Artist's Curriculum Vitae

Total Page:16

File Type:pdf, Size:1020Kb

Artist's Curriculum Vitae NOAM GONICK curriculum vitae FILM To Russia with Love Queer Olympians in Sochi confront Russian LGBT struggles. Narrated by Jane Lynch Documentary, HD, 2014, 83 minutes Sundance Productions/EPIX(Viacom). CBC National Broadcast GLAAD Award Nomination, 17th Thessalonica Documentary Film Festival, Inside Out, Frameline 39 San Francisco, 18th Pink Apple Festival Zurich, Documentary Edge Festival New Zealand SALES AGENT: CINEPHIL StrykerNative street gang life through the eyes of a fourteen year-old arsonist Feature, 35mm, 2004, 93 minutes 61. Venice International Film Festival (world premiere) Selected screenings: Museum of Modern Art (New York), Gwang-ju International Film Festival (Korea), Museum Für Moderne Kunst (Frankfurt), Film Exchange Winnipeg (closing gala), Canadian Film Institute/National Archives Theatre (Ottawa), Boston Underground Film Festival, Commonwealth Film Festival (Manchester), Montreal First People's Film Festival, Cinema du Parc (Montreal), Dreamspeakers Film Festival (Edmonton), Frameline 29 San Francisco, Film Columbia, Mix Brazil, Children of the Earth High School (Winnipeg), Yukon International Film Festival, Copenhagen Gay & Lesbian Film Festival, Paris Gay and Lesbian Film Festival DISTRIBUTION Canada: Decade/KRK, USA: Strand, France: BQHL BROADCAST TMN, Movie Central, Showcase, IFC, Sundance Channel PERMANENT COLLECTIONS Museum of Modern Art (New York), National Archives of Canada Hey, Happy! Astro-camp cult film about a DJ’s apocalypse-triggering love affairs Feature, 35mm, 2001, 70 minutes 21st Sundance Film Festival (world premiere) Selected screenings: New York Underground Film Festival (opening night film), NSI Film Exchange (closing gala), Buenos-Aries International Independent Film Festival, MIT, Paris Gay and Lesbian (closing gala), Inside/Out (award – Best Canadian Film), Frameline 25 San Francisco, Out On Screen Vancouver (opening gala), Outfest LA, Boston Underground Film Festival, Raindance, National Film Theatre (London), Commonwealth Film Festival, Milan & Bologna Gay and Lesbian, Lisbon Gay and Lesbian, Mostra Internacional de Cine Gay y Lésbico de Barcelona, Austin Gay and Lesbian, Tampa International Gay and Lesbian, Sydney/Melbourne Queer Festival, Mix Brazil, Image et Nation, AFM International Independent Film Festival (Istanbul), London Gay and Lesbian (ICA), Atlantic Film Festival, Gimli Film Festival, Korean Queer Festival, Febio Fest (Prague) DISTRIBUTION Canada: Mongrel Media, USA: Strand Releasing, France: ED Distribution, Germany: GM Films BROADCAST TMN, Showcase, IFC, Sundance Channel, Aux TV, Arté PERMANENT COLLECTION Quebec Cinematheque Biography of the iconic filmmaker narrated by Tom Waits Guy Maddin: Waiting for Twilight Documentary, 16mm, 1998, 60 minutes 48. Berlin International Film Festival Selected screenings: TIFF (world premiere), Hot Docs (award – Best Arts Film), Rotterdam International Film Festival, Vancouver Film Festival, Pompidou Centre, Atlantic Film Festival, American Museum of the Moving Image, Smithsonian Institute, Jeu de Pomme (Paris), Fantasia Festival (Switzerland), Seoul Film Festival, Swedish Film Institute, Olympia Film Festival, Thessalonica Film Festival, Walker Art Center, Winterthur Kurtzfilm Festival, Wroclaw (Poland), Pushon International Fantastic Film Festival (Korea), Jerusalem Cinematheque, Kino Arsenal (Berlin), Akademie der Kunst (Berlin), Reel Artists Film Festival (Calgary) DISTRIBUTION Canada: Mongrel Media, USA: Zeitgeist/Kino, France: ED Distribution, Rest of the World: Cowboy BROADCAST CBC, Bravo! (Canada), Global, Sundance Channel, Planete (Africa), Doc Channel PERMANENT COLLECTIONS Australian Cinematheque, Archives of Canada NOAM GONICK curriculum vitae 1919 The Winnipeg General Strike through the window of a Chinese steam bath and barbershop. Short, 35mm, 1997, 8 minutes 23rd Toronto International Film Festival (world premiere) Selected screenings: Museum of Modern Art, NY, Frameline 21 San Francisco, Toronto Worldwide Short Film Festival (award – Best Canadian Film), MIX: New York Experimental Gay and Lesbian Film Festival (opening night film), Brooklyn Labor Film Festival, South Africa Gay and Lesbian, Jeu de Pomme (Paris), Serpentine Gallery, Turin Gay and Lesbian, Pleasure Dome, Inside/ Out (award), Image et Nation, Olympia Film Festival, Chicago Underground, Inside/Out Toronto (award), Oberhausen, Birdo Flugas (Japan) DISTRIBUTION Canada: Winnipeg Film Group, USA: Big Film Shorts, Strand Releasing, France: ED Distribution, Incite! Magazine insert BROADCAST CBC, IFC (Canada), Pride Vision, Arté PERMANENT COLLECTIONS National Gallery of Canada, National Library of Canada INSTALLATION/TV/NEW MEDIA/CURATORIAL/SHORTS/THEATRE Wildflowers of Manitoba (2007) No Safe Words (2009) Commerce Court (2008) Precious Blood (2008) Performative Film Installation, 2007. (with Luis Jacob). 9 screen Video Installation, 2009 Video Installation, 2008 Sculptural Video Installation, Biennale de Montréal, TIFF 2007 (MoCCA), Plug In ICA, Executive Producer: Commission for Nuit Blanche Berlinale, Glenbow Museum, Bruce Bailey Toronto, 2008 Nuit Blanche Toronto (OCAD), JMB Gallery (UofT), Belkin LesGaiCineMad, Madrid 2011 Gallery 1.1.1. U of M, 2009 2007, Subconscious City, Gallery (UBC) - Collection, MIX NY, AND Festival (UK), 2010 Cultural Olympiad, Vancouver, Winnipeg Art Gallery, 2008, insert Armory/Volta NY 2009, MIX NY, Sketch Gallery, London, 2009 2009-2010 in Border Crossings, 2010, 5th Contour Biennial (Belgium) VIVO, Vancouver, 2009, Out on Spring Break Art Show, NYC, National Arts Centre (Ottawa), 2011, MaSSMOCA 2012 (Oh Screen (with live performance), 2012 2011 Canada, touring through 2015) 2011, Satellite Gallery, 2013 Anna Kustera, NYC, 2012 Last Days of Cleopatra One-Act Tragicomedy, Tara Players, 2016 Taken CBC/APTN, TV documentary series about the MMAW, 2016 Voices in Longitude and Latitude Four-Channel Video Installation (with Marnina Gonick), 2014 Exhibiting at the Winnipeg Art Gallery for the Winnipeg Film Group’s 40th Anniversary, previously exhibited at MSVU Gallery, Halifax. Pussy Fingers Goes to Paris 23-minute TV documentary about an exhibition (below), HD, 2013 Winter Kept Us Warm (Curator) La Maison Rouge (Paris), MIAM, Sette, France, Plug In ICA, 2012 WinniPig (Curator) Antebellum Gallery (Hollywood, CA), 2012 What If? National Film Board, Governor General’s Award film, 2011 Hirsch CBC, Short Documentary about John Hirsch, 2010 L’Isle des Hermaphrodites Super8 1-Take, 2010 Rebecca Belmore Video Producer: Fountain, 2005, Canada Pavilion Venice Biennale; March 5th, 1819, 2008; The Blanket, 2010; Omaa, 2015 Retail Creator, comedy TV series (pilot), 2007, written with Brad Fraser Kink Field Director, Reality TV Series, Paperny/Showcase, 2002, 2004 Psychic Saturday Night Producer/Creator, National Call-In TV Show, WTN, 2000 Tinkertown Short film, optical printing experiment,1999 Andy Warhol Film Festival (Curator) Winnipeg Film Group Cinematheque,1995 NOAM GONICK curriculum vitae WRITING/PUBLISHING My Winnipeg (2007) Scenario Consultant on the documentary cine-essay by Guy Maddin Bruce LaBruce: Ride, Queer, Ride! Editor, Plug In Editions (1998) 254pp Published in: Purple Magazine, Vice, Fuse, Bad Day, Canadian Dimension, Border Crossings, Hobo, Heeb, Up & Coming, RFD, Incite! SELECTED REVIEWS, ESSAYS AND INTERVIEWS ArtForum "Best Films of the Year" December, 2001 Andreoli, Richard "Mondo Homo" Alyson Publishing, 2004 Austin-Smith, Brenda “Strange Frontiers” in Self Portraits, Canadian Film Institute, 2006 Baerwaldt, Wayne “Reflections on Art and Artists in the Financial District” POV Magazine, Issue 73, Spring, 2009 Bradshaw, Lisa “Melody of the Body” Flanders Today, September 7, 2011 Braun, Liz "Terrifying Look at Turf Wars", Toronto Sun, July 22, 2005 Budak, Adam “No Safe Words” Border Crossings, Issue 107, Fall 2008 Crile, Susan “Football Team Waterboarded” Huffington Post, June 6th, 2009 Davies, Nick, “Fuck fest Out West” Xtra, May 31, 2001 Eisner, Ken "Guy Maddin: Waiting for Twilight" Variety October 26th, 1997 Enright, Robert "Stryking While the Iron's Hot" Border Crossings, November 2004 Enright, Robert “Popeye Gonick and the Filmy Spinach of Sex” Border Crossings Winter 2001 Enright, Robert "Getting Happy Before the Apocalypse" Globe & Mail, May 24, 2001 Felperin, Leslie "Stryker" Variety September 29, 2004 Fallon, Kevin “To Russia With Love” Daily Beast, October 29, 2014 Forsberg, Walter “Gonick Gets Gone” Uptown Magazine December 13, 2007 Frohwerk, Ron “1919“ Border Crossings, Fall, 1998 Harvey, Dennis “Hey, Happy!” Variety, January 2001 Hasselriis, Kaj “Short Film Questions Police Role at Pride” Xtra, June 10, 2009 Kehr, Dave "Film in Review: Hey, Happy!" New York Times, January 25th, 2002 King, Randal "Citizen Raising Cain" Winnipeg Free Press, February 20, 2005 Klymkiw, Greg “25th Inside Out Toronto LGBT Film Festival 2015” The Film Corner blog, May 27, 2015 Klymkiw, Greg “Toronto Jewish Film Festival 2015” The Film Corner blog, May 2, 2015 Kostash, Myrna "The Next Canada" McClelland & Stewart, 2000 Lewis Conn, Andrew "Notes from the Underground" Film Comment, May 2001 Loft, Steve "New Cinema From Winnipeg's Mean Streets" First Perspective, June 2005 Markonish, Denise “Oh Canada” exhibition catalogue, MassMOCA, 2012 Milroy, Sarah “Something Big Is Happening Here” Globe & Mail, May 21, 2007 Mitchell, Elvis "Music, Monsters and More: Dispatches from the Edge" New York Times, March 7, 2001 Mookas, Ioannis "Fires Were Started" Senses of Cinema May, 2005 Mookas, Ioannis “Noam Gonick’s Queer Utopias” from the book
Recommended publications
  • Edward R. Murrow
    ABOUT AMERICA EDWARD R. MURROW JOURNALISM AT ITS BEST TABLE OF CONTENTS Edward R. Murrow: A Life.............................................................1 Freedom’s Watchdog: The Press in the U.S.....................................4 Murrow: Founder of American Broadcast Journalism....................7 Harnessing “New” Media for Quality Reporting .........................10 “See It Now”: Murrow vs. McCarthy ...........................................13 Murrow’s Legacy ..........................................................................16 Bibliography..................................................................................17 Photo Credits: University of Maryland; right, Digital Front cover: © CBS News Archive Collections and Archives, Tufts University. Page 1: CBS, Inc., AP/WWP. 12: Joe Barrentine, AP/WWP. 2: top left & right, Digital Collections and Archives, 13: Digital Collections and Archives, Tufts University; bottom, AP/WWP. Tufts University. 4: Louis Lanzano, AP/WWP. 14: top, Time Life Pictures/Getty Images; 5 : left, North Wind Picture Archives; bottom, AP/WWP. right, Tim Roske, AP/WWP. 7: Digital Collections and Archives, Tufts University. Executive Editor: George Clack 8: top left, U.S. Information Agency, AP/WWP; Managing Editor: Mildred Solá Neely right, AP/WWP; bottom left, Digital Collections Art Director/Design: Min-Chih Yao and Archives, Tufts University. Contributing editors: Chris Larson, 10: Digital Collections and Archives, Tufts Chandley McDonald University. Photo Research: Ann Monroe Jacobs 11: left, Library of American Broadcasting, Reference Specialist: Anita N. Green 1 EDWARD R. MURROW: A LIFE By MARK BETKA n a cool September evening somewhere Oin America in 1940, a family gathers around a vacuum- tube radio. As someone adjusts the tuning knob, a distinct and serious voice cuts through the airwaves: “This … is London.” And so begins a riveting first- hand account of the infamous “London Blitz,” the wholesale bombing of that city by the German air force in World War II.
    [Show full text]
  • The Atom Bomb and the Press
    PERIODICALS chant-farmer Hardy Bell, and St. Louis to- former slaves, and viewing the formerly bacconist William Deaderick. dominant class with suspicion and skepti- The Civil War ruined many of the Deep cism," Schweninger writes, "they could South's prosperous blacks, just as it did more easily build on their past experiences many white plantation owners. The Upper during the postwar era to advance not only South's black elite prospered. "More self- their own cause but the cause of freedmen confident, able to mix more easily with as well." PRESS & TELEVISION The Atom Bomb "The Office of Censorship's Attempt to Control Press Coverage of the Atomic Bomb During World War 11" by Patrick S. And the Press Washbum, in Journalism Monographs (~pril1990), 1621 COL . lege St., Univ. of S.C., Columbia, S.C. 29208-0251. A month after the first atomic bomb fell on tarily) to avoid all mention even of the Hiroshima on August 6, 1945, Gen. H. H. element uranium. Almost immediately. Arnold of the Army Air Force wrote a problems appeared. On Halloween D& glowing letter to the head of the U.S. Office for example, the Washington Post ran a of Censorship thanking him for suppress- lighthearted feature story which began: "A ing "any mention" of the new weapon in young fellow who has been studying much the press until it was used. Arnold wrote of his life on the matter of blowing up na- that it "shall go down in history as the best- tions with an atom would like to get a kept secret of any war." wage increase from the War Labor What is interesting, notes Washburn, a Board." In December, the Cleveland Press professor of journalism at Ohio University, published a vague story about the "Forbid- is not the fact that Arnold was wrong but den City" at Los Alamos, New Mexico.
    [Show full text]
  • A Featured Film at the 18Th Annual Stony Brook Film Festival Friday, July 20Th at 3:00 P.M
    A featured film at The 18th Annual Stony Brook Film Festival Friday, July 20th at 3:00 p.m. The Stony Brook Film Festival takes place at the Staller Center For The Arts, part of Stony Brook University, which is situated on an 1,100 acre site on the north shore of Long Island in southeastern New York. We are approximately 60 miles east of New York City. http://stonybrookfilmfestival.com/fest13/schedule-1.html TWA Flight 800 Festival Premiere—U.S.A.—86 minutes Directed by Kristina Borjesson. With Tom Stalcup, Ph.D., Henry F. Hughes, Robert Young, James Speer. Premium network EPIX presents a stunning American documentary having its Festival Premiere screening followed by a Q & A panel discussion with the filmmakers, Kristina Borjesson and Tom Stalcup. TWA Flight 800 presents the saga of the catastrophic crash off the south shore of Long Island on July 17, 1996. At the time, it was called "the largest aviation investigation in U.S. and world history.” But it was also the most controversial. Now, a team of insiders from that investigation comes forward in this feature documentary to uncover what really happened to TWA Flight 800. It is also the story of one extraordinary scientist, Tom Stalcup, who spent years fighting for access to documents and evidence. Thirteen years into his quest, several retired members of the official crash investigation joined him. In TWA Flight 800, these former government insiders blow the whistle on their own investigation and spend two years helping the scientist uncover the truth. What follows is a story of intense personal journeys and a grand-scale exposé with breathtaking implications.
    [Show full text]
  • Publishing Has Changed Enter Digital
    2455 Ballenger Creek Pike Adamstown Maryland 21710 [email protected] Underground Railroad Free Press 301.874.0235 The largest circulation Underground Railroad news publication —Free Press Books — Publishing Has Changed While recent years have seen several excellent books on the Underground Railroad, too many remain unpublished as traditional publishers become ever narrower in what they publish, strug- gling to survive in an industry reeling from technological change. Some traditional publishers have kept pace with the rapidly changing production and delivery of books, but many have lagged. Most conspicuous was the disappearance of the forty-year-old international Borders bookstore chain in 2011. The publishing upheaval has meant that Underground Railroad writers have ever fewer opportunities to get their works into print through traditional publishing houses. Publisher-subsidized books are ones on which traditional publishers gamble that a book's sales will be large enough to yield a profit to the publisher and therefore permit it to front all publishing costs. Because of this financial imperative, subsidy publishers must be very careful in choosing the books that they elect to publish, which means that books of specialized or narrow interest that will attract only limited audiences are very unlikely to be taken on by subsidy publishers. Enter Digital Publishing While subsidy publishers have narrowed their offerings, online digital publishing has mushroomed since the advent of the Internet and easily digitized book composition, and today publishes hundreds of thousands of titles on topics which otherwise would not see the light of day. Digital publishing has also opened the doors of self-publishing to literally anyone wanting to put something into print.
    [Show full text]
  • Comments of the National Association of Broadcasters
    Federal Communications Commission Washington, D.C. 20554 In the Matter of ) ) 2018 Quadrennial Regulatory Review -- ) MB Docket No. 18-349 Review of the Commission’s Broadcast ) Ownership Rules and Other Rules Adopted ) Pursuant to Section 202 of the ) Telecommunications Act of 1996 ) COMMENTS OF THE NATIONAL ASSOCIATION OF BROADCASTERS Rick Kaplan Jerianne Timmerman Erin Dozier Patrick McFadden Larry Walke Emily Gomes Daniel McDonald Theresa Ottina Loren White NAB Research September 2, 2021 TABLE OF CONTENTS I. INTRODUCTION AND SUMMARY .................................................................................... 1 II. THE FCC SHOULD FOCUS IN THS PROCEEDING ON ENSURING THE COMPETITIVE VIABLITY OF LOCAL STATIONS ....................................................................................... 6 III. THE FCC’S DECADES-OLD OWNERSHIP RULES HAVE NEVER SUCCESSFULLY PROMOTED DIVERSE OWNERSHIP OF RADIO AND TELEVISION STATIONS .................. 9 The FCC’s Rules Do Not Address The Central Challenge To New Entry And Diverse Ownership In Broadcasting, Which Is Access To Capital .................... 10 The FCC’s Ownership Rules Affirmatively Undermine Investment In Broadcasting And New Entry ............................................................................ 15 IV. REFORM OF THE OWNERSHIP RULES WOULD PROMOTE LOCALISM BY SAFEGUARDING THE VIABILITY OF LOCAL BROADCAST JOURNALISM IN TODAY’S BIG TECH-DOMINATED MARKETPLACE .............................................................................. 19 The FCC Cannot Ignore The
    [Show full text]
  • Michael E. Porter
    COMPETITIVE Books by Michael E. Porter The Competitive Advantage of Nations ( 1990) Competitive Advantage: Creating and Sustaining Superior Pe$ormance (1985) Cases in Competitive Strategy (1982) Competition in the Open Economy (with R.E. Caves and A.M. Spence) (1 980) Interbrand Choice, Strategy and Bilateral Market Power (1976) COMPETITIVE STRATEGY Techniques for Analyzing Industries and Competitors With a new Introduction Michael E. Porter THE FREE PRESS THE FREE PRESS A Division of Simon & Schuster Inc 1230 Avenue of the Americas New York, NY 10020 Copyright O 1980 by The Free Press New introduction copyright O 1998 by The Free Press All rights reserved, including the right of reproduction in whole or in part in any form. First Free Press Edition 1980 THE FREE PRESS and colophon are trademarks of Simon & Schuster Inc. Manufactured in the United States of America 62 61 60 Library of Congress Cataloging-in-Publication Data Porter, Michael E. Competitive strategy: techniques for analyzing industries and competitors: with a new introduction1 Michael E. Porter. p. cm. .. Originallypublished: New York: Free Press, c I980 Includes bibliographical references and index. I. Competition. 2. Industrial management. I. Title. HD4 1 .P67 1998 658dc21 98-9580 CIP ISBN 0-684-84148-7 Contents Introduction Preface xvii Introduction, 1980 xxi PART I General Analytical Techniques CHAPTER 1 THE STRUCTURAL ANALYSIS OF INDUSTRIES 3 Structural Determinants of the Intensity of Competition 5 Structural Analysis and Competitive Strategy 29 Structural Analysis
    [Show full text]
  • Book Review Charles S
    Notre Dame Law Review Volume 42 | Issue 6 Article 13 1-1-1967 Book Review Charles S. Desmond Follow this and additional works at: http://scholarship.law.nd.edu/ndlr Part of the Law Commons Recommended Citation Charles S. Desmond, Book Review, 42 Notre Dame L. Rev. 984 (1967). Available at: http://scholarship.law.nd.edu/ndlr/vol42/iss6/13 This Book Review is brought to you for free and open access by NDLScholarship. It has been accepted for inclusion in Notre Dame Law Review by an authorized administrator of NDLScholarship. For more information, please contact [email protected]. BOOK REVIEW FREEDOM OF THE PRESS AND FAIR TRIAL. By the Special Committee on Radio, Television, and the Administration of Justice of the Association of the Bar of the City of New York. Judge Harold R. Medina, Chairman. New York: Columbia University Press. 1967. Pp. xiv, 99. $3.75. FREE PRESS AND FAIR TRIAL. By the American Newspaper Publishers Associa- tion's Special Committee on Free Press and Fair Trial. New York: American Newspaper Publishers Association. 1967. Pp. xi, 143. $2.00. JUSTICE AND THE PRESS. By John Lofton. Boston: Beacon Press. 1966. Pp. xiv, 462. $5.95. RADIO, TELEVISION AND THE ADMINISTRATION OF JUSTICE. By the Special Com- mittee on Radio, Television, and the Administration of Justice of the Association of the Bar of the City of New York. Judge Harold R. Medina, Chairman. New York: Columbia University Press. 1965. Pp. xii, 321. $7.45. As long as there are crimes and courts, the bar and the press will dispute the relative priorities of the right to publicize crime as against a defendant's right to a fair trial unaffected by prior disclosures.
    [Show full text]
  • Books Located in the National Press Club Archives
    Books Located in the National Press Club Archives Abbot, Waldo. Handbook of Broadcasting: How to Broadcast Effectively. New York: McGraw-Hill Book Company, Inc., 1937. Call number: PN1991.5.A2 1937 Alexander, Holmes. How to Read the Federalist. Boston, MA: Western Islands Publishers, 1961. Call number: JK155.A4 Allen, Charles Laurel. Country Journalism. New York: Thomas Nelson and Sons, 1928. Alsop, Joseph and Stewart Alsop. The Reporter’s Trade. New York: Reynal & Company, 1958. Call number: E741.A67 Alsop, Joseph and Catledge, Turner. The 168 Days. New York: Doubleday, Duran & Co., Inc, 1938. Ames, Mary Clemmer. Ten Years in Washington: Life and Scenes in the National Capital as a Woman Sees Them. Hartford, CT: A. D. Worthington & Co. Publishers, 1875 Call number: F198.A512 Andrews, Bert. A Tragedy of History: A Journalist’s Confidential Role in the Hiss-Chambers Case. Washington, DC: Robert Luce, 1962. Anthony, Joseph and Woodman Morrison, eds. Best News Stories of 1924. Boston, MA: Small, Maynard, & Co. Publishers, 1925. Atwood, Albert (ed.), Prepared by Hershman, Robert R. & Stafford, Edward T. Growing with Washington: The Story of Our First Hundred Years. Washington, D.C.: Judd & Detweiler, Inc., 1948. Baillie, Hugh. High Tension. New York: Harper & Brothers Publishers, 1959. Call number: PN4874.B24 A3 Baker, Ray Stannard. American Chronicle: The Autobiography of Ray Baker. New York: Charles Scribner’s Sons, 1945. Call number: PN4874.B25 A3 Baldwin, Hanson W. and Shepard Stone, Eds.: We Saw It Happen: The News Behind the News That’s Fit to Print. New York: Simon and Schuster, 1938. Call number: PN4867.B3 Barrett, James W.
    [Show full text]
  • Educational Catalogue
    EDUCATIONAL CATALOGUE DVDs & BOOKS FOR SCHOOLS, PUBLIC & UNIVERSITY LIBRARIES, FILM SCHOOLS AND COMMUNITY GROUPS Canadian Indigenous Films History & Community Health & Medicine / Food Security Film Studies ABOUT US WINNIPEG FILM GROUP The Winnipeg Film Group, founded in 1974, Monica Lowe, Distribution Director is a non-profit Canadian film organization. 304-100 Arthur Street, Winnipeg, Manitoba, Our Distribution Department rents and sells high Canada R3B 1H3 quality independent Canadian film and video Phone Enquiries and Orders: works around the world. 1.204.925.3456 ext. 103 Fax Orders: +1.204.942.6799 Email: [email protected] Order Online: www.winnipegfilmgroup.com 2 Contents About Us | 2 Pricing, Shipping, Ratings, Ordering | 4 CANADIAN INDIGENOUS FILMS | 5 HISTORY & COMMUNITY | 19 HEALTH & MEDICINE / FOOD SECURITY | 27 FILM STUDIES | 29 ' MIA PRICING Taxes Films and videos created by independent artists Please add GST to all DVDs and PST if ordered are available for purchase by K-12 schools, in Manitoba. Books are GST only. government offices, public libraries, community groups and post-secondary educational institutions SHIPPING to screen for non-paying audiences. For public Shipping within Canada screenings where admission is charged customers 1-2 items: $6 are required to pay a separate or additional 3-5 items: $12 rental fee. 6+ items: Free Shipping Generally, prices are determined by the film’s Shipping to USA & Overseas duration, although some titles diverge from this Please contact us for a quote schedule. Bulk Discounts are available. RATINGS Institutional All film ratings listed have been completed by the For Government agencies and post-secondary Manitoba Film Classification Board.
    [Show full text]
  • From Weimar to Winnipeg: German Expressionism and Guy Maddin Andrew Burke University of Winnipeg (Canada) E-Mail: [email protected]
    ACTA UNIV. SAPIENTIAE, FILM AND MEDIA STUDIES, 16 (2019) 59–79 DOI: 10.2478/ausfm-2019-0004 From Weimar to Winnipeg: German Expressionism and Guy Maddin Andrew Burke University of Winnipeg (Canada) E-mail: [email protected] Abstract. The films of Guy Maddin, from his debut feature Tales from the Gimli Hospital (1988) to his most recent one, The Forbidden Room (2015), draw extensively on the visual vocabulary and narrative conventions of 1920s and 1930s German cinema. These cinematic revisitations, however, are no mere exercise in sentimental cinephilia or empty pastiche. What distinguishes Maddin’s compulsive returns to the era of German Expressionism is the desire to both archive and awaken the past. Careful (1992), Maddin’s mountain film, reanimates an anachronistic genre in order to craft an elegant allegory about the apprehensions and anxieties of everyday social and political life. My Winnipeg (2006) rescores the city symphony to reveal how personal history and cultural memory combine to structure the experience of the modern metropolis, whether it is Weimar Berlin or wintry Winnipeg. In this paper, I explore the influence of German Expressionism on Maddin’s work as well as argue that Maddin’s films preserve and perpetuate the energies and idiosyncrasies of Weimar cinema. Keywords: Guy Maddin, Canadian film, German Expressionism, Weimar cinema, cinephilia. Any effort to catalogue completely the references to, and reanimations of, German Expressionist cinema in the films of Guy Maddin would be a difficult, if not impossible, task. From his earliest work to his most recent, Maddin’s films are suffused with images and iconography drawn from the German films of the 1920s.
    [Show full text]
  • Difficult Viewing and Listening
    May / June 2018 special events NEW WORLD DOCUMENTARIES Ask the Sexpert Difficult Viewing Canadian & International Features and Listening: The Green Fog An Experimental Animation Retrospective www.winnipegcinematheque.com May 2018 WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY 2 3 4 5 6 Ask the Sexpert / 7 pm Ask the Sexpert / 7 pm African Movie Festival: African Movie Festival: Ask the Sexpert / 3 pm Jane / 9 pm Ben & Ara / 7 pm Congo! The Silence of Jane / 5 pm & 7 pm the Forgotten Crimes / 11 am Uprize / 2 pm Greetings from Moruroa / 6:30 pm The Lucky Specials / 8:30 pm 9 10 11 12 13 Ask the Sexpert / 7 pm Jane / 7 pm Transformation: Terril Calder’s Ask the Sexpert / 3 pm Ask the Sexpert / 3 pm Ask the Sexpert / 9 pm Animated Shorts / 7 pm Jane / 5 pm Metric: Dreams So Real / 5 pm & 7 pm Ask the Sexpert / 9 pm Transformation: The Lodge / 7 pm Metric: Dreams So Real / 9 pm 16 17 18 19 20 Ask the Sexpert / 7 pm Difficult Viewing and Punjabi Cinema: The Young Karl Marx / 3 pm & 9 pm The Young Karl Marx / / 3 pm & 7 pm Listening / 7 pm Bhaji on the Beach / 7 pm Boom For Real / 5 pm & 7 pm Boom For Real / 5:15 pm Boom For Real / 9 pm The Young Karl Marx / 9 pm 23 24 25 26 27 Loveless / 7 pm Loveless / 7 pm The Young Karl Marx / 7 pm The Young Karl Marx / 3 pm Loveless / 3 pm The Young Karl Marx / 9:30 pm Star Robot / 9:15 pm Loveless / 6 pm Boom For Real / 7 pm Boom For Real / 9 pm 30 31 Loveless / 7 pm McDonald at the Movies: Being John Malkovich / 7 pm Boom For Real / 9:15 pm June 2018 WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY 1 2 3 Loveless
    [Show full text]
  • Cabin Fever: Free Films for Kids! The
    January / February 2019 Canadian & International Features NEW WORLD DOCUMENTARIES special Events THE GREAT BUSTER CABIN FEVER: FREE FILMS FOR KIDS! www.winnipegcinematheque.com January 2019 TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY 1 2 3 4 5 6 closed: New Year’s Day Roma / 7 pm Roma / 7 pm & 9:30 pm Roma / 7 pm & 9:30 pm Roma / 3 pm & 7 pm cabin fever: Coco 3D / 3 pm Canada’s Top Ten: Canada’s Top Ten: Anthropocene: Anthropocene: The Human Epoch / 9:30 pm The Human Epoch / 5 pm Roma / 7 pm 8 9 10 11 12 13 The Last Movie / 7 pm Roma / 7 pm Jean-Pierre Melville: Black Lodge: Secret Cinema Roma / 2:30 pm cabin fever: The Big Bad Dial Code Santa Claus / 9 pm Le samouraï / 7 pm with the Laundry Room / 7 pm Jean-Pierre Melville: Fox and Other Tales… / 3 pm Roma / 9 pm Canada’s Top Ten: Léon Morin, Priest / 5 pm Canada’s Top Ten: Anthropocene: Canada’s Top Ten: Anthropocene: The Human Epoch / 7 pm Anthropocene: The Human Epoch / 5 pm Roma / 9 pm The Human Epoch / 7:15 pm Genesis / 7 pm Genesis / 9 pm 15 16 17 18 19 20 The Last Movie / 7 pm Jean-Pierre Melville: Canada’s Top Ten: Jean-Pierre Melville: The Great Buster / 3 pm & 7 pm cabin fever: Buster Keaton’s Dial Code Santa Claus / 9 pm Léon Morin, Priest / 7 pm Anthropocene: Le doulos / 7 pm Canada’s Top Ten: Classic Shorts / 3 pm The Human Epoch / 7 pm Canada’s Top Ten: Anthropocene: The Great Buster / 5 pm Roads in February / 9 pm Anthropocene: The Human Epoch / 5 pm Jean-Pierre Melville: The Human Epoch / 9 pm Roads in February / 9 pm Le samouraï / 7 pm 22 23 24 25 26 27 The Last
    [Show full text]