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Johann Schein: an Analysis of Rhetoric and Word Painting in the Diletti Pastorali Collection

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Johann Schein: an Analysis of Rhetoric and Word Painting in the Diletti Pastorali Collection Johann Schein: An Analysis of Rhetoric and Word Painting in the Diletti Pastorali Collection Item Type text; Electronic Dissertation Authors Dunsavage, Angelica Marie Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 29/09/2021 06:30:24 Link to Item http://hdl.handle.net/10150/645804 JOHANN SCHEIN: AN ANALYSIS OF RHETORIC AND WORD PAINTING IN THE DILETTI PASTORALI COLLECTION by Angelica Dunsavage __________________________ Copyright © Angelica Dunsavage 2020 A Document Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2020 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by: Angelica Dunsavage titled: Johann Schein: An Analysis of Rhetoric and Word Painting in the Diletti pastorali Collection and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. _________________________________________________________________ Date: ____________Aug 9, 2020 Elizabeth R. Schauer _________________________________________________________________ Date: ____________Aug 10, 2020 Miguel Ángel Felipe _________________________________________________________________ Date: ____________Aug 9, 2020 John T. Brobeck Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. _________________________________________________________________ Date: ____________Aug 9, 2020 Elizabeth R. Schauer Dissertation Committee Chair Choral Conducting (Fred Fox School of Music) 3 DEDICATION This document is dedicated to my mother, Joestelle DeLuca-Dunsavage, for inspiring in me a love of music that has encouraged me to pursue this degree, and to the late Professor James C. Dearing, for showing me the magic of madrigals. 4 TABLE OF CONTENTS LIST OF TABLES..………………………………………………………….……………6 LIST OF MUSICAL EXAMPLES.……………………………………………………….7 ABSTRACT.……………………………………………………………………….…….12 CHAPTER 1: INTRODUCTION.………………….……………………………………13 Intent and Purpose of Study………...……………………………………………14 Statement of Primary Thesis.…………………………………………………….15 Review of Scholarly Literature……………………………………………….….15 CHAPTER 2: MUSIC AND POETRY IN EARLY BAROQUE GERMANY……...….21 CHAPTER 3: JOHANN HERMANN SCHEIN……………………………………...…24 Biography.…………………………………………………………………….….24 Compositional Output……………………………………………………………25 Salient Style Features of Schein’s Music as Found in the Diletti pastorali Collection.……………………………………………………………….……….27 CHAPTER 4: ANALYSIS OF THE DILETTI PASTORALI COLLECTION…………30 Amaryllis Madrigals.…………………………………………………………….30 O Amarilli, schönste Zier………………………………………………...32 All wilden Tier im grünen Wald………………………………………….36 O Amarilli zart…………………………………………...………………40 Phyllis and Corydon Madrigals………………………………………………….46 O Venus und Cupido blind……………………………………………….48 In Filli schönen Äugelein.……………………………….……….………56 5 Phyllis and Corydon Madrigals — Continued Wenn Filli ihre Liebesstrahl.………………………………………….…61 Die Vöglein singen……………………………………………………….67 Cupido blind, das Venuskind…………………………………….………73 Wie kömmt’s, o zarte Filli mein……………………………………….…79 Aurora schön mit ihrem Haar……………………………………………84 Cupid Madrigals……………………………………………………………….…91 Mein Schifflein lief im wilden Meer.…………………………….……….92 Als Filli schön und fromm.……………………………………………….97 Amor, das liebe Räuberlein..…………………………………………...101 Unlängst dem blinden Göttelein.……………………………………….106 Other Pastoral Madrigals……………………………………………………….111 Mirtillo hat ein Schäfelein.…………………………………….……….112 CHAPTER 5: CONCLUSION………………………………………………………....118 APPENDIX: GLOSSARY OF RHETORICAL TERMS AND DEFINITIONS..….….119 REFERENCES.………….………………………………………………………….….120 6 LIST OF TABLES Table 4.1. Analysis of O Amarilli, schönste Zier……………………………………….32 Table 4.2. Analysis of All wilden Tier im grünen Wald………………………………...36 Table 4.3. Analysis of O Amarilli zart…………………………………….……………40 Table 4.4. Text and translation of Caccini’s Amarilli mia bella……….…….…………41 Table 4.5. Analysis of O Venus und Cupido blind……………………...………………48 Table 4.6. Analysis of In Filli schönen Äugelein……………………………………….56 Table 4.7. Analysis of Wenn Filli ihre Liebesstrahl…………………………………….61 Table 4.8. Analysis of Die Vöglein singen………………………………………...……67 Table 4.9. Analysis of Cupido blind, das Venuskind……………………………………73 Table 4.10. Analysis of Wie kömmt’s, o zarte Filli mein……………………………….79 Table 4.11. Analysis of Aurora schön mit ihrem Haar..………….…………………….84 Table 4.12. Analysis of Mein Schifflein lief im wilden Meer.….……………….………88 Table 4.13. Analysis of Als Filli schön und fromm.…………………………………….97 Table 4.14. Analysis of Amor, das Liebe Räuberlein....……………………………….101 Table 4.15. Analysis of Unlängst dem blinden Göttelein………...……………………106 Table 4.16. Analysis of Mirtillo hat ein Schäfelein…………………………...……….112 7 LIST OF MUSICAL EXAMPLES Musical Example 4.1. Schein, O Amarilli schönste Zier, mm. 1-4..…...………….…………….33 Musical Example 4.2. Schütz, Quella damma son io, mm. 1-7…………….…………………....33 Musical Example 4.3. Schein, O Amarilli schönste Zier, mm. 12-14…………………………...35 Musical Example 4.4. Schein, O Amarilli schönste Zier, mm. 20-21………...…………………35 Musical Example 4.5. Schein, All wilden Tier, mm. 2-4………………………………………...37 Musical Example 4.6. Schein, All wilden Tier, mm. 14-17…………...…………………………38 Musical Example 4.7. Schein, All wilden Tier, mm. 18-26……...………………………………38 Musical Example 4.8. Schein, All wilden Tier, mm. 26-28……...………………………………39 Musical Example 4.9. Caccini, Amarilli mia bella, mm. 1-3……………………………………41 Musical Example 4.10. Schein, O Amarilli zart, m. 1...…………………………………………42 Musical Example 4.11. Schein, O Amarilli zart, mm. 6-7……………………………………….42 Musical Example 4.12. Schein, O Amarilli zart, mm. 14-19………………………………….…43 Musical Example 4.13. Schein, O Amarilli zart, mm. 19-20…………………………………….44 Musical Example 4.14. Schein, O Amarilli zart, mm. 22-23…………………………………….44 Musical Example 4.15. Schein, O Amarilli zart, mm. 34-35………………………………….…45 Musical Example 4.16. Schein, O Venus und Cupido blind, mm. 1-15………………………....49 Musical Example 4.17. Schein, O Venus und Cupido blind, mm. 16-19.……………………….47 Musical Example 4.18. Schein, O Venus und Cupido blind, mm. 20-24.……………………….48 Musical Example 4.19. Schein, O Venus und Cupido blind, mm. 34-36.….……………………53 Musical Example 4.20. Schein, O Venus und Cupido blind, m. 34.....……….……...………….53 Musical Example 4.21. Schein, O Venus und Cupido blind, mm. 39-42.……………………….53 8 Musical Example 4.22. Schein, O Venus und Cupido blind, mm. 42-58.……………………….54 Musical Example 4.23. Schein, In Filli schönen Äugelein, mm. 1-4……………………………57 Musical Example 4.24. Schein, In Filli schönen Äugelein, mm. 10-11…………………………57 Musical Example 4.25. Schein, In Filli schönen Äugelein, mm. 11-12…………………………57 Musical Example 4.26. Schein, In Filli schönen Äugelein, mm. 14-18…………………………58 Musical Example 4.27. Schein, In Filli schönen Äugelein, mm. 18-21………………………....59 Musical Example 4.28. Schein, In Filli schönen Äugelein, mm. 23-24…………………………60 Musical Example 4.29. Schein, In Filli schönen Äugelein, mm. 28-29…………………………60 Musical Example 4.30. Schein, Wenn Filli ihre Liebesstrahl, mm. 1-3………………………....62 Musical Example 4.31. Schein, Wenn Filli ihre Liebesstrahl, mm. 5-8…………………………62 Musical Example 4.32. Schein, Wenn Filli ihre Liebesstrahl, mm. 8-11.……………………….64 Musical Example 4.33. Schein, Wenn Filli ihre Liebesstrahl, mm. 11-12………………………64 Musical Example 4.34. Schein, Wenn Filli ihre Liebesstrahl, mm. 17-24………………………65 Musical Example 4.35. Schein, Wenn Filli ihre Liebesstrahl, mm. 24-25………………………65 Musical Example 4.36. Schein, Wenn Filli ihre Liebesstrahl, mm. 30-32………………………66 Musical Example 4.37. Schein, Die Vöglein singen, mm. 1-8.…………………………….……68 Musical Example 4.38. Schein, Die Vöglein singen, mm. 9-12…………………………………69 Musical Example 4.39. Schein, Die Vöglein singen, mm. 16-18.…….…………………………69 Musical Example 4.40. Schein, Die Vöglein singen, mm. 18-22…….………………………….70 Musical Example 4.41. Schein, Die Vöglein singen, mm. 22-25…………………………….….71 Musical Example 4.42. Schein, Die Vöglein singen, mm. 25-26.....…………………………….71 Musical Example 4.43. Schein, Die Vöglein singen, mm. 28-29.....…………………………….72 Musical Example 4.44. Schein, Die Vöglein singen, mm. 42-49.……………………………….72 9 Musical Example 4.45. Schein, Cupido blind, das Venuskind, mm. 1-2………………………...79 Musical Example 4.46. Schein, Cupido blind, das Venuskind, mm. 2-4.……….……………….74 Musical Example 4.47. Schein, Cupido blind, das Venuskind, mm. 11-12…...…………………75 Musical Example 4.48. Schein, Cupido blind, das Venuskind, mm. 12-15…...…………………75 Musical Example 4.49. Schein, Cupido blind, das Venuskind, mm. 15-17……...………………76 Musical Example 4.50. Schein, Cupido blind, das Venuskind, mm. 19-34……...………………76 Musical Example 4.51. Schein, Cupido blind, das Venuskind, mm. 36-38……………………..77 Musical Example 4.52. Schein, Cupido blind, das Venuskind, mm. 42-43…………...…………78 Musical Example 4.53. Schein,
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