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Congresso Nacional Da Federação De Arte-Educadores Do Brasil; 15Th
Trajetória e Políticas para o Ensino das Artes no Brasil: anais do XV Confaeb Ministério da Educação Trajetória e Políticas para o Ensino das Artes no Brasil: anais do XV Confaeb XV Congresso Nacional da Federação de Arte-Educadores do Brasil Brasília, dezembro de 2006 Edições MEC/UNESCO Presidente da República Luiz Inácio Lula da Silva Ministro da Educação Fernando Haddad Ministro da Cultura Gilberto Gil Secretário-Executivo do Ministério da Educação José Henrique Paim Fernandes Secretário de Educação Continuada, Alfabetização e Diversidades Ricardo Henriques Presidente da Funarte Antonio Grassi SECAD - Secretaria de Educação Continuada, Alfabetização e Diversidade Esplanada dos Ministérios, Bl L, sala 700 Brasília, DF, CEP: 70097-900 Tel: (55 61) 2104-8432 Fax: (55 61) 2104-8476 Organização das Nações Unidas para a Educação, a Ciência e a Cultura Representação no Brasil SAS, Quadra 5, Bloco H, Lote 6, Ed. CNPq/IBICT/UNESCO, 9º andar 70070-914 - Brasília - DF - Brasil Tel.: (55 61) 2106-3500 Fax: (55 61) 3322-4261 Site: www.unesco.org.br E-mail: [email protected]. Trajetória e Políticas para o Ensino das Artes no Brasil: anais do XV Confaeb XV Congresso Nacional da Federação de Arte-Educadores do Brasil FAEB © 2006. Secretaria de Educação Continuada, Alfabetização e Diversidade (Secad) e Organização das Nações Unidas para a Educação, a Ciência e a Cultura (Unesco) Conselho Editorial da Coleção Educação para Todos Adama Ouane Alberto Melo Célio da Cunha Dalila Shepard Osmar Fávero Ricardo Henriques Coordenação Editorial Coordenadora Maria Adelaide Santana Chamusca Assistente Shirley da Luz Villela Produção e edição final: Editorial Abaré Revisão: Tereza Vitale e equipe Diagramação: Rogério Pinto Tiragem: 5.000 exemplares Dados Internacionais de Catalogação na Publicação (CIP) (Câmara Brasileira do Livro, SP, Brasil) Congresso Nacional da Federação de Arte-Educadores do Brasil (15.: 2004 : Rio de Janeiro, RJ) XV CONFAEB, 2004 : trajetória e políticas do ensino de artes no Brasil. -
Young-Art-Catalogue-2016 06-1.Pdf
A DIFFERENT VIEWPOINT Tuesday 26 April – Friday 29 April Royal College of Art YOUNG ART 2016 Every child is an artist. The problem is how to remain ONCE A STAIRCASE. an artist once he grows up. NOW A STROLL —Pablo Picasso THROUGH HISTORY. As your home becomes more important, CONTENTS so does your insurer. A Year to Remember 2 A Different Viewpoint 3 About Young Art 4 Welcome 5 Thank You 7 Behind the Microscope 8 Dr Tessa Kasia A Word from the Rector 11 Dr Paul Thompson Young Art in Schools 14 Sir Christopher Frayling 16 Meet the Judges 18 A Day in the Life of a Framer 39 Silent Auction 40 Quiz 42 Acknowledgments 62 Catalogue compiled and edited by Maria Howard Home Insurance with contributions from Kate Dilnott-Cooper and India Jaques. Design by Clover Stevens. hiscox.co.uk Artwork photography by Charlie Milligan Cover by Nick Goodwin 1 Hiscox Underwriting Ltd is authorised and regulated by the Financial Conduct Authority. 15740 04/16 YOUNG ART 2016 A YEAR TO REMEMBER Last year we celebrated the 25th anniversary of the first Young Art exhibition by raising £89,200 for Cancer Research UK. With a record number of 8,300 entries submitted and 760 on display at the Royal College of A DIFFERENT VIEWPOINT Art, it was an exceptional showcase of children’s art. Tuesday 26 April – Friday 29 April Royal College of Art Everyone at YA would like to say an Kensington Gore, London SW7 2EU enormous thank you to all the people who made it happen – exhibitors, teachers, schools, parents, judges – Featuring works donated by leading contemporary artists and all our supporters who gave so and Royal Academicians, supporting Cancer Research UK generously to such an important cause. -
Re-Framing the Theatrical
Re-Framing the Theatrical By the same author PERFORMING WOMEN: Stand-Ups, Strumpets and itinerants DEVISING THEATRE THE POTENTIALS OF SPACES Re-Framing the Theatrical Interdisciplinary Landscapes for Performance Alison Oddey © Alison Oddey 2007 Foreword © Colin Wiggins 2007 Softcover reprint of the hardcover 1st edition 2007 978-0-230-52465-1 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted * save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London Wl T 4LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted her right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2007 by PALGRAVE MACMILLAN Houndmills, Basingstoke, Hampshire RG21 6XS and 175 Fifth Avenue, New York, N.Y. 10010 Companies and representatives throughout the world PALGRAVE MACMILLAN is the global academic imprint of the Palgrave Macmillan division of St. Martin's Press, LLC and of Palgrave Macmillan Ltd. Macmillan® is a registered trademark in the United States, United Kingdom and other countries. Palgrave is a registered trademark in the European Union and other countries. ISBN 978-1-349-35708-6 ISBN 978-0-230-59072-4 (eBook) DOl 10.1057/9780230590724 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. -
Inventário Do Acervo Bibliográfico
GOVERNO DO ESTADO DE SÃO PAULO SECRETARIA DE ESTADO DA CULTURA UNIDADE DE PRESERVAÇÃO DO PATRIMÔNIO MUSEOLÓGICO INVENTÁRIO DO ACERVO BIBLIOGRÁFICO Nº de patrimônio Nº de registro Denominação/título SEC 1 4229 Grand dictionnaire universal 2 4230 Grand dictionnaire universal 3 4231 Grand dictionnaire universal 4 4232 Grand dictionnaire universal 5 4233 Grand dictionnaire universal 6 4234 Grand dictionnaire universal 7 4235 Grand dictionnaire universal 8 4236 Grand dictionnaire universal 9 4237 Grand dictionnaire universal 10 4238 Grand dictionnaire universal 11 4239 Grand dictionnaire universal 12 4240 Grand dictionnaire universal 13 4241 Grand dictionnaire universal 14 4242 Grand dictionnaire universal 15 4243 Grand dictionnaire universal 16 4244 Grand dictionnaire universal 17 4245 Grand dictionnaire universal 18 4246 Larousse du XXº siècle 19 4247 Larousse du XXº siècle 20 4248 Larousse du XXº siècle 21 4249 Larousse du XXº siècle 22 4250 Larousse du XXº siècle 23 4251 Larousse du XXº siècle 24 4252 Grand mémento Larousse 25 4253 Grand mémento Larousse 26 4254 Dizionario delle arti 27 4255 Diccionario de artistas plasticos de la Argentina 28 4256 Dictionnaire critique et documentaire des peintres, esculteurs, dessenateurs et graveurs 29 4257 Dictionnaire critique et documentaire des peintres, esculteurs, dessenateurs et graveurs 30 4258 Dictionnaire critique et documentaire des peintres, esculteurs, dessenateurs et graveurs 31 4259 Dictionnaire critique et documentaire des peintres, esculteurs, dessenateurs et graveurs 32 4260 Dictionnaire -
Memory and Identity Programme Thy Kingdom Come Services and Music
May/June 2017 £1.50 Xxxx Memory and Identity Programme Thy Kingdom Come Services and Music SALISBURY CATHEDRAL NEWS May/June 2017 1 Contents Foreword Contents The Anglican household of faith is a global community represented across 38 provinces in 164 countries and with 80 million followers. Foreword 2 – 3 Salisbury Cathedral is one of the best-known images of our Communion. I lost count of the Memory and Identity 4 – 5 number of people in California who wished to tell News and Events 5 – 6 me that either they had wonderful memories of Music Scheme I – X visiting here or that Salisbury was top of their In Residence X ‘bucket list’. News and Events 11 Organ Recitals 11 Similarly, we were able to speak to them of the 'Dispersing the Night' 12 USA Tour Reflection bonds of affection which we share within our Anglican inheritance and, in addition, experience News and Events 13 – 15 About once every couple of years our musicians enthusiasm the history, architecture, treasures and a world of digital, innovative life which many of us Amnesty International 16 go on ‘choir tour’ when they take our repertoire contemporary life of our Cathedral. Through their only know through Google, Apple or Facebook. Friends’ Update 16 of sacred music to a community where we have generosity, and the support of Stanford and the Outside View 17 existing links or which will welcome the mix of churches in Menlo Park, we were able to construct Never before had we toured in the USA with both Contacts 17 concerts and services we can offer. -
Christopher Le Brun CV
Sir Christopher Mark Le Brun Lives and works in London, UK 1974–75 MFA, Chelsea School of Art, London, UK 1970–74 DFA, Slade School of Fine Art, London, UK 1951 Born in Portsmouth, UK Selected Solo Exhibitions 2021 ‘Christopher Le Brun: A Sense of Sight, Abstract Works, 1974-2020’, Red Brick Art Museum, Beijing 2020 ‘Figure and Play’, Albertz Benda, New York, USA 2019 ‘Diptychs’, Lisson Gallery, Shanghai, China 2018 ‘Composer’, Southampton City Art Gallery, Southampton, UK ‘New Painting’, Lisson Gallery, London, UK ‘Dualities’, Wolfson College, Cambridge, UK 2017 ‘Now Turn the Page’, Arndt, Berlin, Germany ‘Composer’, Albertz Benda, New York, USA ‘Composer’, The Gallery at Windsor, Vero Beach, USA 2016 ‘New Paintings’, Arndt, Singapore 2015 ‘Colour’, Colnaghi, London, UK 2014 ‘New Paintings’, Friedman Benda, New York, USA 2011 ‘Five Symbolic Images: Bronze and Plaster Sculptures by Christopher Le Brun’, One Canada Square, London, UK ‘Watercolours’, Abbott & Holder, London, UK ‘Recent Work’, Galleri J. Aasen, Ålesund, Norway 2010 ‘Twenty Drawings’, Abbott & Holder, London, UK ‘The Distance: New Painting and Sculpture’, New Art Centre, Wiltshire, UK ‘Dream, Think, Speak: Christopher Le Brun’, Thomas Deans Gallery, Atlanta, USA 2009 ‘Landscapes’, Hohenthal und Bergen, Berlin, Germany 2008 ‘Christopher Le Brun’, The New Art Gallery, Walsall, UK ‘Fifty Etchings 2005’, Fitzwilliam Museum, Cambridge, UK 2005 ‘Lichfield Arts Festival’, Lichfield Cathedral, Lichfield, UK ‘Drawings’, Hilsboro Fine Art, Dublin, Ireland 2004 ‘The Given: Paintings and Watercolours 2000-2004’, Marlborough Chelsea, New York, USA 2003 ‘Venice Pictures’, Galleria Sotoportego, Venice, Italy ‘Venice Pictures’, Marlborough Graphics, London, UK ‘The Motif is Painting Itself’, Galerie Fortlaan 17, Ghent, Belgium 2002 ‘Christopher Le Brun’, Galleri Christian Dam, Copenhagen, Denmark 2001 ‘Works on Paper’, University Gallery, University of Northumbria, Newcastle, UK; Galleri J. -
Sheffield Heritage Trail
On top of all the sights and sounds that have survived from the past in the city centre, there are countless fascinating stories to discover in what has been preserved at various museums across Sheffield – whether your interest lies in industrial, social or natural history. Industrial history Social history Natural history More info Start with Kelham Island Museum for a Dating back to 1937, when it opened as Sheffield Nowhere in Sheffield is so packed with curiosities Kelham Island Museum / Shepherd Wheel / comprehensive account of the people and the City Museum and Mappin Art Gallery, Weston of nature as the Alfred Denny Museum. Primate Abbeydale Industrial Hamlet power behind Sheffield’s industrial progress. Park Museum traces a timeline of Sheffield’s skeletons grin in glass cabinets, amphibians simt.co.uk Be wowed by the mighty River Don Engine, social history as well as leading visitors on suspended in formaldehyde line the shelves, and learn about little mesters, buffer girls and expeditions into further flung parts of the world. fossils fill chests of drawers, and a cross- Hawley Collection women of steel. (Pay a visit to the women of Learn about the miners’ strike, Park Hill flats and sectioned dolphin sits on the windowsill. Named hawleytoolcollection.com steel statue in front of the City Hall too, and look the Great Sheffield Flood, before putting on a after the University of Sheffield’s first professor Metalwork Collection / Weston Park Museum out for surviving signs of little mesters in places furry coat and exploring the Arctic with Snowy of zoology, the museum dates back to 1905 but / Ruskin Collection like Arundel Street – these craftspeople tended the polar bear. -
Modern British and Irish Art Montpelier Street, London | 16 September 2020
Modern British and Irish Art Montpelier Street, London | 16 September 2020 Modern British and Irish Art Montpelier Street, London | Wednesday 16 September 2020, at 1pm BONHAMS BIDS ENQUIRIES IMPORTANT INFORMATION Montpelier Street +44 (0) 20 7447 7447 Janet Hardie The United States Government Knightsbridge +44 (0) 20 7447 7401 fax Specialist has banned the import of ivory into London SW7 1HH [email protected] +44 (0) 20 7393 3949 the USA. Lots containing ivory are www.bonhams.com [email protected] indicated by the symbol Ф printed To bid via the internet please beside the lot number in this visit www.bonhams.com Catherine White catalogue. VIEWING Junior Cataloguer Sunday 13 September Please note that bids should be +44 (0) 20 7393 3884 REGISTRATION 11am -3pm submitted no later than 4pm [email protected] IMPORTANT NOTICE Monday 14 September on the day prior to the auction. Please note that all customers, 9am- 4.30pm New bidders must also provide PRESS ENQUIRIES irrespective of any previous activity Tuesday 15 September proof of identity when submitting [email protected] with Bonhams, are required to 9am-4.30pm bids. Failure to do this may result complete the Bidder Registration Wednesday 16 September in your bids not being processed. Form in advance of the sale. The CUSTOMER SERVICES 9am - 11am form can be found at the back of Bidding by telephone will only be Monday to Friday every catalogue and on our website Viewing is by timed appointment accepted on a lot with the lower 8.30am – 6pm at www.bonhams.com and should only, please contact Catherine estimate in excess of £500. -
Rogers Jones &
Rogers Jones & Co. The Auction Rooms 17 Llandough Trading Estate The Welsh Sale in Cardiff - 300 works of art from Wales Penarth Road Cardiff CF11 8RR Started 06 Jul 2013 11:00 BST United Kingdom Lot Description After E MEIRION ROBERTS caricature of the Llanelli Rugby Team commemorating their victory over New Zealand in 1972, bearing a 1 Welsh poem by Dick Jones, 13 x 16.5 ins. After SIR KYFFIN WILLIAMS RA Artist`s Proof; Snowdonia cottage, signed fully in pencil, 15.5 x 21.5 ins (39 x 54 cms), (Provenance: 2 gifted by the artist to the late Mr William `Bill` Lloyd Williams, his gardener, and by descent). 3 After SIR KYFFIN WILLIAMS RA Limited Edition (72/150) print; portrait of Norma Lopez, signed fully in pencil, 14 x 10 ins (36 x 25 cms). After SIR KYFFIN WILLIAMS RA Limited Edition (82/150) linocut print; a walking farmer wearing overcoat and with crook, signed with 4 initials, 19.75 x 11 ins (50 x 28 cms). After SIR KYFFIN WILLIAMS RA Limited Edition (22/50) linocut print; a farmer with crook struggling up a hill, signed fully in pencil, 9 x 5 12.5 ins (23 x 32 cms). After ANEURIN JONES coloured print; two farmers in conversation with their dogs at their side , signed fully in pencil, 22.25 x 15.5 ins 6 (15 x 39 cms). SIR KYFFIN WILLIAMS RA framed poster; depicting a farmer on a hillside in a storm (produced for Royal Welsh Agricultural Society), 7 22.5 x 17 ins (57 x 43 cms). -
Annual Report 2017−2018
ROYAL COLLECTION TRUST ANNUAL REPORT REPORT COLLECTION TRUST ANNUAL ROYAL 2017−2018 www.royalcollection.org.uk ANNUAL REPORT 2017−2018 ROYA L COLLECTION TRUST ANNUAL REPORT FOR THE YEAR ENDED 31 MARCH 2018 www.royalcollection.org.uk AIMS OF THE ROYAL COLLECTION TRUST In fulfilling The Trust’s objectives, the Trustees’ aims are to ensure that: ~ the Royal Collection (being the works of art ~ the Royal Collection is presented and held by The Queen in right of the Crown interpreted so as to enhance public and held in trust for her successors and for the appreciation and understanding; nation) is subject to proper custodial control and that the works of art remain available ~ access to the Royal Collection is broadened to future generations; and increased (subject to capacity constraints) to ensure that as many people as possible are ~ the Royal Collection is maintained and able to view the Collection; conserved to the highest possible standards and that visitors can view the Collection ~ appropriate acquisitions are made when in the best possible condition; resources become available, to enhance the Collection and displays of exhibits ~ as much of the Royal Collection as possible for the public. can be seen by members of the public; When reviewing future plans, the Trustees ensure that these aims continue to be met and are in line with the Charity Commission’s general guidance on public benefit. This Report looks at the achievements of the previous 12 months and considers the success of each key activity and how it has helped enhance the benefit to the nation. -
Contemporary Art Society Report 1934-1935
CONTEMPORARY ART SOCIETY REPORT 1934-1935 THE CONTEMPORARY ART SOCIETY For the Acquisition of Works of Modern Art for Loan or Gift to Public Galleries President: LORD HOWARD DE WALDEN Treasttrer and Chairman: SIR C. KENDALL-BUTLER, K.B.E. Bourton House, Shrivenham Honorary Secretary : LORD IVOR SPENCER-CHURCHILL 4 John Street, Mayfair, W. 1 Committee : SIR C. KENDALL-BUTLER, K.B.E. (Chairman) Lord Balniel, M.P. Edward Marsh, C.B., C.M.G., Muirhead Bone C.V.O. Samuel Courtauld Ernest Marsh Sir A. M. Daniel, K.B.E. The Hon. Jasper Ridley Campbell Dodgson, C.B.E. Sir Michael Sadler, K.C.S.I., C.B. A. M. Hind, O.B.E. Earl of Sandwich St. John Hutchinson, K.C. Montague Shearman J. Maynard Keynes, C.B. Lord Ivor Spencer-Churchill J. B. Manson C. L. Stocks, C.B. Assiffant Secretary: Mr. H. S. EDE I THF. BLUE BARGE, WEYMOUTH Richard Eurich REPORT THIS Report of the activities of the Society during the past two years is circulated in the hope that it may encourage members to talk about the Society, and make it widely known amongst their friends. In these days of economy, when people hesitate to spend much on pictures, it should at least be possible for them, if they are interested in art and artists, to spend a guinea on becoming a member of the Society. By so doing, they would be helping to acquire works of art to be given eventually to the Nation's public galleries, and at the same time they would be assisting artists. -
National Contemporary Art Gallery Wales: Preliminary Feasibility Study
National Contemporary Art Gallery Wales Preliminary Feasibility Study & Options Appraisal July 2018 Client: Museums, Archives and Libraries Division (MALD), Welsh Government Event Authors: Lucie Branczik and Becky Schutt Revision no: 02 Date: July 2018 Event Communications Ltd India House 45 Curlew Street London SE1 2ND +44 (0) 20 7378 9900 [email protected] www.eventcomm.com © Event Communications Ltd 2018 The right of Event Communications Ltd to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patent Act 1988. Front cover: Laura Ford, Cardiff Contemporary Festival Source: Laura Ford Contents Executive Summary 7 Appendices 1. Introduction 17 Appendix 1: Consultation List 138 2. Findings and Opportunities 23 Appendix 2: Site Visits 140 Contemporary Art in Wales 25 Appendix 3: Bibliography 142 Supply: Visual and Applied Arts Ecology 30 Appendix 4: List of Figures 144 Demand: Audiences 51 Appendix 5: The Market 147 Key Contexts 61 Appendix 6: Longlist Options 155 Sector Ambition 86 Appendix 7: Vision and Mission Examples 227 3. Purpose and Vision 91 4. The Options 97 5. Recommendations 103 6. Details of the Model 119 7. Recommended Next Steps 131 “In Britain, whenever people come across something new and exciting, but challenging, there is a tendency for them to run for cover, to want what they know and are comfortable with. To design a great new building takes courage on everyone’s part. I think we have a lot more explaining to do.” Zaha Hadid, 1995 Jonathan Glancey, “A monumental spot of local trouble” (The Independent, Jan 1995) 5 Kelly Best, Installation View.