Paintings selected from the annual exhibitions of The Royal Cambrian Academy of Art held in Wales 1882-1982

Peintiadau wedi eu dethol o arddangosfeydd blynyddol Academi Frenhinol Gymreig y Celfyddydau a gynhaliwyd yng Nghymru 1882-1982 Paintings selected from the annual exhibitions of The Royal Cambrian Academy of Art held in Wales 1882-1982

Peintiadau wedi eu dethol o arddangosfeydd blynyddol Academi Frenhinol Gymreig y Celfyddydau a gynhaliwyd yng Nghymru 1882-1982

An exhibition organised by The Royal Arddangosfa a drefnwyd gan Academi Cambrian Academy of Art, in association Frenhinol Gymreig y Celfyddydau mewn with the Williamson Art Gallery and cydweithrediad ag Oriel Gelf ac Amgueddfa Museum, Birkenhead and with the financial Williamson, Penbedw a chyda chymorth support of the Welsh Arts Council ariannol Cyngor Celfyddydau Cymru fashionable notice and it becomes irrelevant to Print Design Penknife Ltd Acknowledgements Foreword all but the historian as to whether it was Typesetting Characters painted ahead of or behind its time. What Printers Mid Wales Litho Ltd Using the more obscure dictionary definitions matters is intrinsic quality. But can something Welsh Translation Sian Edwards We wish to thank of the words comprising its title The Royal be good if it is not original in the sense of being Research David Hillhouse The Welsh Arts Council Wirral Borough Council, Department of Cambrian Academy of Art could be described first and can there be intrinsic value in the Leisure Services as a 'fee paying school of above-normal academic? The habitual response of 'No' is one standing formed in the first million years of the conditioned by the glossy media but any © Royal Cambrian Academy of Art and The Mostyn Art Gallery, Llandudno and The Williamson Art Gallery and Museum, Palaeozoic era, concerning itself with reaction that is not based on direct experience contributors 1982 Birkenhead for their sponsorship and imaginative skills as applied to representations ofthe work isn't genuine. 'Academic' painters cooperation, without which this exhibition of the natural world', which is not so far from can surprise by subtle handling of familiar ISBN 0 9507998 0 7 could not have been presented. the truth as it may seem. The Academy is self­ themes or by showing unusual initiative in supporting, has a Royal Charter~ has been in choice of subject; their tonal sense can be sure, Published by the Royal Cambrian Academy of Our particular thanks go to Clive Adams, David existence for a considerable time, is involved in their paint sense fluent. Academy members are Art, with the financial support of the Welsh Hillhouse, Andrew Knight and Leonard art education and many of its members paint individuals; there are traditionalists and there Arts Council Mercer for their professional work on our · representations of what they see. are mavericks, and all are free to exhibit as they behalf and their unfailing patience. So positive a statement is contrary to the wish. Our sincere gratitude goes to H M the Queen, notion that academies are moribund When artists are occupied with the individuals and bodies who have so kindly institutions with negative ideas. That they representation they are saying 'We are loaned works from their collections for so don't seem to innovate is because, being delighted in seeing this - share our pleasure'. protracted a period. concerned with the durable, they don't parade Originality, in this approach isn't obvious; it the mannerisms of the moment and are, suffuses the work with qualities that are extra instead, motivated by broad-ranging toleration, to the artist's deliberate intentions, resulting in whereas avant-garde artists trust that extreme a contemplative reticence which can be found novelty will bring recognition. throughout the history of British Art. It doesn't much matter if a work never had This introduction was written when the

artistiaid avant-garde ar y llaw arall yn ffyddiog Dylunio'r Argraffwaith Penknife Cyf Cydnabyddiaeth Rhagair mai newydd-deb eithafol a ddaw a Cysodi Characters chydnabyddiaeth iddynt. ) Argraffwyr Mid Wales Litho Cyf Gan ddefnyddio diffiniadau geiriadurol mwyaf Nid yw hi fawr o bwys na chafodd gwaith Cyfieithiad Cymraeg Sian Edwards Carem ddiolch i tywyll y geiriau sydd yn ffurfio ei henw, gellid neilltuol sylw ffasiynol erioed, ac amherthnasol Ymchwil David Hillhouse Gyngor Celfyddydau Cymru, Cyngor Bwrdeistref Wirral, Adran disgrifio Academi Frenhinol Gymreig y i bawb ond yr hanesydd celf yw'r cwestiwn a Gwasanaethau Hamdden Celfyddydau fel'ysgol y mae'n rhaid talu i fynd beintiwyd darlun cyn ei amser neu ar 61 hynny. Oriel Mostyn, Llandudno ac iddi, a statws uwch na'r cyffredin, a ffurfiwyd Yr hyn sydd yn bwysig yw ansawdd gynhenid © Academi Frenhinol Gymreig y Celfyddydau Oriel Gelf ac Amgueddfa Williamson, Penbedw yn ystod miliwn blynedd cyntaf yr Oes y gwaith. Ond a fedr rhywbeth fod yn dda os a'r cyfranwyr 1982 and eu nawdd a'u cydweithrediad; hebddynt Balaeosi:iig sydd yn ymwneud a medrau'r nad ydyw'n wreiddiol, yn yr ystyr mai efyw'r hwy ni ellid fod wedi cyflwyno'r arddangosfa dychymyg yn y modd y'u defnyGwynedd.

Clarence Whaite Photograph RCA ...

Richard Gay Somerset one of the Academy's first members 1848-1928 Photograph RCA ,.- Plas Mawr c.1897 Ope ning Day Plas Mawr c.1897 ... Photograph RCA Photograph RCA . Plas Mawr c.1897 Diwrnod Agor Plas Mawr c.1897 ein bodd i weld hyn - rhannwch ein pleser'. Ffotograff AFG .& Ffotograff AFG Nid yw gwreiddioldeb yr agwedd hon yn amlwg; y mae'n trwytho'r gwaith ag ansoddau •1 sydd yn ychwanegol at amcanion bwriadol yr "' arlunydd, gan greu'r tawedogrwydd myfyriol hwnnw sydd mar amlwg drwy gydol hanes celfyddyd yng ngwledydd Prydain. Ysgrifennwyd y rhagarweiniad hwn cyn bod y trefnwyr yn gwybod yn bendant beth y bydd yr arddangosfa yn ei gyflwyno, pan nad oedd y gweithiau eu hunain yn ddim mwy na theitlau mewn rhestr gatalog. Hunan­ ddarganfyddiad hunangofiannol Academi Frenhinol Gymreig y Celfyddydau o'i chan mlynedd cyntaf yw'r arddangosfa hon. JACK SHORE, Llywydd, Academi Frenhinol Gymreig y Celfyddydau, Plas Mawr, Gwynedd.

Clarence Whaite Ffotograff AFG Richard Gay Somerset un o aelodau cynta'r Academi 1848-1928 i \a.'. Ffotograff AFG ... ' .\.. itineraries had to be planned beforehand with structures of greatness and antiquity should be connections and from the resulting The Foundation and Early an eye to economy and pre-arranged meetings marked by a character of awful sublimity' .4 The applications a list of thirty-one members and Years of the Royal with patrons in the hope of sales or drawing patron loomed large and awesome in the eight associates was completed early in January Cambrian Academy of Art lessons. prospect. 1882. * A woman applicant was discouragingly Although 'by 1819 many of the most Those who came into North Wales from the told that 'the committee haven't yet come to In the later eighteenth and early nineteenth dangerous portions of the road through Wales northern towns often belonged to the any determination as to the admission of 5 centuries political turmoil in Europe were safe'2 it was the coming of rail travel Manchester and Liverpool 'schools' and ladies' • diminished the popularity of the Grand Tour which enabled artists to modify the seasonal together with native Welsh painters they Official recognition came quickly in a letter among the leisured gentry and indirectly working pattern. They could stay longer, Carry formed a unique group of Victorian artists in from the Secretary of State which Norbury stimulated the British landscape artists into materials and paintings more easily and even and around the Conwy Valley. On Saturday read to an April committee meeting conveying providing alternatives to the continental settle to live where they sketched. David Cox, November 21, 1881, seven of them met at the 'Her Most Gracious Majesty's Command that souvenirs they were accustomed to painting. who travelled 'up and down the country for his Llandudno Junction Hotel (close by the railway) the Cambrian Academy of Art should be styled Richard Wilson, who spent part of his landscape subjects, accommodating his style to to determine the aims of a body tliey proposed The Royal Cambrian Academy of Art.' childhood in the Vale of Clwyd, adapted his the market and labouring endlessly as a to constitute as The Cambria~ Academy of Art. The inaugural exhibition of a hundred and Italianate style to the interpretation of British drawing master'3 began his annual summer They were John Johnson (fl. 1876- 95) of twenty-nine works by thirty-five artists opened landscapes, saying that 'everything the visits to Betws-y-Coed in 1844. When the Trefriw, Charles Potter (fl. 1867 -1907) ofTal-y­ on June 20, 1882, at The Temporary Gallery, landsc;i.pe painter could want was to be found Chester to Holyhead 'railway opened in 1848 it bont, tliree of the Manchester 'school' resident Mostyn Street, Llandudno and the catalogue in North Wales.' Alexander Cozens, Anthony became easier for his imitators to seek his in the valley, William Meredith (b.1851), Joshua foreword expressed the hope that the Academy Davis, Gainsborough, Rowlandson and Crome influence and learn that 'the principle art of Anderson Hague (1850-1916) and George would 'give an impetus to the further went there and James Ward, having gone to Landscape Painting consists in conveying to Hayes (fl. 1855 - 93), their elected chairman development of Art in connection with the study prize animals, returned to London with the mind the most forcible effects which can be Edwin Arthur Norbury (1849 - 1918) and Principality'.6 By then four eminent artists, 'five hundred and eighty one sketches from produced from the various classes of secretary William Laurence Banks (1822 - 93) Leighton, Stacy Marks, Millais and Alma­ nature . .. of every picturesque and uncommon scenery. .. . Thus a Cottage or a Village scene of Conwy. Norbury was a native of Liverpool, Tadema had accepted honorary membership. object he encountered'1. Artists travelled by requires a soft and simple admixture of tones resident in Rhyl. coaster, horse and on foot, often in great calculated to produce pleasure without By November 26 .a prospectus had been discomfort and in all weathers. Their Summer astonishment (and) on the contrary the written for circulation to artists with Welsh *see appendix for list of members

daethai ar eu traws.'1 Teithiai arlunwyr yn y cynhyrchu o wahanol fathau o olygfeydd... (1822 - 93), Conwy. Brodor o Lerpwl a drigai yn Sefydlu Academi llongau a hwyliai gyda'r glannau, ar gefn Felly bydd golygfa o Fwthyn neu Bentref yn y Rhyl oedd Norbury. Frenhinol Gymreig y ceffylau ac ar droed, yn fynych mewn gofyn am gymysgedd dyner a syml o wawriau Erbyn Tachwedd 26, yr oeddynt wedi Celfyddydau, a'i anghysur mawr, ac ym mhob tywydd. Rhaid er mwyn cynhyrchu pleser heb syfrdanu (ac) ar llunio prosbectws addanfonwyd at artistiaid a oedd iddynt drefnu eu teithiau haf yn ofalus y Haw arall, dylid nodweddu strwythurau chysylltiadau a Chymru, ac o blith y ceisiadau a Blynyddoedd Cynnar rhag gwario gormod o arian, gan drefnu o flaen mawreddog a hynafol a chymeriad aruchel sy'n dderbyniwyd o ganlyniad i hynny, cwblhawyd Haw i gyfarfod a gwahanol noddwyr yn y ennyn parchedig ofn' .4 rhestr o unarddeg ar hugain o aelodau ac wyth Oherwydd y terfysg gwleidyddol yn Ewrop yn gobaitli o werthu gweithiau neu roi gwersi Yn fynych, aelodau o 'ysgolion' aelod cysylltiol yn gynnar ym mis Ionawr niwedd y ddeunawfed ganrif a dechrau'r lluniadu. Manceinion a Lerpwl oedd yr arlunwyr a 1882. * Yr ateb swta a gafodd menyw a bedwaredd ganrif ar bymtheg edwinodd Er bod 'llawer o'r rhannau mwyaf peryglus fentrai i Ogledd Cymru o drefi gogledd Lloegr, ymgeisiodd oedd 'natl yw'r pwyllgor hyd yma 2 poblogrwydd y Daith Fawr ymhlith y bonedd o'r ffordd drwy Gymru yn ddiogel erbyn 1819' a ffurfiai'r rheini, ynghyd a nifer o beintwyr wedi dad i unryw benderfyniad parthed segur ac, yn anuniongyrchol, ysgogwyd dyfodiad y rheilffyrdd a'i gwnaeth hi'n bosibl i brodorol, gasgliad unigryw o artistiaid caniatau mynediad i wragedd'.5 arlunwyr tirlun gwledydd Prydain i gynnig arlunwyr newid rhywfaint ar y patrwm gwaith Fictoraidd yng nghylch Dyffryn Conwy. Ddydd Daeth cydnabyddiaeth swyddogol yn fuan mathau eraill o luniau yn lle'r cofroddion tymhorol. Gallent aros am gyfnod hwy, cario Sadwrn Tachwedd 21, 1881, cyfarfu saith wedi hynny mewn llythyr oddi wrth yr cyfandirol yr arferent eu peintio. defnyddiau a pheintiadau yn haws a hyd yn ohonynt yng Ngwesty Cyffordd Llandudno Ysgrifennydd Gwladol a ddarllenodd Norbury Addasodd Richard Wilson, a dreuliodd ran oed ymgartrefu yn yr ardaloedd yr aent iddynt i (nid nepell o'r rheilffordd) i bennu amcanion y i'r pwyllgor mewn cyfarfod ym mis Ebrill, yn o'i blentyndod yn Nyffryn Clwyd, ei arddull fraslunio. Dechreuodd David Cox, a deithiodd corffy bwriadent ei sefydlu, sef Academi cyfleu 'Gorchymyn Ei Mwyaf Graslawn Eidalaidd i ddehongli tirlun gwledydd Prydain, 'ar hyd a lled y wlad am destunau i'w dirluniau, Gelfyddydau Gymreig. Y rhain oedd John Fawrhydi y dylid galw Academi Gymreig y gan ddweud fad 'popeth y gallai'r peintiwr gan addasu ei arddull i weddu i'r farchnad a Johnson (fl. 1876 - 95), Trefriw, Charles Potter Celfyddydau yn Academi Frenhinol Gymreig y 3 tirluniau ei ddymuno i'w gael yng Ngogledd llafurio'n ddiddiwedd fel athro lluniadu' , (fl. 1867 - 1907), Talybont, tri aelod o 'ysgol' Celfyddydau.' Cymru.' Aeth Alexander Cozens, Anthony ymweld bob haf a Betws y Coed ym 1844. Pan Manceinion a oedd yn byw yn y dyffryn, sef Agorodd yr arddangosfa gyntaf o gant a Davis, Gainsborough, Rowlandson a Crome agorodd rheilffordd Caer i Gaergybi ym 1848 William Meredith (g. 1851), Joshua Anderson naw ar hugain o weithiau gan bymtheg ar yno, a dychwelodd James Ward, a aethai yno i aeth yn haws i ddynwaredwyr Cox i deithio Hague (1850 -1916) a George Hayes (fl. hugain o arlunwyr ar Fehefin 20, 1882 yn yr astudio anifeiliaid arobryn, i Lundain a 'phum yno i geisio ei ddylanwad a chael dysgu mai 1855 - 93), y cadeirydd a etholwyd ganddynt, Oriel Dros-Dro, Stryd Mostyn, Llandudno a cant wyth deg ac un o frasluniau o natur' 'o bob 'prif gelfyddyd Peintio Tirluniol yw cyfleu i'r Edwin Arthur Norbury (1849-1918) a'r mynegai'r rhagair a'r catalog y gobaith y gwrthrych darluniaidd ac anghyffredin y meddwl yr effeithiau mwyaf grymus y gellir eu ysgrifennydd William Laurence Banks byddai'r Academi 'yn hybu c!at::ilygiad pellach they built the Grundy Art Gallery in Blackpool). members as to where the Academy should have Of the second exhibition, held at the the institution in Cardiff it is the intention of There was an offer to provide a gallery in Rhyl, its headquarters. But circumstance and not Arcade Gallery, Rhyl in 1883 academy member the council to hold Annual Exhibitions of tentative discussion of a move to Bangor and policy determined the issue when Lord T.H. Thomas wrote 'to what a great extent the works of Fine Art for the reception of which even a proposal to use Conwy Castle. 1 Mostyn, local landowner and developer of representation of Cambrian scenes is carried, Galleries will be erected, with Studios, Lecture Llandudno, offered the lease of 'Plas Mawr' a 8 What lay at the root of the uncertainty was greatly by the encouragement given by the Hall and other requisites for an Art School.' summed up by Thomas in a simple statement large Elizabethan town house in the centre of establishment of an Academy, a glance at the The 1884 Fine Art Exhibition, the biggest 'An artist may be known in the North of Wales Conwy built in the late sixteenth century by catalogue ... will show.... Out of a total of 293 ever seen in Wales, of thousands of exhibits, and little known in South Wales, the contrary Robert Wynne of Gwydir, but dilapidated and works from all sources no less than 91 scenes in paintings, sculpture, porcelain, antiquities and also happening' .9 He went on to discuss the in part occupied by an infant school, four Wales were exhibited by members and work by living artists, listed in a catalogue of academy's membership. 'It will be found that cottages and a stable. Five days before the associates, being about two pictures for each, over two hundred pages, was a financial they range under four heads, first, a few academy held its first meeting there it was exclusive of studies to which no locality was disaster. The next year an 'annual' exhibition members who from residence or other reasons recorded on June 4, 1886, that 'the artists have assigned, many of which were places in Wales. was held at South Wales University College, may be supposed to support the Cardiff taken possession of Plas Mawr, the time being This simple fact shows no small earnestness to Cardiff, and being a similar failure, its huge Scheme, second, Artists of Welsh birth or long up for the tenants to leave'.11 The vicar, as characterise the Cambrian sympathies of the deficit had to be underwrftten by the members residence, third, Artists whose works have Chairman of the School Managers complained artists'.7 of the Academy who held a special general been almost exclusively representations of the that he 'had to signal up through a window the It was evident that any further aspiration to meeting at the Llandudno Junction Hotel on landscape or life of Wales, fourth, English way anyone has to do since the artists have had represent the whole of Welsh art would need to November 14, 1885, to consider the situation. artists of distinct skill whose sympathies have possession of Plas Mawr' .12 take the Academy beyond the confines of the An overdraft was arranged to deal with the led them to apply for membership. Counting The school was finally transferred in mountain valleys of the north and also establish debt but the artistic future remained most the (first) three classes together I believe that November, 1887, in which year the fifth annual a permanent headquarters. The council, · uncertain. In the interest of the Cardiff Scheme they number three fourths of the recently exhibition, the first in Plas Mawr, gave pride of naturally, looked towards the capital city and a more modest proposals had been set aside. Two elected ... . the large majority . .. are Welsh place to Leighton's 'Cimabue's Madonna meeting at Cardiff Town Hall on June 26, 1883, wealthy members with dilettante and and among the minority are to be found some carried through Florence' loaned by Queen set up The Cardiff Scheme Committee which philanthropic aspirations, the brothers Sir of our best-known delineators of Welsh scenery Victoria, a portrait of a Mr. Lowenstam by organised The Fine Art Exhibition of 1884. As Cuthbert and J.R.G. Grundy, offered financial living' .10 Reading between the lines one can Alma-Tadema and Millais' 'Blind Girl'. The Thomas wrote, with what eventually proved to support, but it was refused. (Perhaps they still guess at the differences of opinion among the Pre-Raphaelites had supporters among the be unfounded optimism, 'On the settlement of wished to consider Cardiff - later, in 1911,

dansgrifennu'r galled enfawr, a chynhaliwyd aned yng Nghymru neu sydd wedi byw yma Celfyddyd yn y Dywysogaeth'.6 Erbyn hynny, llygaid y cyngor, yn naturiol, tuag at y cyfarfod cyffredinol arbennig yng Ngwesty ers tro, yn drydydd, Arlunwyr y mae eu yr oedd pedwar arlunydd o fri, sef Leighton, brifddinas ac mewn cyfarfod yn Neuadd y Cyffordd Llandudno ar Dachwedd 14, 1885 i gweithiau bron yn ddieithriad yn darlunio Stacy Marks, Millais ac Alma-Tadema, yn Dref, Caerdydd ar Fehefin 26, 1883, sefydlwyd ystyried y sefyllfa. Trefnwyd gorddrafft i tirlun neu fywyd Cymru, yn bedwerydd, aelodau anrhydeddus. Pwyllgor Cynllun Caerdydd a drefnodd gwrdd a'r ddyled, ond yr oedd y dyfodol arlunwyr medrus o Saeson y mae eu Ysgrifennodd aelod o'r Academi, TH Arddangosfa Gelfyddyd Gain 1884. Fel yr artistig yn dal i fod yn ansicr dros hen. diddordebau wedi peri iddynt wneud cais am Thomas, ynglyn a'r ail arddangosfa a ysgrifennodd Thomas, mewn ysbryd Cynigiodd dau aelod cefnog dilettante a aelodaeth. 0 gyfrif y tri dosbarth (cynta0 gyda'i gynhaliwyd yn Oriel yr Arced, Y Rhyl ym 1883, optimistaidd a brofwyd yn ddisail yn y man, dyngarol eu tueddfryd, y brodyr Syr Cuthbert a gilydd, credaf eu bod hwy'n ffurfio tri chwarter 'dengys un cipolwg ar y catalog i'r fath raddau 'Pan leolir y sefydliad yng Nghaerdydd J R G Grundy, gefnogaeth ariannol ond o'r rheini a etholwyd yn ddiweddar. .. y mae'r yr aethpwyd ati i ddarlunio golygfeydd bwriada'r Cyngor gynnal Arddangosfeydd gwrthodwyd hynny. (Dichon eu bod hwy am mwyafrif helaeth.. . yn Gymry ac ymhlith y Cymreig, a hynny i raddau helaeth oherwydd y Blynyddol o weithiau Celfyddyd Gain yr ddal i ystyried Caerdydd - yn ddiweddararch, lleiafrif ceir rhai o ddarlunwyr gorau gefnogaeth a ddeilliodd o sefydlu Academi. .. adeiledir Orielau ar eu cyfer, ynghyd a ym 1911, adeilasant Oriel Gelf Grundy yn golygfeydd Cymru sydd yn fyw heddiw.'10 0 gyfanswm o 293 o weithiau o bob Stiwdios, Neuadd Ddarlithio a phob peth arall Blackpool) Cafwyd cynnig i ddarparu oriel yn y Wrth ddarllen rhwng y llinellau, gellir dyfalu 8 ffynhonnell, arddangoswyd 91 golygfa yng angenrheidiol ar gyfer Ysgol Gelf.' Rhyl, trafodaeth betrusgar ynglyn a symud i faint o wahaniaeth barn a oedd yn bod ymhlith Nghymru gan aelodau ac aelodau cysylltiedig, Yr oedd Arddangosfa Celfyddyd Gain Fangor a hyd yn oed un cynnig o blaid yr aelodau parthed lie y dylid lleoli pencadlys sef rhyw ddau ddarlun yr un, a hynny heh 1884, y mwyaf a welwyd erioed yng Nghymru defnyddio Castell Conwy. yrAcademi. gyfrif astudiaethau o olygfeydd di-enw, y gyda'i miloedd o arddangosebau, peintiadau, Crynhodd Thomas beth oedd wrth wraidd Ond amglychiadau, nid polisi, ddaeth a rheini, lawer ohonynt, yn fannau yng cerfluniau, porslen, henebion a gwaith gan yr ansicrwydd yn syml: 'Gall arlunydd fod yn gwaredigaeth pan gynigiodd yr Arglwydd Nghymru. Dengys y ffaith syml hon awydd nid arlunwyr cyfoes wedi eu rhestru mewn catalog adnabyddus yng Ngogledd Cymru heh i neb Mostyn, tirfeddiannwr lleol a datblygydd bychan ar ran yr arlunwyr i nodweddu eu mwy na dau gan tudalen o hyd, yn c!rychineb wybod dim amdano yn Ne Cymru, ac i'r Llandudno, brydles Plas Mawr, ty trefol diddordebau Cymreig'.7 ariannol. Y flwyddyn ganlynol, cynhaliwyd gwrthwyneb.'9 Aeth ymlaen i ymdrin ag Elisabethaidd helaeth yng nghanol Conwy o Yr oedd hi'n amlwg y golygai unrhyw arddangosfa 'flynyddol' yng Ngholeg Prifysgol aelodaeth yr Academi. 'Ceir eu bod yn waith Robert Wynne, Gwydir. Cawsai ei honiad pellach ar ran yr Academi ei bod yn De Cymru, Caerdydd, a phan fu honno'n ymrannu o dan bedwar pen, yn gyntaf, nifer adeiladu ym mlynyddoedd olaf yr unfed ganrif cynrychioli celfyddyd Cymru yn ei chrynswth fethiant hefyd, bu'n rhaid i aelodau'r Academi fechan o aelodau y gellid tybio eu bod, ar bymtheg ond yr oedd bellach yn mynd a'i y byddai'n rhaid iddi hi ehangu y tu hwnt i oherwydd eu trigfan neu am resymau eraill, yn ben iddo ac mewn un rhan ohono ceid ysgol gyfyngiadau dyffrynoedd mynyddig y Gogledd, cefnogi Cynllun Caerdydd, yn ail, Arlunwyr a fabanod, pedwar bwthyn a stab!. Bum niwrnod a sefydlu pencadlys parhaol hefyd. Trodd • gweler yr atodiad am restr o'r aelodau Liverpool school and the 'Blind Girl', having was a thorough restoration at the Academy's 11, 1896, with a grand fancy-dress ball. Mawr. Who could imagine cubists in the 'Still won the Liverpool Academy Prize in 1857, was expense, directed by the Secretary William L. Opening Days then were events of formal Room' or vorticists in the 'Queen's bought by Albert Woods, Mayor of Conwy, who Banks. The 'Liverpool Mercury' reported that dignity when distinguished visitors were Bedchamber?'18 loaned it to the Academy. the quaint figures which formerly adorned the treated to lavish banquets and responded with Although its aesthetic judgements were not The Academy recognised the Queen's walls and were almost obliterated by age (have) conventional blandishments. Sir Frank adventurous the academy's organising ability Jubilee with the presentation of two albums of been almost completely restored ... everything Dicksee, President of The Royal Academy, was considerable. The first President, Henry watercolours by fifty-one members, the first of antiquarian interest has been resuscitated opened the forty-fourth exhibition in 1926 with Clarence Whaite, was a man of enthusiasm and being exclusively Welsh landscapes. 'The ... with the result that Plas Mawr is now one of warm approval of what he saw and in 1931 Sir energy who had trained in Manchester and at Queen at Buckingham Palace accepted the gift the most perfect and interesting relics of Goscombe John congratulated the council on the Royal Academy Schools, spent a year in and thanked the deputation for their handsome Elizabethan architecture to be found in the 'steering clear of m~dern art'! Italy, exhibited widely and was President of the 13 15 present' . In the same year several members kingdom'. The much-improved hanging space Manchester Academy of Fine Arts. When he started 'The South Wales Art and Sketching But whatever its architectural and provided by the Victoria Gallery resulted in died in 1912 it was as though its second phase Club' which had its first exhibition at the historical merits Plas Mawr was unsuitable as a bigger exhibitions with as mapy as five - one of deliberate entrenchment - had Public Hall, Queen Street, Cardiff in picture gallery. In the early eighties there was a hundred items, including submissions by non­ ended, having followed a first during which the September, 1888. plan to celebrate the Queen's Jubilee by members, crowded together. The inevitably . Academy's high aspirations had been subjected The move towards stability was reflected in building an annexe but it was not finalised until anomalous standards prompted one journalist to unsympathetic reality. 'The Western Mail' on February 1, 1888. 'The a meeting of February 12 1895 deci_ded 'that in to observe that 'it appears to be more difficult The next President was Sir Cuthbert annual meeting of The Royal Cambrian the opinion of (the) council the Academy for a camel to pass through the eye of a needle Grundy wlio, among his wide ranging Academy has just been held at Plas Mawr (should) put up a temporary building on good than for a submitted object to fail the Cambrian interests, remained preoccupied with 'Cardiff 16 Conway ... in all respects the prospects of the foundations'. The exhibition gallery, a Academy's Selection committee'.17 Whatever throughout his long period in office. Having Academy were now excellent, especially those wooden-framed, slate roofed, top-lit building was hung must have satisfied an academic commissioned a commemorative medallion for arising from the arrangements ... made in on brick piers was completed in October of the canon for the Liverpool Daily Post commented the AcadP,my's 1932 Jubilee for presentation to connection with the Academy's permanent same year and insured for £500 . That it was wryly 'Nothing freakishly modern.ever finds its all his fellow members, he retired two years 14 occupation of Plas Mawr' . well built has been proved by its still being in way into the annual exhibitions of The Royal later to make way for Augustus John whom he The fabric of Plas Mawr needed constant use and in sound condition in 1982. It was Cambrian Academy. No doubt if it did it would had persuaded to accept membership in the attention and during the following years there opened as the 'Victoria Gallery' on February disturb the sweet Elizabethan serenity of Plas belief that 'the Welsh people would show a cyn i'r academi gynnal ei chyfarfod cyntaf yno, casgliad o dirluniau Cymreig oedd y gyfrol eu hadfer bran yn llwyr ... atgyfodwyd popeth byddent hwythau'n ymateb a'r weniaith nodwyd ar Fehefin 4, 1886 fod 'yr arlunwyr gyntaf. 'Derbyniodd y Frenhines ym Mhalas o ddiddordeb hanesyddol ... o ganlyniad, Plas gonfensiynol. Agorodd Syr Frank Dicksee, wedi meddiannu Plas Mawr gan fod yr amser a Buckingham yr anrheg a diolchodd i'r Mawr erbyn hyn yw un o'r enghreifftiau Llywydd yr Academi Frenhinol, y pedwerydd roddwyd i'r !enantiaid i ymadael ar ben."11 ddirprwyaeth am eu rhodd hardd.'13 Y perffeithiaf a mwyaf diddorol o bensaern'iaeth arddangosfa a deugain ym 1926 gan ganmol yn Cwynodd y Ficer, fel Cadeirydd Rheolwyr yr flwyddyn honno hefyd cychwynnodd nifer o'r Elisabethaidd sydd i'w gweld yn y deyrnas.'15 wresog yr hyn a welai, ac ym 1931 Ysgol, ei fod wedi gorfod 'arwyddo i fyny aelodau 'Glwb Celfyddyd a Braslunio De Ond er gwaethaf ei ragoriaethau llongyfarchodd Syr Goscombe Johny cyngor ar drwy'r ffenestr fel y mae pawb yn gorfod Cymru' a gynhaliodd ei arddangosfa gyntaf yn pensaern'iol a hanesyddol, nid oedd Plas Mawr 'osgoi celfyddyd fodern'! gwneud er i'r artistiaid feddiannu Plas y Neuadd Gyhoeddus, Stryd y Frenhines, yn addas fel oriel ddarluniau. Yn yr wythdegau 0 ganlyniad i'r gofod arddangos llawer Mawr.'12 Caerdydd ym mis Medi, 1888. cynnar, yr oedd cynllun ar y gweill i ddathlu gwell a gynigid gan Oriel Fictoria, cynhaliwyd Symudwyd yr ysgol o'r diwedd ym mis Adlewyrchwyd y duedd tuag at Jiwbili'r Frenhines drwy adeiladu atoty, ond ni arddangosfeydd mwy o faint gyda chymaint a Tachwedd 1887 a'r flwyddyn honno, sefydlogrwydd yn y Western Mail ar Chwefror chadarnhawyd hynny'n derfynol hyd oni phum cant o arddangosebau, yn cynnwys rhoddwyd lle anrhydeddus yn y burned 1, 1888. 'Y mae'r Academi Frenhinol Gymreig phenderfynodd cyfarfod ar Chwefror 12, 1895 gwaith arlunwyr nad oeddynt yn aelodau, wedi arddangosfa flynyddol, y gyntaf i'w chynnal newydd gynnal ei chyfarfod blynyddol ym 'y dylai'r Academi, ym marn y cyngor, godi eu hel ynghyd. Ysgogodd y safonau a oedd, o ym Mhlas Mawr, i ddarlun Leighton, Mhlas Mawr, Conwy . .. ym mhob agwedd, yr adeilad dros dro ar sylfeini da,'16 Cwblhawyd reidrwydd, yn amrywiol un newyddiadurwr i 'Cimabue's Madonna carried through oedd y rhagolygon ar gyfer yr Academi bellach yr oriel arddangos, adeilad a ffram bren a tho nodi yr 'ymddengys yn anos i game! fyned trwy Florence' a fenthycwyd gan y Frenhines yn ardderchog, yn enwedig y rheini sy'n deillio llechi, wedi ei oleuo oddi uchod ac yn sefyll ar grai y nodwydd ddur nag i wrthrych a gynigir Fictoria, portread o Mr Lowenstam gan Alma­ o'r trefniadau ... a wnaethpwyd ynglyn a bileri priddfaen y mis Hydref hwnnw, ac fe'i i'w arddangos fethu ger bran Pwyllgor Dethol Tadema a darlun Millais, y 'Blind Girl'. Yr oedd lleoli'r Academi yn barhaol ym Mhlas Mawr.'14 yswiriwyd am £500. Tystir i ragoriaeth yr yr Academi Gymreig.'17 Rhaid fod popeth a cefnogaeth i'r Cyn-Raphaeliaid ymhlith ysgol Yr oedd angen sylw beunyddiol a~ adeiladwaith gan y ffaith fod yr oriel hon yn dal grogwyd wedi bodloni meini prawf yr academi Lerpwl, a phrynwyd y 'Blind Girl', a oedd wedi adeiladwaith Plas Mawr ac yn ystod y i gael ei defnyddio ym 1982 a'i bod mewn ei hun oblegid nododd y Liverpool Daily Post ennill Gwobr Academi Lerpwl ym 1857, gan blynyddoedd nesaf adferwyd y lle'n llwyr ar cyflwr da o hyd. Agorwyd 'Oriel Fictoria' ar yn goeglyd, 'Ni chaiff unrhyw beth pen wan o Albert Woods, Maer Conwy, a'i rhoddodd ar draul yr Academi, o dan gyfarwyddyd yr Chwefror 11, 1896 gyda dawns wisg-ffansi fodern bythleyn arddangosfeydd blynyddol yr fenthyg i'r Academi. - Ysgrifennydd, William L Banks. Yn 61 fawreddog. Academi Frenhinol Gymreig. Pe cai, diau y Nododd yr Academi Jiwbili'r Frenhines adroddiad y Liverpool Mercury yr oedd 'y Yr oedd Dyddiau Agor arddangosfeydd yn byddai hynny'n tarfu ar heddwch drwy gyflwyno iddi ddwy gyfrol o ddarluniau ffigurau ysmala a arferai addurno'r muriau, ac achlysuron ffurfiol ac urddasol pan groesewid Elisabethaidd mwyn Plas Mawr. Pwy allai dyfrlliw gan hanner cant ac un o'r aelodau; a oedd bran a'u dileu'n llwyr gan henaint, wedi ymwelwyr o fri i wleddoedd amheuthun, a ddychmygu ciwbwyr yn yr "Ystafell Lonydd" keener enthusiasm for their national art society council, educati.onal work was developed, the 4. COX, DAVID. General Observations on if they could have a Welshman as president' .19 Friends of Plas Mawr was started and there Landscape Painting. The new President expressed his wish to was a second eminent Welsh artist as 5. 6. ROYAL CAMBRIAN ACADEMY OF attract more Welsh artists and at the opening of President, Kyffin Williams, R.A. ART. Archives, Plas Mawr, Conwy: the 1935 exhibition Clough Williams-Ellis saw But T.H. Thomas, writing in 1885 shall 7. 8. 9. 10. T.H. THOMAS, RC.A. The Royal the beginning of an important phase in the have the last word 'It is to be hoped that the Cambrian Academy of Art. Y Cymmrodor, development of the visual arts in Wales - 'I efforts which are being made will be crowned Vol. VII. London 1885. expect and certainly hope you will find him with full success and that a national interest 11. 12. PRITCHARD, R. HUGH. Friends of pretty severe, not to say savage ... What is will be proved in the representative arts,.the Plas Mawr Newsletter No.4, Feb. 1981. entirely necessary in an art centre is someone cultivation of which adds so much of pleasure 13. Anonymous. The Times Court News, June who is not afraid to use the sharp pruning and grace to life.' 23, 1887. knife'.20 14. Anonymous. The Western Mail, February There was friction between those who JACK SHORE 1, 1888. wished to move with the times and 'a very old­ 15. Anonymous. Liverpool Mercury, May 19, Archive Research by David Hillhouse, R.C.A. fashioned section still holding out for gold 1888. mounts on water-colours'.21 Augustus John, 16. ROYAL CAMBRIAN ACADEMY OF whose rapport with the local fishermen was ART. Archives, Plas Mawr, Conwy. much warmer than with his fellow artists REFERENCES 17. Anonymous. The Guardian, May 30, 1931. 18. Anonymous. Liverpool Daily Post, June 4, became disheartened, attended few meetings 1. GRIGSON, GEOFFREY. Britain Observed, 1931. and after four years left the Academy in 1938. P.80. 19. Anonymous. News Chronicle, January 31, · Then came the second world war. 2. COMMISSION OF THE LONDON & 1924. A detailed account of the forty years since HOLYHEAD ROADS. First Report. 20. Anonymous. Liverpool Daily Post, June 10, will be the work of someone writing in the year 3. GRIGSON, GEOFFREY. Britain Observed, 1935. 2082. Old arguments were resumed, Plas Mawr P.112. conserved, there was a much broader 21. Letter from an academician unpublished. exhiqition policy, there were women on the

neu forteiswyr yn "Ystafell Wely'r Mynegodd y Llywydd newydd ei fod am cafwyd menywod ar y cyngor; cychwynnwyd 4. COX, DAVID. General Observations on Frenhines"?'lB ddenu mwy o artistiaid o Gymry ac ar Cyfeillion Plas Mawr, a chafwyd ail arlunydd Landscape Painting. Er natl oedd yn anturus ei barn esthetig, achlysur agar arddangosfa 1935, rhagwelai Cymreig o fri yn Llywydd, sef Kyffin 5. 6. ACADEMI FRENHINOL GYMREIG Y meddai'r Academi ar gryn allu trefniadol. Yr Clough Williams-Ellis eu bod ar drothwy Williams, R.A. CELFYDDYDAU. Archifau, Plas Mawr, oedd y Llywydd cyntaf, Henry Clarence cyfnod pwysig yn natblygiad y celfyddydau Ond caiff T H Thomas, a ysgrifennai ym Conwy. Whaite, yn wr brwdfrydig ac egn"iol a gweledol yng N ghymru - 'Yr wyf yn disgwyl, 1885, y gair olaf. 'Gobeithio y coronir yr 7. 8. 9. 10. TH THOMAS, RCA. The Royal hyfforddwyd ym Manceinion ac yn Ysgolion yr ac yn sicr yn gobeithio y cewch ei fod yn bur ymdrechion sydd yn cael eu gwneud a Cambrian Academy of Art. Y Cymmrodor Academi Frenhinol, a dreuliodd flwyddyn yn hallt, as nad yn greulon ... Yr hyn sydd yn llwyddiant cyflawn, ac y profir bod yna CyfVII. Llundain 1885. yr Eidal, a arddangosodd yn eang, ac a oedd yn gwbl angenrheidiol mewn canolfan ddiddordeb cenedlaethol yn y celfyddydau 11. 12. PRITCHARD, R HUGH. Llythyr Llywydd Academi Celfyddyd Gain gelfyddydau yw rhywun natl oes arno ofn cynrychioladol y mae eu meithrin yn newyddion Cyfeillion Plas Mawr, Rhif 4, Manceinion. Pan fu farw ym 1912 yr oedd hi defnyddio cyllell lem i docio.'20 ychwanegu cymaint o bleser a cheinder i Chwef. 1981. fel pe bai ail gyfnod yr Academi wedi dod i ben, Bu gwrthdaro rhwng y rheini a ddymunai fywyd.' 13. Dienw. The Times Court News, Mehefin sef y cyfnod cyntaf pan dymherwyd gobeithion symud ymlaen gyda'r oes a 'charfan 23, 1887. aruchel yr Academi gan realiaeth ddidostur. henffasiwn dros ben sydd yn dal i fynnu JACK SHORE 14. Dienw. The Western Mail, Chwefror 1, Syr Cuthbert Grundy oedd y Llywydd nesaf, fframau euraid ar ddarluniau dyfrlliw.'21 Ymchwil Archifau Gan David Hillhouse, 1888. gwr eang ei ddiddordebau y bu 'Caerdydd' yn Digalonodd Augustus John, gwr yr oedd A.F.G. 15. Dienw. Liverpool Mercury, Mai 19, 1888. faich ar ei feddwl drwy gydol ei gyfnod maith ganddo berthynas lawer gynhesach gyda'r 16. ACADEMI FRENHINOL GYMREIG Y yn y swydd. Ar ol comisiynu medal goffa ar pysgotwyr lleol na chyda'i gyd-arlunwyr; CELFYDDYDAU. Archifau, Plas Mawr, gyfer Jiwbili'r Academi ym 1932 i'w ychydig iawn o gyfarfodydd a fynychodd ac Conwy. CYFEIRIADAU chyflwyno i'w holl gyd-aelodau, ymddeolodd ar ol pedair blynedd ymadawodd a'r Academi 17. Dienw. The Guardian, Mai 30, 1931. ddwy flynedd yn ddiweddarach; ei olynydd ym 1938. Yna daeth yr ail ryfel byd. 1. GRIGSON, GEOFFREY. Britain Observed, 18. Dienw. Liverpool Daily Post, Mehefin 4, oedd Augustus John, gwr yr oedd ef wedi ei Gorchwyl i rywun yn ysgrifennu yn y tud. 80. 1931. ddarbwyllo i dderbyn aelodaeth yn y gred 'y flwyddyn 2082 fydd rhoi cyfrif manwl o'r 2. COMISIWN FFYRDD LLUNDAIN A 19. Dienw. News Chronicle, Ionawr 31, 1924. dangosai'r Cymry fwy o frwdfrydedd o blaid deugain mlynedd wedi hynny. Ailymaflwyd CHAERGYBI. Yr Adroddiad Cyntaf. 20. Dienw. Liverpool Daily Post, Mehefin 10, eu cymdeithas gelfyddyd genedlaethol pe mewn hen ddadleuon, diogelwyd Plas Mawr, 3. GRIGSON, GEOFFREY. Britain Observed, 1935 19 caent Gymro'n llywydd arni.' ehangwyd y polisi arddangos yn fawr iawn, tud. 112. 21. Llythyr oddi wrth academydd heb, ei gyhoeddi. ,.

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74 APPENDIX MEMBERS AND ASSOCIATES OF THE ATODIAD ROYAL CAMBRIAN ACADEMY 1882 -1981

ORIGINAL MEMBERSHIP Many thousands of contributors have been AELODAETH WREIDDIOL included in the annual exhibitions of the Academy - the following includes only MEMBERS members and associates, and their dates of AELODAU birth and death where known. A full list of past exhibitors has been compiled by David / ARTINGST ALL, W. Hillhouse, Senior Keeper, Williamson Art AYLING,A.W. Gallery and Museum, Slatey Road, Birkenhead, Members on the steps in the courtyard BANKS,W.L. and further information is available either from Plas Mawr c.1897 B/,RKER, W ..D. the Royal Cambrian Academy or from the Photograph Royal Cambrian Academy of Art. D1,VIES, J. Pain gallery in Birkenhead. These two organisations DOUGLAS, John (architect/pensaer) would be grateful to receive any further EVANS, Bernard W. information concerning the activity of past GHENT, Peter exhibitors. HAGUE, J. Anderson HARRISON, George HAYES , George HIME, Harry HOLTE, A. Brandish JOHNSON, John MEASHAM, Henry MEREDITH, William NORBURY, Edwin A NORBURY, Richard PENSON, R. Kyrke AELODAU A CHYMDEITHION ACADEMI POTTER, Charles FRENHINOL CAMBRIA 1882 -1981 SALMON, J. Cuthbert SAUNDERS, Charles L. Gwelir rhai miloedd o gyfrannwyr yn SIBLEY, Frederick T. arddangosfeydd blynyddol yr Academi - SLATER, Walter James mae'r canlynol yn cynnwys aelodau a SOMERSET, Richard Gay chymdeithion yn unig, ynghyd a dyddiadau eu TAYLOR, Frederick geni a'u marw os ydynt yn hysbys. Casglwyd TAYLOR, John rhestr lawn o gyn-arddangoswyr gan David TREVOR,E. Hillhouse, Uwch Geidwas, Oriel Gelf ac WATSON, Walter J. Amgueddfa Williamson, Slatey Road, WELLS, George Birkenhead, a cheir manylion pellach oddi WILLIAMS, Richard Llewellyn wrth Academi Frenhinol Cambria neu o'r oriel (architect/ pensaer) Aelodau ar y grisiau yn y beili, yn Birkenhead. Byddai'r ddwy gymdeithas yn Plas Mawr c.1897 falch o dderbyn unrhyw wybodaeth bellach am ASSOCIATES Fotograff Academi Frenhinol Gymreig y weithgareddau cyn-arddongoswyr. AELODAU CYSYLLTIEDIG C:elfyddydau. · ALLEN,J.W. BARNETT, W. BESWICK, Frank FISHER, Benjamin GRUNDY, Cuthbert GRUNDY, J.R.G. HILTON, Henry WATTS,J.F. Members and Associates BOTTOMLEY, Albert Ernest b.1873. DROUGHT, George J. HARRIES, Hywel. BOTTOMLEY, Edwin b.1865. DUB, Jaroslav b.1878. HARRISON, George. Aelodau ac Aelodau BOWEN, Owen b.1873. DUCE, George Raymond. HARVEY, Harold b.1874. Cysylltiedig BOWEN, P.R. DUDLEY, William Harold b.1890. HAYES, Claude 1852 - 1922. BOWES, John b.1899. DUMMETT, E.J. HAYES, Edwin 1819 - 1904. BOYDELL, Creswick. DUNSTAN, Bernard. HAYES, Frederick William 1848 -1918. ADAMS, Harry William 1868 - 1947. BRADLEY, Frank. HAYES, George. ADAMSON, H.L. BRAMALL, Eric. EDWARDS, Lionel Dalhousie Robertson HERKOMER, Sir Hubert. AITKEN, James. BRANGWYN, Frank. / b.1878. HILEY, Miss M.B.G. AITKEN, John Ernest 1881-1957. BREWER, James Alphege. EGGINTON, FrankJ. b.1908. HILLHOUSE, David. ALLEN,S.W. BREWER, Leonard 1875 - 1935. EGGINTON, Wycliffe 1875 -1951 . HILTON, Henry. ALLEN, Thomas William b.1855. BROCKBANK, Albert Ernest b.1862. ELAND, John Shenton 1872 - 1933. HIME, Harry b.1863. ALMA-TADEMA, Sir Lawrence 1836 - 1912. BROWN, Samuel John Milton b.1873. ELIAS, Arthur E. HINCHCLIFFE, Richard George 1868 - 1942. ANDREW, Keith. BROWNE, Alan Charlson b.1903. ELLISON, Thomas b.1866. HIND, Mrs. A. ARMFIELD, Miss D.M. BRUHL, Louis Burleigh-1862 -1942. ELWYN,J., HITCH, Frederick Brook b.1877. ARTHUR, Sydney Watson b.1881. BURNE-JONES, Sir Edward Coley 1833 -1898. EVANS, Bernard Walter 1843 - 1922. HOBART, John. ARTINGSTALL, William. BURROWS, R. EVANS, Nicholas. HOBLEY, Edward George 1866-1916. ASPINWALL, Reginald 1858-1921. BUTLER, Anthony. EVANS.Ray, HODSON, Samuel John 1836 - 1908. AYLING, AlbertW. d.1905. EVANS, Tim. HOGGA TT, William b.1880. A YRTON, Mrs. Millicent E., M.B.E. CAMPBELL-BLAIR, Mrs. F. EVANS, Will. HOLGATE,B. CARMICHAEL, C.H.R. HOLLOWAY, Charles Edward 1838 - 1897. BADHAM, E. Leslie 1873 -1944. CARROLL, L.J. FIELDS, Ray H. HOLT,H. BAILEY,R.D. CASSIDY, John b.1860. FINNEMORE, Joseph 1860-1939. HOLTE, A. Brandish. BAKER, Arthur. CHADWICK, Ernest Albert b.1876. FINNIE, John 1829 - 1907. HORE, R.P.P. BAKER, Oliver 1856-1939. CLARKE, L.J. Graham. FISHER, Benjamin. HOWARTH, Charles Wilfred b.1893. BALL, Gerry. CLOUGH, Tom. FISHER, Ralph. HOYLES, Benjamin. BALLARD, Arthur. COCKRAM, George 1861 - 1950. FITZGERALD, Florence d.1927. HUGGILL, Henry Percy 1886 - 1957. BANCROFT, Elias Mollineaux d.1924. COCKRILL, Maurice. FORREST, Edwin Victor. HUGHES, Henry Harold d.1940. BANCROFT, Mrs. Louisa Mary. COLE, Chisholm. FOWLER, Benjamin. HUGHES, Leonard. BANKS, William Lawrence 1822 - 1893. COLE, LR. FOWLER, Robert 1853 - 1926. HUMPHREYS, George Alfred d.1948. BARDILL, Ralph William 1876 -1935. COLE, John H. FREEMAN, I.W. HUSON, Thomas 1844 - 1920. BARKER, William Dean, d.1888. COLLINS, Charles d.1921. FROBISHER, Lucy Marguerite. BARNISH, Leonard. COLLINS, George Edward b.1880. FULLER, Leonard John b.1891. JAGGER, Mrs. Ethel May. BARNITT, Miss Mary Dyson. COLLINSON, Robert b.1832. JAMESON, K.A. BARRON,D. CONNELLY, Peter C. JARDINE, George W. BARTELT, E.R. GARDNER, Keith J. b.1933. COOPER, Alick. GARSIDE, Oswald 1879 -1942. JENKINS, Mrs. P. BARTON, S. Saxon, O.B.E. CORAH, William J. GHENT, Peter 1857 -1911. JENKINSON, G. BAUM,J. CRAFT, Percy Robert 1856-1934. JOHN, Augustus Edwin 1878-1961 . BEARE, Josias Crocker b.1881. GILBERT, Sir John. CROW, Mrs. B.J. JOHN, Sir William Goscombe 1860 - 1952. BENGER, Berenger 1868-1935 . GOBLE,A.B. CROZIER, George d.1915. JOHNSON, John. BENNETT, William. GOUGH, Mrs. Hugh S. CURNOCK, James Jackson 1839 - 1891. JONES, Charles 1836- 1892. BENTLEY, Charles Edward. GRANT, Mrs. J. GREGORY, Mrs. B.D. JONES, Dan Rowland b.1875. BERRIE, John Archibald Alexander b.1887. DAVID, Illtyd. JONES, E. Scott. BESWICK, Frank. GRIERSON, Robert. DAVIES, Arthur Edward b.1893. JONES, F.G. BISHOP, Walter Follen 1856 - 1936. GRIFFITH, James Milo. DAVIES, A.E. JONES, Henry Conway. BLACK, Francis. GROSVENOR, E.H. DAVIES, Mrs. C.M. JONES, Ivor Roberts. BLACKBURN, Miss Mavis. GRUNDY, Sir Cuthbert Cartwright DAVIES, James Hey b.1844. JONES, Jonah. BLUNDELL, Miss M. c.1847 - 1946. DAVIES, N. Prescott. JONES, Josiah Clinton 1848 - 1936. BO ADLE, William Barnes 1840 - 1916. GRUNDY, J.R.G. d.1915. DAVIS, J. Pain. GUEST,H.B. JONES, Miss R. Howard. BOAK, Robert Creswell b.1875. JONES, S. Maurice d.1932. BOLD, John. DAWSON, Miss Gladys. (Mrs Woodruff) GWYNNE-JONES, Allan b.1892. DE BREANSKI, Alfred. JONES, Tom H. BOOTH, James William b.1867. HAGARTY, Parker b.1859. BOOTH, Samuel Lawson d.1928. DOBSON, Henry John 1858 - 1928. HAGUE, Dick. KEMP-WELCH, Lucy Elizabeth 1869 -1958. BOSWELL, W.A. DOBSON, Henry Raeburn b.1901. HAGUE, Joshua Anderson 1850-1916 . DOUGLAS, John. HARE, Julius. KENWORTHY, John Dalzell 1858 - 1954. KINMONT, D.B. NASH, TomJ. KINSLEY, Albert b.1852. NEALE, George Hall. SAWYER, Rowena B. WALL, Tom. KINSLEY, H.R. NETHERWOOD, Arthur d.1930. SCOTT, John Edward b.1934. WARD, Cyril 1863-1935 . KNIGHT, Clara (Mrs. Frank Beswick). NETHERWOOD, Norman. SELWYN,W. WARD,l. KNIGHT, Joseph 1837 -1909. NICHOLSON, Greer. SEVERN, Walter 1830 - 1904. WARD, Leonard b.1887. KNIGHT, John William Buxton 1843 -1908. NORBURY, Edwin Arthur 1849-1918. SEWARD, Edwin d.1924. WARREN, C. Knighton. KNIGHT, Paul. NORBURY, Richard 1815- 1886. SHARPE, Charles William d.1955. WATSON, Dawson b.1864. KNOWLES, George Sheridan 1863 -1931 . NORTH, Herbert L. SHARROCKS, Alfred Burgess b.1919. WATSON, John Dawson 1832 -1892 . NORTON, Charles William c.1870 -1 946. SHORE, Jack. WATSON, Walter J. 1879-1937. LANCASTER, Percy 1878 - 1951. SHORT, Richard 1841-1916. WATTS, George Frederick 1817 -1904. LEIGH-HUNT, Gerard b.1858. OSTLE, Roy John b.1930. SHRUBSOLE, W.G. WATTS, James Thomas d.1930. LEIGHTON, Lord Frederick 1830 -1896 . OUSEY, Buckley d.1889. SIBLEY, Frederick T. WEAVER, Herbert Parsons d.1945. LEK, Hendrik. OWEN, Will 1869-1957. SIDLEY, Samuel 1829- 1896. WEBSTER, John Robert b.1934. LEK, Karel. SIDNEY, Herbert d.1923. WEDGWOOD, Geoffrey Heath b.1900. LEWIS, Conrad C.S. PAICE, Philip Stuart 1884-1940. SISEMAN, Ernest James. WELLS, George. LEWIS, John R. PARKER, John 1839-1915. SLATER, Walter James 1845-1923. WHAITE, Henry Clarence 1828 -1912. LITTLEJOHNS, John b.1874. PARKYN, William Samuel b.1875. SLOCOMBE, Alfred. WHEWELL, Herbet 1863-1951. LLEWELLYN, Sir William Samuel Henry PARNELL-BAILEY, Miss Eva. SLOCOMBE, Shirley Charles Llewellyn. WHITEHEAD, Mrs. Margaret della Rovere. c.1860 - 1941. PENN, William Charles 1877 - 1968. SMITH, Grainger 1892 - 1961. WIFFEN, Alfred Kemp b.1896. LONGS HAW, Frank W. d.1915. PENNELL, Harry. SMITH, Reginald 1855 -1925. WILLIAMS, Alyn 1865 - 1941. LOUD, Arthur Bertram 1863 -1930 . PENSON, R. Kyrke 1815-1886. SMOUT, JohnF. WILLIAMS, Miss Claudia. LUMSDEN, Alan. PERRIN, Alfred Feyen d.1918. SOMERSET, Richard Gay 1848-1928. WILLIAMS, Miss D. LYSAGHT, Alfred. PICKERING, Miss Carol Mary. SOUTHERN, J.M. WILLIAMS, Guy R. b.1920. PIERCE, Robert 1884-c.1970. SPACKMAN, Cyril Saunders b.1887. WILLIAMS, Hughes Harry 1892 -1953. McCONNELL, Charles. POLLOCK, Mrs. G.M.G. SPENLOVE-SPENLOVE, Frank 1868 -1933. WILLIAMS, Kyffin b.1918. McDOUGAL, John. POTTER, Charles. STAMPER, James William b.1873. WILLIAMS, Margaret Lindsay. McINTYRE, Donald. POYNTER, Sir E.J. STEPHENSON, Willie. WILLIAMS, Richard James b.1876. MACPHERSON, G.G. PRENDERGAST, P. STRUTT, Alfred William 1856 - 1924. WILLIAMS, Stephen W. MacTAGGART, Sir William. PRESCOTT-DAVIES, Norman 1862 -1915. SULLIVAN, William Holmes d.1908. WILLIAMS, Terrick 1860-1936. MAGER, Frederick b.1882. PRICHARD, Gwilym b.1931. SUTCLIFFE, Lester. WILLIAMS, Warren. MAHLER, Henry. PRIDE, Mrs. Phyllis Elsie. SUTTON, R. WILSON, Eli Marsden b.1877. MALINS, Fred. PRITCHARD, ArthurG. b.1927. SWANWICK, Harold 1866 -1929. WILSON, G. Douglas. MALINS, M~s. M. PRITCHARD, Ivor Mervyn d.1948. SWINSTEAD, Miss Eulalia Hillyard b.1893. WILSON, Vincent John b.1933. MANN, James Scrimgeour 1883 - 1946. PROCTER, Albert. SWINSTEAD, George Hillyard 1860 -19 26. WINCHURCH, Miss J. MARKS, Barne H. Samuel 1827 - 1916. WITHEROP, J. Coburn b.1906. MARKS, Henry Stacy 1829 - 1898 RAVENSCROFT, Miss J. TANKARD, A.P. WOOD, G. Swinford. MARPLES, George 1869 -1939. REED, Stanley b.1908. TAYLER, Frederick 1802 -188!:f. WOODRUFF, Mrs. Gladys (see DAWSON, MARR, J.W. Hamilton. REISS, George Francis b.1893. TAYLOR, John. d.1892. Gladys). MASON, Arnold. RENDELL, Joseph Frederick Percy TEASDALE, Percy Morton b.1870. WOODS, Albert. MATTHEWS, A.E. 1872 - 1955. THOMAS, T.H. WORKMAN, Harold 1897 -19 75. MA YBERY, Edgar James b.1887. RENNIE,M. THOMAS, Walter 1894 - 1971. MEASHAM, Henry 1844 - 1922. RICHARDS, A.J. THOMAS,W. YATES, Mrs. Ann. b.1897. MEREDITH, William b.1851. RICHARDS, Ceri, C.B.E. THOMPSON, Constance Dutton b.1882. YEOMANS, Geoff. MEYER, Adolph Campbell. RIDING, Harold L. TOWERS, James b.1853. MILLAIS, Sir John Everett 1829-1896. ROBERTS, Gladys Gregory (Mrs.) TOWERS, Samuel b.1862. MINSHULL, R.T. ROBERTS, Howard. TREVOR, Miss E. MOORE, Frank b.1876. ROBERTS, John. TUNNICLIFFE, Charles Frederick b.1901. MORCOM, Joseph Herbert b.1871. ROBERTS, Lancelot. TURNER, William Brint. MORETON, Mrs. A. Bertha. ROBERTS, Will. TURNER, William McAllister b.1901. MORRIS, Cedric b.1889. ROBERTS, W. Pierce MORRISON, Robert Edward 1852 - 1925. ROSE, Miss Edna. UHLMAN, Fred b.1901. MOSSMAN, Dr. D.B. MOSTYN, M. (Mrs. L.J. Fuller). SALMON, John Cuthbert 1844 -19 17. VAN DER VEEN, C.W. MOSTYN, Tom (Thomas Edwin) 1864-1930. SAUNDERS, Charles L. d.1915. VASEY, Mrs. Gladys. Presidents Dimensions are in inches, height before width Catalogue numbers in brackets Y mae'r maintioli mewn modfeddi, uchder o Rhifau catalog mewn cromfachau Llywyddion flaen lied

1885 WHAITE, Henry Clarence 1828 - 1912 no. artist title year exhibited medium Dimensions rhif arlunydd teitl at the R.C.A. cyfrwng Maintioli 1913 GRUNDY, Sir Cuthbert Cartwright " (cat no] 1934 JOHN, Augustus Edwin blwyddyn ei arddangos yn yr 1939 HINCHCLIFFE, Richard George A.F.G. (rhif cat) 1942 MANN, James Scrimgeour 1947 BOWEN,Owen HOLTE, A Brandish Among the Birches 1882 (36) Oil 18 X 14 RhwngyBedw 1882 [36) Olew 18 X 14 1954 HUGGILL, Henry Percy 1958 BROWN, Samuel John Milton 2 SHORT, Richard 1841-1916 Stormy Weather c.1885 (83) Oil/Panel 7¼ X 11 ¼ TywyddGarw c.1885 (83) Olew/Panel 7¼ X 11¼ 1960 SMITH, Grainger 1961 SHARROCKS, Alfred Burgess 3 HARE, Julius 1859 -1932 Caernarvon Street c.1887 Watercolour 11x7½ 1962 TURNER, William McAllister Scene Golygfa Stryd yng c.1887 Dyfrlliw 11 X 7½ 1967 SHARROCKS, Alfred Burgess N ghaenarfon 1969 WILLIAMS, Kyffin 4 SALMON, John Cuthbert Craig-yr-Ysfa c.1887 Watercolour 141/, x9½ 1977 SHORE,Jack 1844 - 1917 A Spur ofCarnedd Llewelyn Craig-yr-Ysfa c.1887 Dyfrlliw 14¼ x9½ Esgair ar Garnedd Llywelyn

Curators 3 5 SAUNDERS, Charles Leonard A snow-capped c.1887 Watercolour 9 /, X 133/, d.1915 peak, Carnedd Curiaduriaid Llewelyn Copa dan eira, c.1887 Dyfrlliw 931. x13 3/, Carnedd Llywelyn 1883 TEAGUE, Fred W. 1887 FURNESS, J.R. 6 ASPINWALL, Reginald The Cumulus 1888 (84) Oil/Canvas 8½x1 1½ 1858 -1921 Cloud 1921 DYALL,C.G. Y Cwmwl 1888 (84) Olew/Cynfas 8½x 11½ 1939 POVAH, J. Arnold Cwmwlws 1946 TUCKER, Norman 7 WA,TSON, John Dawson Farm yard Pets 1889 (182) Watercolour/ 191/, X 271/, 1947 LEES, Frederick 1832 -1902 Paper 1 1 1975 MERCER, Leonard H.S. Anifeiliaid Anwes 1889 (182) Dyfrlliw/Papur 19 /, X 27 /, ary Fferm

8 WHAITE, Henry Clarence Arthur in the 1890 (57) Oil/Canvas 40x60 1828- 1912 Gruesome Glen Arthur yn y Glyn 1890 [57) Olew/Cynfas 40 x60 Erchyll

9 GHENT, Peter Golden Gorse and 1892 (73) Oil/Canvas 351/, X 59½ 1857 -1911 Wind Blown Trees Eithin Euraid a 1892 (73) Olew/Cynfas 351/ , X 59½ Choed wedi eu Chwythu gan y Gwyn!

10 HUGHES, Leonard Thomas Gee c.1892 Oil 30x25 Thomas Gee c.1892 Olew 30x25

11 BOOTH, Samuel Lawson Langdale Pikes 1896 [168) Oil/Canvas 48½ X 75 1836-1928 Langdale Pikes 1896 (168) Olew/Cynfas 48½ x75

12 COCKRAM, George 1861 - 1950 When Skies Dipt 1897 (8) Watercolour 23½x35½ Down to Sea and Sand(onthe Anglesey Coast) Pan wyrodd yr 1897 (8) Dyfrlliw 23½ X 35½ Wybren i Lawr i'r Mor a'r Tywod (ar Arfordir Mon) no. artist title year exhibited medium Dimensions no. artist title year exhibited medium Dimensions rhif arlunydd teitl at the R.C.A. cyfrwng Maintioli rhif arlunydd teitl attheR.C.A. cyfrwng Maintioli (cat no) (cat no) blwclddynei blwyddynei ard angos yn yr arddangos yn yr A.F.G. (rhif cat) A.F.G. (rhif cat)

13 ALMA-TADEMA, Sir Lawrence A Family Group 1897 (135) Oil/panel 12 x ll 29 LANCASTER, Percy Landscape with c.1920 Watercolour 13½ x19½ 1836 - 1912 Grwp Teuluol 1897 (135) Olew/panel 12 X 11 1878-1950 Bridge Tirlun a Phont c.1920 Dyfrlliw 13½ X 19112

14 POTTER, Charles A Quiet Pool c.1898 Oil/Canvas 20x30 30 GRUNDY, Sir Cuthbert Landscape 1922 (153) Oil 40x60 Fl. 1867 -1892 Pwl! Tawel c.1898 Olew/Cynfas 20x30 Cartwright 1846 -1946 Tirlun 1922 (153) Olew 40x60

31 JONES, Josiah Clinton PontNewyd d 1923 (358) Watercolour 9¾ X 13¾ FINNIE, John 1829 - 1907 Landscape c.1899 Oil/Canvas 40x60 15 1848-1936 PontNewydd 1923 (358) Dyfrlliw 9¾ X 133/, Tirlun c.1899 Olew/Cynfas 40x60 32 MOSTYN, Thomas E Memory's Garden 1924 (216) 16 SOMERSET, Richard Gay, Trout Stream 1901 (136) Oil 36 x28 Oil 39x49 1864-1930 Gardd y Cof 1924 (216) Olew 39x49 1848-1928 Nani Frithyll 1901 (136) Olew 36x28 33 AITKEN, John Ernest On the Mersey 1925 (388) Watercolour 10x14 17 AYLING, Albert William d.1905 The Church Pool, 1902 (15) Watercolour/ 1881-1957 (Sunlit Mersey) Betws-y-Coed Paper 25½x39½ Ar afon Merswy 1925 (388) Dyfrlliw 10 X 14 (Merswy Heulog) Pwll yr Egl:cr· 1902 (15) Dyfrlliw/Papur 25½x39½ Betws-y-Coe 34 ANDREWS, Joseph September Morn - 1929 (9) Oil/Canvas 19½ X 23'!. 1874-1936 Cemaes Bay 18 HAGUE, Joshua Anderson, Burdock 1902 (162) Oil/Canvas 30x25 Bore o Fed1- 1929 (9) Olew/Cynfas 19½x23'!. 1850-1916 Cacimwci 1902 (162) Olew/Cynfas 30x25 BaeCemaes

35 KEMP-WELCH, Lucy Breeze and Broad 1930 (279) Watercolour 24x29¼ 19 BENGER, Berenger 1868 - 1935 The Old Road on c.1902 Watercolour 18¾ x29¼ 1869-1958 Spaces the Orme Awelac 1930 (279) Dyfrlliw 24 x 29¼ Yr Hen Ffordd ar c.1902 Dyfrlliw 18¾x29¼ Eangderau Ben-y-Gogarth 36 BERRIE, John Archibald Portrait of c.1930 Oil/Canvas 30x25 20 SOMERSET, Richard Gay, The Mountain 1904 (128) Oil/Canvas 41x61¼ Alexander 1887 - 1962 Clarence Whaite 1848 - 1928 Pasture Portread o c.1930 Olew/Cynfas 30x25 [Snowdonia) Clarence Whaite Porfa'r Mynydd 1904 (128) Olew/Cynfas 41 x61¼ (Eryri) 37 CRAFT, Percy Robert Marooned 1931 (9) Oil/Canvas 24x36 1856-1934 Marooned 1931 (9) Olew/Cynfas 21 HAGARTY, Parker 1859 - 1934 From Moor to Fen c.1904 Oil 48x30 24 x 36 O'r Rhos i'r Gors c.1904 Olew 48x30 38 KEMP-WELCH, Lucy Kemp Burnt Out Fires 1933 (150) Oil/Canvas 47½ X 71¾ 1869- 1958 q?ying Fires) anau wedi 1933 (150) Olew/Cynfas 47½x71¾ 22 SOMERSET, Richard Gay, Aber Conway 1905 (213) Oil/Canvas 40½x60¼ Diffodd (Tanau'n 1848- 1928 Aberconwy 1905 (213) Olew/Cynfas 40½x60¼ Marw)

23 HAGUE, Joshua Anderson, In the Mold Valley 1906 (203) Oil/Canvas 41½ x54 39 JOHN, Augustus Cineraria 1934 (167) Oil 36x28 1878-1961 Cineraria 1934 (167) Olew 36x28 1850-1916 Yn NJ,ffryn yr 1906 (203) Olew/Cynfas 41½ X 54 Wyd grug 40 PAICE, Philip Stuart Rock Ferry, 1936 (151) Oil/Canvas 20¼ x24 24 BARDILL, Ralph The Old Mill at 1911 (294) Watercolour 19x29½ 1884 -1940 Cheshire 1876- 1935 GlanConway Rock Ferry, Swydd 1936 (151) Olew/Cynfas 20¼ X 24 Yr Hen Felin yng 1911 (294) Dyfrlliw 19x29½ Gaer NglanConwy 41 SMITH, George Grainger Snowdon from 1943 (47) Oil/hardboard 25¼ x30¼ 25 HINCHLIFFE, Richard George In the Orchard c.1913 Oil/Canvas 19x24 1892 - 1961 Caw !Curig 1868 - 1942 Yny Berllan c.1913 Olew/Cynfas Yr yddfa o Gape! 1943 (47) Olew/hardbord · 25¼ x 30¼ 19x24 Curig

26 BOOTH, Samuel Lawson The Holy City 1917 (87) Oil/Canvas 61 X 109 42 BROWN, Samuel John Milton Homeward Bound 1944 (89) Watercolour 20¾ x25½ 1874-196 7 1836- 1928 Y Ddinas 1917 (87) Olew/Cynfas 61 X 109 Sanctaidd Teg Edrych Tuag 1944 (89) Dyfrlliw 20¾x25½ Adref

27 GRUNDY, Sir Cuthbert Autumn 1917 (61) Oil/Canvas 42 X 32½ Cartwright 1846 -1946 Hydref 1917 (61) Olew/cynfas 42x32½ 43 BROWN, Samuel John Milton Rain and Wild 1945 (151) Watercolour 8x12 1874 - 1967 West Wind 28 CASSIDY, John b.1860 Adam 1920 (2) Sculpture 4½ GlawaGwynt 1945 (151) Dyfrlliw 8x 12 Bronze Gwyllt y Gorllewin Adda 1920 (2) Cerflun 4½ Efydd Dimensions no. artist title year exhibited medium no. artist title year exhibited medium Dimensions rhif arlunydd teitl at the R.C.A. cyfrwng Maintioli rhif arlunydd teitl at the R.C.A. cyfrwng Maintioli (cat no) (cat no) blwyddynei blwyctdynei arddangos yn yr arddangos yn yr A.F.G. (rhif cat) A.F.G. (rhif cat) 44 REED, Stanley 1908 - 1978 Mother and Child 1947 (35) Oil/Board 24½x29½ 61 JAMESON,KA Seed Heads 1971 (24) Oil/Board 48x24 Mam a Phlentyn 1947 (35} Olew/Bwrdd 24½x29½ Pennau Hadau 1971 (24i Olew/Bwrdd 48x24

45 PENN, William Charles D A Clark Smith 1948 (34} Oil/Canvas 29 X 24½ 1877 - 1968 62 WILLIAMS, Kyffin Karla Readinf 1972 (9) Oil 20x17 / DA Clark Smith 1948 (34} Olew/Cynfas 29x24½ Karla yn Dar! en 1972 (9) Olew 20 X 17 63 OSTLE, Roy Farm near the 1973 (48) Oil/PVA 48x36 Alun 46 HOWARTH, Charles W. Llanddeusant Mill, 1953 (13} Oil 17 X 21 ¾ b.1893 Anglesey Fferm ger afon 1973 (48) Olew/PVA 48x 36 Melin 1953 (13) Olew 17 X 21¾ Alun Llanddeusant, YnysM6n 64 LEWIS, Conrad Interior 1976 (126) Acrylic 24 X 19½ Golygfa fewnol 1976 (126} Acrylig 24x19½ 47 YEOMANS, Geoff Birkenhead Park 1955{51} Oil 16¾ x20 Pare Penbedw 1955 (51} Olew 16¾ x20 65 DAVID, Illtyd PengamShow 1977 (27} Oil 33½ x45 Saga 48 BUTLER, Anthony Bidston Dock c.1956 Oil/Board 31 X 37½ Saga Sioe Pengam 1977 (27} Olew 33½ x 45 Doc Bidston c.1956 Olew/Bwrdd 31 X 37½

49 MORETON, Mrs AB Portrait Bust of 1958 (234} Sculpture 12 66 DAWSON, Gladys Treetops, Kenya 1977 (190} Watercolour 18 X 21½ WillCPenn (Mrs. Woodruff, RCA., PSWA., Feb 5/6th 1952 Penddelw Bortread 1958 (234} Cerflun 12 FRSA,) oWillCPenn Brig y Coed, Cenia 1977 (190} Dyfrlliw 18 x21½ Chwef 5/6ed 1952 50 McINTYRE, Don Gypsy Camp with 1960 (152} Oil 12 x30 Ponies 67 DUMMETT, Ted The Constant 1977 (1) Oil 40 x 32 Gwersyll Sipswn 1960 [152} Olew 12 x 30 Companion gyda Merlod YCydymaith 1977 (1) Olew 40x 32 Cyson 51 NASH,Tom Still Life with 1961 (49} Tempera 25x30 Yellow Chair 68 HOBART, John Raised Beach N o.1 1978 (16} Oil/Collage 36x36 Bywyd Llonydd a 1961 (49} Tempera 25 x30 Cyfordraeth Rhif 1 1978 (16} Olew/Collage 36x36 Chadair Felen 69 CONNELLY, Peter C. Fishing Boats at 1979 Acrylic 18x24 52 WHITEHEAD, Mrs M. della R Shon 1962 (235} Terra Cotta 11 Polperro Sculpture Cychod Pysgota yn 1979 Acrylig 18x 24 Shon 1962 (235) Terra Cotta 11 Polperro Cer!lun 70 FIELDS, Ray Two Studies 1979 Oil 19x29 53 A YRTON, Mrs Millicent E Dock Road 1963 (132) Oil 30x25 Dwy Astudiaeth 1979 Olew 19x29 Ffordd y Doc 1963 [132) Olew 30x25 71 WILLIAMS, Claudia The White Blouse 1979 (88) Oil 33½ x20½ 54 LEK, Karel Marionette 1964 (34} Oil 39¾ x3 0¾ YFlowsWen 1979 (88} Olew 33½ x20½ Marionet 1964 [34) Olew 39¾ x30¾ 72 PRICHARD, Gwilym Tai Pentra Pella 1980 (89) Oil 20x36 55 BLACKBURN, Miss M Ruthin 1965 (145) Oil 28x36 Tai Pentra Pella 1980 (89) Olew 20 x 36 Rhuthun 1965 (145} Olew 28x36 73 EVANS, Nicholas Coalface 1920's (1) 1981 (41) Oil 48 x48 56 SCOTT JONES, Eddie Winter, Conwy 1965 (71) Oil 21½x 29½ Ffas Lo, 1920au (1) 1981 (41) Olew 48 x 48 Gaeaf, Conwy 1965 (71) Olew 21.½ X 291/z 74 SHORE. Jack Western Coast 1981 (43} Acrylic 44 x44 57 SHARROCKS, A Burgess, Llawhaden Castle, 1965 (71) Oil 24x48 YGlannau 1981 [43) Acrylig 44 x 44 PPRCA Pembs Gorllewinol Castell Llawhaden, 1965 [71} Olew 24 x48 Sir Benfro 75 SHORE.Jack Foliage 1981 [52) Acrylic 381/z X 34½ Deiliant 1981 (52) Acrylig 38½ X 34½ 58 HARRIES, Hywel Dockside. Cardiff 1968 (95} Oil 18 x36 Dociau, Caerdydd 1968 [95} Olew 18x36 Patron H M QUEEN ELIZABETH THE QUEEN MOTHER 59 ROBERTS,Will Farm Cart 1969 (22) Oil 151/z X 19½ Trol Fferm 1969 (22} Olew 151/zX 191/z Noddwr E M Y FRENHINES ELIZABETH, Y FAM FRENHINES

60 FORREST,E V Tan-y-Grisiau 1970 (27} Oil 26x36 Road, Blaenau Ffestiniog Ffordd Tan-y- 1970 [27) Olew 26x 36 Grisiau, Blaenau Ffestiniog Rochdale Art Gallery 20 Index of Lenders Oriel Gelf Rochdale Mynegai o'r Benthycwyr The Royal Academy of Arts, London 13 Academi Frenhinol y Celfyddydau, Llundain Atkinson Art Gallery, Southport 11 22 26 37 The Royal Cambrian Academy of Art 8 36 58 Oriel Gelf Atkinson, Southport Academi Frenhinol Gymreig y Celfyddydau Millicent E Ayrton 53 Jack Shore 74 75 MBlackburn 55 Stockport Art Gallery / 1823 Mr. Alan Lancelot Brown 19 Oriel Gelf Stockport Mr. M Butterworth 60 Walker Art Gallery, Liverpool 7174041 Illtyd David 65 Oriel GelfWalker, Lerpwl Gladys Dawson M della R Whitehead 52 (Mrs. Woodruff, RCA, PSWA, FRSA) 42 46 66 Williamson Art Gallery and Museum, Ted Dummett 67 Birkenhead 9 12 15 25 Oriel Gelf ac Amgueddfa Williamson, 29 34 44 Nicholas Evans 73 Penbedw 45 48 49 Ray Fields 70 Claudia Williams 71 EV Forrest 61 Kyffin Williams 62 Harris Museum and Art Gallery, Preston 6 27 Mrs. A Yeomans 47 Amgueddfa ac Oriel Gelf Harris, Preston 33 John Hobart 68 Mrs. G Howarth 43 E Scott Jones 69 The Trustees of the 'Lucy Kemp-Welch Memorial Trust' 35 38 Ymddiriedolwyr 'Ymddiriedaeth Goffa Lucy Kemp-Welch' Ralph Lake 31 Karel Lek 54 Conrad Lewis 64 Manchester City Art Gallery 28 Oriel Gelf Dinas Manceinion Don McIntyre 50 Mr. & Mrs. David Moss 56 National Museum of Wales 1210 16 21 Amgueddfa Genedlaethol Cymru 30 32 39 Tom Nash 51 Mr. PA Oakley 24 Oldham Art Gallery 14 Oriel Gelf Oldham RoyOstle 63 Marion Owen 57 Gwilym Prichard 72 H Mth e Queen 345 E M y Frenhines Will Roberts 59