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The Armchair Traveller: Littoral Zones and the Domestic Environment Deb
The Armchair Traveller: Littoral Zones and the Domestic Environment Deb Mansfield Master of Fine Arts Research Documentation School of Media Arts The College of Fine Arts The University of New South Wales March 2013 1 ORIGINALITY STATEMENT ‘I hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, or substantial proportions of material which have been accepted for the award of any other degree or diploma at UNSW or any other educational institution, except where due acknowledgement is made in the thesis. Any contribution made to the research by others, with whom I have worked at UNSW or elsewhere, is explicitly acknowledged in the thesis. I also declare that the intellectual content of this thesis is the product of my own work, except to the extent that assistance from others in the project's design and conception or in style, presentation and linguistic expression is acknowledged.’ Signed …………………………………………….............. Date ……………………………………………................. COPYRIGHT STATEMENT ‘I hereby grant the University of New South Wales or its agents the right to archive and to make available my thesis or dissertation in whole or part in the University libraries in all forms of media, now or here after known, subject to the provisions of the Copyright Act 1968. I retain all proprietary rights, such as patent rights. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. I also authorise University Microfilms to use the 350 word abstract of my thesis in Dissertation Abstract International (this is applicable to doctoral theses only). -
Sunshine State
SUNSHINE STATE A FILM BY JOHN SAYLES A Sony Pictures Classics Release 141 Minutes. Rated PG-13 by the MPAA East Coast East Coast West Coast Distributor Falco Ink. Bazan Entertainment Block-Korenbrot Sony Pictures Classics Shannon Treusch Evelyn Santana Melody Korenbrot Carmelo Pirrone Erin Bruce Jackie Bazan Ziggy Kozlowski Marissa Manne 850 Seventh Avenue 110 Thorn Street 8271 Melrose Avenue 550 Madison Avenue Suite 1005 Suite 200 8 th Floor New York, NY 10019 Jersey City, NJ 07307 Los Angeles, CA 9004 New York, NY 10022 Tel: 212-445-7100 Tel: 201 656 0529 Tel: 323-655-0593 Tel: 212-833-8833 Fax: 212-445-0623 Fax: 201 653 3197 Fax: 323-655-7302 Fax: 212-833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com CAST MARLY TEMPLE................................................................EDIE FALCO DELIA TEMPLE...................................................................JANE ALEXANDER FURMAN TEMPLE.............................................................RALPH WAITE DESIREE PERRY..................................................................ANGELA BASSETT REGGIE PERRY...................................................................JAMES MCDANIEL EUNICE STOKES.................................................................MARY ALICE DR. LLOYD...........................................................................BILL COBBS EARL PICKNEY...................................................................GORDON CLAPP FRANCINE PICKNEY.........................................................MARY -
Films Shown by Series
Films Shown by Series: Fall 1999 - Winter 2006 Winter 2006 Cine Brazil 2000s The Man Who Copied Children’s Classics Matinees City of God Mary Poppins Olga Babe Bus 174 The Great Muppet Caper Possible Loves The Lady and the Tramp Carandiru Wallace and Gromit in The Curse of the God is Brazilian Were-Rabbit Madam Satan Hans Staden The Overlooked Ford Central Station Up the River The Whole Town’s Talking Fosse Pilgrimage Kiss Me Kate Judge Priest / The Sun Shines Bright The A!airs of Dobie Gillis The Fugitive White Christmas Wagon Master My Sister Eileen The Wings of Eagles The Pajama Game Cheyenne Autumn How to Succeed in Business Without Really Seven Women Trying Sweet Charity Labor, Globalization, and the New Econ- Cabaret omy: Recent Films The Little Prince Bread and Roses All That Jazz The Corporation Enron: The Smartest Guys in the Room Shaolin Chop Sockey!! Human Resources Enter the Dragon Life and Debt Shaolin Temple The Take Blazing Temple Blind Shaft The 36th Chamber of Shaolin The Devil’s Miner / The Yes Men Shao Lin Tzu Darwin’s Nightmare Martial Arts of Shaolin Iron Monkey Erich von Stroheim Fong Sai Yuk The Unbeliever Shaolin Soccer Blind Husbands Shaolin vs. Evil Dead Foolish Wives Merry-Go-Round Fall 2005 Greed The Merry Widow From the Trenches: The Everyday Soldier The Wedding March All Quiet on the Western Front The Great Gabbo Fires on the Plain (Nobi) Queen Kelly The Big Red One: The Reconstruction Five Graves to Cairo Das Boot Taegukgi Hwinalrmyeo: The Brotherhood of War Platoon Jean-Luc Godard (JLG): The Early Films, -
Feature Films
Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 2012 DVD-4759 10 Things I Hate About You DVD-0812 21 Grams DVD-8358 1000 Eyes of Dr. Mabuse DVD-0048 21 Up South Africa DVD-3691 10th Victim DVD-5591 24 Hour Party People DVD-8359 12 DVD-1200 24 Season 1 (Discs 1-3) DVD-2780 Discs 12 and Holding DVD-5110 25th Hour DVD-2291 12 Angry Men DVD-0850 25th Hour c.2 DVD-2291 c.2 12 Monkeys DVD-8358 25th Hour c.3 DVD-2291 c.3 DVD-3375 27 Dresses DVD-8204 12 Years a Slave DVD-7691 28 Days Later DVD-4333 13 Going on 30 DVD-8704 28 Days Later c.2 DVD-4333 c.2 1776 DVD-0397 28 Days Later c.3 DVD-4333 c.3 1900 DVD-4443 28 Weeks Later c.2 DVD-4805 c.2 1984 (Hurt) DVD-6795 3 Days of the Condor DVD-8360 DVD-4640 3 Women DVD-4850 1984 (O'Brien) DVD-6971 3 Worlds of Gulliver DVD-4239 2 Autumns, 3 Summers DVD-7930 3:10 to Yuma DVD-4340 2 or 3 Things I Know About Her DVD-6091 30 Days of Night DVD-4812 20 Million Miles to Earth DVD-3608 300 DVD-9078 20,000 Leagues Under the Sea DVD-8356 DVD-6064 2001: A Space Odyssey DVD-8357 300: Rise of the Empire DVD-9092 DVD-0260 35 Shots of Rum DVD-4729 2010: The Year We Make Contact DVD-3418 36th Chamber of Shaolin DVD-9181 1/25/2018 39 Steps DVD-0337 About Last Night DVD-0928 39 Steps c.2 DVD-0337 c.2 Abraham (Bible Collection) DVD-0602 4 Films by Virgil Wildrich DVD-8361 Absence of Malice DVD-8243 -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
35 Years of Nominees and Winners 36
3635 Years of Nominees and Winners 2021 Nominees (Winners in bold) BEST FEATURE JOHN CASSAVETES AWARD BEST MALE LEAD (Award given to the producer) (Award given to the best feature made for under *RIZ AHMED - Sound of Metal $500,000; award given to the writer, director, *NOMADLAND and producer) CHADWICK BOSEMAN - Ma Rainey’s Black Bottom PRODUCERS: Mollye Asher, Dan Janvey, ADARSH GOURAV - The White Tiger Frances McDormand, Peter Spears, Chloé Zhao *RESIDUE WRITER/DIRECTOR: Merawi Gerima ROB MORGAN - Bull FIRST COW PRODUCERS: Neil Kopp, Vincent Savino, THE KILLING OF TWO LOVERS STEVEN YEUN - Minari Anish Savjani WRITER/DIRECTOR/PRODUCER: Robert Machoian PRODUCERS: Scott Christopherson, BEST SUPPORTING FEMALE MA RAINEY’S BLACK BOTTOM Clayne Crawford PRODUCERS: Todd Black, Denzel Washington, *YUH-JUNG YOUN - Minari Dany Wolf LA LEYENDA NEGRA ALEXIS CHIKAEZE - Miss Juneteenth WRITER/DIRECTOR: Patricia Vidal Delgado MINARI YERI HAN - Minari PRODUCERS: Alicia Herder, Marcel Perez PRODUCERS: Dede Gardner, Jeremy Kleiner, VALERIE MAHAFFEY - French Exit Christina Oh LINGUA FRANCA WRITER/DIRECTOR/PRODUCER: Isabel Sandoval TALIA RYDER - Never Rarely Sometimes Always NEVER RARELY SOMETIMES ALWAYS PRODUCERS: Darlene Catly Malimas, Jhett Tolentino, PRODUCERS: Sara Murphy, Adele Romanski Carlo Velayo BEST SUPPORTING MALE BEST FIRST FEATURE SAINT FRANCES *PAUL RACI - Sound of Metal (Award given to the director and producer) DIRECTOR/PRODUCER: Alex Thompson COLMAN DOMINGO - Ma Rainey’s Black Bottom WRITER: Kelly O’Sullivan *SOUND OF METAL ORION LEE - First -
February 2020 Screenings – UCLA Film & Television Archive Presents John Sayles: Independent, Archive Treasures, and Sontag
February 2020 Screenings – UCLA Film & Television Archive Presents John Sayles: Independent, Archive Treasures, and Sontag, From the Archive FOR IMMEDIATE RELEASE LOS ANGELES (Jan. 17, 2020) – UCLA Film & Television Archive is pleased to present its February programs. Including the longest running series this month in honor of the godfather of American independent cinema, John Sayles; hosted by the American Cinematheque and the Archive with Sayles attending the first five screenings for conversations and to sign copies of his new novel, Yellow Earth. On Feb. 7, the Archive will present a new 2K restoration of Susan Sontag’s directorial debut, Duet for Cannibals (1969). In celebration of the 50th anniversary of Sontag’s premiere filmmaking effort, the Archive is joining with UCLA Library Special Collections to present highlights from the Susan Sontag Papers, a collection of professional and personal correspondence that will be in display in the lobby of the Billy Wilder Theater before the screening. Archive Treasures showcases works from UCLA Film & Television Archive’s extensive holdings, which comprise one of the largest moving image collections in the world. Included in this series will be deserving and rarely screened gems. Lastly, the Archive Treasures program, which presents rarely screened gems in original and restored format, returns on Feb. 23 with a screening of two rare videotape television productions from the late 1960s and early ‘70s examining social issues facing African American and Chicanx communities. JOHN SAYLES: INDEPENDENT UCLA Film & Television Archive is honored to be the official home of John Sayles and Maggie Renzi’s Anarchists’ Convention Moving Image Archive. -
Honeydripper Blues Bar John Sayles, 2007
PROJECCIÓ 534 Antiga Audiència, divendres 12 de desembre de 2008 Honeydripper Blues Bar John Sayles, 2007 El propietari d’un bar contracta un detectiu mediocre perquè assassini la seva dona i l’amant amb qui l’enganya. arribat. Així obligat a trobar una Aquesta és una història Temps de Blues solució, arriba a un acord amb el entranyable que barreja elements Som a l’Alabama dels anys 50 xèrif perquè alliberi a Sonny, un molt realistes, deixant espai per a enmig de la temporada de la nen que s’havia presentat al club poder-nos submergir en un lloc i recollida de cotó. És un cap de després de baixar-se d’un vagó en un temps de dificultats, però setmana molt important per al de càrrega i que presumia de la també ple de soul; tot i sabent bar Honeydripper i per al seu capacitat de tocar la guitarra com que Sayles és un home blanc. És amo, el pianista Tyrone el mateix Guitar Sam. per això que alguns crítics van posar en dubte, en el seu “Pinetop” Puvis. Els seus Tyronne prepara el Sonny perquè moment, la seva capacitat per creditors són per tot arreu, devent es faci passar per l’autèntic retratar el sentiment d’un diners a molta gent. Tyrone està Guitar Sam. L’únic que vol és desesperat per trobar una solució col·lectiu de persones que ha que surti a l’escenari i li doni el a aquesta situació. Així vol sofert, durant massa temps, temps suficient per sortir corrents trobar un bon reclam perquè la l’absoluta marginació en una amb la recaptació; tot i que gent jove que treballa als camps societat que sempre els ha existeix la possibilitat que neixi de la contrada i els reclutes del necessitat. -
Festival Guide
JUNE 4–8, 2014 DETROIT • ANN ARBOR FESTIVAL GUIDE DETROIT FILM THEATRE M MICHIGAN THEATERTHEATER THE BEST FILMS FROM THE WORLD’S BEST FESTIVALS STATESTATE THEATER DELI THEATERNOW SHOWING UPSTAIRS 10 VENUES 50 FILMS 110 SCREENINGS cinetopiafestival.org 1 2014-Cinetopia-GUIDE_01.indd 1 5/14/14 11:39 AM B:8.375” T:8.125” S:7.375” The next generation of B:11.125” S:10.125” T:10.875” safe drivers begins with you. Your child’s first year behind the wheel can be one of the most dangerous of their young life. That’s why we’ve created TeenDrive365: education, events and innovative tools to help continue the conversation and keep you involved. Every mile. Every day. Visit TeenDrive365.com today. 2014-Cinetopia-GUIDE_01.indd1 TOMNANAT-14-034_C.indd 2 5/14/14 11:39 AM Saved at 5-6-2014 1:41 PM from nyc01lmoise by Lauren Moise / Lauren Moise Printed At None Job info Approvals Fonts & Images Job TOMNANAT-14-034_C Art Director Alexis Roubillad Fonts Client Toyota Copywriter None Proxima Nova (Regular, Light) Media Type Dinner Journal Account Mgr Alex Tuller Live 7.375” x 10.125” Studio Artist Lauren Moise Images Trim 8.125” x 10.875” Proofreader None 219864_01d_Print TeenSafety36-Ipad_ Bleed 8.375” x 11.125” CMYK_NOTYPE.psd (CMYK; 326 ppi; 92%), Pubs SAE Foundation Notes TD365_LGP_LOGO.eps (21.39%), 4C_BigBug_ SidebySide_LGP_WIPr2_sm.eps (14.49%) None Inks Cyan, Magenta, Yellow, Black PRESENTED BY THE MICHIGAN THEATER AND DETROIT FILM THEATRE JUNE 4-8, 2014 DETROIT • ANN ARBOR STATESTATE CINETOPIA STATESTATE INTERNATIONAL CONTENTS FILM FESTIVAL returns -
Quests for Healing and Identity in the Fiction and Films of John Sayles
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Massey Research Online Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. I Quests for Healing and Identity in the Fiction and Films of John Sayles A thesis presented in partial fulfilment of the requirements for the degree of Master of Arts in English at Massey University, Albany, New Zealand Clare Elizabeth Peacock II Abstract Quests for Healing and Identity in the Fiction and Films of John Sayles John Sayles, writer and independent filmmaker, is, first and foremost a storyteller. The "stories" in his fiction and films tell of individuals trying to come to terms with personal and/or political issues and often lead their protagonists on journeys or quests in search of healing and identity. These quests frequently involve characters returning to places either from the past, or to the source of the trauma in order to understand and deal with the present. This thesis examines this particular aspect of the fiction and films of John Sayles. III Acknowledgements I would like to thank my supervisor Dr Brian McDonnell for guiding me through this journey. His patience, assistance and sense of humour have been greatly appreciated. I owe thanks also to Dr Chris Watson for his invaluable assistance and guidance in the early stages of this work. Finally, to my husband Grant and my daughters Mia and Chloe, I owe a debt of gratitude for supporting me and encouraging me throughout. -
Film As Representations of American Democracy and Oppression in the Long 20Th Century
Curriculum Units by Fellows of the Yale-New Haven Teachers Institute 2015 Volume II: American Culture in the Long 20th Century Film as Representations of American Democracy and Oppression in the Long 20th Century Curriculum Unit 15.02.09 by Matthew S. Monahan “I believe that the motion picture is destined to revolutionize our educational system and that in a few years it will supplant largely, if not entirely, the use of textbooks” (Thomas Edison, 1922). Section One: Introduction 1.1 Statement of Context Metropolitan Business Academy, an interdistrict magnet high school, has a history with the Regional Educational Support Center, the Center for 21st Century Skills. Although I do not teach courses that culminate with the Student Innovation Expo, I have developed and teach an introductory film course. Introduction to Film is an elective that is open only to juniors and seniors. I also teach senior level English. It is my aim that students who complete this unit through either of my courses, although my primary purpose and method of delivery will be Introduction to Film, will have a deeper understanding of American democracy and the struggles that different groups have endured in their attempts to attain power and voice in the face of oppression throughout the “long 20 th century,” a term I shall attribute to Yale Professor Matthew Frye Jacobson to mean the late 1800s to present. Students will critically assess three major movements in which “Americans” have both struggled against and acted as forces of oppression: the early labor movement beginning roughly in the 1920s, the Civil Rights era of the 1960s, and present day post-9/11 post-Katrina America. -
Faith, Politics, and the Films of John Sayles
PSC 319/CTH 369: Faith, Politics and the Films of John Sayles Levan Room 100 Monday 6-9:15 p.m. Professor Michael L. Budde Department of Catholic Studies Office: 570 SAC [email protected] (773) 325-1974 Office Hours: M 3-6 p.m. and by appointment Course Description: The work of John Sayles, among the best known of American independent filmmakers, has ranged across many important and controversial issues – race, economic exploitation, ethnicity, sexuality and more. While the political significance of his films is often acknowledged, his work is also suffused with religious and spiritual symbols and insights he attributes in part to his Catholic heritage (he once described himself as a “Roman Catholic Atheist”). He has received several Academy Award nominations, and received a MacArthur Foundation “genius grant” in 1983. Sayles’ work – and how he does it – also provides insights into the conditions of cultural production and artistic freedom in an era of large-scale corporate culture industries (e.g., Time- Warner, Disney, Fox). Unlike most filmmakers, Sayles works free of studio control and oversight – he provides much of the money for his films through his work as a high-priced “script doctor” for the studios (his uncredited scripts include Apollo 13, Mimic, and many others). Sayles’ better-known films, which he has written and directed, include Eight Men Out, Lone Star, Men With Guns, Matewan, and Passion Fish. This course will explore the interplay of politics, commerce, spirituality and culture in Sayles’ work. We will watch many of Sayles’ films in their entirety, discuss and debate issues raised in them, and use Sayles’ experience as a way to investigate larger questions regarding corporate control of cultural production, the social and political significance of independent storytelling, and the ambiguous location of religion (and Catholicism in particular) in contemporary culture industries.