The City of 2012 Brought to Life by the BBC
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Queen's Diamond Jubilee 2012
Queen’s Diamond Jubilee 2012 Background word ‘Yobel’, which refers to the ram or ram’s Queen Elizabeth ll has reigned over the United horn with which jubilee years were proclaimed. Kingdom and her Commonwealth countries for In Leviticus it states that such a horn or trumpet 60 years. 2012 and the Diamond Jubilee brings is to be blown on the tenth day of the seventh about many opportunities to celebrate, focus and month after the lapse of ‘seven Sabbaths of years’ give thanks for her Majesty’s faithful, gracious and (49 years) as a proclamation of liberty through - devoted service to the nations. out the land of the tribes of Israel. The year of jubilee was a consecrated year of ‘Sabbath- The Queen reached her 60th anniversary on the rest’ and liberty. During this year all debts were throne on 6 February 2012. On 12 March the cancelled, lands were restored to their original Queen attended Westminster Abbey to celebrate owners and family members were restored to one Commonwealth Day. Main celebrations will take another. place during an extended Bank Holiday weekend from 2 to 5 June. Coronation Day was on 2 June The year of jubilee was also central to the ministry 1953, and there are many stories of how people of of Jesus. In the Gospel of Luke Jesus makes the all ages remember spending that wonderful day. A claim to the fulfillment of Isaiah’s prophecy in few homes had televisions and the BBC broadcast Isaiah 61:1–2. Jesus states that he has come to the Coronation to over 20 million viewers. -
Press Release LES LIAISONS DANGEREUSES
Press release LES LIAISONS DANGEREUSES by Christopher Hampton 11 December 2015 – 13 February 2016 Les Liaisons Dangereuses will be broadcast live in cinemas in partnership with National Theatre Live on 28 January 2016. PRESS NIGHT: Thursday 17 December Director: Josie Rourke Designer: Tom Scutt Lighting Designer: Mark Henderson Sound Designer: Carolyn Downing Composer: Michael Bruce Fight Director: Richard Ryan Cast includes: Adjoa Andoh, Alison Arnopp, Theo Barklem-Biggs, Elaine Cassidy, Morfydd Clark, Edward Holcroft, Janet McTeer, Thom Petty, Jennifer Saayeng, Una Stubbs, and Dominic West This production is supported by an anonymous donor Artistic Director Josie Rourke’s production of Les Liaisons Dangereuses, Christopher Hampton’s stage adaptation of Choderlos de Laclos’ 1782 novel start previews at the Donmar Warehouse from 11 December. The production will star Adjoa Andoh, Alison Arnopp, Theo Barklem-Biggs, Elaine Cassidy, Morfydd Clark, Edward Holcroft, Janet McTeer, Thom Petty, Jennifer Saayeng, Una Stubbs, and Dominic West. Les Liaisons Dangereuses, will be broadcast live in cinemas in partnership with National Theatre Live on 28 January 2016. For more information visit www.ntlive.com. In 1782, Choderlos de Laclos’ novel of sex, intrigue and betrayal in pre-revolutionary France scandalised the world. Two hundred years later, Christopher Hampton's irresistible adaptation swept the board, winning the Olivier and Evening Standard Awards for Best Play. Josie Rourke’s production will now mark the plays’ thirty-year revival. Former lovers, the Marquise de Merteuil and Vicomte de Valmont now compete in games of seduction and revenge. Merteuil incites Valmont to corrupt the innocent Cécile Volanges before her wedding night but Valmont has targeted the peerlessly virtuous and beautiful Madame de Tourvel. -
Wwciguide January 2017.Pdf
Air Check The Guide Dear Member, The Member Magazine for Happy New Year! January is always a very exciting month for us as we often debut some of the WTTW and WFMT Renée Crown Public Media Center most highly-anticipated series and content of the year. And so it goes, we are thrilled to bring you 5400 North Saint Louis Avenue what we hope will be the next Masterpiece blockbuster series, about the epic life of Queen Victoria, Chicago, Illinois 60625 which will fill the Sunday night time slot that Downton Abbey held to Main Switchboard great success. Following Victoria from the time she becomes Queen (773) 583-5000 through her passionate courtship and marriage to Prince Albert, Member and Viewer Services the lavish premiere season of Victoria dramatizes the romance and (773) 509-1111 x 6 reign of the girl behind the famous monarch. Also, join us for new WFMT Radio Networks (773) 279-2000 seasons of Sherlock with Benedict Cumberbatch and Mercy Street, Chicago Production Center the homegrown drama series set during the Civil War. Leading up (773) 583-5000 to both of these season premieres, you can catch up with an all-day Websites marathon. wttw.com On January 16, we will debut an all-new channel and live stream wfmt.com offering for kids! You can find our new WTTW/PBS Kids 24/7 service President & CEO free on over-the-air channel 11-4, Comcast digital channel 368, and Daniel J. Schmidt RCN channel 39. Or watch the live stream on wttw.com, pbskids.org, and on the PBS KIDS Video COO & CFO Reese Marcusson App. -
Photo Needed How Little You
HOW LITTLE YOU ARE For Voices And Guitars BY NICO MUHLY WORLD PREMIERE PHOTO NEEDED Featuring ALLEGRO ENSEMBLE, CONSPIRARE YOUTH CHOIRS Nina Revering, conductor AUSTIN CLASSICAL GUITAR YOUTH ORCHESTRA Brent Baldwin, conductor HOW LITTLE YOU ARE BY NICO MUHLY | WORLD PREMIERE TEXAS PERFORMING ARTS PROGRAM: PLEASESEEINSERTFORTHEFIRSTHALFOFTHISEVENING'SPROGRAM ABOUT THE PROGRAM Sing Gary Barlow & Andrew Lloyd Webber, arr. Ed Lojeski From the first meetings aboutHow Little Renowned choral composer Eric Whitacre You Are, the partnering organizations was asked by Disney executives in 2009 Powerman Graham Reynolds knew we wanted to involve Conspirare to compose for a proposed animated film Youth Choirs and Austin Classical Guitar based on Rudyard Kipling’s beautiful story Libertango Ástor Piazzolla, arr. Oscar Escalada Youth Orchestra in the production and are The Seal Lullaby. Whitacre submitted this Austin Haller, piano delighted that they are performing these beautiful, lyrical work to the studios, but was works. later told that they decided to make “Kung The Seal Lullaby Eric Whitacre Fu Panda” instead. With its universal message issuing a quiet Shenandoah Traditional, arr. Matthew Lyons invitation, Gary Barlow and Andrew Lloyd In honor of the 19th-century American Webber’s Sing, commissioned for Queen poetry inspiring Nico Muhly’s How Little That Lonesome Road James Taylor & Don Grolnick, arr. Matthew Lyons Elizabeth’s Diamond Jubilee in 2012, brings You Are, we chose to end the first half with the sweetness of children’s voices to brilliant two quintessentially American folk songs Featuring relief. arranged for this occasion by Austin native ALLEGRO ENSEMBLE, CONSPIRARE YOUTH CHOIRS Matthew Lyons. The haunting and beautiful Nina Revering, conductor Powerman by iconic Austin composer Shenandoah precedes James Taylor’s That Graham Reynolds was commissioned Lonesome Road, setting the stage for our AUSTIN CLASSICAL GUITAR YOUTH ORCHESTRA by ACG for the YouthFest component of experience of Muhly’s newest masterwork. -
Meeting of the Parliament
MEETING OF THE PARLIAMENT Tuesday 1 October 2013 Session 4 © Parliamentary copyright. Scottish Parliamentary Corporate Body Information on the Scottish Parliament’s copyright policy can be found on the website - www.scottish.parliament.uk or by contacting Public Information on 0131 348 5000 Tuesday 1 October 2013 CONTENTS Col. TIME FOR REFLECTION ............................................................................................................................... 23069 TOPICAL QUESTION TIME ........................................................................................................................... 23071 Emissions Targets ................................................................................................................................ 23071 REHABILITATION OF OFFENDERS ................................................................................................................ 23077 Motion moved—[Kenny MacAskill]. The Cabinet Secretary for Justice (Kenny MacAskill) .......................................................................... 23077 Graeme Pearson (South Scotland) (Lab) ............................................................................................. 23081 Margaret Mitchell (Central Scotland) (Con) .......................................................................................... 23084 Christine Grahame (Midlothian South, Tweeddale and Lauderdale) (SNP) ........................................ 23086 Mary Fee (West Scotland) (Lab) ......................................................................................................... -
Read the Journal
Journal Jesse Bia Professor Peck ENG 252 2/5/2009 Introduction This journal is designed to be both objective and subjective at the same time. The focus of each entry is what I felt the Director’s vision for each particular show, was regardless of the previous histories of representation; the focus is on just the specific versions of the shows we have seen. Once laying out what I believe this vision to be, which is essentially my thesis, I then look at the various aspects of the show which contribute to or detract from the stated vision and goal for each production. Each entry is divided into four parts, the first three of which are meant to be object and thus written in a more academic matter, and last fourth meant to be subjective and thus written slightly less formally. These four parts are as follows: Overall Synopsis and Director’s Vision: In this section I briefly lay out and define what I feel the Director’s vision for the show, and what overall message the show was trying to deliver; essentially, what was the goal of the show itself. Setting: In the setting section I focus on the various sets, props, chronological placement (time in history in which show takes places), lighting, sound, music and even the actual theatre itself, to see how these physical aspects of the show contribute to the overall goal and vision of the show. Audience and Intention: Here I focus on two things. Firstly, who is this show designed for? Adults, children, or both? A certain nationality perhaps? Secondly, I focus on the actor’s performance, their stage directions, and the overall presenting of the play, to see how this contributes to the overall vision and goal of the show. -
Rachel Sheridan CV Oct 2019
RACHEL SHERIDAN http://www.hamiltonhodell.co.uk/casting-director/rachel-sheridan/ http://www.imdb.com/name/nm4730933/?ref_=fn_al_nm_1 Tel: +44 (0) 203 405 7431 / +44 (0) 7793003462 Email: [email protected] Representation: Hamilton Hodell – Maddie Dewhirst & Sian Smyth [email protected] & [email protected] 020 7636 1221 • CASTING DIRECTOR Drama IN MY SKIN Series 1 & 2 Comedy/Drama: Expectation Entertainment for BBC & BBC Wales By Kayleigh Llewellyn Director: Lucy Forbes • RTS 2021 Winner – Best Drama Producer: Nerys Evans/Sophie Francis Series • BAFTA Cymru 2019 Winner - Best Drama & Best Actress • RTS Cymru 2020 Winner – Best Drama THE LEFT BEHIND Drama: BBC Studios for BBC Wales & BBC 3 By Alan Harris Director: Joseph Bullman • RTS 2020 Winner – Best Single Exec Producer: Aysha Rafaele Drama Producer: Tracie Simpson • BAFTA 2020 Winner – Best Single Drama • BAFTA Cymru 2020 Winner – Best Drama FLACK Series 1 & 2 Drama: Hat Trick for UKTV & POP By Oli Lansley Director: Peter Cattaneo & George Kane (series 1) Alicia MacDonald, Oliver Lansley, Stephen Moyer (series 2) Producer: Mark Talbot (series 1) Debbie Pisani (series 2) BLACK MIRROR – HATED IN THE Drama: Black Mirror Drama Ltd for Netflix NATION (Child Casting Director) Director: James Hawes By Charlie Brooker Producer: Sanne Wohlenberh Comedy I HATE YOU Comedy Series: Big Talk for CH 4 By Robert Popper Director: Damon Beesely Producer: Robert Popper & Lynn Roberts BIG BOYS Comedy Series: Roughcut for CH 4 By Jack Rooke Director: Jim Archer Producer: -
16, 2019 • Merrill Auditorium
PRESENTS MAY 15 - 16, 2019 • MERRILL AUDITORIUM BAKER NEWMAN NOYES AD Best of luck with your 2019 season JS MCCARTHY AD You dream it we print it. jsmccarthy.com 888 465 6241 JSM_Portland Ovation_Neverland Ad.indd 1 4/30/19 10:04 AM NETworks Presentations LLC presents BOOK BY MUSIC AND LYRICS BY James Graham Gary Barlow & Eliot Kennedy Based on the Miramax Motion Picture written by David Magee and the play The Man Who Was Peter Pan by Allan Knee STARRING Jeff Sullivan Ruby Gibbs WITH Conor McGiffin Emmanuelle Zeesman Brody Bett Seth Erdley Caleb Reese Paul Paul Schoeller Josiah Smothers Ethan Stokes AND Emilia Brown Marie Choate Josh Dunn Ashley Edler Joshua William Green Daniel S. Hayward Benjamin Henley Elizabeth Lester Michael Luongo André Malcolm Spenser Micetich Melody Rose Kelsey Seaman Adrien Swenson Josh McWhortor SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER SOUND DESIGNER PROJECTION DESIGNER Scott Pask Suttirat Anne Larlarb Kenneth Posner Shannon Slaton Jon Driscoll HAIR & MAKE UP DESIGNER ILLUSIONS AIR SCULPTOR FLYING EFFECTS Bernie Ardia Paul Kieve Daniel Wurtzel Hudson Scenic Studio ORIGINAL MUSIC SUPERVISION VOCAL DESIGNER MUSIC DIRECTOR MUSIC COORDINATOR AND DANCE AND INCIDENTAL MUSICAL ARRANGER AnnMarie Milazzo Patrick Hoagland John Mezzio David Chase ANIMAL DIRECTOR CASTING TOUR BOOKING TOUR PRESS & MARKETING William Berloni Stewart/Whitley The Booking Group Anita Dloniak & Meredith Blair Associates, Inc. GENERAL MANAGER COMPANY MANAGER PRODUCTION STAGE MANAGER PRODUCTION MANAGER GENTRY & ASSOCIATES NETWORKS PRESENTATIONS LLC Jamey Jennings Heather Moss David D’Agostino Evan Rooney EXECUTIVE PRODUCER ASSOCIATE CHOREOGRAPHER Trinity Wheeler Camden Loeser ORCHESTRATIONS Simon Hale MUSIC SUPERVISION Fred Lassen CHOREOGRAPHY Mia Michaels DIRECTION RECREATED BY Mia Walker ORIGINAL DIRECTION Diane Paulus Finding Neverland was developed and premiered at The American Repertory Theater at Harvard University, Diane Paulus, Artistic Director, Diane Borger, Producer. -
Newsletter – April 2012
Newsletter – April 2012 Pakistan’s first Oscar Win HELLO! Pakistan This year‘s Best Short Documentary category Academy Award was given to a film from Pakistan about acid violence. Saving Face by directors Sharmeen Obaid Chinoy and Daniel Junge, follows the work of a British-Pakistani surgeon with the Acid Survivor Foundation (ASF), to provide free surgical services and support to victims of acid attacks. It also explores the holistic ways in which ASF- Pakistan has been working to empower Pakistani women and At the press conference on 30th March 2012, eradicate acid violence with the support of UN Women, among Zahra Saifullah, CEO and Publisher of the other partners and donors. Pakistani edition of HELLO! said the purpose of launching the magazine is to present a positive In her acceptance speech, Sharmeen dedicated the award to ―all image of Pakistan. the heroes working on the ground in Pakistan‖ including British Pakistani plastic surgeon Dr Mohammad Jawad, main subjects of The magazine will be published monthly and will the documentary and the women of Pakistan. cost 500 Pakistani rupees ($5.50, £3.50). The first issue will be launched mid-April and will In addition to its rehabilitation services, ASF-Pakistan lobbies for cover all areas of Pakistani lifestyle, and acid and burn legislation. The organisation was actively involved entertainment from cuisine, culture and the arts in consultations, facilitated by a number of international partners, to fashion. in the drafting of three laws on the issue. The first of these was unanimously passed and enacted in December 2011, and acid- The English-language version of HELLO! is throwing is now a crime against the state, punishable with a fine expected to do well in the local market and the of one million rupees and a sentence from 14-years to life large Pakistani expatriate markets in the United Kingdom and the Middle East. -
2 to Be Somebody: Ambition and the Desire to Be Different
2 To Be Somebody: Ambition and the Desire to Be Different The context for difference This chapter aims to identify some of the bands that enjoyed chart success during the late 1970s and ’80s and identify their artistic traits by means of conversations with band members and those close to the bands. This chapter does not claim to be a definitive account or an inclusive list of innovative bands but merely a viewpoint from some of the individuals who were present at the time and involved in music, creativity and youth culture. Some of these individuals were in the eye of the storm while others were more on the periphery. However, common themes emerge and testify to the Scouse resilience identified in the previous chapter. Also, identifying objective truth is a difficult task, as one band member will often have a view of his band’s history that conflicts with that of other members of the same band. As such, it is acknowledged that this chapter presents only selective viewpoints. Trying something new: In what ways were the Liverpool bands creative and different? ‘Liverpool has always made me brave, choice-wise. It was never a city that criticized anyone for taking a chance.’ David Morrissey1 In terms of creativity, the theory underpinning this book which was stated in Chapter 1 is that successful Liverpool bands in the 1980s were different from each other and did not attempt to follow the latest local or national pop music trends. None of the bands interviewed falls into the categories of punk, disco or New Romantic, which were popular trends at the time. -
October 2018 Tishrei - Cheshvan 5779
ADAT SHALOM SYNAGOGUE THE הקול ENDOWED IN MEMORY OF HARRY AND SH IRLEY NAC HMAN Vol. 75 No. 8 October 2018 Tishrei - Cheshvan 5779 SCHEDULE OF SERVICES Mornings: Sundays. 8:30 A.M. ADAT SHALOM Monday - Friday . 7:30 A.M. Shabbat . 9:00 A.M. Evenings (Minchah-Maariv): Sunday - Friday . 6:00 P.M. Saturdays: October 6 . 7:00 P.M. October 13. 6:45 P.M. October 20 . 6:30 P.M. October 27 . 6:15 P.M. SHABBAT TORAH PORTIONS October 6 October 13 Bereshit Noach October 20 October 27 Lech Lecha Vayera rate eleb CShabbat-Appel75la Oneg Shabbat Shabbat Torah Study with Rabbi Nevins Soulful Yoga with Rabbi Shere Tot Shabbat and Family Shabbat Learning Shabbat Kiddush Lunch Diamond Jubilee Concert 75th ANNIVERSARY “From the beginning , the concern of our Synagogue was Family - individual families and the greater family of the membership. Some fifty-two members formed the nucleus of the future’s potential and applied to the State of Michigan for a charter.” (Commemorative Journal, 50th Anniversary of Adat Shalom Synagogue) And 75 years later, Adat Shalom Synagogue is unique among Jewish congregations. We're a warm and friendly congregation with many young families. We take a contemporary look at our congregants' needs and priorities, place a strong emphasis in the continuity of clergy, and offer a wide range of programs for individuals and families of all ages. While staunchly committed to Israel and to our Jewish brothers and sisters everywhere, we remain focused on our more than 1000 member families throughout the metropolitan Detroit area. -
A Level Drama and Theatre Studies
A LEVEL DRAMA AND THEATRE STUDIES A LEVEL DRAMA AND THEATRE STUDIES SUMMARY OF ASSESSMENT Component 1: Theatre Workshop Non-exam assessment: Internally assessed, externally moderated - 20% of qualification Learners will be assessed on either acting or design. Learners participate in the creation, development and performance of a piece of theatre based on a reinterpretation of an extract from a text chosen from a list supplied by WJEC. The piece must be developed using the techniques and working methods of either an influential theatre practitioner or a recognised theatre company. Learners must produce: • a realisation of the performance or design • a creative log Component 2: Text in Action Non-exam assessment: externally assessed by a visiting examiner - 40% of qualification Learners will be assessed on either acting or design. Learners participate in the creation, development and performance of two pieces of theatre based on a stimulus supplied by WJEC: 1. a devised piece using the techniques and working methods of either an influential theatre practitioner or a recognised theatre company (a different practitioner or company to that chosen for Component 1) 2. an extract from a text in a different style chosen by the learner. Learners must realise their performance live for the visiting examiner. Learners choosing design must also give a 5-10 minute presentation of their design to the examiner. Learners produce a process and evaluation report within one week of completion of the practical work. Component 3: Text in Performance Written examination: 2 hours 30 minutes 40% of qualification Sections A and B Open book: Clean copies (no annotation) of the two complete texts chosen must be taken into the examination.