGREN EMC HAIR: RED / EYES: BLUE / HT: 6 ’ 0 ” / WT: 180 LBS NATIONAL / INTERNATIONAL TOURS MEMPHIS ENSEMBLE / HUEY (u/s perf.) PRATHER / APEX TOURING ELF ON THE SHELF: THE MUSICAL ELF JOE 1ST NAT’L (Dir. Sam Scalamoni) USO SHOW TROUPE VOCALIST (2014 - present) UNITED SERVICE ORG. DUBLIN’S IRISH TENORS VOCALIST DUBLIN WORLDWIDE / SPIRIT NEW YORK CITY SWEENEY TODD ENS / BEADLE (cover) LINCOLN CENTER / NY PHIL w/ Emma Thompson & Bryn Terfel (Dir. Lonny Price) REGIONAL THEATER LEND ME A TENOR: THE MUSICAL MAX PCPA (PACIFIC CONSERVATORY THEATRE) NEWSIES CRUTCHIE PCPA (PACIFIC CONSERVATORY THEATRE) THE SECRET GARDEN DICKON UTAH FESTIVAL OPERA YOU’RE A GOOD MAN… CHARLIE BROWN UTAH FESTIVAL OPERA FOOTLOOSE WILLARD BROADWAY PALM DINNER THEATRE FOREVER PLAID JINX BROADWAY PALM DINNER THEATRE ALTAR BOYZ MARK ARIZONA BROADWAY THEATRE ROCK OF AGES STACEE JAXX ARIZONA BROADWAY THEATRE ROCK OF AGES JOEY PRIMO THE PALACE THEATRE (NH) THE BRITISH ROCK EXPERIENCE LEAD TENOR THE PALACE THEATRE (NH) WONDERFUL TOWN FRANK LIPPENCOTT QUISISANA MUSIC RESORT A GRAND NIGHT FOR SINGING JASON (THE TENOR) QUISISANA MUSIC RESORT LYSISTRATA JONES CINESIAS PACE UNIVERSITY (Dir. Jacob Brent) THE WHO’S TOMMY CAPTAIN WALKER PACE UNIVERSITY (Dir. Bob Cline) MERRILY WE ROLL ALONG TYLER PACE UNIVERSITY (Dir. Amy Rogers) WORKSHOPS / READINGS THE VISIT LOUIS (THE EUNICH) KANDER & EBB (Dir. John Doyle) TUMBLEWEED CONNECTION BEANPOLE ELTON JOHN / BERNIE TAUPIN DARLING FLUKE RYAN SCOTT OLIVER EDUCATION / TRAINING BFA IN MUSICAL THEATRE, MINOR IN ARTS & ENTERTAINMENT MANAGEMENT PACE UNIVERSITY, NEW YORK CITY (DIR. AMY ROGERS / ROBERT MEFFE) SPECIAL SKILLS TENOR BELT / MIX (HIGH C & BEYOND), STRONG MOVER, GUITAR, SONGWRITING, BASKETBALL, TENNIS, PASSPORT, LICENSED DRIVER, FULL BEARD, DOG LOVER, PROFESSIONAL MANNY, NICE GUY..