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Girolamo Frescobaldi Aria Detta La Frescobalda

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Girolamo Frescobaldi Aria Detta La Frescobalda Girolamo Frescobaldi 1583 - 1644 Aria detta la Frescobalda Aus dem II. Buch der Toccaten, Canzonen ... (Rom 1637) für Gitarre bearbeitet von / arranged for Guitar by Thomas Königs Aria detta la Frescobalda Aus dem II. Buch der Toccaten, Canzonen ... (Rom 1637) Für Gitarre bearbeitet Girolamo Frescobaldi von Thomas Königs (1998) (1583-1644) Prima Parte CII 4 3 3 3 3 3 4 4 4 4 2 0 0 # Ó œ œ œ œ ˙ ˙ ˙ œ œ œ œ 0 # c 1 w 1 ˙ ˙ 1wŒ œ ˙# ˙ œ œ œn œ V 2 w 0 w w 1 w ˙ 1 ˙ œ w w ˙# œ 2 ˙n ˙ 3 ˙ w ˙ . œ ˙ 1 4 4 2 3 1 4 Ó j 0 œ œ. œ œ œ # œ œ œ 0 œ ˙ wœ. œ œ œ # 2 œ œn É . J ˙ V 3 w œ ˙˙ ˙ . Œ ˙ w œ w ˙ 1 ˙ ˙ w ˙n . ˙ ˙ 2 0 4 4 4 3 0 2 U # #˙ 3 3 œn 1 œ 2 œ# ˙ ˙ 3 ˙ á # ˙ ˙œ 4 1 œ œ œ œ œ ˙ œ á V œ 2 œ# œ 1 œ 1œ ˙ á w ˙ œ ˙n œ w á Ó á Seconda Parte 4 4 3 3 3 # œ œ œ œ 0 œ ˙. ˙. œ ˙ # 6 2 œ œ œ œ œ œ œ ˙. ˙. V 4 1 ˙. œ œ œ ˙. ˙. ˙. ˙# . œ œn œ ˙. ˙. œ œ œ 4 3 Œ 0 Œ œ # ˙. ˙. ( ) 0 0 ˙. # ˙n . ˙. ˙# œ 0 œ œ 1 œ œ3 œ V 2 Œ œ ˙ œ 1 ˙. 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J 3 Œ á www.thomaskoenigs.de 4 Quarta Parte 3 3 # ‰ œ œ œ # c œ œ œ œ œ œ ˙ œ ˙˙# œ V ·˙ œ· œ œ œ œ œ œ œ ‰ œ œ CVII CIII II 4 1 0 2 2 4 3 2 3 j œ 2 # œ ˙ œ œ œ œ ˙ ‰ œ œ0˙ # œ œ œ œ œ œ ˙n ˙œ œ# ‰ œn œ œ ˙ œn ˙ V œ œ œ œ œ œ œ œ ˙ É ˙ œn œ œ œ ˙ Œ œ ˙ ‰ œ œ œ ˙ œ 3 ½ CII ½ CIII 2 0 œ 0 # 1œ œ 3 œ # ˙ œ ˙n˙ œ œ œn 4 0 ˙ . V ‰ œ œ 0 œ. œ œ œ œ 0 ˙ . ˙n œ œ œ œ w J 1 ˙ ()‰ ˙ CIII CV ½CII 4 2 2 1 2 4 3 2 ‰ œ œ œ œ ˙ œ œ œ œ 0 2 # ˙ 2 œ œ œ œ œ œ V # ()˙ œ ‰ œ œ œ œ œ œ œ œ ˙ 1 ()˙ ‰ œ œ œ œ 2 4 ˙ œ œ CIV II CIV 1 4 0 É 4 3 2 0 4 0 2 0 œ 0 œ œ # 1 œ œ. œ# œ # œ# œ 2 œ 2 œ œ aœ œ œ œn V ‰ œ œ ŒŒ 2 3 œ œ œ#œ 1 ‰ J J ˙ œ œ ˙# ˙ 4 3 2 2 0 0 0 2 4 # œ ˙ j ˙ 2 œ œ á # œ œ œ œ 1 ‰ 4 ˙ œ# œ œ œ œ á V Œ 3 œ œ œ œ œ œ œ ˙ #á œ œ ˙n œ œ ˙ ˙ á œ œ á www.thomaskoenigs.de 5 Quinta Parte: Corrente # œ œ. œ œ œ ˙. ˙ œ # 3 Ó ~~~~~~~ ˙ Œ œ œ V ˙. ˙# ˙. œ œn rasg.. Œ CII 2 4 j 3 j ## ˙. #˙. œn . œ œ œ ‚ œ œ V œ ˙œ ˙Œ. œ Œ œ œ ˙œ. œ œ ˙n . œ ˙ œ ˙. É . 3 Œ Ÿ( ) 2 0 j 2 # 4 œ œ œ ˙ 3 œ œ œ. œ ˙ # ˙nœ. 1 œ . 2 œ ˙ ˙ ˙ . V É œ ˙ 1 ˙ ˙ Œ œn œ œn ˙ rasg. É 4 Œ 2 ( ) 0 2 œ œ # 0 œ ˙. ˙ œ 3 œ# # ~~~~~~~ . œn œ# V ˙. œ ˙˙ 3 3 ˙œ ˙ œ ˙. ˙ œ Œ Œ œ . ˙. Ó. Œ Œ ˙ CII 2 2 2 4 2 4 j œ 3 . 3 # œ œ ˙#˙. œ. œ œ œ 4 1 # 0 1 œ œ 4 V 1 œ œ œ œ 0 3 Œ ˙ 0 œ œ ˙ œ Œ œ œ ˙# . œ 4 (Ÿ) # 2 3 œ ˙œ. á # 2 ˙ 3 œ ˙˙# . œ# œ œ á V œ œ 3 1 #á œ œ œ œ 2 ˙ á œ œ œ á www.thomaskoenigs.de Sämtliche Fingersätze und Zeichen All fingerings and indications sind internationaler Standard. confirm with international standards. Die Erklärung der folgenden Zeichen Explanation of the following signs mag für den Spieler von Nutzen sein: may be useful: „Kipp - barré“, d. h. der erste Finger „Hinge - barré“, first finger forms geht in barré - Stellung, greift die the barré pressing the first string erste Saite mit dem Fingeransatz, leaving the first finger in the air so ragt aber in die Luft, so daß fast alle that most of the open strings can be anderen Saiten leer gespielt werden played. This technique should be können. Sinnvoll ist diese Technik used especially in preparation for a vor allem als barré - Vorbereitung, barré or immediately after one. bzw. kurz danach. Bindung - erzeugt durch die linke LH - hammer on or pull off. Hand. Flageolettöne werden mit Harmonics are shown by a diamond viereckigen Notenköpfen in der shaped note-head at their true pitch. richtigen Tonhöhe angezeigt. (5) Bundangabe. Fret indication. _ i apoyando Edition Koenigs: Manuel de Falla (1876-1946): HOMENAJE Le Tombeau de Claude Debussy Manuel de Falla (1876-1946): Danza Del Molinero Agustin Barrios Mangoré (1885-1944): La Catedral Albert Roussel (1869-1937): Segovia, op. 29 Edward Elgar (1857-1934): Salut d'Amour Erik Satie (1866-1925): Trois Gymnopédies (N° 1, 2 und 3) Erik Satie (1866-1925): Trois Gnossiennes (N° 1, 2 und 3) Erik Satie (1866-1925): La Diva de l'Empire (Intermezzo Américain) Erik Satie (1866-1925): Je te veux (Valse) Erik Satie (1866-1925): La Diva de l'Empire Claude Debussy (1862-1918): Trois préludes ...Danseuses de Delphes ...La fille aux cheveux de lin ...La sérenade interrompue Isaac Albéniz (1860–1909): Granada (N° 1 aus "Suite Espagnole", op. 47) Isaac Albéniz (1860–1909): Sevilla (N° 3 aus "Suite Espagnole", op. 47) Isaac Albéniz (1860–1909): Serenata española, op. 181 (auch bekannt als Cadiz aus der "Suite Espagnole", op. 47) Isaac Albéniz (1860–1909): Rumores de la Caleta (N° 6 aus 'Recuerdos de Viaje' op. 71) Isaac Albéniz (1860–1909): Prélude, op. 232 N° 1 (Besser bekannt als Asturias der Suite española op. 47) Enrique Granados (1867-1916): Danza española N° 10 Enrique Granados (1867-1916): Danza española N° 3 Enrique Granados (1867-1916): Danza española N° 12 Enrique Granados (1867-1916): La maja de Goya Francisco Tárrega (1852-1909): El Carneval de Venezia Julian Arcas (1832-1882): Fantasia para guitarra sobre motivos de la opera Traviata de Verdi Giulio Regondi (1822-1872): Introduction et Caprice op. 23 Robert Schumann (1810-1856): Album für die Jugend, op. 68 Robert Schumann (1810-1856): Träumerei Matteo Carcassi (1792-1853): Leichte Stücke für Gitarre Frédéric Chopin (1810-1849): Six préludes op. 28 N° 2,3,4,6,7,22 Frédéric Chopin (1810-1849): Valse in a-moll KK IVb Nr. 11 Felix Mendelssohn-Bartholdy (1809-1847): Lied ohne Worte (Venetianisches Gondellied), op. 19 B N° 6 Felix Mendelssohn-Bartholdy (1809-1847): Lied ohne Worte, op. 53 N° 1 Felix Mendelssohn-Bartholdy (1809-1847): Canzonetta, aus op. 12 N° 1 Niccolò Paganini (1782-1840): Grand Sonata in A Niccolò Paganini (1782-1840): Caprice N° 24 Fernando Sor (1778-1839): Grand Solo op. 14 Fernando Sor (1778-1839): Fantaisie op. 30 Mauro Giuliani (1781-1829): Le Rossiniane N° 1 op. 119 Mauro Giuliani (1781-1829): Sonate brillant op. 15 www.editionkoenigs.de Joseph Haydn (1732-1809): Sonata Hob. XVI:28 Ludwig van Beethoven (1770 - 1827): Adagio aus "Sonata quasi una Fantasia", op. 27 Nr. 2 (Komponiert 1801) Besser bekannt als 'Mondscheinsonate' Luigi Boccherini (1743-1805): Menuett aus dem Streichquintett op. 11 Nr. 5 Wolfgang Amadeus Mozart (1756-1791): Adagio aus Sonate in F KV 332 Ernst Gottlieb Baron (1696-1760): Suite in a Georg Friedrich Händel (1685-1759): Lascia ch'io pianga, Aria aus der Oper 'Rinaldo' Georg Friedrich Händel (1685-1759): Courante e due Menuetti Georg Friedrich Händel (1685-1759): Menuetto, aus dem Oratorium "Samson" Georg Friedrich Händel (1685-1759): Suite in d HWV 437 Silvius Leopold Weiss (1686-1750): Fantasie d-moll (Original c-moll) Silvius Leopold Weiss (1686-1750): Passacaglia Silvius Leopold Weiss (1686-1750): Suite "L'Infidèle" Silvius Leopold Weiss (1686-1750): Tombeau sur la Mort de Mr.
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